'After Impressionism' at the National Gallery
Grace and Josh visit 'After Impressionism', an exhibition at London's National Gallery to learn and see how modern painting developed in European cities other than Paris, principally Berlin, Vienna, Barcelona and Brussels. Acknowledging the achievements of Cezanne, Van Gogh and Gauguin in taking modernism beyond the Impressionists, the show demonstrates the contributions of many significant modernist painters some of whom have been neglected or infrequently exhibited.
Пікірлер: 21
Thank you for joining us, we loved this tour!
@TheArtChannel1
Жыл бұрын
Thank you for the appreciation. We hope the exhibition is a great success.
@graceadam1957
Жыл бұрын
🙂
This was terrific. When one can’t afford to fly to London to see it, this is as close as I’ll get. Thank you.
@TheArtChannel1
Жыл бұрын
Thanks for the support. Our goal is to provide an introduction to each exhibition especially for anyone who can't visit in person.
@graceadam1957
Жыл бұрын
Really glad you enjoyed it. Thank you
How funny I never noticed that before, but that Rousseau really does look like a proto Hockney. On the subject of powerful patrons, I imagine one could probably fill an entire gallery with portraits of Leo Castelli.
Feel free to contribute any constructive comments about the exhibition or the artists featured in the film. Please also subscribe to the channel if you've enjoyed the film.
Please add subtitles in French, Spanish, German and English. Wonderful pieces of art.
Amazingly stunning.
Thank you for showing detail and discussing brushstrokes,I love the NG, and couldn't drag myself away from Turner and Constable with my last visit, but this period is calling me, I appreciate the selections, do you have any Emily Carr, she would fit right in
Picasso grande in tutte le sue forme . Sempre un genio.
❤❤❤
💖
Karya SUPER ❤❤❤
I suspect that we are not seeing the colors in these paintings as they really are. They appear washed out…especially the Derain.
لم يكن البحث عن الجمال والفنون له اى علاقة بإيمان عقائدى محدد .. فالإنسان ايا كانت عقيدته ربما يبحث عن الجمال وربما يكون أكثر تعمقا وتحديدا وتصبح لديه رؤية جماليه من حيث الشكل والجسد المتناسق الاعضاء وما إلى ذلك .. وبالطبع فالشعوب ذات الحضارة كان لها نصيب كبير فى الفنون والعلوم وصياغة هذا الجمال فى صور وقوالب ووضعها فى متاحف بأشكال هندسية جمالية محددة أو نشرها فى شوارعهم فاختلط الحابل بالنابل فلم يعد يعرف ويحدد ماهو داخل فى شعور الإنسان من حيث إحساسه وتذوقه للفنون والجمال عموما وماهو عقائدى وايمانى ورؤيته الدينية وتحديده لمعنى الإله فى ذهنه
The analysis of these works would be totally different had Grace and Josh lacked the background of these works.
I really enjoyed this visit and so brilliant that you did show each painting you discussed very close on, and then details, very beautifull and interesting. 🎵🩵🎶
@TheArtChannel1
10 ай бұрын
Many thanks!