Aradhana Karhade is a music educator/performer from Hyderabad, who specializes in voice culture. She aims at making music lessons available for all. Her video tutorial series has received many positive reviews and continues to guide people in educating themselves in music.
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Didi i have completed praveshika purn long back now i want to prepare for madhyama want to join your classes
🙏🚩 jaiho badia
Wahh Apratim 👌🏻khup chan
Fantastic
Nice explanation and demonstration. Thank you
Which nishad is anyaswaram and in which fraces it occurs
Good
Vey thorough tutorial! Is the Chalan of a raag same as Swar Vistar?
In which scale mam
Excellent mam🎉 I have already by hearted your video on Rag boop❤ Mam can you please tell me रागा साठी कोणती पट्टी वापरली आहे... यमन
Mam, pls upload your videos on other popular ragas. U R a great teacher for us. Nd U R doing a noble work.Pls don,t stop.
Raag Baageshree Tutorial (WITH COMPLETE NOTATION!) - see Title
Nmskar
❤❤
Subscribed to your channel from UK thank you 🙏
I will come for your class today ma'am Ejo
Thank you very much guruji 🙏 i use this for Riyaz ...khub khub dhanyawad 🙏
Very good,, Raag Bhimplasi is sung nd explained very nicely, Mata Swarswti may bless u,
❤🌹🙏🏻
You’re awesome 🙏
Ma'am bahot din ho gaye hai raago ke video nhi aye video daliye please
Nice practice session. Can you post similar videos for Multani and Malkauns raag?
बहुत अच्छा !❤
You are Voice is very nice 👍
I like this raag.Very excellent 👌
धन्यवाद ताई
Excellent 👌👌👌👌🌹🌹🌹🌹
Excellent 👌👌👌❤❤❤
राग भीमपलासी को काफी थाट से उत्पन्न माना गया। इसमें गंधार और निषाद कोमल तथा शेष स्वर शुद्ध प्रयोग किये जाते है। आरोह में रे - ध स्वर वर्ज है और अवरोह में सातो स्वर प्रयोग किये जाते है, इसलिए इसकी जाती औडव - सम्पूर्ण। वादी स्वर मध्यम और सम्वादी स्वर षडज है। दिन के तीसरे प्रहर गया बजाया जाता है। आरोह - नि सा ग म, प नि सां। अवरोह - सां नि ध प म ग रे सा। पकड़ = नि सा म,प म ग म, ग रे सा। राग भीमपलासी - तीनताल ( मध्यलय) स्थायी ग ¯ रे सा | रे नि सा ¯ | सा ¯ म म | म ¯ नि प | जा S रे S | अ प ने S | मं S दि र | वा S जा S | ० ३ x २ ग ग रे सा | रे नि सा ¯ | सा ¯ म म | म ¯ ग म | जा S रे S | अ प ने S | मं S दि र | वा S सु न | ० ३ x २ प नि सा ग | रे ¯ सां ¯ | रे नि सा प | ग ¯ प ¯ | पा S वे S | गी S सा S | सा न न दि | या S जा S | ० ३ x २ अंतरा प प प म | प ¯ ग म | प प नि नि | सां सां सां ¯ | सु न हु स | दा S रं ग | तु म को चा | ह त है S | ० ३ x २ नि नि सां गं | रे रे सां ¯ | नि नि सां सां | प म नि प | क्या S तु म | ह म को S | छ ग न दि | या S जा S | ० ३ x
*मंजुळ कंठ आणि मोहक रूप हा मिलाफ खूप दुर्मिळ! पंचाईत अशी होते की ऐकत राहू की पाहात राहू हेच उमगत नाही!!* 😌
Mmm
🙏🙏🙏
Bandish ki 1st maatra mandirva shabd pe aaye to iska prabhaav aur hi hai.. , Bandish ja ja re start from 7th matra.
Most nice
🙏🙏💐💐
🙏🙏
Ok.
Very good tutorial
Mam kiya ham ismain Zhinzoti Bageshri Bhimpalasi wagera ki chinte de sakte hain incase agar ham ise piyor shakal main nahi ga rahe
Very nice teaching method mam.
खूब सुंदर अनुराधाजी! बहुत मजा आया सुननेमे!
Very nice way of teaching raga. Thanks a lot. Best wishes
Mam pliz continue upload video
Excellent Tutorial for the beginners.Thanjs madam.Pls. tell where are you from and where are you staying now. ? Hoping for the answer.Thanks.
Thanks Purushottam ji. I am from Hyderabad,
Greetings to tabalchi, as well.
Beautifully sung
Nice
Thank u So much
Looks like you are not in your own touch mam, will pray for your vocal and spiritual health.
So nicely sung by u