Edouard Vuillard: A Painter and His Muses, 1890-1940 May 4 - September 23, 2012 The Jewish Museum, New York ow.ly/AmICF
Жүктеу.....
Пікірлер: 8
@magicknight13 Жыл бұрын
Wonderful! I love his work! Thank you, The Jewish Museum!
@dougvanderhoof46204 жыл бұрын
Thanks to The Jewish Museum for this video. Revelatory about an artist I dig. FYI: When I watched it today, there was no music, the intro was silent. Perhaps a copyright issue? In any case, a valuable look at him.
@stephenbrown5528
3 жыл бұрын
Helas. The music was excised for the reasons you indicate. The conceit was to modulate between chopin versus ravel--chopin, for the polish-russian antecedents of misia and the natanson family, in all of its haute-bourgeois pretension, exquisite sensitivity, and heartbreaking alienation, versus a few pieces by ravel evocative of social alacrity, convivial excitement, and the curious reversal of melody line, so suggestive of the painter's inversion of pictorial values and tone. Worked pretty well. You had to be there. Kudos to JM and media combo. The curious thing is, no-one will ever hear it. But here's the list. We were allowed one move (cinematic) on the artist in the final frame, standing behind madame Bonnard, holding a cigar, with another finger on the trigger of the Brownie. intro. kzread.info/dash/bejne/p5V3srttgM_NYZc.html social dissension chez natanson www.google.com/search?q=chopin+nocturne+3%2C+op.+9+arrau&rlz=1C1GCEA_enUS928US928&oq=chopin+nocturne+3%2C+op.+9+arrau&aqs=chrome..69i57j33i22i29i30.9616j1j7&sourceid=chrome&ie=UTF-8 vale. kzread.info/dash/bejne/hq6qk9V9gNC3YZM.html
@dougvanderhoof4620
3 жыл бұрын
@@stephenbrown5528 I always dig backstage info, notes like these. It enriches the kicks from the work.
Пікірлер: 8
Wonderful! I love his work! Thank you, The Jewish Museum!
Thanks to The Jewish Museum for this video. Revelatory about an artist I dig. FYI: When I watched it today, there was no music, the intro was silent. Perhaps a copyright issue? In any case, a valuable look at him.
@stephenbrown5528
3 жыл бұрын
Helas. The music was excised for the reasons you indicate. The conceit was to modulate between chopin versus ravel--chopin, for the polish-russian antecedents of misia and the natanson family, in all of its haute-bourgeois pretension, exquisite sensitivity, and heartbreaking alienation, versus a few pieces by ravel evocative of social alacrity, convivial excitement, and the curious reversal of melody line, so suggestive of the painter's inversion of pictorial values and tone. Worked pretty well. You had to be there. Kudos to JM and media combo. The curious thing is, no-one will ever hear it. But here's the list. We were allowed one move (cinematic) on the artist in the final frame, standing behind madame Bonnard, holding a cigar, with another finger on the trigger of the Brownie. intro. kzread.info/dash/bejne/p5V3srttgM_NYZc.html social dissension chez natanson www.google.com/search?q=chopin+nocturne+3%2C+op.+9+arrau&rlz=1C1GCEA_enUS928US928&oq=chopin+nocturne+3%2C+op.+9+arrau&aqs=chrome..69i57j33i22i29i30.9616j1j7&sourceid=chrome&ie=UTF-8 vale. kzread.info/dash/bejne/hq6qk9V9gNC3YZM.html
@dougvanderhoof4620
3 жыл бұрын
@@stephenbrown5528 I always dig backstage info, notes like these. It enriches the kicks from the work.
Fantastic video! Thank you!