Flogging Molly - Devil's Dance Floor | Live in Sydney | Moshcam

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Flogging Molly performing Devil's Dance Floor live at The Forum in Sydney on 12 April 2008.
What makes a band truly remarkable? Insightful lyrics? Memorable melodies? Blow-your-mind live performances? The truth is that it takes all of those things along with a boundless enthusiasm, an infectious energy and a supreme devotion to the fans. With this rare combination, a band may ascend past "good," - or even the record industry's Holy Grail, "marketable" - and reach sublime. Drawing on the hardships and joys of their own lives and a musical history ranging from old world Celtic to modern day punk rock, the seven members of Flogging Molly do just that, and they do it with a charm and an ease that makes them one of the most accessible bands performing today.
"We're not a traditional band," explains Dublin born singer/songwriter, Dave King. "We are influenced by traditional music and inspired by it, and we put our own little twist on it."
Founded in Los Angeles in 1997 by the expatriate King, Flogging Molly got its start and its name from a local bar called Molly Malone's where the band played and grew and laid down the blueprint for its eventual success. As every member of Flogging Molly will emphatically explain, there were no predetermined expectations for the band's sound. From night to night playing to a packed house at Molly Malone's, the sound evolved organically. Traditional Celtic instruments like violin, mandolin and accordion blended seamlessly with grinding guitars and pounding drums.
Without consciously attempting it, Flogging Molly merged the music of King's childhood in Dublin with the music of his adulthood in L.A. "If it didn't have mandolin, accordion, fiddle and whistle, it would be punk rock, and if it didn't have guitar, bass and drums, it would be traditional Irish music," King admits, adding, "You can't be bothered being labeled." With a sound anchored in such diverse influences and with band members ranging in age from their 20s to their 40s - a decidedly non-MTV-friendly demographical mix, Flogging Molly was not embraced by the mainstream music industry. The band simply didn't fit any preconceived notions of what a "successful" band was.
Not deterred in the least, Flogging Molly embraced a DIY philosophy (that's "do-it-yourself" for those of you not in the know). Their amazing work ethic and rapidly growing fan base led them to DIY-style record label, Side One Dummy, and the two fit hand in glove. In 2000, their Side One Dummy debut, Swagger, featuring the anthemic "The Likes of You Again" and "Black Friday Rule" along with the best ode to a hangover yet, "The Worst Day Since Yesterday" (which later found its way into the Angelina Jolie-Brad Pitt film, Mr. and Mrs. Smith), obliterated initial expectations and sold over 50,000 copies before Flogging Molly headed back into the studio to record their 2002 follow up, Drunken Lullabies, which included instant classics like the rousing "Rebels of the Sacred Heart" and the doleful "The Son Never Shines (on Closed Doors)."
2004's Within a Mile of Home once more showcased the band's ability to play driving rock and roll on one track then slide effortlessly into lilting, pastoral harmonies on the next and contained a beautiful duet between King and Lucinda Williams on "Factory Girls."
Flogging Molly's latest album, Float, recorded in King's native Ireland, delivers still another iteration of the band's sonic evolution. More mature yet retaining the immediacy that marks all of their work, Float may find the widest audience acceptance of any Flogging Molly album. Hard charging tunes "Paddy's Lament" and "You Won't Make a Fool Out of Me" give way, as listeners have come to expect, to more sober ruminations on tracks like "Float." The overall effect is a symphonic layering of sound that possesses a unique rhythmic flow from boisterous to bereaved and back again. Long time fans and new discoverers will be equally astounded.
Bio Excerpt by: Gary Zeldner
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Пікірлер: 14

  • @Columbusmor
    @Columbusmor4 жыл бұрын

    How they manage to keep up the speed beats me! - Great!

  • @nathanvandyke4806

    @nathanvandyke4806

    2 жыл бұрын

    My highschool marching band does a few songs at similar tempos and I've been trying to find sheet music so we can play this

  • @faust1138
    @faust11384 жыл бұрын

    In the early 00’s these guys use to play First Ave in Minneapolis religiously, still one of the best live shows I have ever seen. You could always catch the lead singer at O’Donavon’s across the street after. He was a nice guy.

  • @Annastasia666
    @Annastasia6664 жыл бұрын

    I still can’t get over the fact Dave King is/was the same singer for Fastway let alone Katmandu. Man, I looooove that entire album to death. Front to back it kicks some major ass!

  • @chrissanders6408
    @chrissanders64084 жыл бұрын

    Saw FM in KC this last year! Favourite show ever! Please come back soon!

  • @lethaloutdoors001
    @lethaloutdoors0014 жыл бұрын

    Much love from deep South Australia 🇦🇺

  • @Faithe657
    @Faithe6573 жыл бұрын

    I luv this song 🎶🎶 🎶

  • @1000butts
    @1000butts11 жыл бұрын

    Perfect people

  • @crazedsabbathfan73
    @crazedsabbathfan7311 жыл бұрын

    Hadn't Moshcam already uploaded this one? Oh well FIRST!

  • @utefritz2116
    @utefritz21164 жыл бұрын

    Meine Hochachtung für das Girl mit der Flöte, sie ist toll und wunderbar....😘

  • @user-xq1wr3tl3m
    @user-xq1wr3tl3m4 жыл бұрын

    Ирландия 👍👍👍

  • @vladimirjovanovic7418
    @vladimirjovanovic74188 жыл бұрын

    extra

  • @chatterbox3327
    @chatterbox33274 жыл бұрын

    Most shred the axe, this paddy's killing the accordion with Stuart Littles older brother, still good to get messy to tho

  • @gorditaz8728
    @gorditaz87284 жыл бұрын

    Wtf. 😂

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