The dischordinance is strange to classicist pupils. Dame Judith Weir was one of his pupils. I like it!
@warmswarm9 күн бұрын
The audio is out of sync with the video.
@user-sathz11 күн бұрын
*I cant even count how many voices there are*
@jacqui49423 күн бұрын
Fleming has so much color in her voice.💕🎶🥰
@magarac9927 күн бұрын
As much verve and drive as any 4 hand version
@magarac9927 күн бұрын
❤en.wikipedia.org/wiki/Petrushka_chord
@shin-i-chikozima28 күн бұрын
Is this masterpiece the embodiment ofinsane aesthetics❓ 松田優作主演の「野獣死すべし」の映画で聴いてこの曲に興味を持ちました。 この曲を選択した映画関係者は素晴らしい感性を持っています。 主人公の内面の動きがこの曲で見事にあらわれていました。 ショスタコーヴィチの不幸はスターリンのソ連に生まれたこと。人を虐殺すること以外に興味のないスターリンにショスタコーヴィチの素晴らしさがわかるわけがありませんでした。 この名曲が松田優作の演じる狂気の美学にこれほど合っていることに驚いています。 松田優作のブラックレインに劣らない傑作がこの名曲に触発されている野獣死すべしでしょう。 スターリンには狂気の美学以上に危険な匂いがあったのです。 スターリンにそっくりな男が現れました。 歴史は繰り返すのでしょうか。 残念ながらショスタコーヴィチは出現していません。
@jbrahms586Ай бұрын
In memory of Tobi Hug. Rest in peace.
@alastairboles4437Ай бұрын
Amazing performance. Beautiful presentation of this concerto
@johns.8220Ай бұрын
The same people who call this a work of genius are the same people who poo-poo John Williams for being a "copycat" 🤡
@parisnadjaАй бұрын
네 대의 피아노, 열세 대의 타악기를 조합. 성공적 !
@jaapfolmer7791Ай бұрын
I still prefer Dufay.
@benjaminverland7456Ай бұрын
Meget bra konsert 😊
@robinblankenship9234Ай бұрын
Just remember, Berio knows more than you and is smarter than you. Thus he is more important than you and thus gets to dictate your world to you. AND, as an extra bonus, he is a committed Socialist. What could be more perfect. All music, going forward, MUST be above the listener’s intellectual. Never mind that John Williams fellow.
@naomi6408Ай бұрын
That's some epic s--- :-0
@Panorama07RuOK2 ай бұрын
Съёмка очень крутая! Респект операторам!
@goosegoose89822 ай бұрын
4:50, suddenly total beauty, like the sun coming out. unbelievably powerful. Also the bit that Cathy Berberian picked on her desert island discs.
@mariohernansosa34332 ай бұрын
Me diero ganas de aprender a tocar el piano
@oldrichcepelka2962 ай бұрын
A bad sound? except the first concert.
@tomomara32352 ай бұрын
Yuja Wang has made Stravinsky's spirit very very happy with this performance...She is truly a genius...also...shout out to the videographer/lighting/ directing of this...all genius!
@djinn19142 ай бұрын
Extrait de <<Olivier Messiaen, musicien de la gloire divine>> par Pascal Ide : Olivier Messiaen nourrissait aussi une secrète préférence pour le rythme à l’égard de la mélodie et de l’harmonie. Certes, tout musicien est rythmicien. Malheureusement, le terme rythme souffre d’un profond malentendu (c’est le cas de le dire). Pour la plupart des personnes, et des musiciens, qui dit rythme, dit succession ininterrompue de durées égales. L’exemple type en est la musique militaire ou le second mouvement de la Huitième symphonie de Beethoven. En regard écoutons Messiaen ouvrir la conférence prononcée dans le cadre de l’Exposition universelle de Bruxelles, en 1958 : « N’oublions pas que l’élément premier, essentiel de la musique, est le rythme, et que le rythme, c’est d’abord le changement de nombre et de durée ». Ainsi, même le travail contrapuntique d’un Bach est dénué de rythme ; par contre la rythmique mozartienne, sans doute la plus géniale du répertoire classique, présente une succession d’accents, une véritable cinématique, qui en rendent d’ailleurs l’interprétation difficile. Or, quelle est l’origine de la véritable notion de rythme-pulsation qui se refuse à la mortelle égalité ? La nature, en particulier le vent, les torrents ou les vagues de la mer ; et la nature est de Dieu. Messiaen remarque qu’ « une musique rythmique est une musique qui méprise la répétition, la carrure et les divisions égales, qui s’inspire en somme des mouvements de la nature, mouvement de durées libres et inégales [15] ». A l’école des chants d’oiseaux, il a compris la nature du rythme : « ce sont les oiseaux qui m’ont conduit vers les superpositions de tempos. Quand on assiste au réveil des oiseaux, au printemps, vers quatre heures du matin, on entend nos grands solistes, la Grive musicienne, le Loriot, le Rossignol, le Merle noir, et chacun chante dans son propre tempo. D’autres oiseaux, qui ont aussi leur tempo personnel, les accompagnent. Cinquante voix peuvent se superposer dans des tempos différents. Le résultat est un fouillis absolument impénétrable, un prodigieux enchevêtrement, qui reste cependant toujours harmonieux
@antoniofranciscogarcia17072 ай бұрын
How can one composer have so much fire and be so good?
@scotthullinger468412 күн бұрын
EASY - Because J. S. Bach is the GOD of music - !!
@larjasoul2 ай бұрын
i really doubt history will ever forget how brilliant yuja wang is. what a dent to leave on the art.
@ChrisBearfield-jv5qt2 ай бұрын
I'm a 72 yr old who adored the violin concertos when i was young.yehudi menuin i saw in edinburgh festtval. Nigel kennedy has made me feel so wonderful agaiwhat passion
@charlesimbimbo20702 ай бұрын
She’s amazing! This is one of my favorite pieces and she nails it!
@shirley18272 ай бұрын
I listened to this but really did not like it one bit. It was music sadly not for me. Perhaps I am missing something. I usually enjoy classical music. The drone of voices are very annoying also.
Believe in yourselves fi nLoved here amazing meaning jumping shelter for lots and tons she
@jessicalove92253 ай бұрын
Voices
@jessicalove92253 ай бұрын
Kindness smiling giving all letters believe know
@jessicalove92253 ай бұрын
Rushed to work with kindness to help you
@jessicalove92253 ай бұрын
Good luck with life itself
@Pablo-gl9dj3 ай бұрын
Heard it once. That's enough for me
@ffelegal3 ай бұрын
The cardio on this woman.
@JaseBach3 ай бұрын
Yuja Wang is perhaps the most prominent female pianist in the world today, and her prodigious technique certainly reminds one of the young Argerich. This Stravinsky work was on her debut disc some ten years ago when she first burst onto the scene. At that time, I was already very concerned about a serious lack of musicianship and respect for the music. Whereas nobody can claim to know what a Mozart or Beethoven sonata is all about, it is possible to know what the music means, bar by bar, in Petrushka, because it is a ballet (perhaps the most famous ballet after Tchaikovsky’s) with a vivid storyline. Apart from playing as fast and as dazzling as possible, one cannot sense any storytelling, any scene-setting, or any atmosphere in her playing. This is music to dance to, for humans not robots, so you need some elasticity and breathing space. The dance rhythms of Russian folk music, a hallmark of Stravinsky, were conspicuously absent. At the same time, the audience needs to feel happy, angry and sad along with the storyline. Yuja’s technique certainly impresses, but only in an acrobatic way. Even nowadays, when Ms Wang is ten years older, I still cannot sense any depth in her playing. I worry that in 30 years’ time, when she can no longer wear those dresses and when her fingers go arthritic with all that pounding, she would never go into the hall of fame, although she would still be fabulously rich. It is telling that hardly anyone commented on how haunting and sad the music is. Ivo Pogerlich, who is aging and arthritic, plays this music lugubriously, at half Yuja's speed. Yet, he plumbed the depth of this music like no other.
@philippelacombe8283 ай бұрын
Fantastique mémoire incroyable !
@hansschonfelder7354 ай бұрын
Undoubtedly one of the most important sacred compositions of our time. And a composer beyond all categorisation and standards.
@jonatalks95724 ай бұрын
the debussy climaxed so hard
@directcurrent57514 ай бұрын
MTV style editing.
@whatgivesit4 ай бұрын
Prom 03 - In memoriam Margaret Fairbairn (d.20/5/07 aged 99), supporter of the Monteverdi Choir and Orchestra 19:00 Sun 15 Jul 2007 Royal Albert Hall Jean‐Philippe Rameau ZaïsOverture DardanusEntrée des Songes Act 4 Proms premiere DardanusTrio des Songes 'Par un sommeil agréable' Act 4 Proms premiere DardanusPrologue: Tambourins 1 & 2 Les fêtes d'HébéChorus 'Suivez les lois' Act 3 Proms premiere Les fêtes d'HébéTambourin en rondeau Les BoréadesEntrée de Polymnie Act 4 Les BoréadesAir de Polymnie 'Commandez aux tendres Zéphirs' Act 4 Les BoréadesGavottes pour les Heures et les Zéphirs Act 4 PlatéeAir pantomime PlatéeRigaudons 1 & 2 PlatéeContredanse en rondeau PlatéeMenuets 1 & 2 PlatéeMusette PlatéeTambourins 1 & 2 Hippolyte et AricieSuite of selected dances Castor et PolluxChorus 'Rentrez dans l'esclavage' Act 3 Castor et PolluxAir des démons Act 3 Castor et PolluxChorus 'Brisons tous nos fers' Act 3 Castor et PolluxAir 'Séjour de l'éternelle paix' Act 4 NaïsChaconne Act 1 Proms premiere Les BoréadesChorus 'Jouïssons de nos beaux ans' Act 3 Les BoréadesGavottes 1 & 2 Act 3 Les BoréadesContredanses 1 & 2 Act 5 Performers Matthew Brook bass Monteverdi Choir Sir John Eliot Gardiner conductor Nicholas Mulroy counter-tenor Anders J. Dahlin counter-tenor English Baroque Soloists Compagnie Roussat-Lubek Julia Doyle soprano Lawrence Wallington bass-baritone Katherine Fuge soprano Rosemary Nalden director Buskaid Soweto String Ensemble Dance For All Marc Molomot counter-tenor
@geoycs4 ай бұрын
Excelente!
@grahaminvalencia4 ай бұрын
The best violinist and the best violin concierto
@paulh48285 ай бұрын
Is no one going to mention her LH at 8:06?? 😭😭 (I'm currently struggling on these horrible double-thirds + second voice)
@pabloortizcom5 ай бұрын
Did you study the music sheet? -No But, can you improvise from the chords? -Sure!
@şiirokumayıveyazmayısever5 ай бұрын
Aynı anda birden fazla saz çalınırken, başka sazın sesini duyan sazendeler, kendi sazlarını icra ederken nasıl şaşırmıyor. Çünkü sesler iç içe ve çok karmaşık. Notaları takip etmeleri de çok zor, diğer sazların seslerini takip etmeleri de...
@JinderSongs5 ай бұрын
I was at this show. One of the shortest headline shows I’ve ever seen-at the end, everyone stood around thinking that it was an intermission! We were stupid for being upset about anything, though. What a beautiful gig. Life is brutally short, isn’t it?
@walternicolich8955 ай бұрын
WOW, BREATHTAKING….BEAUTIFUL TO WATCH. THANK YOU YUJA.
Пікірлер
The dischordinance is strange to classicist pupils. Dame Judith Weir was one of his pupils. I like it!
The audio is out of sync with the video.
*I cant even count how many voices there are*
Fleming has so much color in her voice.💕🎶🥰
As much verve and drive as any 4 hand version
❤en.wikipedia.org/wiki/Petrushka_chord
Is this masterpiece the embodiment ofinsane aesthetics❓ 松田優作主演の「野獣死すべし」の映画で聴いてこの曲に興味を持ちました。 この曲を選択した映画関係者は素晴らしい感性を持っています。 主人公の内面の動きがこの曲で見事にあらわれていました。 ショスタコーヴィチの不幸はスターリンのソ連に生まれたこと。人を虐殺すること以外に興味のないスターリンにショスタコーヴィチの素晴らしさがわかるわけがありませんでした。 この名曲が松田優作の演じる狂気の美学にこれほど合っていることに驚いています。 松田優作のブラックレインに劣らない傑作がこの名曲に触発されている野獣死すべしでしょう。 スターリンには狂気の美学以上に危険な匂いがあったのです。 スターリンにそっくりな男が現れました。 歴史は繰り返すのでしょうか。 残念ながらショスタコーヴィチは出現していません。
In memory of Tobi Hug. Rest in peace.
Amazing performance. Beautiful presentation of this concerto
The same people who call this a work of genius are the same people who poo-poo John Williams for being a "copycat" 🤡
네 대의 피아노, 열세 대의 타악기를 조합. 성공적 !
I still prefer Dufay.
Meget bra konsert 😊
Just remember, Berio knows more than you and is smarter than you. Thus he is more important than you and thus gets to dictate your world to you. AND, as an extra bonus, he is a committed Socialist. What could be more perfect. All music, going forward, MUST be above the listener’s intellectual. Never mind that John Williams fellow.
That's some epic s--- :-0
Съёмка очень крутая! Респект операторам!
4:50, suddenly total beauty, like the sun coming out. unbelievably powerful. Also the bit that Cathy Berberian picked on her desert island discs.
Me diero ganas de aprender a tocar el piano
A bad sound? except the first concert.
Yuja Wang has made Stravinsky's spirit very very happy with this performance...She is truly a genius...also...shout out to the videographer/lighting/ directing of this...all genius!
Extrait de <<Olivier Messiaen, musicien de la gloire divine>> par Pascal Ide : Olivier Messiaen nourrissait aussi une secrète préférence pour le rythme à l’égard de la mélodie et de l’harmonie. Certes, tout musicien est rythmicien. Malheureusement, le terme rythme souffre d’un profond malentendu (c’est le cas de le dire). Pour la plupart des personnes, et des musiciens, qui dit rythme, dit succession ininterrompue de durées égales. L’exemple type en est la musique militaire ou le second mouvement de la Huitième symphonie de Beethoven. En regard écoutons Messiaen ouvrir la conférence prononcée dans le cadre de l’Exposition universelle de Bruxelles, en 1958 : « N’oublions pas que l’élément premier, essentiel de la musique, est le rythme, et que le rythme, c’est d’abord le changement de nombre et de durée ». Ainsi, même le travail contrapuntique d’un Bach est dénué de rythme ; par contre la rythmique mozartienne, sans doute la plus géniale du répertoire classique, présente une succession d’accents, une véritable cinématique, qui en rendent d’ailleurs l’interprétation difficile. Or, quelle est l’origine de la véritable notion de rythme-pulsation qui se refuse à la mortelle égalité ? La nature, en particulier le vent, les torrents ou les vagues de la mer ; et la nature est de Dieu. Messiaen remarque qu’ « une musique rythmique est une musique qui méprise la répétition, la carrure et les divisions égales, qui s’inspire en somme des mouvements de la nature, mouvement de durées libres et inégales [15] ». A l’école des chants d’oiseaux, il a compris la nature du rythme : « ce sont les oiseaux qui m’ont conduit vers les superpositions de tempos. Quand on assiste au réveil des oiseaux, au printemps, vers quatre heures du matin, on entend nos grands solistes, la Grive musicienne, le Loriot, le Rossignol, le Merle noir, et chacun chante dans son propre tempo. D’autres oiseaux, qui ont aussi leur tempo personnel, les accompagnent. Cinquante voix peuvent se superposer dans des tempos différents. Le résultat est un fouillis absolument impénétrable, un prodigieux enchevêtrement, qui reste cependant toujours harmonieux
How can one composer have so much fire and be so good?
EASY - Because J. S. Bach is the GOD of music - !!
i really doubt history will ever forget how brilliant yuja wang is. what a dent to leave on the art.
I'm a 72 yr old who adored the violin concertos when i was young.yehudi menuin i saw in edinburgh festtval. Nigel kennedy has made me feel so wonderful agaiwhat passion
She’s amazing! This is one of my favorite pieces and she nails it!
I listened to this but really did not like it one bit. It was music sadly not for me. Perhaps I am missing something. I usually enjoy classical music. The drone of voices are very annoying also.
７５歳です、初めて聞いたのは17才❤の冬、火燵に入りドテラを着て、「早く寝なさい」の親の声を無視してテレビの画面にかしりついたのをハッキリと体に染み付いたのがこの音でした。 5:52 😂
Who is speaking
Thank you I kind amazingly
Shes
Believe in yourselves fi nLoved here amazing meaning jumping shelter for lots and tons she
Voices
Kindness smiling giving all letters believe know
Rushed to work with kindness to help you
Good luck with life itself
Heard it once. That's enough for me
The cardio on this woman.
Yuja Wang is perhaps the most prominent female pianist in the world today, and her prodigious technique certainly reminds one of the young Argerich. This Stravinsky work was on her debut disc some ten years ago when she first burst onto the scene. At that time, I was already very concerned about a serious lack of musicianship and respect for the music. Whereas nobody can claim to know what a Mozart or Beethoven sonata is all about, it is possible to know what the music means, bar by bar, in Petrushka, because it is a ballet (perhaps the most famous ballet after Tchaikovsky’s) with a vivid storyline. Apart from playing as fast and as dazzling as possible, one cannot sense any storytelling, any scene-setting, or any atmosphere in her playing. This is music to dance to, for humans not robots, so you need some elasticity and breathing space. The dance rhythms of Russian folk music, a hallmark of Stravinsky, were conspicuously absent. At the same time, the audience needs to feel happy, angry and sad along with the storyline. Yuja’s technique certainly impresses, but only in an acrobatic way. Even nowadays, when Ms Wang is ten years older, I still cannot sense any depth in her playing. I worry that in 30 years’ time, when she can no longer wear those dresses and when her fingers go arthritic with all that pounding, she would never go into the hall of fame, although she would still be fabulously rich. It is telling that hardly anyone commented on how haunting and sad the music is. Ivo Pogerlich, who is aging and arthritic, plays this music lugubriously, at half Yuja's speed. Yet, he plumbed the depth of this music like no other.
Fantastique mémoire incroyable !
Undoubtedly one of the most important sacred compositions of our time. And a composer beyond all categorisation and standards.
the debussy climaxed so hard
MTV style editing.
Prom 03 - In memoriam Margaret Fairbairn (d.20/5/07 aged 99), supporter of the Monteverdi Choir and Orchestra 19:00 Sun 15 Jul 2007 Royal Albert Hall Jean‐Philippe Rameau ZaïsOverture DardanusEntrée des Songes Act 4 Proms premiere DardanusTrio des Songes 'Par un sommeil agréable' Act 4 Proms premiere DardanusPrologue: Tambourins 1 & 2 Les fêtes d'HébéChorus 'Suivez les lois' Act 3 Proms premiere Les fêtes d'HébéTambourin en rondeau Les BoréadesEntrée de Polymnie Act 4 Les BoréadesAir de Polymnie 'Commandez aux tendres Zéphirs' Act 4 Les BoréadesGavottes pour les Heures et les Zéphirs Act 4 PlatéeAir pantomime PlatéeRigaudons 1 & 2 PlatéeContredanse en rondeau PlatéeMenuets 1 & 2 PlatéeMusette PlatéeTambourins 1 & 2 Hippolyte et AricieSuite of selected dances Castor et PolluxChorus 'Rentrez dans l'esclavage' Act 3 Castor et PolluxAir des démons Act 3 Castor et PolluxChorus 'Brisons tous nos fers' Act 3 Castor et PolluxAir 'Séjour de l'éternelle paix' Act 4 NaïsChaconne Act 1 Proms premiere Les BoréadesChorus 'Jouïssons de nos beaux ans' Act 3 Les BoréadesGavottes 1 & 2 Act 3 Les BoréadesContredanses 1 & 2 Act 5 Performers Matthew Brook bass Monteverdi Choir Sir John Eliot Gardiner conductor Nicholas Mulroy counter-tenor Anders J. Dahlin counter-tenor English Baroque Soloists Compagnie Roussat-Lubek Julia Doyle soprano Lawrence Wallington bass-baritone Katherine Fuge soprano Rosemary Nalden director Buskaid Soweto String Ensemble Dance For All Marc Molomot counter-tenor
Excelente!
The best violinist and the best violin concierto
Is no one going to mention her LH at 8:06?? 😭😭 (I'm currently struggling on these horrible double-thirds + second voice)
Did you study the music sheet? -No But, can you improvise from the chords? -Sure!
Aynı anda birden fazla saz çalınırken, başka sazın sesini duyan sazendeler, kendi sazlarını icra ederken nasıl şaşırmıyor. Çünkü sesler iç içe ve çok karmaşık. Notaları takip etmeleri de çok zor, diğer sazların seslerini takip etmeleri de...
I was at this show. One of the shortest headline shows I’ve ever seen-at the end, everyone stood around thinking that it was an intermission! We were stupid for being upset about anything, though. What a beautiful gig. Life is brutally short, isn’t it?
WOW, BREATHTAKING….BEAUTIFUL TO WATCH. THANK YOU YUJA.
What a memory