Runningonair is a channel that deals with music technology and production. It includes Synth demos ranging from early classics to the latest VSTs. It also includes music videos by Runningonair.
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Bandcamp
runningonair.bandcamp.com/
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open.spotify.com/artist/5fNUffXbIXYb3AciymVZ0k
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Пікірлер
this is much appreciated walkthrough. Just picked up the SQ80
Glad it helped.
Hi thanks for this - helped me unravel the mysteries - good video. I notice it's three years old now when you ask for similar voice synths. Are you aware of Emvoice One?
Thanks, no I've not been looking much into this recently.
Do you know anything about the CZ5000?
I've never owned one, but most of the programming would be the same as the CZ1.
hey man, i powered on mine and seems like the adaptor blew, any tips on checking if the actual machine is damaged? appreciate it 🙏🏻🙏🏻
Are you sure the adapter has blown? If so, get a replacement and see if that works.
After when you posted this video, 2 years ago, you probably know what ENH means now lol. The Behringer Wasp has been for ages now been my GOTO for fat bass sounds. I have a Roland Jd-xi and love it as a Groovebox style synth (I have an MC-303 as well), I think everyone that agrees that has one realises that it lacks in Analogue capabilities. This fills the gap for me
Yeah, I have a similar role for it in my setup.
The best walk around video that I could find. You didn't just cover the pre sets. Such a standard thing these days - it seems. Therefore, it was refreshing to see someone explaining the function buttons and capabilities. Well done.
Glad it was of use. Thanks
Which model sustain pedal are you using?
Nothing special just a cheap eBay plastic thing. Best to get one with a polarity switch.
@@RunningonairMusic nice. Yea i have an old ensoniq fsw1 that i sorta fixed up but still i find that style to be flimsy, but other piano style pedals ive tried dont work with the ESQ1 for the most part
People commenting without considering the main difference between the two: one is sample-based, the other is an emulation. Comparing sounds head to head really only speaks to the ‘realness’ of the emulation. That said, even an actual ESQ-1 head to head with these samples won’t sound identical given the innate differences in everyone’s signal chain. Samples are typically recorded with a bunch of outboard gear to sweeten it up too.
Best explanation I’ve seen on the topic after searching extensively. Figures it would be a Brit - God’s great communicators! Appreciate this - thanks!
Glad it helped!
Hello there, nice video, what do you use to show note and chords?
It's called chordie.
@@RunningonairMusic thank you!
Music sounds great!
Thanks, links the description, if you'd like to check out more.
Just got one of these, and your videos are how I'm going to learn it. Also have a Mirage, so hopefully I can find some similar videos on that, as well.
Bound to be some out there.
Very boards of Canada. Great stuff
Thanks!
Great stuff. As in all old gear there is a lot of dust collecting in holes. Midi holes: Why is there no sound? Data holes: The data card has holes in it, so the receptor has sticks that protrude upwards, well, not under a cover, like in the DX7, but they tend to become "greasy" at least after not cleaning them up. Nobody cleans them up, when cleaning the rest of the visible machine. It was never an issue, until some nerd thought to buy very expensive cards.
Just a bit of contact corrosion in this case.
I love this plugin. I have the lowend routed through an '80s Trace Elliot bass head, stereo into two 16" JBLs. It sounds bombastic.
Sounds impressive!
You can use the data cards with the internal samples, you just have to edit the voice.
Sure, I guess that's an option.
One thing I don’t understand: why do the waveforms change over time? I would understand that they change if you have enabled some short of envelope affecting the algorithm, but the goal of the video was supposedly to see the basic pure waveforms, so seeing they evolve over time makes it difficult to understand…
Ah, ok, I found your follow up video, in which everything is cleared: m.kzread.info/dash/bejne/jHplo6iGlbrblZM.html Thank you, I understand now.
Glad it made sense in the end.
Very useful thanks! Nice to know that someone else also goes through that phase where it all sounds really horrible for a while whilst you are looking for that elusive sound. It made me understand the pain my partner has to endure😞
Yeah, you can get nice results after a while.
Man this is a great tune
Thanks, it's the first track on my last album.
Fantastic video, really helpful, thank you!
Glad it helped!
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Q teclado ruim e esse
Which is which? 😂 Seriously, I don't know as I don't own either one, but I'm not sure if the weirdly colored mean active or inactive. They sound different but I like both.
Lol, colour means active. Good point though!
Some of these sounds like 10:41 are nice it reminds of a old pc engine, like a old video game synth sound i like it.
6:32 7:42 7:59
I'm modding my novation bass station rack to add a an SH101 sub-osc, Im thinking of doing the same on the wasp deluxe, it definitely fattens it up
Sounds like a fun idea!
I assumed "enh" was short for "enhanced" as a means of describing PWM on the Gnat
Not receiving pitch bend over midi seriously drives me crazy.
Hi how do you save a preset internally?
I think it's just press save and then select the patch you want to save to. Check the manual to be sure.
Comprei todos os plugins da AIR, são excelentes! Já compús muitas obras com o uso dos plugins, o xpand 2 para mim foi o melhor, porém o Hybrid 3 é muito versátil e tem um motor síntese incrível!
Y Muiti Bueno 😉
@6:42 between the sound and those first 2 notes I thought this was going to be NIN “Sanctified” 😂
Not this time. 😃
Thoroughly explained and articulated very well. Thanks!
Many thanks!
At 5.29 is the sound used by Damon alban on the elastica connection track?
No idea, I don't know his stuff but I seem to remember someone saying he'd used it.
Big takeaway is that the og ESQ has more treble (drastically noticeable in the sync lead @ 14:32 MINI M). So I can either take this optimistically two ways. 1) the software plug leaves more room for highhats in the mix, OR # 2) just turn up the treble on the softsynth's EQ, pre-amp saturation modeling, or effects send. At the end of the day, it's the synth for me as I liked every single patch that you demonstrated for one reason or another. Thanks for this video! PS... I've officially acquired a taste for nyquist frequency scatter thanks to this demonstration. Sublime aliasing -- if that isn't an oxymoron to audiophiles. ( see 15:41 NOISTR )
Yep, just use eq in the mix to get what you want.
Is there a way to insert sound sources one at a time?
I don't think it is. I don't remember doing that unfortunately.
Vsts have got so realistic now that it's looking like a limitless production Scape for us all. My vsts are sitting by analog synths and standing shoulder to shoulder. It's crazy what we can do now at very little cost. Golden era. We live it
Yes true!
Do you have the list of SQ80 Sounds that you used for comparison?
They should be visible in the video.
I got an SQ2 for $120 🥳
Nice!
What year? And how haha
Can someone tell me how CPU heavy this is? Heavy like Diva? Or small like Tal
It didn't seem too bad to me but I can't give you figures on that.
pretty much the same :)
I am going to try that moving filter, beautiful. It took me a while, but it seems like to me that all the patches prior to the effects are operating on the sines prior to being generated. Like the whole thing is one complex generator, and the modules give you different ways to specify how the sounds get generated. For example, the filter doesn't generate a signal then filter the signal, it calculates the partials that would be removed prior to generating the sound and doesn't generate them in the first place. EG the filter is applied in the space of partials not on the generated signal.
Yes, it's just a bunch of sine waves with different algorithms to change pitch and level. I've not used it for a while but it does have quite a distinctive sound.
On my Kawaii K1 II, the lead weights on 3 of the black notes fell out. To repair, I had to open up the instrument, remove the keyboard, detach the electronic boards on the back of the physical keyboard, remove the neighboring white keys, and reglue the lead weights back in. I used Gorilla Glue. Then to be proactive, I added glue to all the lead weights of the white keys. And then fashioned a long nozzle out of a 1.5” plastic drinking straw (slitted then taped into a cone). Then glued (super glue) and taped the nozzle to a medical syringe, filled the syringe with Gorilla glue, then used the syringe & nozzle to dab globs of glue onto the weights of the black keys. This meant I did not have to remove all the black keys. Being a bit careless with the amount of glue, some got too much and I had to remove those keys to scrape off the excess glue. After the glue set overnight, I began to reassemble the keyboard. Unfortunately, it had sat disassembled for several years and I had either not taken photos, or had deleted them. This video gave me enough glimpses of the inside to make it possible to reassemble everything properly. I hope! I’ll update when I finally get it together & it works properly!
Glad it helped. The process is reasonably straightforward, just take your time and you should be ok.
Now I don't have volume nor does it communicate with Finale. All this worked fine before I took it apart and replaced the battery. All cables are plugged in. Not sure where to go from here.@@RunningonairMusic
Problem solved after removing those little black spacers between the keys & the contact boards. Now everything works fine. I don't know why I had to remove them. There must be something else out of alignment. But as long as everything works... Thank you for posting your videos!
Glad it worked out in the end!
Hey, would you be interested in knowing about ways to squeeze even more out of the SC-7? There's a few things that can be done with SysEx, like changing the reverb and chorus type, and enabling channel aftertouch, which lets you adjust the low-pass-filter cutoff. I ended up creating my own tool to help me with this. Thanks for your videos, by the way; they were quite useful and helped convince me to go ahead with buying an SC-7, which I've had a lot of fun with!
Yes, I was able to do a little bit of that stuff but I'm not a coder so it started to get too difficult. I guess what it really needs is an editor or control panel. I recently upgraded to the SC55 which resolved all of those issues but It's good to hear someone took it further.
I think my follow-up reply may have gotten caught in the spam filter? If you check the "Held for review" section of "Comments" in KZread Studio, it might be there.
@hikari_no_yume nope, can't see anything.
@@RunningonairMusicAh I see, I'll just write a new comment. For the SC-55 it's much easier indeed because there's better tools available, it supports NRPNs for most things, and it generally has more controls. I only have an SC-7 though, so I made a tool called “SoundPalette” (you should find it if you search online for “SoundPalette SC-7” or something like this). It's a bit fiddly, but it can generate and send almost all the SysEx messages that the SC-7 supports, and some of the SC-55/GS ones too. The one I've had most fun with is the “CAF TVF CUT OFF CONTROL” in the “Patch parameters”. If that's set to something other than the default value of 40H, then sending a Channel Pressure (Channel Aftertouch) message will adjust the filter cutoff. It's also nice to be able to tweak the reverb and chorus. Sadly the SC-7 is quite limited otherwise, it doesn't let you adjust envelopes etc, but I've enjoyed the challenge of finding creative ways to get more sounds out of it.
@@RunningonairMusicMy second attempt also didn't show up… anyway, I made a web app called SoundPalette to help me with my SC-7. It can generate almost all the SysEx messages the SC-7 supports, and many of the SC-55/GS ones too. The “CAF TVF CUT OFF CONTROL” is fun, if that's set to something other than the default then you can send Channel Pressure (Channel Aftertouch) messages to adjust the filter. It's definitely easier to work with the SC-55 though, it has much better tools and it's just generally less limited.
Nice one😎
Thanks!
Great video! Question, so when people say that ring modulation is just really fast tremolo, that is incorrect because tremolo is amplitude modulation which maintains the fundamental pitch while ring modulation does not?
Yes that's right!
@@RunningonairMusic Hey there! Rewatching this video today to review and had another question if you get a chance! This might be a bit more of a general electronics question, but I am very confused by the idea of negative voltages such as shown here. It took me a very long time to finally realize that graphs of actual sound waves in the air use the 0 point to refer to the standing rooms atmospheric pressure, so general sound wave graphs show the compression and decompression of air molecules relative to the given ar pressure. I still dont understand this in regards to electricity though and an AC of analog audio signals. What is the 0 point here? Thanks in advance if you find the time to respond!
Imagine having a 20 volt power supply with a 20 volt connection and a 0 volt connection. Now we add a third connection in the middle which would naturally be 10 volts. Now we are going to rename the terminals so that they look 10 volts less each. 20 volt becomes 10 volt, 10 becomes 0 volt. So what should 0 volt be? Well, 10 less so minus 10 volt. So essentially we choose the numbers that we use.
@@RunningonairMusic Thanks for the reply! So that makes it sound like depending on the context '0V' could specify a number of different things?
It's a reference point for all other voltages. The other important thing is that it is generally connected to ground. If you want to know more I would suggest looking for videos on electricity and then electronics. That should clarify things further.
So as long as I dont make any money from using their software its fine?
I think you're ok, it just wasn't that clear back when I was looking at it.
Great info, thanks for the info. You might want to rethink the WD 40 use though. A lot of people think it should be used for lubricating and cleaning anything. Over time it will congeal and turn gummy. Better to use deoxit or some such contact cleaner meant for cleaning electronics. Water Displacement 40 (ie WD40) is meant to stop oxidation of mainly metal. It's greasy and oil like, short term lubricating? It's not a good choice for plastics or locks or electronics long term.
Yes, I wouldn't use it now but I did make sure it was fully dried off before putting it in the slot, so there won't be any build up in this case.
BIG RESPECT SIR ! YOU ARE A PROOOOOOO <3
Glad it helped you out!
Thank you for your video tutorials on the ESQ-1! I am picking up a non-working unit today and am excited about fixing it and getting to know this amazing instrument. Your videos convinced me to take a chance. I will let you know how it goes.
Good luck. Hope it goes well!
thanks for these videos, im just about to get one SY35 next week and it seems like it's going to be quite fun! 😃
Yes, it's great synth. I hope you like it!
Is that how it would work on your D50 there in the background as well?
Yep, it's the same on everything.