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• 
  @dbadagnaКүн бұрын

  This is original music composed in the style of Bach (and played from memory)?

• 
  @TheScrollEnsemble22 сағат бұрын

  @@dbadagna hi! This is somewhere in between improvisation and composition. After exploring several options and discussing problems this was a version that we managed to improvise, but as said, with much prior exploration.

• 
  @TheScrollEnsemble11 күн бұрын

  Link to the autobiography: vmirror.imslp.org/files/imglnks/usimg/4/43/IMSLP570031-PMLP918671-quantz_autobiography_marpurg_Historisch-kritische_Beytr%C3%A4ge_1.3.pdf

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  @TheScrollEnsemble11 күн бұрын

  Time stamps: 01:14 Why talk about Quantz's autobiography at all? 01:51 Autobiographies in the 18th century 02:49 Quantz's falls in love with music 03:31 Quantz plays a lot of instruments 04:27 Learning from other composers 05:15 More than just the notes 05:51 Learning the true art of the Adagio from Pisendel 06:37 Famous singers and how they sing the adagio (Senesino, Farinelli, Lotti, Cuzzoni & Faustina) 08:50 Finding your own voice

• 
  @superblondeDotOrg19 күн бұрын

  The hero the world needs...

• 
  @TheScrollEnsemble24 күн бұрын

  Time stamps: 00:34 Who was Jacques Hotteterre 01:17 Other improvisation-related sources by Hotteterre 02:38 Overview of L'Art de Préluder 03:53 Hotteterre's Preface, Rousseau and composed vs. improvised preludes 06:05 Another typology: measured vs non-measured 09:11 Trait: etude or prototype capriccio 12:01 Examples of Traits 13:18 Prelude caprice / fantaisie 15:20 Chapter 1: Degrees of the scale and how to start and end 17:36 Chapter 2: Basic concepts and variations - Canvas 1 18:29 Chapter 2: Variation 1 21:33 Chapter 2: Variation 2 & 3 22:43 Chapter 2: Variation 4 23:58 Chapter 2: Canvas 2 24:35 A comparison with drawing methods 25:26 Chapter 3-6: Examples of Preludes and Traits 26:41 Course description 27:08 Chapter 7: The leading tone 28:06 Chapter 7: The 6th and 7th degrees in minor 28:41 Chapter 7: An example of modulating in a prelude (5th and 4th degree) 30:48 Chapter 8: The perfect cadence 32:00 Chapter 8: The imperfect cadence 33:45 Chapter 8: Typical modulation patterns 34:17 Chapter 9: How to recognise the key of piece or how to make the key of your prelude abundantly clear 38:18 Chapter 10: Transposition 39:05 Chapter 11: Meter

• 
  @conservatory_2.0Ай бұрын

  Looking forward to another challenge 😊

• 
  @AmeeliaKАй бұрын

  So your 5 minute impro sounds like what would take me probably 5 days 😅

• 
  @TheScrollEnsembleАй бұрын

  Well, to be fair, i have been working on solo baroque improvisation for many years :). So then there is a big basis to start from. And I was vice versa surprised by my problems with the modulations. Luckily there is always more to learn in the world ❤️

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  @TheScrollEnsembleАй бұрын

  By the way! What instrument do you play? Can we hear some of your improvisations?

• 
  @AmeeliaKАй бұрын

  I'm playing piano but I haven't published anything. I improvise very freely or more exactly chaotic 😅 No one will listen to it, it's more a therapy and relaxation for myself 😂

• 
  @AmeeliaKАй бұрын

  By the way, why is it a problem if you end up in another key? I thought it didn't matter as long as you get back to the theme?

• 
  @TheScrollEnsembleАй бұрын

  @@AmeeliaK this is amazing! I improvise a lot on the piano in this way. Especially when I was a teenager it was super important for me in the way you describe it too: therapeutical, I likened it to writing in a diary. I wanted to make a video about this aspect as well, but not sure yet how.. any ideas? :)

• 
  @JazzGuitarScrapbookАй бұрын

  I think that’s the way improv always turns out for me. It’s hard to internalise material well enough for it to emerge in true improvisation. Usually takes me about six months lol

• 
  @TheScrollEnsembleАй бұрын

  Yes you are right I think. I did improvise some things I was working on 6 months ago, which I thought were lost to the 'debris of my failing brain'. haha :) Thanks for your reactions!

• 
  @JazzGuitarScrapbookАй бұрын

  Thanks for documenting your process, very useful. enjoyed the dramatic reconstruction haha.

• 
  @TheScrollEnsembleАй бұрын

  00:49 What I learned after 5 minutes 01:26 What I sounded like after 5 minutes 03:21 What I thought I sounded like after 5 minutes 04:00 What I learned after 1 hour 05:24 What I sounded like after 1 hour 06:46 What I thought I sounded like after 5 minutes 07:36 What I learned after 10 hours 09:29 What I sounded like after 10 hours 11:15 What I thought I sounded like after 10 hours and final evaluation

• 
  @sallyjohansson60452 ай бұрын

  D major

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  @TheScrollEnsemble2 ай бұрын

  Hello! Did you mean this as an answer to the Hotteterre short? In that case you are right :)

• 
  @video_camera2 ай бұрын

  Thanks! It's really nice you're sharing this knowledge for everyone :D

• 
  @rhythmharmony29232 ай бұрын

  😍😍☺️

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  @TheScrollEnsemble2 ай бұрын

  00:53 Cadenza - disambiguation of the word 02:32 When did the cadenza come into use? 05:58 Where should one add a cadenza? 08:35 Why add a cadenza? 09:22 Relation to the original piece 10:36 How to approach a cadenza (invention, fluency, disorganised and modulation) 12:20 Melodic variation vs coherence 15:00 Different types of Cadenzas (minor, allegro, melancholy, wind/singers vs the rest) 16:46 Which modulations do we use in Cadenzas? (none, subdominant, subdominant and dominant) 18:06 How to modulate 20:00 Sometimes even good musicians don’t improvise good cadenzas

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  @AmeeliaK3 ай бұрын

  Wow what a privilege to have found somebody you can improvise with so harmoniously

• 
  @margaretowens54924 ай бұрын

  Thank you for this thorough video!

• 
  @TheScrollEnsemble4 ай бұрын

  You are welcome! Thank you for your kind comment!

• 
  @beto90184 ай бұрын

  D

• 
  @mensah-j4 ай бұрын

  Sounds a lot like J.S. Bach's sonatas, pretty amazing stuff!

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  @TheScrollEnsemble4 ай бұрын

  Wow what a compliment! Thank you :)

• 
  @angelicamonjetorrez63924 ай бұрын

  🎉🎉🎉

• 
  @angelicamonjetorrez63924 ай бұрын

  Robert! Thx for this 💥🫂🎺

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  @1919viola4 ай бұрын

  In the variation onscreen at 23:58, I would have thought that Hotteterre looked at the 3rd beat as outlining G, since a trill was almost always begun from above the written note, almost always with an appogiatura length at the start. performing the ornaments in that manner would make beat 3 sound as a melodic G, which matches your outline nicely.

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  @TheScrollEnsemble4 ай бұрын

  Hi! Wow, thanks for such attentive watching. Personally I see appoggiaturas as ornamental notes, whatever their lengths. Some writers (from about 30 years ago) even argue that an appoggiatura is added because you could not have officially written that note. I don’t think that’s true, but it does indicate the special status of the appoggiatura. On top of that, for me, the d major outline is very clear and the g major outline harder to detect, and I think if possible simple solutions are best. However, having said all of that, all of this is up for interpretation and one of my main principles is that my way in no way is necessarily the only or better way. So I think your idea could definitely work! Thanks again for your comment: interesting idea!!

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  @1919viola4 ай бұрын

  @@TheScrollEnsemble Thanks for the response! I suppose the thinking on how fundamental the dissonant note in a trill is to the melody probably varies by composer and region. Most of my experience (not research, notably) comes from french baroque music like Marais, where he's very explicit about his signs and ornamentation. It seems to me that the upper note of a trill or tremblement so often sounds like an integral part of the melody, especially when the trill follows a downward leap of a third; it drives me up a wall when people (students) trill from the bottom note!

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  @katehunt80294 ай бұрын

  These composer videos are wonderful....

• 
  @TheScrollEnsemble4 ай бұрын

  Thank you for your support! :-)

• 
  @katehunt80294 ай бұрын

  What an interesting, informative and enlightening video!

• 
  @TheScrollEnsemble4 ай бұрын

  Thank you!! :)

• 
  @ottohashmi4 ай бұрын

  fantastic video, thank you!

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  @TheScrollEnsemble4 ай бұрын

  Thank you for your kind comment :)

• 
  @benjaminsilva-santisteban99584 ай бұрын

  So helpful 💙

• 
  @TheScrollEnsemble4 ай бұрын

  Thanks so much for your comment :)

• 
  @rhythmharmony29234 ай бұрын

  ❤

• 
  @suzanacabral29485 ай бұрын

  Variações simples mas que causam um bom efeito ao ouvir. Parabéns!! 👏👏👏 🎹🎼🎵🎶🎵🎶

• 
  @TheScrollEnsemble5 ай бұрын

  Look at the original Bassano publication:
vmirror.imslp.org/files/imglnks/usimg/d/d6/IMSLP60626-PMLP124175-003bassano.pdf Do our challenge on ornamentation from the same period, but by Banchieri! kzread.info/head/PL8Zph-SkKedyd4lp2mdgeE8FMxBiFgHYW&si=nraHYfUqPZ-QHfiB Do our challenge with later ornamentation ideas from the famous Tartini:
kzread.info/head/PL8Zph-SkKedwBDJ_bXrJwqzIj-ISG2j45&si=2DfGFPF1agTwXOub More about ornamentation: kzread.info/head/PL8Zph-SkKedy26AMoqVxABn5yNCLgy3wt&si=91RZrXaYLhohkFk7

• 
  @ahmedfayez3005 ай бұрын

  ❤❤❤❤❤

• 
  @gaboandrademelo5 ай бұрын

  Amazing!

• 
  @puttster79396 ай бұрын

  This is so cursed

• 
  @handavid64216 ай бұрын

  WILL YOOU MARRY ME???

• 
  @adhardino97814 ай бұрын

  yes he will :)

• 
  @johnellison30306 ай бұрын

  Very educational mate.

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  @87890-6 ай бұрын

  Hele goede video ik ben zelf een beginner in improvisatie , het is soms wat moeilijk maar nooit opgeven 👍😁

• 
  @aterract127 ай бұрын

  Vean por curiocidad a la pianista y compositora clasica Gabriela Montero

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  @TheScrollEnsemble7 ай бұрын

  She is absolutely amazing!

• 
  @TheScrollEnsemble7 ай бұрын

  00:13 Who is Pauliina 00:55 Move to America and first recital with improvisation 02:34 Meeting David Dolan 03:32 Improvisation lessons 04:52 What is your function as a cellist in improvisation 07:48 Orchestral musicians improvising 08:17 How do you practice improvisation 10:30 Hurdles in learning, learning about harmony as a melodic player 13:06 First step in learning to become a harmonically aware player 14:36 Benefits and challenges of ensemble improvisation 19:01 Positive physical effects of improvising on the musicians 21:25 Can you play written compositions/passages that are meant to imitate improvisatory playing if you don’t know what that’s like?

• 
  @AprilClaytonflute7 ай бұрын

  The video is a little spooky, haha! But very interesting!

• 
  @jakoblehmann7 ай бұрын

  I’m using this excerpt often in talks about romantic performance practice and Rossini/Italian music, I should probably start using this video 😂😂😂

• 
  @TheScrollEnsemble7 ай бұрын

  Straight from the horse’s mouth 🤣. I love this excerpt! Are there any recordings / written forms of your talks I could watch / read? I’m very interested!

• 
  @jakoblehmann7 ай бұрын

  @@TheScrollEnsemble I appreciate the interest! There's one from a workshop with Concerto Köln: kzread.info/dash/bejne/f6x8taZtm7u-lrA.html The Spohr excerpt is featured around the 1:01:00 mark :)

• 
  @RichardusCochlearius8 ай бұрын

  Very Goooood! 😊😊😊😊😊😊😊😊😊🎉🎉🎉🎉❤❤❤

• 
  @rodneywaterman29648 ай бұрын

  Excellent! Well done.

• 
  @Vextrove8 ай бұрын

  Shame the video ends so early

• 
  @TheScrollEnsemble8 ай бұрын

  Yes that was as far as we got in the limited amount we got :-). Thank you for the comment!

• 
  @Vextrove8 ай бұрын

  Shame the video ends so early

• 
  @theodoregcheek25128 ай бұрын

  Attended his recent Capella Pratensis workshop at UPENN. Outstanding teacher. Had the roomful of attendees singing from the Guidonian hand and masses from the neumes. His enthusiasm and depth of knowledge was contagious.

• 
  @TheScrollEnsemble8 ай бұрын

  Yes he is amazing!! Great you got to experience him there :-).

• 
  @cappellapratensis84048 ай бұрын

  That's wonderful to hear, we're so pleased you enjoyed it!

• 
  @victotronics9 ай бұрын

  Very funny. I wonder if the reviews said something about the "particularly fine oboe part".

• 
  @TheScrollEnsemble9 ай бұрын

  So far nothing I could find. :)

• 
  @StephenJamesBell9 ай бұрын

  I am just an amateur musician who plays for their own enjoyment, but I do find quite a bit of inspiration in the hexachord. One can, of course, invent all kinds of dynamic, rhythmic, and harmonic variations and adornments, but, as initially worked out by Mersenne and presented in his 'Universal Harmony', there are essentially 720 (six factorial) permutations without repetition available without leaving the span of a hexachord. I often just choose from among these at random and see where it takes me. For anyone who wants to experiment with it, I will try to append that to this comment in markdown text, but not sure if that will work. If not, you can copy it out to any markdown program for better display. |# |Sequence |Solfege | | | | | | | |---|---|---|---|---|---|---|---|---| |1|123456|doremifasola|do|re|mi|fa|so|la| |2|123465|doremifalaso|do|re|mi|fa|la|so| |3|123546|doremisofala|do|re|mi|so|fa|la| |4|123564|doremisolafa|do|re|mi|so|la|fa| |5|123645|doremilafaso|do|re|mi|la|fa|so| |6|123654|doremilasofa|do|re|mi|la|so|fa| |7|124356|dorefamisola|do|re|fa|mi|so|la| |8|124365|dorefamilaso|do|re|fa|mi|la|so| |9|124536|dorefasomila|do|re|fa|so|mi|la| |10|124563|dorefasolami|do|re|fa|so|la|mi| |11|124635|dorefalamiso|do|re|fa|la|mi|so| |12|124653|dorefalasomi|do|re|fa|la|so|mi| |13|125346|doresomifala|do|re|so|mi|fa|la| |14|125364|doresomilafa|do|re|so|mi|la|fa| |15|125436|doresofamila|do|re|so|fa|mi|la| |16|125463|doresofalami|do|re|so|fa|la|mi| |17|125634|doresolamifa|do|re|so|la|mi|fa| |18|125643|doresolafami|do|re|so|la|fa|mi| |19|126345|dorelamifaso|do|re|la|mi|fa|so| |20|126354|dorelamisofa|do|re|la|mi|so|fa| |21|126435|dorelafamiso|do|re|la|fa|mi|so| |22|126453|dorelafasomi|do|re|la|fa|so|mi| |23|126534|dorelasomifa|do|re|la|so|mi|fa| |24|126543|dorelasofami|do|re|la|so|fa|mi| |25|132456|domirefasola|do|mi|re|fa|so|la| |26|132465|domirefalaso|do|mi|re|fa|la|so| |27|132546|domiresofala|do|mi|re|so|fa|la| |28|132564|domiresolafa|do|mi|re|so|la|fa| |29|132645|domirelafaso|do|mi|re|la|fa|so| |30|132654|domirelasofa|do|mi|re|la|so|fa| |31|134256|domifaresola|do|mi|fa|re|so|la| |32|134265|domifarelaso|do|mi|fa|re|la|so| |33|134526|domifasorela|do|mi|fa|so|re|la| |34|134562|domifasolare|do|mi|fa|so|la|re| |35|134625|domifalareso|do|mi|fa|la|re|so| |36|134652|domifalasore|do|mi|fa|la|so|re| |37|135246|domisorefala|do|mi|so|re|fa|la| |38|135264|domisorelafa|do|mi|so|re|la|fa| |39|135426|domisofarela|do|mi|so|fa|re|la| |40|135462|domisofalare|do|mi|so|fa|la|re| |41|135624|domisolarefa|do|mi|so|la|re|fa| |42|135642|domisolafare|do|mi|so|la|fa|re| |43|136245|domilarefaso|do|mi|la|re|fa|so| |44|136254|domilaresofa|do|mi|la|re|so|fa| |45|136425|domilafareso|do|mi|la|fa|re|so| |46|136452|domilafasore|do|mi|la|fa|so|re| |47|136524|domilasorefa|do|mi|la|so|re|fa| |48|136542|domilasofare|do|mi|la|so|fa|re| |49|142356|dofaremisola|do|fa|re|mi|so|la| |50|142365|dofaremilaso|do|fa|re|mi|la|so| |51|142536|dofaresomila|do|fa|re|so|mi|la| |52|142563|dofaresolami|do|fa|re|so|la|mi| |53|142635|dofarelamiso|do|fa|re|la|mi|so| |54|142653|dofarelasomi|do|fa|re|la|so|mi| |55|143256|dofamiresola|do|fa|mi|re|so|la| |56|143265|dofamirelaso|do|fa|mi|re|la|so| |57|143526|dofamisorela|do|fa|mi|so|re|la| |58|143562|dofamisolare|do|fa|mi|so|la|re| |59|143625|dofamilareso|do|fa|mi|la|re|so| |60|143652|dofamilasore|do|fa|mi|la|so|re| |61|145236|dofasoremila|do|fa|so|re|mi|la| |62|145263|dofasorelami|do|fa|so|re|la|mi| |63|145326|dofasomirela|do|fa|so|mi|re|la| |64|145362|dofasomilare|do|fa|so|mi|la|re| |65|145623|dofasolaremi|do|fa|so|la|re|mi| |66|145632|dofasolamire|do|fa|so|la|mi|re| |67|146235|dofalaremiso|do|fa|la|re|mi|so| |68|146253|dofalaresomi|do|fa|la|re|so|mi| |69|146325|dofalamireso|do|fa|la|mi|re|so| |70|146352|dofalamisore|do|fa|la|mi|so|re| |71|146523|dofalasoremi|do|fa|la|so|re|mi| |72|146532|dofalasomire|do|fa|la|so|mi|re| |73|152346|dosoremifala|do|so|re|mi|fa|la| |74|152364|dosoremilafa|do|so|re|mi|la|fa| |75|152436|dosorefamila|do|so|re|fa|mi|la| |76|152463|dosorefalami|do|so|re|fa|la|mi| |77|152634|dosorelamifa|do|so|re|la|mi|fa| |78|152643|dosorelafami|do|so|re|la|fa|mi| |79|153246|dosomirefala|do|so|mi|re|fa|la| |80|153264|dosomirelafa|do|so|mi|re|la|fa| |81|153426|dosomifarela|do|so|mi|fa|re|la| |82|153462|dosomifalare|do|so|mi|fa|la|re| |83|153624|dosomilarefa|do|so|mi|la|re|fa| |84|153642|dosomilafare|do|so|mi|la|fa|re| |85|154236|dosofaremila|do|so|fa|re|mi|la| |86|154263|dosofarelami|do|so|fa|re|la|mi| |87|154326|dosofamirela|do|so|fa|mi|re|la| |88|154362|dosofamilare|do|so|fa|mi|la|re| |89|154623|dosofalaremi|do|so|fa|la|re|mi| |90|154632|dosofalamire|do|so|fa|la|mi|re| |91|156234|dosolaremifa|do|so|la|re|mi|fa| |92|156243|dosolarefami|do|so|la|re|fa|mi| |93|156324|dosolamirefa|do|so|la|mi|re|fa| |94|156342|dosolamifare|do|so|la|mi|fa|re| |95|156423|dosolafaremi|do|so|la|fa|re|mi| |96|156432|dosolafamire|do|so|la|fa|mi|re| |97|162345|dolaremifaso|do|la|re|mi|fa|so| |98|162354|dolaremisofa|do|la|re|mi|so|fa| |99|162435|dolarefamiso|do|la|re|fa|mi|so| |100|162453|dolarefasomi|do|la|re|fa|so|mi| |101|162534|dolaresomifa|do|la|re|so|mi|fa| |102|162543|dolaresofami|do|la|re|so|fa|mi| |103|163245|dolamirefaso|do|la|mi|re|fa|so| |104|163254|dolamiresofa|do|la|mi|re|so|fa| |105|163425|dolamifareso|do|la|mi|fa|re|so| |106|163452|dolamifasore|do|la|mi|fa|so|re| |107|163524|dolamisorefa|do|la|mi|so|re|fa| |108|163542|dolamisofare|do|la|mi|so|fa|re| |109|164235|dolafaremiso|do|la|fa|re|mi|so| |110|164253|dolafaresomi|do|la|fa|re|so|mi| |111|164325|dolafamireso|do|la|fa|mi|re|so| |112|164352|dolafamisore|do|la|fa|mi|so|re| |113|164523|dolafasoremi|do|la|fa|so|re|mi| |114|164532|dolafasomire|do|la|fa|so|mi|re| |115|165234|dolasoremifa|do|la|so|re|mi|fa| |116|165243|dolasorefami|do|la|so|re|fa|mi| |117|165324|dolasomirefa|do|la|so|mi|re|fa| |118|165342|dolasomifare|do|la|so|mi|fa|re| |119|165423|dolasofaremi|do|la|so|fa|re|mi| |120|165432|dolasofamire|do|la|so|fa|mi|re|

• 
  @StephenJamesBell9 ай бұрын

  Part 2 on re Can't all fit in one comment, so will use replies to post the whole thing. You can just append them to the previous markdown: |121|213456|redomifasola|re|do|mi|fa|so|la| |122|213465|redomifalaso|re|do|mi|fa|la|so| |123|213546|redomisofala|re|do|mi|so|fa|la| |124|213564|redomisolafa|re|do|mi|so|la|fa| |125|213645|redomilafaso|re|do|mi|la|fa|so| |126|213654|redomilasofa|re|do|mi|la|so|fa| |127|214356|redofamisola|re|do|fa|mi|so|la| |128|214365|redofamilaso|re|do|fa|mi|la|so| |129|214536|redofasomila|re|do|fa|so|mi|la| |130|214563|redofasolami|re|do|fa|so|la|mi| |131|214635|redofalamiso|re|do|fa|la|mi|so| |132|214653|redofalasomi|re|do|fa|la|so|mi| |133|215346|redosomifala|re|do|so|mi|fa|la| |134|215364|redosomilafa|re|do|so|mi|la|fa| |135|215436|redosofamila|re|do|so|fa|mi|la| |136|215463|redosofalami|re|do|so|fa|la|mi| |137|215634|redosolamifa|re|do|so|la|mi|fa| |138|215643|redosolafami|re|do|so|la|fa|mi| |139|216345|redolamifaso|re|do|la|mi|fa|so| |140|216354|redolamisofa|re|do|la|mi|so|fa| |141|216435|redolafamiso|re|do|la|fa|mi|so| |142|216453|redolafasomi|re|do|la|fa|so|mi| |143|216534|redolasomifa|re|do|la|so|mi|fa| |144|216543|redolasofami|re|do|la|so|fa|mi| |145|231456|remidofasola|re|mi|do|fa|so|la| |146|231465|remidofalaso|re|mi|do|fa|la|so| |147|231546|remidosofala|re|mi|do|so|fa|la| |148|231564|remidosolafa|re|mi|do|so|la|fa| |149|231645|remidolafaso|re|mi|do|la|fa|so| |150|231654|remidolasofa|re|mi|do|la|so|fa| |151|234156|remifadosola|re|mi|fa|do|so|la| |152|234165|remifadolaso|re|mi|fa|do|la|so| |153|234516|remifasodola|re|mi|fa|so|do|la| |154|234561|remifasolado|re|mi|fa|so|la|do| |155|234615|remifaladoso|re|mi|fa|la|do|so| |156|234651|remifalasodo|re|mi|fa|la|so|do| |157|235146|remisodofala|re|mi|so|do|fa|la| |158|235164|remisodolafa|re|mi|so|do|la|fa| |159|235416|remisofadola|re|mi|so|fa|do|la| |160|235461|remisofalado|re|mi|so|fa|la|do| |161|235614|remisoladofa|re|mi|so|la|do|fa| |162|235641|remisolafado|re|mi|so|la|fa|do| |163|236145|remiladofaso|re|mi|la|do|fa|so| |164|236154|remiladosofa|re|mi|la|do|so|fa| |165|236415|remilafadoso|re|mi|la|fa|do|so| |166|236451|remilafasodo|re|mi|la|fa|so|do| |167|236514|remilasodofa|re|mi|la|so|do|fa| |168|236541|remilasofado|re|mi|la|so|fa|do| |169|241356|refadomisola|re|fa|do|mi|so|la| |170|241365|refadomilaso|re|fa|do|mi|la|so| |171|241536|refadosomila|re|fa|do|so|mi|la| |172|241563|refadosolami|re|fa|do|so|la|mi| |173|241635|refadolamiso|re|fa|do|la|mi|so| |174|241653|refadolasomi|re|fa|do|la|so|mi| |175|243156|refamidosola|re|fa|mi|do|so|la| |176|243165|refamidolaso|re|fa|mi|do|la|so| |177|243516|refamisodola|re|fa|mi|so|do|la| |178|243561|refamisolado|re|fa|mi|so|la|do| |179|243615|refamiladoso|re|fa|mi|la|do|so| |180|243651|refamilasodo|re|fa|mi|la|so|do| |181|245136|refasodomila|re|fa|so|do|mi|la| |182|245163|refasodolami|re|fa|so|do|la|mi| |183|245316|refasomidola|re|fa|so|mi|do|la| |184|245361|refasomilado|re|fa|so|mi|la|do| |185|245613|refasoladomi|re|fa|so|la|do|mi| |186|245631|refasolamido|re|fa|so|la|mi|do| |187|246135|refaladomiso|re|fa|la|do|mi|so| |188|246153|refaladosomi|re|fa|la|do|so|mi| |189|246315|refalamidoso|re|fa|la|mi|do|so| |190|246351|refalamisodo|re|fa|la|mi|so|do| |191|246513|refalasodomi|re|fa|la|so|do|mi| |192|246531|refalasomido|re|fa|la|so|mi|do| |193|251346|resodomifala|re|so|do|mi|fa|la| |194|251364|resodomilafa|re|so|do|mi|la|fa| |195|251436|resodofamila|re|so|do|fa|mi|la| |196|251463|resodofalami|re|so|do|fa|la|mi| |197|251634|resodolamifa|re|so|do|la|mi|fa| |198|251643|resodolafami|re|so|do|la|fa|mi| |199|253146|resomidofala|re|so|mi|do|fa|la| |200|253164|resomidolafa|re|so|mi|do|la|fa| |201|253416|resomifadola|re|so|mi|fa|do|la| |202|253461|resomifalado|re|so|mi|fa|la|do| |203|253614|resomiladofa|re|so|mi|la|do|fa| |204|253641|resomilafado|re|so|mi|la|fa|do| |205|254136|resofadomila|re|so|fa|do|mi|la| |206|254163|resofadolami|re|so|fa|do|la|mi| |207|254316|resofamidola|re|so|fa|mi|do|la| |208|254361|resofamilado|re|so|fa|mi|la|do| |209|254613|resofaladomi|re|so|fa|la|do|mi| |210|254631|resofalamido|re|so|fa|la|mi|do| |211|256134|resoladomifa|re|so|la|do|mi|fa| |212|256143|resoladofami|re|so|la|do|fa|mi| |213|256314|resolamidofa|re|so|la|mi|do|fa| |214|256341|resolamifado|re|so|la|mi|fa|do| |215|256413|resolafadomi|re|so|la|fa|do|mi| |216|256431|resolafamido|re|so|la|fa|mi|do| |217|261345|reladomifaso|re|la|do|mi|fa|so| |218|261354|reladomisofa|re|la|do|mi|so|fa| |219|261435|reladofamiso|re|la|do|fa|mi|so| |220|261453|reladofasomi|re|la|do|fa|so|mi| |221|261534|reladosomifa|re|la|do|so|mi|fa| |222|261543|reladosofami|re|la|do|so|fa|mi| |223|263145|relamidofaso|re|la|mi|do|fa|so| |224|263154|relamidosofa|re|la|mi|do|so|fa| |225|263415|relamifadoso|re|la|mi|fa|do|so| |226|263451|relamifasodo|re|la|mi|fa|so|do| |227|263514|relamisodofa|re|la|mi|so|do|fa| |228|263541|relamisofado|re|la|mi|so|fa|do| |229|264135|relafadomiso|re|la|fa|do|mi|so| |230|264153|relafadosomi|re|la|fa|do|so|mi| |231|264315|relafamidoso|re|la|fa|mi|do|so| |232|264351|relafamisodo|re|la|fa|mi|so|do| |233|264513|relafasodomi|re|la|fa|so|do|mi| |234|264531|relafasomido|re|la|fa|so|mi|do| |235|265134|relasodomifa|re|la|so|do|mi|fa| |236|265143|relasodofami|re|la|so|do|fa|mi| |237|265314|relasomidofa|re|la|so|mi|do|fa| |238|265341|relasomifado|re|la|so|mi|fa|do| |239|265413|relasofadomi|re|la|so|fa|do|mi| |240|265431|relasofamido|re|la|so|fa|mi|do|

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  @TheScrollEnsemble9 ай бұрын

  Wow such great work! Indeed, any permutation can lead to different colours and wonderful musical results :).

• 
  @natashalabonte580210 ай бұрын

  This is super! Very helpful for both ear training and learning to play from figures!

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  @TheScrollEnsemble10 ай бұрын

  So nice to hear! :)

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  @improvy10 ай бұрын

  This content is very very useful, thank you so much for your video!

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  @TheScrollEnsemble10 ай бұрын

  Thank you for your comment! :)

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  @francello7511 ай бұрын

  That's very interesting and useful, thanks for the video!