Excelente montagem, com um grade diretor cênico como Cesare Lievi, tirando o melhor do jovem Kaufmann e da maravilhosa Bartoli. Obrigado por compartilhar!!!

Великолепное звучание, просто прелесть. Получаю настоящее наслаждение.

Хвала KZread! Где ещё можно услышать и даже увидеть оперу, о которой ничего, кроме названия и краткого описания не знал!... 10surdix, большое спасибо!

So eine schöne Stimme J.Kaufmann in jungen Jahren..

grande Cecilia! e grande Paisiello! Grazie a tutti!

A wonderful opera with a great cast. But if you are a fan of Jonas Kaufmann, how could you not love this? Some of the most beautiful singing that he has ever done.

@09lohengrin

Жыл бұрын

DVD available

Nina is a jewel, Jonas and Cecilia wonderful ♥

Young Kaufmann is a gem!

Fantastic performance! Thanks a lot!!!!

Cecillia is too cute, she is charming in every role.

Una verdadera joya musical, belleza e intérpretes extraordinarios. El argumento; no sé de que se trata, pero aún así es un monumento a la belleza musical que conmueve el alma.

Delicious! (Young Kaufmann had not discovered yet the nuclear power of his smile, but singing he already sang!)

Splendida esecuzione. Grandi!

Full of magic, great performance. Nina was one of the greatest opera successes of her time and was performed on almost all stages up until the 19th century. The title character was a signature role for famous singers such as Isabella Colbran, Giuditta Pasta.... Why is this brilliant opera - among operas - not on the repertoires of opera houses? Many parts of the music are shaped by the agile, plastic and witty style of the Neapolitan opera buffa, but Nina's pathetic, elegiac and elegant parts in particular reveal a new taste. It can therefore be said that this opera inaugurates what in France will be called comédie larmoyante, and that the enamored and delirious Nina is the artistic precedent for many other similar creatures, such as Amina from La sonnambula or Elvira de I puritani. La Nina can also be considered a precedent for the romantic heroines who go mad in the paroxysm of the drama, whose model would be Donizetti's Lucia the romantic madness is a consequence of the drama developed in scene, while in our case, Nina appears ill from the first moment and the expected happy ending is that of her recovery.

@netmendo

9 ай бұрын

Ruined by the ridiculously hyped performance of Bartoli, as usually

TOUSSES EXELLENTS CÉCILIA SUBLIME, Elle CHANTE. COMME ELLE JOUE ELLE JOUE COMME Elle CHANTE CETTE. INE TRAGÉDIENNE DU CIECLE KAUFMAN EXCELLENT L’OPÉRA. NINA. T TRÈS. RICHE. VARIE DU. JOIE. DU - ❤️❤️ 💚

I think I'd rather hear Kaufman sing this, than his current repertoire. 😊

Wunderbare Aufführung, alles wunderschöne Stimmen und excellente Schauspieler. Würdig dem großen Paisiello.

This is one of my favorite operas for the reason Barbara stated: it is so charming. Lindoro--what a cutie and the Conte--Polgar at his best!

6 жыл бұрын

you meant to say Kaufmann is a cutie but you made a typo.

Fascinating the way the Mozart concert aria 'Ah lo previdi - Deh non varcar' has been interpolated into the opera. I can only imagine it is period performance practice. Love the aria, so, good to hear it here. Thanks for posting

@elaineblackhurst1509

4 жыл бұрын

Anthony McAulay It was quite common in the eighteenth century for these ‘cuckoo arias’ to be inserted by composers, singers or impresarios. In this case, I think it was a mistake; ‘ Ah lo previdi’ is incongruous, it is simply too big and holds up the action. This particular cuckoo is an unnecessary distraction and intrusion into a very fine opera.

j'avais peu entendu Kaufmann jeune en scène dans un répertoire italien ' style belcantiste ou mozartien ' ! c'est une surprise, notamment les pianissimi écrits Paisiello. merci 10surdix.

¡Deliciosa Obertura de Nina! Paisiello es un gran compositor de ópera, a la altura de Mozart.

@giovannipaisiello289

Жыл бұрын

Paisiello >> amadeus

so beautiful!

SENCILLAMENTE MAGNIFICOS

BELLISSIMA OPERA. ALL GREAT. CECILIA BARTOLI, AS ALWAYS, DIVA SUPREMA, PRIMA DONNA ASSOLUTA. BRAVI TUTTI ! pjmelián

@rocco7131

8 жыл бұрын

Troppo buona mezzo, ma prima donna assoluta un po esagerato. Ma Nina, una ópera non piu importanti, anche bella.

Espetacular❤

charming!

Charming. Beautiful singing of Bartoli and Kaufmann.

@netmendo

9 ай бұрын

😂Bartoli is such a ridiculous singer. She manages to ruin every composition in which she performs. You may listen to her but seeing her is torture....

@szegedification

9 ай бұрын

I agree with the "seeing" @@netmendo

I can hardly think that Jonas Kaufmann will go on to sing Otello from this video

Cum pot viziona ceva,chiar si din abonamentele vechi,fara publicitate,fara Google???

26:27, Il mio bene quando verrà

@ipuzzled

2 жыл бұрын

Actually, the cue is at 25:27.

divinos!!!

Che meraviglia

I like.😀

🎶🎤🎤🎤🎹🎶🎙🎙🎙✨

bravi

EXQUISITOS...

Lindoro, her lover/A shepherd (tenor) Jonas Kaufmann The Count, her father (bass) László Polgár Susanna, her companion (mezzo-soprano) Juliette Galstian Giorgio, the Count’s valet (bass) Angelo Veccia ACT I Nina, the Count’s daughter, has gone mad. She’s asleep for the moment, but what will happen when she wakes up? Nina and Lindoro were going to marry, with her father’s approval. Unfortunately, on the day of the marriage, a richer and more powerful rival turned up, and the Count broke his word. Lindoro died in a duel with the rival, and Nina went mad. Having left her father’s home, she wanders around the village doing good deeds for the people, who all adore her. Tortured by remorse, the Count arrives in the village, lamenting his sad fate. Nina appears, and the Count, Susanna, and Giorgio withdraw discreetly. It’s the hour when she goes to the crossroads to wait for her lover. The villagers come to comfort her, and sing her favourite song. Shaken, the Count approaches, but his daughter doesn’t recognise him. At sunset, a young Shepherd brings back his flock. His sweet voice reminds Nina of Lindoro’s who, once more, hasn’t come. Having left, like every day, flowers at the place where she waits, Nina returns to the village. ACT II Joy follows sorrow. Giorgio brings the Count good news: Lindoro isn’t dead, and he’s at the castle gates hoping to see his darling. The Count’s servants bring him before their master. At first afraid, he is reassured by the tears of joy with which the Count greets him. Lindoro tells him that, seriously wounded, he was cared for by a friend, but, believing Nina married to his enemy, he delayed making his appearance. The news of Nina’s sad state knocks him sideways. Nina is brought to him. Seeing him stand before her, she cannot believe her good luck. Lindoro reminds her of the happy days they spent together. Learning that it really is Lindoro who stands before her, and that nothing stands in the way of their happiness, Nina recovers her wits.

Chidisisisisisimo

Bravissimo!

@eliettefaure156

7 жыл бұрын

ingrid wild p

@karinekman9476

5 жыл бұрын

eliette faure 7ay

Excelente presentacion

Il y a aussi, et non des moindres dans la distribution Juliette GALSTIAN et aussi Laszlo POLGAR !!! La réussite de cette production n'est pas limitée aux deux "vedettes" indiquées dans le titre de la video.

Not a big Bartolli fan, but i love her in this. Kaufmann grates on my in the worst possible way.

Спасибо Thanks

Сесиль - цяця!

N.1 04:57 N.3 12:10 N.5 25:30 N.6 32:34 N.8 44:53 N.9 1:01:48 N.10 1:11:21 N.11 1:14:20 N.12 1:17:37 N.14 1:32:45 N.15 1:37:53 N.16 1:44:21

wouldn't it be better to have real flowers at 23:38?

Polgár László! láttátok?

@jabkossuth6945

5 жыл бұрын

He is damn good. One of my favvos

wich year is this performed?

@10surdix

9 жыл бұрын

In 2002 -)

@10surdix

9 жыл бұрын

2002

@LUCASDBD

8 жыл бұрын

thanks :)

@micheljospin3379

7 жыл бұрын

10surdix

The

;

Ma perché mancano i recitativi?

@clefnoteproductions6695

6 ай бұрын

I didn't find recitatives or dialog in the score I found through the Petrucci Library

1:14:13

Kaufman quando cantava questo repertorio era davvero bravo, peccato che poi ha iniziato a cantare cose che non poteva .

@giovannipaisiello289

Жыл бұрын

Cioè?

This must be a competition to decide who sounds more throaty. I think Jonas wins... wait, maybe Cecilia does. It is difficult to say.

Le nom Jonas Kaufmann n’est jamais mentionné ?? Seulement Bartoli et le chef ?? 👎👎

@10surdix

4 жыл бұрын

Si, si. Il a son nom au générique et ce pour ses 2 rôles. Cette prestation à Zurich date d'avril 2002. :-)

very good performance. But Bertoli is not a favourite of mine and another singer would made this recording the best there is. But i know that "the taste is like your butt, diveded":)

@clefnoteproductions6695

6 ай бұрын

Not being a bread and butter opera, tickets may not have sold had they cast unknown singers as Nina, Lindoro, and the Count. The way Kaufman and Bartoli sing works for them, and two decades later, they still sing well whether you like their voice or technique

Como é irritante o som da gaita-de-foles, nao sei como o Kaufmann conseguiu cantar com um barulho atordoador desses no ouvido

persino Kaufmann canta meglio in quest'opera...

No no no! Not her, not Cecilia Bathtub.... aaaagggghhh!

🎶🎤🎤🎤🎹🎶🎙🎙🎙✨