Extended Touhou themes: because Touhou is way too epic for 2 minutes.
This channel is my own personal Touhou music box, and I'm going to share it with you.
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I still can't believe a cirno hentai brought touhou to me 9/9
Dayousei went to mid boss of stage 2 to extra midboss what a buff !
POV: You didn't paid at her food stall
Fisting is 300 bucks.
This is where everything began. Perfect theme to begin a touhou dream that is full of excitement and pain of dodging and destroying enemies
I think Chimata represents something that we as fans forget sometimes, and that is the tragedy that is all of Gensokyo's non-human residents. They were all forgotten, thrown away by humanity's fickle collective mind. Given life by us, and killed by us. As humanity lets itself slip further and further away from it's core, these beings we used to revere slip away with it. That, to me at least, is a good reason to possibly put Chimata in my top 5 characters
Some cool stuff i noticed about Saki's design and her theme: - Her hair is styled in a *ponytail.* She's a *horse* - During the main chorus, the guitar is meant to evoke a horse neighing
Esas amas no se paresen a satori y koishi?
best song in the entire game
Satori always looks like she's undergoing dialysis
holy shit this comment section is so fucking unfunny
Now i can see why nobody dislikes her She is perfect
Someone should play in a real storm or edit it in one
Free my man Daikoku
Music reminds me of Rude Buster a bit…
I cry to this everytime
FREAKING SKAAAAAAAAAAA
The calamary inkantation of touhou
Hell man i love marisa 😭
Fumo fumo
do u guys think nue and sukuna ever met
no need for the pic to go THAT hard
man i don't even know what touhou is but this shit goes hard
Anataaaa wa ohimesama wagamama na ohimesamaaaaaa
I thought Touhou 8 was easier than 6, until this boss.
I rate this masterpiece 9/11
Best song ever
oh my god im in love with a miner
also terraria texture pack crimson underground theme
Việt nam Chào bạn mình cũng phải chịu cảnh này em thấy rất hay của em cũng muốn hiểu rằng mình vẫn chưa biết cách làm của mình với những chiếc váy màu vàng của ngân hàng thương mại nhà nước Việt Nam trong thời gian tới cần biết thêm chi tiết nha Chào bán ơi Chào bán cho người dân trong khu vực ASEAN Chào bán cổ phiếu ra công chúng không còn Việt Nam trong tháng tới nay chưa 70 Chào bạn cần phải nói thêm thông tin cho anh biết không biết cách nào!
🖐cine chaval🤚
This is Rock Music
Aya & Reimu be like in the art: Aya: "Pwede po ako magtanong. Pwede ako sumulat ng Article para sayo?" Reimu: "Bobo wag. Wag mo sumulat ng Article saakin tanga. Tangina mo"
Hey wait a minute, I don't remember listening to this song!
the furies of hell demand, the whereabouts of sooth-slaked human hearts, unbroken, whereto imperishable blue day extends? under earth to be buried were the moaned sighs. of charioted living, dead, and ambling things to come at the end. though the Zeus' sky was one, bright once, not so, the sky-clad creatures of moon-litten earth.
8 years later, I'm still in love with this.
I cant unhear the "pichuun"
Reminder: She fought some of the most powerful characters at once and actually won.
1:14 you can sing "i can only count to four" in this section
Hermoso
Is it just me or does that little clump of leaves next to Momiji's elbow look like a sad Shrek
0:40 Sariel's BACK!!!!!!!
ZUN's comment about the track: "Photo theme 4. Written for the latter half of the game. I feel, deep inside, that this hints at retro Japan. Snow, falling in the capital. A deserted night road. But, this retro is my idea of retro... Listening to this might make you reminisce."
ZUN's comment about the track: "Photo theme 3. Written for the middle levels. While it feels like both the boss and Aya are having fun, it is hard to convey the feeling of the boss being coerced. This tune is aware of that, so while being light and bright, it was written to also bring out the strength of the boss. Especially the piano."
ZUN's comment about the track: "Photo theme 2. It's easygoing enough to seem scary and cute. Though kidnapping and eating people is a youkai thing to do, this cheerfulness that must have come from somewhere is also part of the fabled tengu image. I think this piece mixes that scariness, cuteness, cheerfulness, and carelessness together."
ZUN's comment about the track: "Photo theme 1. For this game, instead of the usual boss battle music, I wanted it to be more casual, so I wrote this. It has a very relaxed feel, because Aya is enjoying herself - as if she were teasing her target."
ZUN's comment about the track: "The title and menu theme. The same old piece. However, this time I tried to give it a bit more of a dark and retro feel, as well as a bit of youkai. That raining noise is a youkai mystery. No, there's nothing wrong with your monitor or speakers, so relax."
ZUN's comment about the track: "The staff roll theme. I thought about making a lighter staff roll than normal, but I regret making it both light and almost empty. Like I should have made one of those two stand out. Well, I hope it has a sense of closure. But, it also feels like a beginning to me. It's not bad, right?"
ZUN's comment about the track: "The ending theme. I don't know... Touhou ending themes, in their entirety, always sound like bad endings. Could it be that clearing shooting games itself gives humanity a bad ending? (nah, no way)"
*[Supreme Judge of Paradise]* EIKI SHIKI, YAMAXANADU Species: Yama Ability: Establishing things as clear good and evil One of the gods that resides in hell and judges the deceased. She possesses ability to establish things as clear good and evil. Her real name is Eiki Shiki, and the "Yamaxanadu" is a title that she carries in her job as a Yama. Basically the title represents the place they're in charge of. Unlike humans, she has a criteria of right and wrong in her own mind. Her judgement cannot be overturned by the deceased. Her criteria is quite complicated, and the seriousness of the crimes factor in everything from why they occurred to the personal history of those involved. The minimum requirement of lying to her, in order to appear as a good person, is not letting her discover that lie. If discovered it is a huge deduction. Her usual routine is to find faults of the deceased and decide where they will be sent to: Hell, Heaven, or somewhere else. Due to her job, she tends to be somewhat moralistic. It was when Komachi did not ferry the deceased to her that she noticed something was wrong in Gensokyo. Suspicious, she looked at Gensokyo only to find out that it was blanketed by flowers. All kinds of flowers were blooming at the same time - spider lilies, sunflowers, lilies of the valley, lotus blossoms, and cherry blossoms. As she was digesting this, both living humans and youkai attacked her, seething with anger. These assaults immediately made her realize what was going on. Now it is "that year", 60 years since the previous one. All these flowers were possessed by spirits of the deceased, and the reason they weren't processed properly was because Komachi was being lazy. Komachi, being too easygoing, only thought "ah, it's beautiful" even when the flowers were filling the whole place. It's not like she can restore the flower-covered Gensokyo, but time will eventually bring it back to normal. There was little to no harm. However, a human who's been charged with a crime is before her. With her pride, she couldn't let her pass through her place. ZUN's comment about the track: "Eiki Shiki, Yamaxanadu's theme. Obviously, a theme for a last boss. A melodious last boss theme is a Touhou trademark. This time, Japan + rebirth + sakura country are the images I mixed together. This song full of strength and ephemerality is a song for the as-yet unseen most beautiful land of sakura. As silly as the whole game may be, this piece alone evokes strong feelings." Notes: The number 60 is the number of nature. It is the product of 3, 4, and 5: the three lights (sun, moon, and stars), four seasons (spring, summer, autumn, and winter), and five phases (wood, water, fire, metal, and earth).