Thank you so much for this video. But now my question is; Can you oil out on an oil painting that has already been varnished with gamblin gamvar?
@tannersteedart2 күн бұрын
@creativemargie1 no, you need to remove the varnish to continue using oil.
@user-rt7jl3cs4b3 күн бұрын
Liquin is shit only idiots can use this shit for painting.
@darwilicious27476 күн бұрын
Great work
@isabeedemski363510 күн бұрын
All my old paintings on masonite have ruined corners and they cannot be transfered to another surface.
@tannersteedart10 күн бұрын
That's unfortunate.
@agnieszkab.806114 күн бұрын
For me using retouching varnish gives too glossy effect
@mathewfines872714 күн бұрын
How would you compare naples yellow, with titanium white unbleached?
@pureconfuzion14 күн бұрын
so beautiful
@vinodvagadurgi41416 күн бұрын
It's always a joy to see your video
@fogsmart17 күн бұрын
For archival I go for GAC100 as a sealer and cradled “Russian” Baltic Birch. Is it worth it? Check back with me in 200 years…
@christeenawad51117 күн бұрын
Hey thank you for taking the time to make this video! So i oil paint outdoors- i never spilt it before but i spilt some on som stone and also my hands... How do i properly remove it from my hands and from the ground? Did i jusy destroy myself lol
@garthok622418 күн бұрын
Hi, maybe it is too late but, I just want to point out that those masks are pretty bad to protect your lungs. You better buy a respirator mask for this job. Thanks for the video
@polarbearsrus698019 күн бұрын
Maybe a little bit bigger brush?
@dukerosendahl623525 күн бұрын
Thanks for this! Great info and we’ll explained 🎉
@catherinecheng533725 күн бұрын
Love your video. If I have multiple layers in one painting, Do I must use liquid original for all my layers? Can I only use liquin original only at the first layer? Thank you.
@borisbrkic343327 күн бұрын
its all fun and games until you try to paint a sky without having the blue u need, and you have the one that cant copy it.
@macavitymacavity126Ай бұрын
This was what I needed. Thx a lot.
@Name-ot3xwАй бұрын
Using the water-mixable oils I can confirm that my 37ml cadmium yellow almost lasted for 2x titianium white 200ml tubes. Same for ultramarine blue, cadmium red went a bit faster. I also like raw and burnt umber. Raw is nice for its greenish tint.
@LittleMew133Ай бұрын
There goes the brush
@kznsq77Ай бұрын
Thanks for the video, but I think that your shadows are dirty. The main trick here is to make transitions between lights and shadows warmth and orange/red. Because of subsurface scattering under the skin, we have such warm areas.
@SeverinBiedermanАй бұрын
2 year old video bud...
@boracoskunartАй бұрын
My english ıs not enough. You might had explained too. But i have a simple question. Can i use linseed oil and liquin together or not ? I want to give my oil pai tings deep effect , glossy, and glazing. I hope used correct words and thats what i meaned. Thank you
@tannersteedartАй бұрын
I think I understand. I would advize to use linseed over liquin. Never liquin over linseed.
@AliAhmed-mu3qz10 күн бұрын
Liquin is an Alternative to Linseed Oil Turpentine Combination.
@rochelleanngallowayАй бұрын
Tanner I like how you fold the corners! Just a suggestion I've seen from other artists who stretch paper over wooden cradle box or frame, which is to grab the middle of on side and pull up the paper to wrap on frame, then staple first at the middle of one side, repeat on the opposite side; then repeat this process on the perpendicular sides. No need to crease, keep pulling up/wrap/staple from middle till a couple inches from a corner, now fold/staple your corner and repeat on other 4 sides/corner. The paper will make it's own crease as it shrinks till dry and each side will be more evenly stretched. I've done this for my watercolor paper over a wooden box and have seen video tutorials to do this over a canvased frame or even an open frame. 🙂
@kayjay-kreationsАй бұрын
U said alizerin crimson but prior not to get that one
@tannersteedartАй бұрын
Get alizarin permanent, not alizarin crimson. The key is to get the permanent version.
@jumanas4012Ай бұрын
my fav. too ❤
@yingle6027Ай бұрын
Liquin is a fantastic medium although it used to irritate my throat so I stopped using it.
@ronniekincaid5107Ай бұрын
h0w do you get in touch rosemarry?
@tannersteedartАй бұрын
Go to Portrait Society or plein air conventions. Or rosemaryand Co's website
@smorningstern2 ай бұрын
Great video. Thank you! Can Liquin be used in the same way with W+N water soluble oils? I'm a beginner and trying these paints to avoid air contamination due to allergies/asthma of family members.
@donitafichter82982 ай бұрын
So….if I do a lean underpainting with say some type of solvent, then an oil layer(s) out of the tube, I can’t use a medium over that layer right? It’s already fat over lean right? But….can I glaze with oil paint mixed with linseed oil over oil out of the tube since I’m actually adding fat? Asks old confused lady. 😂
@user-cc3df1dc6e2 ай бұрын
WN whites currently have at least some zinc in them, which is problematic in any percentage if you concerned about permanence. The jury is still out on the percentage but it seems to be extremely small. (If not, disregard all that I have to say.) Permanent alizarin crimson with PR177 has an ASTM lightfast rating of I, but it depends on the particle size that is used by the manufacturer which the artist will not know. Test these paints in swatches (half of it covered to be unaffected by light) that are put into the sun for a few months and see for yourself beforehand. My samples showed a lightfastness of II or more and I do not use them for serious paintings but for studies and experiments. To make matters worse, (and I am hesitant to even mention it) the lightfastness of a color also depends on which white is used so that you cannot entirely depend on the ASTM lightfast ratings. See Trevor Ambrose's September 2023 article, "ASTM Lightfastness Testing in oil paints" in Golden Artist Color's blog, "Just Paint" in which 34 WB oil colors were tested with several whites and found that some lightfast ratings were changed when used in various whits, some better than others. As WB uses many of the same limited number of pigment manufacturers as other oil paint companies, the same may be true of them as well. You may need to adjust your whites according to the paint layer with titanium in safflower or linseed in the final layer depending on the pigments that you use. Check the charted lightfastness results in the article. Lead whites, which are superior for paint film strength and flexibility should be covered by the last layer. Otherwise, just enjoy the painting process and have fun with it. Thanks for your video and the work that you put into it.
@lrgege58542 ай бұрын
Damn outside air is harmful too, if you go crazy and sniff the truck exoust pipe. Just follow normal functions, don't eat it, don't sniff it.
@MelanieFromCanada2 ай бұрын
My professional artist introduced it to me when I started my career, and I refuse to run out of it.
@tomcantwell-uy4sv2 ай бұрын
Thankyou again, very nice and different approach!
@tomcantwell-uy4sv2 ай бұрын
Thankyou, finally someone who says painting outdoors instead of the " P" word!
@armandogavilan18152 ай бұрын
can I oil out with a mix of linseed oil and liquin? (the painting was done more or less with a similar mixture in the paint, used both mediums) thanks!
@tannersteedart2 ай бұрын
Yes. With a very small amount.
@armandogavilan18152 ай бұрын
@@tannersteedart cheers, nice videos thanks a lot.
@abrahamz38262 ай бұрын
Hi, what pencil did you use at the end for the white in eye? I’ve been using a paint pen but maybe a pencil would work better. While I’m at it what brush do you use? lol 😅
@tannersteedart2 ай бұрын
It's a white charcoal pencil by generals. And the brushes I use are a mix of flat bristles and a really soft water color mop brush
@lindarobinson13932 ай бұрын
The best information, this is invaluable for someone who is self learning....My palette is about to get a makeover with just these colors! Thank you!
@tannersteedart2 ай бұрын
Glad to help!
@leahgordillo11022 ай бұрын
Hi! I am from Argentina, a very new oil painter. I finished a painting around one months ago. It is dry in touch. It's an abstract painting. It has one layer, very thin. My question is how I can varnish the piece to protect It from dust. Oiling out is not necessary I think you commented. What can I do? Sorry for my english! Thank u for all your videos, I love them!!
@patriotmonkeyq22322 ай бұрын
Retouch varnish is best for me. You work with small brush strokes from end to end. Takes time but worth it. Protects the painting but you can keep working on the painting after it dries.
@littlepinkpebble2 ай бұрын
new to oils thanks for sharing ! .. gonna buy liquid soon when i'm rich hopefully in August haha
@pradeepjhuboo94582 ай бұрын
Thank you. It's much needed help for many of us out there with old oil paintings that have begun to show tiny cracks. Great !
@Robocop-qe7le2 ай бұрын
for me transparent red oxide is the same as raw sienna; best is from rembrandt. there are many iron oxide pigments, from light ochre to black
@Robocop-qe7le2 ай бұрын
don't eat lead; nor cadmium-not good for you
@vincentmarotta98003 ай бұрын
As a very basic rule for layering, I go by the following mantra: Layer 1 = canvas ; Layer 6 = final layer applied 1. Canvas 2. Gesso or Acrylic Paints 3. Solvent + tube paint 3. Liquin mixed with tube paint 4. Tube paint 5. Stand oil + Tube paint 6. Final Varnish Note that between each of these layers, you can add different proportions of each (mix of linseed stand oil and solvent. or more mix of tube paint and Liquin. etc). Just try to avoid mixing mediums together. So no Liquin + stand oil (since Liquin is a pseudo replacement for oil, despite it drying much faster). There's great tutorials out there which teaches proper paint proportions.
@Mel-kk4ij3 ай бұрын
That’s weird you read my mind
@40bdg3 ай бұрын
Beautiful! I had to rush through this, but I am definitely going to rewatch to better take in all the info. Thanks!
@d3DMediaPaintStudio3 ай бұрын
Hello, sorry but I cant hear your voice. I can see the sudtitles. 🖌️🎨
@d3DMediaPaintStudio3 ай бұрын
Okay, its working now. Love the demo! :-)
@tannersteedart3 ай бұрын
Fantastic! Thanks for watching
@booshkoosh79943 ай бұрын
Greatly inspirational! Thanks for the video! I'm a fervent art lover, but so far my art knowledge is limited to the old masters and their students. Could you recommend five, or so, living artists that have interested you? Thanks, again!
@StClair0083 ай бұрын
Thank you so much for explaining the correct way to use a lead pointer. They don't come with instructions (or I lost them) and I've been using them incorrectly for years.
@pambeals32543 ай бұрын
Thank you! This is great advice for an old lady on a tight budget who has taken up oil painting later in life. Simple is better for me. I have been frustrated with the “hues” which I bought because they are cheaper. You get what you pay for! Thanks again!
@kellycommerford13063 ай бұрын
Awesome!❤
@redrose47423 ай бұрын
Hi I have a question Could you please tell me what is 4 k magic fluid for ioil painting? I know only it is a type of varnish but I don't know what is the difference between that with the regular varnish.
Пікірлер
Thank you so much for this video. But now my question is; Can you oil out on an oil painting that has already been varnished with gamblin gamvar?
@creativemargie1 no, you need to remove the varnish to continue using oil.
Liquin is shit only idiots can use this shit for painting.
Great work
All my old paintings on masonite have ruined corners and they cannot be transfered to another surface.
That's unfortunate.
For me using retouching varnish gives too glossy effect
How would you compare naples yellow, with titanium white unbleached?
so beautiful
It's always a joy to see your video
For archival I go for GAC100 as a sealer and cradled “Russian” Baltic Birch. Is it worth it? Check back with me in 200 years…
Hey thank you for taking the time to make this video! So i oil paint outdoors- i never spilt it before but i spilt some on som stone and also my hands... How do i properly remove it from my hands and from the ground? Did i jusy destroy myself lol
Hi, maybe it is too late but, I just want to point out that those masks are pretty bad to protect your lungs. You better buy a respirator mask for this job. Thanks for the video
Maybe a little bit bigger brush?
Thanks for this! Great info and we’ll explained 🎉
Love your video. If I have multiple layers in one painting, Do I must use liquid original for all my layers? Can I only use liquin original only at the first layer? Thank you.
its all fun and games until you try to paint a sky without having the blue u need, and you have the one that cant copy it.
This was what I needed. Thx a lot.
Using the water-mixable oils I can confirm that my 37ml cadmium yellow almost lasted for 2x titianium white 200ml tubes. Same for ultramarine blue, cadmium red went a bit faster. I also like raw and burnt umber. Raw is nice for its greenish tint.
There goes the brush
Thanks for the video, but I think that your shadows are dirty. The main trick here is to make transitions between lights and shadows warmth and orange/red. Because of subsurface scattering under the skin, we have such warm areas.
2 year old video bud...
My english ıs not enough. You might had explained too. But i have a simple question. Can i use linseed oil and liquin together or not ? I want to give my oil pai tings deep effect , glossy, and glazing. I hope used correct words and thats what i meaned. Thank you
I think I understand. I would advize to use linseed over liquin. Never liquin over linseed.
Liquin is an Alternative to Linseed Oil Turpentine Combination.
Tanner I like how you fold the corners! Just a suggestion I've seen from other artists who stretch paper over wooden cradle box or frame, which is to grab the middle of on side and pull up the paper to wrap on frame, then staple first at the middle of one side, repeat on the opposite side; then repeat this process on the perpendicular sides. No need to crease, keep pulling up/wrap/staple from middle till a couple inches from a corner, now fold/staple your corner and repeat on other 4 sides/corner. The paper will make it's own crease as it shrinks till dry and each side will be more evenly stretched. I've done this for my watercolor paper over a wooden box and have seen video tutorials to do this over a canvased frame or even an open frame. 🙂
U said alizerin crimson but prior not to get that one
Get alizarin permanent, not alizarin crimson. The key is to get the permanent version.
my fav. too ❤
Liquin is a fantastic medium although it used to irritate my throat so I stopped using it.
h0w do you get in touch rosemarry?
Go to Portrait Society or plein air conventions. Or rosemaryand Co's website
Great video. Thank you! Can Liquin be used in the same way with W+N water soluble oils? I'm a beginner and trying these paints to avoid air contamination due to allergies/asthma of family members.
So….if I do a lean underpainting with say some type of solvent, then an oil layer(s) out of the tube, I can’t use a medium over that layer right? It’s already fat over lean right? But….can I glaze with oil paint mixed with linseed oil over oil out of the tube since I’m actually adding fat? Asks old confused lady. 😂
WN whites currently have at least some zinc in them, which is problematic in any percentage if you concerned about permanence. The jury is still out on the percentage but it seems to be extremely small. (If not, disregard all that I have to say.) Permanent alizarin crimson with PR177 has an ASTM lightfast rating of I, but it depends on the particle size that is used by the manufacturer which the artist will not know. Test these paints in swatches (half of it covered to be unaffected by light) that are put into the sun for a few months and see for yourself beforehand. My samples showed a lightfastness of II or more and I do not use them for serious paintings but for studies and experiments. To make matters worse, (and I am hesitant to even mention it) the lightfastness of a color also depends on which white is used so that you cannot entirely depend on the ASTM lightfast ratings. See Trevor Ambrose's September 2023 article, "ASTM Lightfastness Testing in oil paints" in Golden Artist Color's blog, "Just Paint" in which 34 WB oil colors were tested with several whites and found that some lightfast ratings were changed when used in various whits, some better than others. As WB uses many of the same limited number of pigment manufacturers as other oil paint companies, the same may be true of them as well. You may need to adjust your whites according to the paint layer with titanium in safflower or linseed in the final layer depending on the pigments that you use. Check the charted lightfastness results in the article. Lead whites, which are superior for paint film strength and flexibility should be covered by the last layer. Otherwise, just enjoy the painting process and have fun with it. Thanks for your video and the work that you put into it.
Damn outside air is harmful too, if you go crazy and sniff the truck exoust pipe. Just follow normal functions, don't eat it, don't sniff it.
My professional artist introduced it to me when I started my career, and I refuse to run out of it.
Thankyou again, very nice and different approach!
Thankyou, finally someone who says painting outdoors instead of the " P" word!
can I oil out with a mix of linseed oil and liquin? (the painting was done more or less with a similar mixture in the paint, used both mediums) thanks!
Yes. With a very small amount.
@@tannersteedart cheers, nice videos thanks a lot.
Hi, what pencil did you use at the end for the white in eye? I’ve been using a paint pen but maybe a pencil would work better. While I’m at it what brush do you use? lol 😅
It's a white charcoal pencil by generals. And the brushes I use are a mix of flat bristles and a really soft water color mop brush
The best information, this is invaluable for someone who is self learning....My palette is about to get a makeover with just these colors! Thank you!
Glad to help!
Hi! I am from Argentina, a very new oil painter. I finished a painting around one months ago. It is dry in touch. It's an abstract painting. It has one layer, very thin. My question is how I can varnish the piece to protect It from dust. Oiling out is not necessary I think you commented. What can I do? Sorry for my english! Thank u for all your videos, I love them!!
Retouch varnish is best for me. You work with small brush strokes from end to end. Takes time but worth it. Protects the painting but you can keep working on the painting after it dries.
new to oils thanks for sharing ! .. gonna buy liquid soon when i'm rich hopefully in August haha
Thank you. It's much needed help for many of us out there with old oil paintings that have begun to show tiny cracks. Great !
for me transparent red oxide is the same as raw sienna; best is from rembrandt. there are many iron oxide pigments, from light ochre to black
don't eat lead; nor cadmium-not good for you
As a very basic rule for layering, I go by the following mantra: Layer 1 = canvas ; Layer 6 = final layer applied 1. Canvas 2. Gesso or Acrylic Paints 3. Solvent + tube paint 3. Liquin mixed with tube paint 4. Tube paint 5. Stand oil + Tube paint 6. Final Varnish Note that between each of these layers, you can add different proportions of each (mix of linseed stand oil and solvent. or more mix of tube paint and Liquin. etc). Just try to avoid mixing mediums together. So no Liquin + stand oil (since Liquin is a pseudo replacement for oil, despite it drying much faster). There's great tutorials out there which teaches proper paint proportions.
That’s weird you read my mind
Beautiful! I had to rush through this, but I am definitely going to rewatch to better take in all the info. Thanks!
Hello, sorry but I cant hear your voice. I can see the sudtitles. 🖌️🎨
Okay, its working now. Love the demo! :-)
Fantastic! Thanks for watching
Greatly inspirational! Thanks for the video! I'm a fervent art lover, but so far my art knowledge is limited to the old masters and their students. Could you recommend five, or so, living artists that have interested you? Thanks, again!
Thank you so much for explaining the correct way to use a lead pointer. They don't come with instructions (or I lost them) and I've been using them incorrectly for years.
Thank you! This is great advice for an old lady on a tight budget who has taken up oil painting later in life. Simple is better for me. I have been frustrated with the “hues” which I bought because they are cheaper. You get what you pay for! Thanks again!
Awesome!❤
Hi I have a question Could you please tell me what is 4 k magic fluid for ioil painting? I know only it is a type of varnish but I don't know what is the difference between that with the regular varnish.