Rabih Abou-Khalil. Arabian Waltz (1996). CD, Album. Lebanon. Jazz, Folk.

Playlist: • Rabih Abou-Khalil. Ara...
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1. Arabian Waltz (8:10)
2. Dreams of a Dying City (12:08)
3. Ornette Never Sleeps (6:58)
4. Georgina (11:09)
5. No Visa (9:59)
6. The Pain After (9:26)
Total time: 57:50
- Rabih Abou-Khalil / oud, composer, arranger & co-producer
With:
- Michel Godard / tuba, serpent
- Nabil Khaiat / frame drums
The Balanescu Quartet:
- Alexander Balanescu / violin, co-producer
- Clare Connors / violin
- Paul Martin / viola
- David Cunliffe / cello
Recorded 22-26 September 1995 at SWF Studio, Baden-Baden, Germany and 18-23 December 1995 at CMP Studio, Zerkall, Germany.
Born in Beirut, Beyrouth, Lebanon in 17 August 1957
The classically trained flautist and oud player Rabih Abou-Khalil relocated to Germany during the Lebanon civil war in 1978. Following his studies at the Academy of Music in Munich, Abou-Khalil recorded a couple of albums as a flautist with little acclaim. He returned to the oud with the formation of a touring band in 1986 that included famed jazz band Oregon bassist Glen Moore and former Miles Davis saxophonist Sonny Fortune, among others.
In the years since that initial effort, Abou-Khalil has pursued a lengthy career marked by numerous collaborations with both world-renowned and regional jazz, folk and ethnic musicians. His music transcends any single style, having been credited at various times as embracing jazz, Middle Eastern folk, klezmer, gypsy and modern classical music.
His most recent release marks a return to his roots, with a largely solo effort showcasing ethnic folk acoustic oud sounds and his trademark irreverent, global music that ignores political, religious and social norms in favor of celebrating the rich textures of music and life. Today Abou-Khalil resides and records in both Munich and southern France.
Rabih Abou-Khalil is undeniably a world musician, while his eclectic style, traditional instrumentation and innovative compositions are a testament to a creative mind.
Bio by Bob Moore (aka ClemofNazareth)

Пікірлер: 14

  • @danieledabovich1520
    @danieledabovich15204 күн бұрын

    Who appreciate jazz, can't help enjoy this music.

  • @ignaciotrejos7473
    @ignaciotrejos747328 күн бұрын

    This is a masterpiece! Both in composition as in performance. It deserves to be more widely known. Thanks for sharing it!

  • @Vyatichy

    @Vyatichy

    28 күн бұрын

    Thank you!

  • @chita1205
    @chita120523 күн бұрын

    fabuloso

  • @lfdoidao
    @lfdoidaoАй бұрын

    Underrated

  • @lacrimis_solis

    @lacrimis_solis

    Ай бұрын

    fr

  • @SynergyBrewingSystems
    @SynergyBrewingSystemsАй бұрын

    Some solid prog folk

  • @twobalcain
    @twobalcainАй бұрын

    @ 43:15- i wonder if anyone knows if the solo instrument is a sackbut or a shofar? I could be off in my thinking.

  • @DonCoyoteDeLaMange

    @DonCoyoteDeLaMange

    7 күн бұрын

    it's an oud (a plucked string instrument), the only non-Western instrument listed. The serpent is French.

  • @wilfredv1930
    @wilfredv193026 күн бұрын

    great music, but why the tag progressive rock in title ?

  • @sezergozutok9546

    @sezergozutok9546

    25 күн бұрын

    You are right. But I think everyone who likes progressive rock will love this too.

  • @Vyatichy

    @Vyatichy

    19 күн бұрын

    Исправил. Прошу прощения!

  • @Vyatichy

    @Vyatichy

    19 күн бұрын

    @@sezergozutok9546 Исправил. Прошу прощения!

  • @DonCoyoteDeLaMange

    @DonCoyoteDeLaMange

    7 күн бұрын

    Yes, misleading. Suggests that the basis is Western rock music when it is certainly Eastern in conception.