Star Wars: "Ben's Death/TIE Fighter Attack” by John Williams (Score Reduction and Analysis)

Star Wars: "Ben's Death/TIE Fighter Attack” by John Williams (Score Reduction and Analysis)
A full score reduction of the escape from the Death Star from Star Wars, Episode IV: A New Hope.
I own nothing.
Enjoy!

Пікірлер: 20

  • @JoelEverettComposer
    @JoelEverettComposer5 жыл бұрын

    I was wondering about the choice of Leia's Theme and I see you've answered my question; interesting to hear John's reason for choosing it and it makes sense.

  • @ronricherson6685
    @ronricherson66853 жыл бұрын

    This is the passage from the film that made me want to be a composer. It worked. JW set the bar pretttttty high.

  • @octoberphoenix
    @octoberphoenix6 жыл бұрын

    Great work again, keep it up. Fast becoming my fave channel!

  • @lukaskendall
    @lukaskendall5 жыл бұрын

    The passage beginning at bar 47, there's one more thing to say about it: Williams seems to be generating suspense and intrigue by alternating whole tone scales.

  • @ABFan-bj2uj
    @ABFan-bj2uj4 жыл бұрын

    Actually when the horns play the fanfare, the trombones come in along with the violins and violas.

  • @DominicSewellMusic
    @DominicSewellMusic3 ай бұрын

    From 1:56 in my own analysis I discovered that this whole section is a sequence of chromatic mediant shifts almost all of which are based on whole tone scales/Fr6ths the bass line is the key to it. Starts B whole tone then down to G# whole tone then a semitone shift to G whole tone, E whole tone, C whole tone, A octatonic then the last mediant shift to F whole tone....

  • @marcellsivad7767
    @marcellsivad77672 ай бұрын

    The idea in 2:10 is a quite old one in the history of composing: It is imitating the bells of a cathedral. One bell starts ringing an then another starts an so on.

  • @nickmitsialis
    @nickmitsialis3 жыл бұрын

    That bit starting from 0:52 to 1:20; When I played Xwing v Tie Fighter that music was always playing in the background--and when I paused the game it was quite...uh...'strident'.

  • @JoelEverettComposer
    @JoelEverettComposer5 жыл бұрын

    At m7 on beat 3 wouldn't it a Bbm/A (due to the enharmonic C#)? Great analysis!

  • @MarkHarvey-uh8oc
    @MarkHarvey-uh8oc11 ай бұрын

    What a fantastically amazing track. Elongated as the Falcon leaves bay 327.

  • @lucaviggiani2189
    @lucaviggiani21896 жыл бұрын

    If this is the actual score by Williams, I like the fact that he doesn’t put keys on the left and notates each sharp and flat in the actual score.

  • @JoelEverettComposer

    @JoelEverettComposer

    5 жыл бұрын

    Pretty standard in film scoring; especially if highly chromatic - at least in the older scores as far as I can tell.

  • @escopiliatese3623

    @escopiliatese3623

    4 жыл бұрын

    Doesn’t put keys on the left? What does that mean? Key signatures, key names? What?

  • @BlazinInfernape

    @BlazinInfernape

    4 жыл бұрын

    @@escopiliatese3623 He's saying John kept the key signatures empty of accidentals in his scores.

  • @mydogskips2
    @mydogskips26 жыл бұрын

    The music @ 0:52 reminds me of the NBC news Mission theme, maybe you could do an analysis of that.

  • @DavidMcCaulley

    @DavidMcCaulley

    6 жыл бұрын

    I think I might. Good suggestion!

  • @genralbeansssss7495

    @genralbeansssss7495

    3 жыл бұрын

    @@DavidMcCaulley A man of your word. Epic.

  • @aliciadalbey1201
    @aliciadalbey120111 ай бұрын

    anyone who has played empire at war has this stuck in their head

  • @rickmcguire1761
    @rickmcguire17616 жыл бұрын

    How did you get the actual score from the movie

  • @caseyfranco3959

    @caseyfranco3959

    6 жыл бұрын

    try swappano