I adore how slowly he thrums the main theme... he really draws the beauty out and makes it all the dreamier!
@user-ms7fm9hh2u28 күн бұрын
動画時間から別の英雄ポロネーズと別格であること表してるの好こ
@JaseBach28 күн бұрын
The comments on this performance, such as polished. magic, seamless, are unusually perceptive and spot on. However, it was also slow, fussy, subdued, and eschewing bravado. Assets in those days, when he was so different from the establishment, but liabilities nowadays since the musical world is no longer dominated by Soviet-trained technicians. It seems to me that all the hallmarks of the latter Pogorelich can be found here. On another note. this etude suits small hands. Many teenagers play this very well. The all time best was the young Ashkenazy. Reserve your judgment until you have heard that one.
@user-xj2tt2ch4eАй бұрын
sublime!!!!!!!!!!🎉🎉🎉🎉🎉🎉🎉🎉🎉
@JaseBachАй бұрын
Dang is now a Canadian piano professor. I am sure he will be bemused and amused by the shower of praises on what he would now consider a bold immature rendition. Someone said reckless; I agree. He gave it all, like a David against Goliath. This performance at the start of his career seriously lacked weight. The tone was sometimes forced and ugly. Yet, the sense of desperate struggle is apt. The fragile Chopin probably played like this. This was a poignant performance, given his horrific background. His Russian training gave him an invincible technique, but besides the lack of weight I mentioned, there was also something critical lacking. As pointed out by the others, the Polish spirit, or what Chopin is all about, was crucially missing. At the time, Dang didn't have a clue. Still, this was a unique once-in-a-lifetime performance, but definitely not the definitive interpretation some of the commentators believe.
Often after he plays the right hand melody, why is he waving the wrist up and down then? Piano is not violin .. it is wasteful energy spent that can be reserved and used for other parts of more efficient, elegant and expressive keyboard contact process ...
Пікірлер
what year was this?
😮😮😮😮😮😮😮😮
2024年でも聴きに来てます〜。 先月とうとう？この2枚組のCD買いました〜（今更）
彼こそ英雄。素晴らしいの一言です🎉
19歳にてこの演奏、天才。
ブーニンさんのピアノ好き🥰 音を楽しんでる､､､まさに音楽🎵
初めて聴きました😊
左手に時々アレッと気になる音が、若いときより今のほうがつまり2024年の10年位前からのほうが素晴らしいと聞きました😅
軽やかで力強くて好き 溜めが多くて重い感じの弾き方する人もいるけど、この曲にはあんまり合ってないと思うわ
Malo noblesy ..chopinovsky."'.technokrat "'....tonovo suche( secco klavirista
やはり稀代の天才です
弾いてる、弾こうとしてるんじゃなくて、音が勝手に出てきてる感じ。うまく言えないけど
コンサートではなく、コンクールというのが凄い…
Mistrz Paleczny, ciut za szybko ale mistrzowsko, DUMA!
Really lovely interpretation…weird to hear an old recording like this, but the musicality comes through just fine.
物凄い、確かなリズム感と、美音、ハーモニーが魅了するんでしょうか、そこが堪らない美の創出というか…🌟✨ー。
は〜い聴いてます。
I adore how slowly he thrums the main theme... he really draws the beauty out and makes it all the dreamier!
動画時間から別の英雄ポロネーズと別格であること表してるの好こ
The comments on this performance, such as polished. magic, seamless, are unusually perceptive and spot on. However, it was also slow, fussy, subdued, and eschewing bravado. Assets in those days, when he was so different from the establishment, but liabilities nowadays since the musical world is no longer dominated by Soviet-trained technicians. It seems to me that all the hallmarks of the latter Pogorelich can be found here. On another note. this etude suits small hands. Many teenagers play this very well. The all time best was the young Ashkenazy. Reserve your judgment until you have heard that one.
sublime!!!!!!!!!!🎉🎉🎉🎉🎉🎉🎉🎉🎉
Dang is now a Canadian piano professor. I am sure he will be bemused and amused by the shower of praises on what he would now consider a bold immature rendition. Someone said reckless; I agree. He gave it all, like a David against Goliath. This performance at the start of his career seriously lacked weight. The tone was sometimes forced and ugly. Yet, the sense of desperate struggle is apt. The fragile Chopin probably played like this. This was a poignant performance, given his horrific background. His Russian training gave him an invincible technique, but besides the lack of weight I mentioned, there was also something critical lacking. As pointed out by the others, the Polish spirit, or what Chopin is all about, was crucially missing. At the time, Dang didn't have a clue. Still, this was a unique once-in-a-lifetime performance, but definitely not the definitive interpretation some of the commentators believe.
懐かしすぎる ある意味 同級生! 30年か〜
まじで素人だけどほんとクラシックって面白いよなあ 英雄に関しては力強く弾くタイプとわりと滑らかに弾くタイプに別れると思うだけど、個人的にはアシュケナージみたいに力強く弾くのが好きなので正に素晴らしい英雄だと思った
着信音にしています😊
He is amazing ❤
Dinu Lipatti played better.
❤💐🙏🕊️
英雄ポロネーズと言えば この人というくらい聴いています‼ 軽くこれを弾いてしまうのが… 流石です❤❤
His fingers on the keyboard are like fish in water❤
6:53
Her gentle touch is just warm, consistent and honest..like a woman's love..lol..idk.. Wish I could see more footages like this💯💫
他のか方も仰ってますが、 ミスタッチって、本質を捉えていれば問題ではなくて。 ノーミス完全体 みたいなの、 つまんないです。 ブーニンのこのキラキラを分かってほしい。 英雄もですが、 若い演奏って素晴らしいです。
技術はいくらでも後から磨けるからね。 元々持っている世界観が素晴らしい。
Braaaavoooo !!!!!
Un mostro di bravura
最初の半音意味わからん
流石に早送りですよね💦💦
かっこいいですね、ブーニンさんの演奏には全てあります
本当に素晴らしい演奏。 それにしても、このメロディを聞くと、何故かとても「懐かしい」という気持ちになるですが、前世の記憶なのでしょうか？
今年の番組で足の怪我から復帰の10年の軌跡を番組で知った。 今年2度目のリサイタルやるらしいし見に来たけど、美しい演奏や。 わい20代だけど聴きに行こう、 10年間の苦悩と努力も音に表現されるだろう、楽しみ。
ごめんなさい、、、わたしはつじいさんのポロネーズのがすきです。
Often after he plays the right hand melody, why is he waving the wrist up and down then? Piano is not violin .. it is wasteful energy spent that can be reserved and used for other parts of more efficient, elegant and expressive keyboard contact process ...
Sokolov와 Lima의 prelude#17이 가장 좋다.♡
メリハリがってかっこいい✨ ピアノが小さく見えてしまうくらい大きいても魅力的✨
It feels like it's slightly stuck...
ため息が出ます💫
ゆゆうたから
リアルタイムで観ていた母が、 「他のピアニストが演奏中、審査員退屈そうだったけど ブーニンが弾き始めた途端、審査員が 全員前のめりになって聴いてた」ていうのを、子供の頃から 何度も聞かされました。 彼の様な天才の演奏を聴ける時代に生まれた事に感謝したいです。
ブーニン この人の 英雄ポロネーズ 一度聞いたら耳に残って離れない、頭の中でぐるぐる回る。
Half tone higher because the speed is accelerated. One more who cheats...