Learn straight from the jazz legends through transcription and analysis.
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I just fookin love Dean. Fly free my man.
Homie found all the worst chords...and put "em all in the same song haha (Edited a typo)
Hey, i signed up and couldn't find this transcription on the site.
amazing solo!
One of the all time best guitar players and a genuinely humble person. I love both of his albums Big Sky and Dark Matter, bought it with his signatures on it along with the instructional.
this sounds horrible, who even likes this ?
What is this title😂
0:23
Gênios trabalhando...
Did He play The Lick?
0:24
Can’t remember a time I’ve heard him play on and below the staff. Nice playing!
OMG! This is the pinnacle of jazz.
this doesn't sound so bad
This sounds like it shouldn’t sound amazing
Superbe musique, Super Sax etc…
Fantastic Arturo
i did not know that steve jobs was so good at sax
Two more quotes: "Signal" by Jimmy Raney and Stan Getz at 0:38, and "I Love You" by Cole porter at 2:50. The latter may have been a message by Paul to the audience, which was very responsive and appreciative of what they were hearing.
Thanks you, amazing! The first one I didn't know, so incredible catch, pretty specific. The Cole Porter tune I do know, but to be honest, I can't really hear the melody of that back at 2:50 See my response to your other comment, but I really would love to enlist as much Desmond quotes as possible and put that on a website for people to find, just like there is an amazing webpage like that for Bird Thanks again for the great Desmond content you have on your channel. I've listenend many times to that and learned a lot from your additional info
The 64 bars from about 1:08 to 2:07 are missing from every issue of this recording since 1956, when the first 12" LP was released by Fantasy. They appeared only on the very first issue, the 10" Fantasy LP, in 1953 or 1954. Very few people know about this. How did you find out about this fact?
Hi there, thanks so much for commenting here, I've found your channel a tremendous recource for great Desmond material! I heard about the cut out material by reading it in Doug Ramsey's biograpgy about Desmond and found it by deliberate search on the web. The audio is poor of course, but the lines left out otherwise are amazing. I would love to pick your brain about all the amazing knowledge you have about Desmond, certainly quite some of him quoting things. I'm not recognizing a lot of that and you do a terrific job. I want to gather and list these quotes and put it on a website for Desmond very much like someone did for Bird already, like this www.chasinthebird.com/quotes_e.html Would love to get in touch directly. [email protected] or [email protected] , if you feel like talking Desmond some more. I'll be publishing many more Desmond transcriptions and other related videos soon /Jorre
@@SharpElevenMusic Thanks for the amazing work you are doing! Fabulous idea about the list of quotes and I'll be more than happy to help. But my "spare" time is very limited now. Ramsey's Desmond Biography does not mention the missing 64 bars. But I pointed this out to him quite a while ago in his blog and he asked Dave Brubeck about it, who was mystified. To whet your appetite, I talked to Paul twice, the 2nd time at the intermission of a DBQ concert in 1965. I grew up in Oberlin, and introduced myself by showing him my membership card in the Oberlin Jazz Club. We talked about that concert. He made me feel like an old friend he had known all his life. I asked if they took requests and he said Yes so I mentioned "For All We Know" which the group played as the first tune of the 2nd half. Ramsey's book makes clear that was one of Paul's favorite tunes. He used the changes for his tune "Wendy". Now here's your challenge. How many times did Paul quote, on recordings, the main theme from the Third Movement of the Debussy String Quartet (IMO one of the most beautiful compositions in existence). Hint: One occurred at Oberlin in 1953.
I met Arturo in Seattle and he was so kind he signed my Arbans trumpet book.❤❤❤
Jazz = dominant seventh and tritone
These comments are fuckin lit😂🤘
This sounds like my buddy groping for the chord thats actually diatonic to the key he'd like to be in
What
Branford Marsalis, fenomenal!
Hip version of "On Braodway". Same key. Glad to see MonoNeon is playing more in groove.
Don't cut off the song Man, there's other artists in the room.
Nice they got louis ck on drums
Is there a pdf of the entire thing?
Echoes of Clifford Brown❤
Many issues. Your notation is mostly incorrect, it's not what's been played. If you think it was, then you should listen how trumpet works. Then the trumpeter has issues with his instrument; he is too old for it. Trumpet is difficult after certain age. Many intonation issues with bop phrasing above high E, and bop is not his forte. He appears as if forced into this, then instead of playing alternative melody line, he plays many chromatic harmonic passages that sound percussive as if piano would play, to cram in more material than what's necessary. But the piano, plays nothing worth mentioning. And as expected, overdoing on trumpet loses on tempo. Sounds sad. Who arranged this? Some should step on that person's foot.
this has to be rage bait
@@benevans9897 Nope. It is called criticism; music without criticism becomes nonsense. You can ignore what I said, but I qualified my statements and I can go over each line, one by one, and explain in detail. For example, if you did not hear the trumpeter has intonation problems above certain notes, then you're deaf.
good job buddy
@@zvonimirtosic6171 I'd imagine the intonation problems are due to being unsure if the note would fit in the context, as Arturo most definitely does not have issues when it comes to intonation in a vast majority of his range, as proved by the fact that he is known for playing high notes well
@@therearebeesinmyeyesplease9650 Don't fall for this absolute jazz troll 😂
I once wrote a computer program that just played a heap of random notes. It sounded exactly like this
not familiar with this guitarist, is he holding a pick with his index finger or just doesn’t use it when he plays?
Still preferred the Farmers Market version.
This dude is full of shit.
Monk a musical genius! The sax solo is so fluid and graceful, and his improvisational skills are incredible. This is a unique and beautiful musical tapestry that is both complex and accessible.
Great channel. THANK YOU!
Thanks Jeff!
When I met Arturo he said he wished instead of being asked how he plays so high, people would ask how to play pretty.
Suffering from success
You mean, High Notes.....or he blazes before blasting the trumpet? That would be funny to see.... Sorry bad joke....
I don't play trumpet, so all I'm gathering from this is how to play pretty 😎
@JUANS3F Worked for Louis Armstrong! Weed and laxative tea before every show
It alternates between amazing and horrendous.
Ummm... That's not how you play Wonderwall.
yeah cool so here is the G chord
This one's called "farting about".
0:55 his 'A Night in Tunisia' El Licc 1:09 'Honeysuckle Rose' 1:46 "Don't count stars or you might stumble"
The maestro Dr Sandoval showing exactly how it should be done. Fuego!
RIP Zane Musa
I love me some tight knit bebop lines like that. Can you dig it? So nice.
Amazing. The sax chorus next to it is great as well.
I know, incredible! Rip
Every solo on this recording was fire, highkey. Arturo's solo was just next level because I never knew he could play like this.
On my piano it seems like the transcription is up by a whole step, is that related to some concert instrument notation thing that I'm not familiar with? or is my piano just out of tune lmao
Because the transcription is written for Bb instruments, whereas the piano is a C instrument 😊
@@thierrynathan5366 Ok I've never known the difference, thanks for explaining. How strange
@@strat1227 its so people like me can play along, apart from the last part xD still slowly practicing those runs
Bflat trumpet
@@strat1227 different instruments are in different keys so the fingerings make the most sense with the notes