How did he make that sound?

An ASO Masterclass on extended clarinet techniques like overtones and multiphonics with ASO Associate Principal Clarinet Ted Gurch.
Filmed at Rail Art Studios
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Пікірлер: 18

  • @Emir.Ekberzade
    @Emir.Ekberzade2 жыл бұрын

    so useful,thank you,

  • @epiccipe5439
    @epiccipe54395 ай бұрын

    it's very cool!

  • @billducker7404
    @billducker74042 жыл бұрын

    Thank you. Beautifully demonstrated. Give me some composing ideas - good with you and yours - Bill - UK

  • @emjay2045
    @emjay20452 жыл бұрын

    👏🏼 👏🏼 🖤

  • @marioabrego7062
    @marioabrego70623 жыл бұрын

    Amazing!!

  • @robertosion6099
    @robertosion60998 ай бұрын

    👍👍👍👍👍👍👍👍

  • @luisa.zarama
    @luisa.zarama Жыл бұрын

    Hey! Thanks for the video. I have a question. How would you write the overtones on a music sheet? how would you specify that effect? thanks

  • @natec.9081

    @natec.9081

    9 ай бұрын

    Most often the piece will have the specific fingering needed to produce a multiphonic, as well as the 2 notes it should sound if voiced correctly.

  • @jasonli838
    @jasonli8382 ай бұрын

    Thanks for sharing!! Is there a textbook that you would recommend that describes voicing??

  • @jimmiao4232
    @jimmiao42322 жыл бұрын

    Hi, may I ask about that how Martin Frost made the sound in Let's be happy? Unfortunitely I can not tell which part, but you will notice that unique part when you listen the performance.

  • @QuickStartClarinet

    @QuickStartClarinet

    2 жыл бұрын

    He does a lot of growling and flutter tonguing throughout the piece, but I imagine you are talking about this part at the end: kzread.info/dash/bejne/gZN-zcp_pd2rn9I.html There he is playing notes while also trilling the top one or two side trill keys.

  • @TiagoNugentComposer
    @TiagoNugentComposer2 жыл бұрын

    out of curiosity as a composer, how would you notate the same-note glissando at 5:20?

  • @arjunsom2392

    @arjunsom2392

    Жыл бұрын

    As a clarinet player I think the most effective way to notate it would be to notate the pitch that is produced and then above it have a comment for the musician saying (rapid movement of the fingers while maintaining the same pitch). A good example is in Scott McAllister's Black Dog. (kzread.info/dash/bejne/rKt-sZajda2uY9Y.html) About 5 seconds in you'll hear the clarinet playing the same note but clearly switching fingerings.

  • @bowiedj
    @bowiedj3 жыл бұрын

    is there any masterclass for timpani? By Mr Yancich perhaps? thanks

  • @atlantasymphony

    @atlantasymphony

    3 жыл бұрын

    Great idea! Once we're comfortably back in hall, we'll add that to the list. Thanks for watching!

  • @bowiedj

    @bowiedj

    3 жыл бұрын

    Thanks! Actually I was in Atlanta last year and watched Casablanca. It was great. I was on my trip back from Athens going to Memphis.

  • @lyntedrockley7295
    @lyntedrockley729510 ай бұрын

    Great video, but who decided it would be good for the viewer to keep staring directly into two studio lights? FFS!!!

  • @malcolmlakin5265
    @malcolmlakin5265Ай бұрын

    Some very interesting techniques, but importantly, and very disappointingly, very short on how to achieve these techniques.