Another idea. Record the vamp and listen to it for a bit. Sing along sporadically as you do the housework or work out or whatever. Record this rambling. Repeat for a few days. LIsten to the recording a few times and decide that which you like and that which does not work. Play by ear on your instrument the bits you really liked that you sang (this is THE most important bit). Play some of these spontaneous ideas from your vocalising on your instrument along with the recording. Notice and try an close the huge gulf between what you really want to play and what your fingers deliver. All the rest is busy work and goes nowhere, it sells books and allows you to grade on paper exercises. It might be fun to dress up as someone from the eighteenth century and to go and take part in courtly dancing. It will however not help you to express yourself in the light of ALL of the music which informs you have loved ear and which is actually creates the real musical you. Unfortunately anyone who thinks that the only dancing worth doing is done in eighteenth century garb is likely to try and use snobbery as a stick to hit you with as they peddle out horrid pastiche with the confidence ot the talentless entitled. A bonus however is this, if you do the above you will master all styles and bring incredible insight into the interpretation of narrowly defined idioms.