Hip-hop's Latino heritage

Latino artists have always had an enormous influence on hip-hop from, Fat Joe to Cardi B. Lisa Evers takes a closer look in this full episode of Street Soldiers.
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Пікірлер: 101

  • @AnteneheKifle-uk4lo
    @AnteneheKifle-uk4lo7 ай бұрын

    HipHop is BLACK culture !!! And I grew up in NYC in the 80’s and 90’s. Latinos bit off black culture cuz they fall I love with our culture . Stick with Salsa that your culture !

  • @RonnieMyers777
    @RonnieMyers7778 ай бұрын

    Trying to rewrite history 😅 Check the early samples...soul R&B, funk & jazz

  • @Jordan12354
    @Jordan123546 ай бұрын

    WOW THIS IS CRAZY AS HELL 😂😂😂

  • @torynieves3537
    @torynieves35376 ай бұрын

    Latinos did not influence hip hop on any level this is FBA's creation all the way around cut it out

  • @jayjones251
    @jayjones2518 ай бұрын

    Latino heritage? There's no such thing as Latino hip-hop heritage. Hip-hop isnt Latino it's black american culture

  • @RaymondBrown-xw4cj
    @RaymondBrown-xw4cj9 ай бұрын

    FACTUAL CHRONOLOGICAL BLACK AMERICAN CULTURAL HISTORY: Hip hop came directly out of The Black Power/Black Is Beautiful/ Black Arts Movement of the 1960's &1970's. This was the most culturally and politically active era in African American history. The teen contingent of the movement played out as presented on Soul Train produced by Don Cornelius beginning 1970 when the show was nationally broadcast from Chicago from 1970 to the end of 1971. He moved the show to LA, but he took several of his teen dancers with him to ensure the dance quality of the show would remain the same after the move. The TV show became our most powerful Black teen cultural influence for 36 years. Soul Train hit American popular culture like a cultural tsunami. It instantly eclipsed Dick Clark's American Bandstand in international popularity. Chicago is the capitol of African American Blues and Gospel Music. Chicago due to The Great Migration is Mississippi once removed. Chicago developed the best social dancers in Black America. Michael Jackson comes from that dance enclave. Because break dancing had been a part of the Chicago dance lexicon since the 1950's, most likely influenced by the Black dance crews seen on TV variety shows in the 1950's, the Chicago teens on Soul Train showcased break dancing as part of their dance repertoire. For the first time in or cultural history we had a national stage to spotlight Black music stars, show-off old and new Black dances, and to premiere new Black talent. Teens across this nation copied the break dancing seen on Soul Train, including The Black Spades. They sang James Brown's (who was a frequent guest on ST) "Soul Power." They personalized it by singing "Spade Power! They put their influence on break dancing to make it uniquely their own. James Brown's "Say It Loud, I'm Black and I'm Proud" was the Black teen national anthem. Those who recognize James Brown as the Godfather of hip hop, rarely mention the Black Power aspect of what he was promoting, along with other Black Protest stars like Curtis Mayfield (Movin' On Up), Nina Simone (To Be Young Gifted and Black), and Marvin Gaye (What's Goin' On) among many others, that sparked the impetus for Black teen heightened involvement. The Black Arts Movement elevated rhyming Black Protest poets like H Rap Brown, Amir Baraka, Sonia Sanchez, Don L. Lee aka Haki Madhubuti, The Last Poets, and Mari Evans among others, to the forefront as the rapping voices of Black Power that politicized Black American teens. This Black teen cultural revolution was televised. Neither Puerto Ricans nor Jamaicans were singing, dancing, rapping about, nor identifying with our Black Is Beautiful/Black Power/Black Arts Movement. They still don't. Their great jealousy grew out of the international excitement generated by Black American teens dancing on national TV that did not include them. Because the broadcast came out of Chicago, not NYC, it singularly showcased Black American teens only. Soul Train is the genesis of the NYC PR and Jamaican great cultural jealousy. The emergence of The Black Spades Black Power gang culture gave PRs in the Bronx a local Black cultural expression they could cosplay in their jealous quest to leech the Black American teen international pop culture spotlight. Their desire for the same fame that Black teens had, is the reason NYC PRs in mass set aside their long-standing antipathy towards NYC African Americans in order to surreptitiously enter their ranks to gain acceptance so they could cosplay Black American dance, music and style. Five plus decades later Latinos have delusionally convinced themselves that they actually created what they effetely copied. Anyone who speaks about the development of hip hop and doesn't mention the worldwide influence the Black Is Beautiful/Black Power/Black Arts Movement or the impact of Soul Train, they don't know what they are talking about. The 10 years following the assassination of MLK, Black America was politically and culturally ablaze. Hip hop grew directly out of the tenor of those times. No immigrant group was powerful enough to influence Black American teen music, dance, nor style during that Black Power period, no matter where they were located. All other teens, white American teens and white college students, American immigrant teens in and outside of NYC, and teens around the world copied the powerful music, dance, and political colloquialisms (like "Right-On" and "Power To The People!") presented by African Americans from various regions across this nation. Contemporary self-aggrandizing Latino cultural history revisionists and certain descendants of island immigrants have chosen the most active, the most vocal, and the most recorded period in Black American history to try and hijack. All their ever-changing revisionist folklore narratives are continually being debunked by authentic Black Americans, because they have no visual or journalistic documented evidence to support their delusional wishful claims, nor do they present acceptable reasoning that ratifies Puerto Rican/Jamaican bizarre demands to force their way into African American culture that resists their irrational intrusions.

  • @glasscut4880

    @glasscut4880

    7 ай бұрын

    Ok grandpa, lets get you back to bed

  • @RaymondBrown-xw4cj

    @RaymondBrown-xw4cj

    6 ай бұрын

    @@glasscut4880 OK duped know-nothing, prove me wrong with documented journalistic evidence, not your self-aggrandizing wishful culture vulture folklore.

  • @RaymondBrown-xw4cj

    @RaymondBrown-xw4cj

    4 ай бұрын

    @@glasscut4880 OK culture vulture produce receipts right now!

  • @glasscut4880

    @glasscut4880

    4 ай бұрын

    @@RaymondBrown-xw4cj you on KZread just look up the Og’s from NYC on drink champ or any interview foh with that rewriting bs yall tryna pull cause some flunky pimp/flunky rapper/flunky black scholar/successful grifter from Alabama told yall old mf’s some bs to get yall’s money

  • @amunatum3197
    @amunatum31977 ай бұрын

    Really?

  • @skillet6870
    @skillet687024 күн бұрын

    Naysayers: Go see MICROPHONE CHECK and weep.

  • @augustabates5470
    @augustabates54707 ай бұрын

    F.B.A ALWAYS EVERYONE TO WHATEVER WE CREATED. BUT THE PROBLEM IS THESE OTHERS Nationality of people. IS TRYING TO CLAIM WHAT THEY DIDN'T CREATED. QUESTION, WHEN HAVE WE FOLLOWER ANYONE??? EVERYONE ALWAYS FOLLOWER F.B.A. WE HAS ALWAYS MOVE THE Needle as help other nations, and we have never Flea INSPITE of the ADVERSITY. We are staying and calling truth to power.

  • @itspokernotpitypat4619
    @itspokernotpitypat46195 ай бұрын

    So desperate!!😅😅

  • @glasscut4880
    @glasscut48804 ай бұрын

    All the sweaty bar’s of twix in the comments 😂 they smoking too much fba deodorant sticks

  • @Jordan12354
    @Jordan123546 ай бұрын

    Did he say 2000, WOW , The reach is crazy 🤣🤣🤣

  • @eastsidemuu
    @eastsidemuuАй бұрын

    🧢🧢🧢🧢🧢🧢🧢🧢🧢 HipHop is Blk american cuture! Hispanic ROOTs 😂😂.. come on... This is all blk American So is Rock, Funk, Blues,Jazz,Soul, Hiphop, Oldies, County.

  • @realone7405
    @realone74059 ай бұрын

    HIP HOP = BLACK CREATION (BLACK CULTURE). Trap music = BLACK CREATIONS (BLACK CULTURE) REGGAE = BLACK CREATIONS (BLACK CULTURE).

  • @SwishorSweep

    @SwishorSweep

    6 ай бұрын

    Zero originality, all they do is ride the coat tails of Black culture.

  • @calicoesblue4703
    @calicoesblue47034 күн бұрын

    Rap been around since the 1920’s, and Latinos made a contribution in late 1970’s and Early 1980’s. The first Hip-Hop MC was Coke La Rock a Black American (1973) The First Hip Hop DJ was Grandmaster Flowers a Black American from Brooklyn (1968) The First Bboy/Break Dancers was Lauree Myers aka Trixie a Black American. The first bboy crew was the Zulu Kings a Black Break Dancing Crew. The First Hip-Hop Grafitty Artiest was Cornbread another Black American. All Subgeneres of Hip-Hop/Rap be it East Coast Rap Westcoast Rap Down South Rap Crunk Miami Bass Trap Chicago drill We’re Created by Blacks. The Hip-Hop comes originally from Afro-American Southern Music like Jazz Soul Funk Blues and Jamaican Raeggea? The slang of Hip-Hop comes from Afro-American AAVE Afro American Vernacular English which has its roots in Gullah Geechie Creole. Learn the facts my guy.

  • @user-ei3yr3lr3c
    @user-ei3yr3lr3c7 ай бұрын

    Johnny come lately but we got love for yall

  • @skillet6870
    @skillet68705 ай бұрын

    American music forms: Spirituals, Blues, Ragtime, Jazz, Country, Gospel, Bluegrass, Folk, Rock n Roll, Doo-Wop, Soul, Funk, Disco, Punk, House and of course Rap and Hip Hop---all enjoy well documented African American roots coupled with undeniable Black American influence---whether directly or indirectly.. Latinos -- Puerto Ricans particularly -- please explain how you co-created or co-invented yet another installment in the legacy of Black Musical expression known as Rap and Hip Hop, yet didn't co-create or co-invent any of the elements of the 14 or so African American music forms that predated it? Or why you were nowhere to be found and absent during the creative and inventive foundation outlining the forms of African American musical expression, brilliance and greatness throughout, or even prior to the previous 14 or so African American music forms that are mentioned above yet then, all of a sudden--out of nowhere, you folks come along and falsely claim you co-created and co-invented Rap and Hip Hop 50/50 half n half (which is the evidence-free and utter nonsense being peddled by Dr. Derrick Colon, The Radical Latino, Fat Joe and numerous un-informed latinos---claims latinos never mentioned or verbalized during its inception in the early 1970's)---latinos claims of "50/50--half & half co-creation and co-invention just don't add up---it makes no sense and are increasingly becoming scrutinized and debunked--widespread. Make it make sense Latinos.

  • @HOPCOUNT

    @HOPCOUNT

    21 сағат бұрын

    And Black Americans created Techno by way of Detroit.

  • @amunatum3197
    @amunatum31977 ай бұрын

    Hip Hop Hispanic Heritage ha ha ha ha

  • @marvelous10301
    @marvelous10301Күн бұрын

    How the hell doe Hip-hop have a Latin heritage when they didn't create it? And why has it never ever sounded latino??? You'll just culture vultures at this point

  • @glasscut4880
    @glasscut48807 ай бұрын

    Keep making em mad

  • @beautyqueen2371

    @beautyqueen2371

    4 ай бұрын

    Lie tino

  • @glasscut4880

    @glasscut4880

    4 ай бұрын

    @@beautyqueen2371 you smoking that deodorant stick Tariq nasheed got yall buying

  • @glasscut4880

    @glasscut4880

    4 ай бұрын

    @@beautyqueen2371 smoking them rocks Vivian witch Dillard is selling fba’s

  • @skillet6870

    @skillet6870

    4 ай бұрын

    The no talents

  • @glasscut4880

    @glasscut4880

    4 ай бұрын

    @@skillet6870 whats your talent, besides leaving negative comments on KZread & showing your insecurities masked as bigotry?

  • @Vintagetube310
    @Vintagetube3109 ай бұрын

    AVentura are legends.

  • @skillet6870

    @skillet6870

    23 күн бұрын

    They're nobody's---as usual.

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