Hello and welcome to my channel 🙂
I have decided to take my knowledge I accumulated as a photographer, director and avid cinema lover to KZread in order to create frequently and more importantly for fun!
So if you love the art and the technology of filmmaking and do not take yourself too seriously - join me in my pursuit of photographic perfection nonsense 😅
See you in the comments section!
MAX✌️
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That slow motion 😮 and what a circus artist 🎪❤
☺️
Bravo! 👍
🫡
I was hoping to see a comparison with the two mics, not you just talking in the whole video. Am I missing something?
Maybe more on the field outside is what I would be expecting 😃
What
What
Most cameras released in the last couple of years can produce great footage if you work with what they do well rather than obsessing over the flaws.
yeah well going backwards on image quality not exactly the right way to go isnt it. and my point of doing these tests to push through all the marketing bullshit and reveal cameras for what they truly are. if you are not happy - then shoot with an insta 360
Chinese companies are now providing high quality gear with fair prices. Filmmaking hasn't been this accessible. Most of the extra money paid for other products is as a compensation for insanely overpriced R&D in these companies.
oh yeah 100%
@@CINENIMUS Solid review btw. Subbed!
I picked this up on the big sale and while I love the end product with my full frame prime lens set, the limited 16:9 was by far what flabbergasted me the most about this camera. What an unnecessary omission that greatly inconveniences me on a regular basis. I do not understand why they would choose to limit it in this way when a simple firmware update can provide 16:9 at every major resolution.
thats blackmagic for you my friend some of the choices they made are very interesting to say the least
Be careful of MPB trade in prices they are terribly low ! Buying prices are pretty good but trade in prices they do take the p**s sometimes !
obvious
I like your attitude! No bs talk. Honest and transparent. Excellent review btw. You're absolutely correct, it's not the camera, it's the skill of the one whose hands it's in that matters. A better frying pan won't make you a better cook. This principle goes with any form of art. Werner Herzog said the same thing... watch good movies! Study the greats. That's what makes a good cinematographer. Not the camera just by itself. Greetings from Melbourne!
aww you are too kind thanks a lot, I am in the process of testing my Ursa G2 VS FF and the 6kPro some crazy results....
@@CINENIMUS ah nice! Can't wait for that one. Just subscribed! Looking forward to it! P.s. after watching your video, i think I'm going for a Sony a7iv and a much better cine lens rather than the other way around. You've cleared my anxiety and paved a better nights rest 😂
raw camera 1% + color grading 99%
Awww thanks
This is stunning! Can I ask what adapter you used for the lens?
Cheapest one I could fine on amazon
@@CINENIMUS Does it have iris control on the adapter, or can you control aperture in camera?
No waveform is crazy
Yeah really sucky
Thanks!
You are welcome
So you are not able to change aperture???
You are
@@CINENIMUS how????
Both look great. In fact, most cameras look great at this point. The Ursa has more dynamic range, but after matching shots, the difference was extremely negligible. Cameras don't matter as much as they did 10 years ago. They all have slightly different flavors, and the images become extremely subjective. All that really matters now is what you put in front of the camera. On second thought... That's all that has ever really mattered.
Did you measure Ursas DR? Coz I did…
@@CINENIMUS What'd you come up with?
When taking this shot, how did you adjust the preview of this 1.6x lens on the monitor? blackmagic only allows 1.33x. Did you use an external monitor?
it allows 1.6
@CINENIMUS You should make a video on how NOT to get likes and subscribers. This is utter nonsense unless you secretly work for Blackmagic. Smh
What?
HI there, I found you video instructive to point out the issues. I run a GH5Mii and I am looking at possibly Slypod Pro. I have a Moza gimble which works fine but leery with the slypod generations seeing the issues. Can I inquire what the weight was that you put on the slypod when it wobbled. I am sure you stayed within the stated specs but just curious. I honestly wonder if you could get two closely matched pvc pipes that slide in each other and get a similar result for a fraction of the costs of the wobbles LOL
I just use rs3 now
Hmm. Is this about the FREE version of Davinci Resolve? As in: The (free) version that - unlike Davinci Resolve Studio - does NOT take advantage of GPUs?
Dong think so but not too sure
What camera and lens did you use for this video?
Same
I liked the 6kPro more (I didn't even try to guess which was which). I ended up buying the 6kPro 6 weeks ago and have been very happy with its image and its flexibility (I would have gotten the 6k Full Frame but the lack of Internal NDs, Pro Res, and High FPS were deal breakers). All that said, I do wish they'd used a slightly larger "Super 35mm" sensor. the 25mm sensor of the G2 gives just a bit more breathing room than the 23mm one of the 6kPro. I understand they were using a pre-existing Sony sensor here (and Sony's APS-C is also 23mm) but, as small as that 9% extra crop may seem, it does make a difference. It means I now always want to carry a Tokina 11-20mm ultra wide with me when I'm shooting. It's not the end of the world but it would have been a nice convenience. I really hope that, if Blackmagic makes another Super-35mm camera, they go with a 27mm sensor like the Red Komodo or Ursa Mini 12k. Both provide a 17% increase in field of view while still covering all Super 35mm lenses. I really think it's the sweet spot for people who might want to stick with he Super 35 format because of all those great lenses BUT want as much FoV and DoF as possible.
Good happy for you friend
Looks amazing!! Been thinking of upgrading from the P4K to the G2
Hold your horses my friend, I’m doing a MEGA video comparing G2 Ursa to 6Kpro and 6Kfullframe - we shall see which one will win 💪
@@CINENIMUS would definitely love to see that!! 🙌🏾
I was a customer of MPB (Europe) since 2021 and had several dealings with them, buying a load of stuff, with no hassle. However, since the start of this year, they've started to drop the ball. Gear over-rated (a well-used piece junk that was described as 'good'), faulty camera (sticking shutter) and losing a part of my order (sheer incompetence). My latest camera from them has had two replacments and finally I ended up with a camera I am happy with, but still an incomplete order. I'm seriously wondering if I'll do business with them ever again.
They just get so many sales they dont care they also hold monopoly
I really like your content, I think the Canon 17 55 lens is very expensive, but I feel like if I bought it for my Black Magic 6K Pro I could use the gyro because it will inform the camera about the millimeter I'm using, buying the Nikon 17 55 would I have problems stabilizing with correct gyro?
no no problem at all but you need to put in the exact focal lengths in metadata (ideally) before you hit the record button so say you shoot at 17mm then you put that in and if you cant zoom in as the data will need to be re-adjusted as you don't have electronic contacts so if you DO want gyros' the canon is a better choice
Great shots!!!
Thanks
Beautiful color grading dude
Thanks I did get better since haha
😍
🥵
Honestly it’s mindblowing to me that nobody really talks about this. Every single Sony camera I’ve used except the Venice has this problem with hard contrast edges. FX6/FX3/a7sIII/a7sII/FS7/FX9… yet they have the biggest fanboy community and nobody seems to care. This stuff can make a shot absolutely unusable and there’s no way to fix it in post. The thing is, I really want to love Sony cameras, the FX6 is such a joy to use with its lightweight boxy body and phenomenal internal NDs… but the fact that this could happen anytime makes me so nervous…
My friend you think Sony fanboys are bad - try Blackmagic - it’s a whole new level. Any fanboys make so fucking sick glad there are few like yourself who can see things for what they are. But you know… the fanboys usually are people who either keep their cameras locked up and barely use them or worse - people who don’t even own one and just talk shit online as if they do.
@@CINENIMUS haha yeah true. This was shot at 4K All-Intra, I suppose?
Hi…so when do you sell your Ursa and go for Z6iii or wait for August and GH7 arri log c?
Not for the shitty junk you just listed. So never.
@@CINENIMUS No love for Nikon,Pana or both...or maybe waiting for the S2H or S1Hii?
@@filipmichalsaffray441no love for cameras that dont shoot proper raw no. Nikon Tico RAW is kinda junk, other models are not really cinema cameras either
@@CINENIMUS GH7 internal prores raw 5.7...ok mft but proresraw is not partialy debayred in camera like braw...is more a true raw imho...
@@filipmichalsaffray441your honest opinion needs more education lol. BRAW is as true raw as R3D they use near identical tech, read the white papers before spreading half assed rumours man.
Great video! Exactly what I was looking for. I purchased the Zoom H6 Essential which has 32 bit float and realized the Fethead created more noise for me. I started thinking, do I really need this thing lol. Using dynamic mics as well such as Shure MV7 and SM58
Not on 32bit no
I Have lumix s5iix ,i think it is a better overall camera and the only complain i have is that it is a little sharper than i would prefer .Bm here has a more soft, that i prefer , and thats all.Considering the dynamic range also lumix has according to geraldundone 14 bit (v log) and bm 13 if i am correct .For me DR is critical for a camera.Very nice test by the way
BM has higher DR if you reduce noise like your S5ii internally does
What was your ISO set to?
3200
thank you for your service. thank you for testing with real taste. very rare
Thank you for incredibly kind words you know whenever I’m thinking to give up - someone like you make a nice comment and really makes my day - stay same my friend keep spreading the joy 🙌
Do you prefer the image out of the ursa or the full frame?
Cant tell yet tomorrow testing but in terms of overall performance Ursa win win win
Did this ever get an answer? I thought it was a mix...
It is
Handheld Ursa ???
Yes yes
I have the same saw, used it twice and now it’s broken, I think the hose came of the primer pump, I can’t see how to get to it, to be honest a lesson learnt from this pile of shite.
haha yeah
In Pocket6kPro we dealing with a sensor from Sony... this is why I prefer and use old pocket 4k and 6k i don't like new color science
pocket 4k and OG 6k are also Sony. www.reddit.com/r/bmpcc/comments/snooiz/that_sweet_fairchild_sensor/
@@CINENIMUS thanks for bringin it.
Got this camera years ago
And?
@@CINENIMUS Means you are pretty late to the game. We all knew about this.
@@simonc4764and?
@@CINENIMUS I'm probably right that you saw a 40% discount at CVP and bought it. The point is what you claim we all knew a long time ago. Its obvious even for a none user the spec claims 15 stops, its a next level up camera from the Pocket range.
If I had a 🫣🔫 I would pick A, and then would be “whaaaaaat?…..” let’s just say we like your colour grading 😌😎
Yes yes iz
You can tell the Ursa by the light on your forehead, there's more detail in the highlights of B. I would be curious about the Cinema Camera 6K with the new full frame sensor matched against the Ursa G2. Thanks for the great content.
Ursa is a tad more detailed and DR and Colour is yet to be tested
@@CINENIMUS In your Full Frame 6K tests, have you by chance used ND's? Did you notice any IR pollution? I am getting a Pyxis and I'm curious if the OLPF is quality or if I should plan to invest in IR cut for my glass! Thanks for your wonderful videos.
@@Sumsum5342 Full Frame IR pollution is as bad as any other pocket, the Pro has the least. OLPF is next to no difference between it being there or not you will still have moire on some textures just a little less (MAYBE)
Nice !!! Are you adding any sharping, contrast pop, or mid tone detail in post ?
If you asking if this is processed and not just raw upload then yes. What exactly I do the images to look so nice is an accumulation of 20 years of experience and research that I will never reveal - just like any good artists - when you get good you dont make a fucking tutorial unless what you learned is from youtube 5 mins ago
Ursa much better but only when you know how to push the footage....
You win with the most logical comment by far 🫡
CAM A - URSA G2 - better dynamic range and highlight
Wrong ha!
HI BOTH GOOD STILL LIKE A CAMERA MORE...
Ok
@@CINENIMUS probably because I own the P6K OG and love it...
@@filipmichalsaffray441ok
I get a lot of gear from MPB. Most of the stuff arrived intact and as described, but they definitely don't seem to test their gear. Case in point, I ordered an EF lens, and it was something completely different. They stand by their orders and offered to take it back, but it's odd that they didn't test it first.
Yep
6k looks better
Obviously but only straight out
I've always had a hard time telling which cameras are "better" in any given head to head, especially since most Blackmagic cameras share the same basic color science. That said there are definitely differences and some may prefer the look of one over the other under the same settings. The 2 extra stops of dynamic range are a bonus, but the footage you posted yesterday at high frame rates demonstrates clearly one of the biggest advantages. When you factor in the NDs, better screen and pro level connectivity and it really comes across as a bargain.
How do you know it does have 2 extra stops of DR? From their marketing?
@@CINENIMUS Yes. To me that's not an important feature, but if I shot professionally, the high frame rates, flip out screen, and all those other pro level features would easily justify the price.
@@CINENIMUS I just checked the website and realized that in spite of the flip out screen, you still can't monitor yourself. It's funny that Blackmagic doesn't understand that many content creators need to see themself to get the framing right. The Pyxis is even crazier with the screen locked sideways.
@@AskJoe well thats the problem that camera is for "cOntenNt cReaTorS" but rather for people who make cinematic images two different categories. but yeah it could have been nicer to have one flip fully
Could you help me, I have the belief that the quality of the Footage that is made with this camera is of such quality because of the QUALITY of color management, and not because of the camera itself... Then you could make a sinsero vs with a BMCC64k type camera or the sony fx3 trying to get the best out of each one
What
A Ursa B 6K
Wrong
A looks as upset as B😇
What
@@CINENIMUS Humor..
@@CCozart ha