As always, so fascinating. Thank you for sharing this with us!

Once again interesting, informative, perfectly presented, a joy to watch! I look forward to every one, thank you.

Wonderful! i have so much appreciation for professionals like this lovely lady, for their skills passion and knowledge, thanks for sharing.

This has value in viewing, History is always interesting.

That is fantastic work. Well done taking care of those damaged paintings.

Great work Britta

Is there a reason why major Art Galleries and museums can't/don't record *more* of the restoration process and show them here to the many, many people who are fascinated by the process?

An amazing beautiful painting, with a wonderful explanation and work. Thank you

very interesting insights. Thanks a lot

` 🌺 🌹 Thanks so much for the great explanation. Very educational and philanthropic.

Nicely done Britta!

the focus on the material history of this particular painting is so important because I think conservations efforts are largely overlooked when appreciating art or studying art history. an incredibly insightful window into such a vital field of art history!

I would have a truly hard time conserving that painting. The subject would give me nightmares. Congratulations. I hope you will post a video of the completed restoration.

Lovely work and explanation

Very interesting. Thank you.

Thank you for sharing such fascinating stories😀

@nationalgallery

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Our pleasure, Lucia!

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I don’t like even thinking about how awful getting your eye pushed out would have been

That's fascinating, how you can bring back an old painting that's been so badly mucked about. I was trying to read the central scene, and you said Zaleucus had just had his eye removed, and his son was being dealt with, but I couldn't see that. Is that part of the restoration problem?