Glorious cor anglais playing!

I believe some of Sibelius's loveliest themes are here. He probably needed little inspiration in 1904 for the the heart-rending 'Death of Mélisande' scene at 20:42 cleverly contrasted with the energy at 17:42 of the 'Entr'acte'. Four years earlier, the composer's daughter Kirsti had perished soon after birth, a bitter blow that literally drove him to drink, and his empathy for the dying Mélisande is tangible. Maeterlinck's symbolist play, being episodic, never reveals what the heroine is dying of... a broken heart at her lover's murder, or postpartum bleeding, or something altogether more impalpable? We do know she is a lost soul in an alien land who, falling for Pelléas at first sight, felt compelled to follow her heart. (Sibelius had experienced a similar _coup de foudre_ on meeting his wife-to-be, Aino). Mélisande defied her marriage vows and a 'symbolic' sacrifice must be paid. Though she departs, her tiny daughter will in some way take her place.

at 20:40 "Death of Melisande" One of my all-time favorite pieces. They do it justice.

Bravo, Maestro Videnoff !

17:42 この曲が大好きです❤ 素晴らしい演奏ですね😊 感動しました！

Une très belle œuvre que je ne connaissais pas ´´ philharmonie de Mannheim dirigée avec brio ´´ j’adore

Seems to have been an early manifestation of Covid-19 in the audience!

Best part :21m to the end

Was that the prow of a Viking longboat at 17:17????

👏👏👏👏👏👏👏👏👏👏

3:40 8:03 9:47

Lovely music but I cannot understand how the musicians can follow this conductor: his motions are not usual for a conductor and are rather jerky. Nevertheless, the musicians are looking at him so there must be some sort of communication (perhaps more visual?).

@fflambeauutube

5 жыл бұрын

He gets an A for humor though when at the end of a movement he stops the orchestra so the audience can cough and applaud!

The conductor seems a clown doing his best in a circus....

@kh23797

4 жыл бұрын

Boian Videnoff, a clown? Hardly, Paolo...

👏👏👏👏👏👏👏👏👏👏