In this video I demonstrate the harmonic qualities of the basic wave shapes in sound synthesis, and how to create them with FM Synthesis.
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Пікірлер: 20
@LondraCalibro9 Жыл бұрын
nice tutorial, excited to see more of your work. thankyou!
@maokus2 жыл бұрын
Fantastic video!
@recluse-audio3245
2 жыл бұрын
You are too kind!
@pennywise5095 Жыл бұрын
Great work! this gave me a better understanding of fm synthesis
@Benqo Жыл бұрын
Thank you a lot.
@tekhnopranaexploratoryelec14452 жыл бұрын
Very nice explanation!!!
@recluse-audio3245
2 жыл бұрын
Thank you so much
@juanpatino8440 Жыл бұрын
Thanks a lot 🥰
@kurtslobodan35102 жыл бұрын
Understanding this certainly gave me a better grasp on the concept. I'm using Algoritm in reason Studios it's very cool. Subbed for more cheers!
@sabo-vf3xj Жыл бұрын
Is there a way to calculate the amplitude of the sidebands generated according to the amplitude of the Modulator? (For example, the Modulator being at half of the amplitude of the Carrier)
@kevy1yt8 ай бұрын
This is great, but the results are being affected by the subtractive frequencies below the fundamental I think.
@NunyaB1s Жыл бұрын
So for accurately reproducing saw and square waves… you normally use a feedback operator. Is there a reason we didn’t do that?
@viktoronopko18536 ай бұрын
It get’s inharmonic probably because the octave is divided by the equal temperament. There are different tuning concepts, but the most common in the western modern music is the equal temperament with 12 half steps. Let’s say an A = 440 Hz. The perfect fifth would be 7 half steps above with E = 660 Hz. In fact the note is about 659.25. So it’s not that perfect. If you add up more and more upper harmonics in the higher region you get sounds with more dissonant character. You may ask yourself why it’s not possible to tune the instruments perfectly. It actually is, but only for a limited couple of notes (pitches) with perfect ratios like 3/2 etc. To make all of the notes of instruments sound great in relation to each other, which have characteristic overtones like piano or guitar, you need to make a compromise -> equal temperament. I suggest you watch some of those videos on KZread, they explain a lot about harmonic relations of instruments and sound in general:
It's just a 100hz sine wave modulated by another 100hz sine wave. What the equal temperament has to do with this? How does it even relate? He wasn't even playing notes to the equal temperament to take place.
@AFRoSHEENT3ARCMICHAEL69 Жыл бұрын
I want Suite but damn it's just a bunch of buttons. Least Logic looks like hardware. The operator in this looks like it was all jammed into one small space. Like how much can we fit into one small interface. Idk they're so bland and boring.
Пікірлер: 20
nice tutorial, excited to see more of your work. thankyou!
Fantastic video!
@recluse-audio3245
2 жыл бұрын
You are too kind!
Great work! this gave me a better understanding of fm synthesis
Thank you a lot.
Very nice explanation!!!
@recluse-audio3245
2 жыл бұрын
Thank you so much
Thanks a lot 🥰
Understanding this certainly gave me a better grasp on the concept. I'm using Algoritm in reason Studios it's very cool. Subbed for more cheers!
Is there a way to calculate the amplitude of the sidebands generated according to the amplitude of the Modulator? (For example, the Modulator being at half of the amplitude of the Carrier)
This is great, but the results are being affected by the subtractive frequencies below the fundamental I think.
So for accurately reproducing saw and square waves… you normally use a feedback operator. Is there a reason we didn’t do that?
It get’s inharmonic probably because the octave is divided by the equal temperament. There are different tuning concepts, but the most common in the western modern music is the equal temperament with 12 half steps. Let’s say an A = 440 Hz. The perfect fifth would be 7 half steps above with E = 660 Hz. In fact the note is about 659.25. So it’s not that perfect. If you add up more and more upper harmonics in the higher region you get sounds with more dissonant character. You may ask yourself why it’s not possible to tune the instruments perfectly. It actually is, but only for a limited couple of notes (pitches) with perfect ratios like 3/2 etc. To make all of the notes of instruments sound great in relation to each other, which have characteristic overtones like piano or guitar, you need to make a compromise -> equal temperament. I suggest you watch some of those videos on KZread, they explain a lot about harmonic relations of instruments and sound in general:
@viktoronopko1853
6 ай бұрын
kzread.info/dash/bejne/oH9mzLukY5q4nMo.htmlsi=CVWtOtaexZ0dJ2Ux
@viktoronopko1853
6 ай бұрын
kzread.info/dash/bejne/iayTzdegg8jTlrw.htmlsi=Y0_KvkW9a8x6qUqT
@viktoronopko1853
6 ай бұрын
kzread.info/dash/bejne/i6WVlKqbksLLedY.htmlsi=9LF9kA_sWYUQuRVo
@CuriousPassenger
Ай бұрын
It's just a 100hz sine wave modulated by another 100hz sine wave. What the equal temperament has to do with this? How does it even relate? He wasn't even playing notes to the equal temperament to take place.
I want Suite but damn it's just a bunch of buttons. Least Logic looks like hardware. The operator in this looks like it was all jammed into one small space. Like how much can we fit into one small interface. Idk they're so bland and boring.
Could have sad that in 2 min not full video