Excelente montagem, com um grade diretor cênico como Cesare Lievi, tirando o melhor do jovem Kaufmann e da maravilhosa Bartoli. Obrigado por compartilhar!!!
@ikasutic12802 ай бұрын
TOUSSES EXELLENTS CÉCILIA SUBLIME, Elle CHANTE. COMME ELLE JOUE ELLE JOUE COMME Elle CHANTE CETTE. INE TRAGÉDIENNE DU CIECLE KAUFMAN EXCELLENT L’OPÉRA. NINA. T TRÈS. RICHE. VARIE DU. JOIE. DU - ❤️❤️ 💚
@elenamoldovan58133 ай бұрын
Cum pot viziona ceva,chiar si din abonamentele vechi,fara publicitate,fara Google???
@clefnoteproductions66956 ай бұрын
I think I'd rather hear Kaufman sing this, than his current repertoire. 😊
@mariafernandamoco8545 Жыл бұрын
Espetacular❤
@user-hd3gm3sc2e Жыл бұрын
Хвала KZread! Где ещё можно услышать и даже увидеть оперу, о которой ничего, кроме названия и краткого описания не знал!... 10surdix, большое спасибо!
@joao-geraldodamasceno1581 Жыл бұрын
divinos!!!
@marcoerb4048 Жыл бұрын
☮️🙏💟🌹🎼🎹🎻🌈👏👏👏👍
@user-ud9qv4dk3b Жыл бұрын
Excelente presentacion
@giovannipaisiello289 Жыл бұрын
1:14:13
@AllaBreve3 Жыл бұрын
Il y a aussi, et non des moindres dans la distribution Juliette GALSTIAN et aussi Laszlo POLGAR !!! La réussite de cette production n'est pas limitée aux deux "vedettes" indiquées dans le titre de la video.
@emanuelezazzero4450 Жыл бұрын
Ma perché mancano i recitativi?
@clefnoteproductions66956 ай бұрын
I didn't find recitatives or dialog in the score I found through the Petrucci Library
@stefanstamenic3640 Жыл бұрын
Full of magic, great performance. Nina was one of the greatest opera successes of her time and was performed on almost all stages up until the 19th century. The title character was a signature role for famous singers such as Isabella Colbran, Giuditta Pasta.... Why is this brilliant opera - among operas - not on the repertoires of opera houses? Many parts of the music are shaped by the agile, plastic and witty style of the Neapolitan opera buffa, but Nina's pathetic, elegiac and elegant parts in particular reveal a new taste. It can therefore be said that this opera inaugurates what in France will be called comédie larmoyante, and that the enamored and delirious Nina is the artistic precedent for many other similar creatures, such as Amina from La sonnambula or Elvira de I puritani. La Nina can also be considered a precedent for the romantic heroines who go mad in the paroxysm of the drama, whose model would be Donizetti's Lucia the romantic madness is a consequence of the drama developed in scene, while in our case, Nina appears ill from the first moment and the expected happy ending is that of her recovery.
@netmendo9 ай бұрын
Ruined by the ridiculously hyped performance of Bartoli, as usually
@erny1957 Жыл бұрын
bravi
@meadowfullofdaisies4206 Жыл бұрын
🎶🎤🎤🎤🎹🎶🎙🎙🎙✨
@meadowfullofdaisies4206 Жыл бұрын
🎶🎤🎤🎤🎹🎶🎙🎙🎙✨
@helgawolter58162 жыл бұрын
So eine schöne Stimme J.Kaufmann in jungen Jahren..
@user-tx6cz3ty7k2 жыл бұрын
Великолепное звучание, просто прелесть. Получаю настоящее наслаждение.
@crazyorganist16092 жыл бұрын
Not a big Bartolli fan, but i love her in this. Kaufmann grates on my in the worst possible way.
@dafne80152 жыл бұрын
Che meraviglia
@angelosilva40512 жыл бұрын
Splendida esecuzione. Grandi!
@ggurks3 жыл бұрын
so beautiful!
@angusmcrandy3 жыл бұрын
Lindoro, her lover/A shepherd (tenor) Jonas Kaufmann The Count, her father (bass) László Polgár Susanna, her companion (mezzo-soprano) Juliette Galstian Giorgio, the Count’s valet (bass) Angelo Veccia ACT I Nina, the Count’s daughter, has gone mad. She’s asleep for the moment, but what will happen when she wakes up? Nina and Lindoro were going to marry, with her father’s approval. Unfortunately, on the day of the marriage, a richer and more powerful rival turned up, and the Count broke his word. Lindoro died in a duel with the rival, and Nina went mad. Having left her father’s home, she wanders around the village doing good deeds for the people, who all adore her. Tortured by remorse, the Count arrives in the village, lamenting his sad fate. Nina appears, and the Count, Susanna, and Giorgio withdraw discreetly. It’s the hour when she goes to the crossroads to wait for her lover. The villagers come to comfort her, and sing her favourite song. Shaken, the Count approaches, but his daughter doesn’t recognise him. At sunset, a young Shepherd brings back his flock. His sweet voice reminds Nina of Lindoro’s who, once more, hasn’t come. Having left, like every day, flowers at the place where she waits, Nina returns to the village. ACT II Joy follows sorrow. Giorgio brings the Count good news: Lindoro isn’t dead, and he’s at the castle gates hoping to see his darling. The Count’s servants bring him before their master. At first afraid, he is reassured by the tears of joy with which the Count greets him. Lindoro tells him that, seriously wounded, he was cared for by a friend, but, believing Nina married to his enemy, he delayed making his appearance. The news of Nina’s sad state knocks him sideways. Nina is brought to him. Seeing him stand before her, she cannot believe her good luck. Lindoro reminds her of the happy days they spent together. Learning that it really is Lindoro who stands before her, and that nothing stands in the way of their happiness, Nina recovers her wits.
@s.g53153 жыл бұрын
Ch'è un vano don la vita, a chi ragion smarrì! A chi, a chi, ragion smarrì!! A chi ragion, ragion smarrì!!
@user-hl8kj2mg2b4 жыл бұрын
I like.😀
@alicebui52854 жыл бұрын
Le nom Jonas Kaufmann n’est jamais mentionné ?? Seulement Bartoli et le chef ?? 👎👎
@10surdix4 жыл бұрын
Si, si. Il a son nom au générique et ce pour ses 2 rôles. Cette prestation à Zurich date d'avril 2002. :-)
@horstclar6824 жыл бұрын
Fantastic performance! Thanks a lot!!!!
@user-jt4js7ed3e4 жыл бұрын
Сесиль - цяця!
@marcomicheletti99574 жыл бұрын
26:27, Il mio bene quando verrà
@ipuzzled2 жыл бұрын
Actually, the cue is at 25:27.
@marisa62104 жыл бұрын
Young Kaufmann is a gem!
@wellythonvieira4 жыл бұрын
Como é irritante o som da gaita-de-foles, nao sei como o Kaufmann conseguiu cantar com um barulho atordoador desses no ouvido
@helmutfaber70354 жыл бұрын
Wunderbare Aufführung, alles wunderschöne Stimmen und excellente Schauspieler. Würdig dem großen Paisiello.
@lucleclair90944 жыл бұрын
wouldn't it be better to have real flowers at 23:38?
@resnonverba4 жыл бұрын
Delicious! (Young Kaufmann had not discovered yet the nuclear power of his smile, but singing he already sang!)
@Sasl19485 жыл бұрын
The
@janicekerr76615 жыл бұрын
;
@relike868p5 жыл бұрын
I can hardly think that Jonas Kaufmann will go on to sing Otello from this video
very good performance. But Bertoli is not a favourite of mine and another singer would made this recording the best there is. But i know that "the taste is like your butt, diveded":)
@clefnoteproductions66956 ай бұрын
Not being a bread and butter opera, tickets may not have sold had they cast unknown singers as Nina, Lindoro, and the Count. The way Kaufman and Bartoli sing works for them, and two decades later, they still sing well whether you like their voice or technique
@tenorelirico51755 жыл бұрын
Kaufman quando cantava questo repertorio era davvero bravo, peccato che poi ha iniziato a cantare cose che non poteva .
@giovannipaisiello289 Жыл бұрын
Cioè?
@legrandmaitre71125 жыл бұрын
No no no! Not her, not Cecilia Bathtub.... aaaagggghhh!
@szegedification5 жыл бұрын
Charming. Beautiful singing of Bartoli and Kaufmann.
@netmendo9 ай бұрын
😂Bartoli is such a ridiculous singer. She manages to ruin every composition in which she performs. You may listen to her but seeing her is torture....
@szegedification9 ай бұрын
I agree with the "seeing" @@netmendo
@rudolfterez78286 жыл бұрын
Polgár László! láttátok?
@jabkossuth69455 жыл бұрын
He is damn good. One of my favvos
@frankfurter65617 жыл бұрын
This must be a competition to decide who sounds more throaty. I think Jonas wins... wait, maybe Cecilia does. It is difficult to say.
@aliciasarramida7 жыл бұрын
Nina is a jewel, Jonas and Cecilia wonderful ♥
@guillermoberjonbarrera2447 жыл бұрын
¡Deliciosa Obertura de Nina! Paisiello es un gran compositor de ópera, a la altura de Mozart.
@giovannipaisiello289 Жыл бұрын
Paisiello >> amadeus
@katherineroppel45957 жыл бұрын
This is one of my favorite operas for the reason Barbara stated: it is so charming. Lindoro--what a cutie and the Conte--Polgar at his best!
6 жыл бұрын
you meant to say Kaufmann is a cutie but you made a typo.
@844sergio7 жыл бұрын
persino Kaufmann canta meglio in quest'opera...
@giovannirimini38377 жыл бұрын
grande Cecilia! e grande Paisiello! Grazie a tutti!
Пікірлер
Excelente montagem, com um grade diretor cênico como Cesare Lievi, tirando o melhor do jovem Kaufmann e da maravilhosa Bartoli. Obrigado por compartilhar!!!
TOUSSES EXELLENTS CÉCILIA SUBLIME, Elle CHANTE. COMME ELLE JOUE ELLE JOUE COMME Elle CHANTE CETTE. INE TRAGÉDIENNE DU CIECLE KAUFMAN EXCELLENT L’OPÉRA. NINA. T TRÈS. RICHE. VARIE DU. JOIE. DU - ❤️❤️ 💚
Cum pot viziona ceva,chiar si din abonamentele vechi,fara publicitate,fara Google???
I think I'd rather hear Kaufman sing this, than his current repertoire. 😊
Espetacular❤
Хвала KZread! Где ещё можно услышать и даже увидеть оперу, о которой ничего, кроме названия и краткого описания не знал!... 10surdix, большое спасибо!
divinos!!!
☮️🙏💟🌹🎼🎹🎻🌈👏👏👏👍
Excelente presentacion
1:14:13
Il y a aussi, et non des moindres dans la distribution Juliette GALSTIAN et aussi Laszlo POLGAR !!! La réussite de cette production n'est pas limitée aux deux "vedettes" indiquées dans le titre de la video.
Ma perché mancano i recitativi?
I didn't find recitatives or dialog in the score I found through the Petrucci Library
Full of magic, great performance. Nina was one of the greatest opera successes of her time and was performed on almost all stages up until the 19th century. The title character was a signature role for famous singers such as Isabella Colbran, Giuditta Pasta.... Why is this brilliant opera - among operas - not on the repertoires of opera houses? Many parts of the music are shaped by the agile, plastic and witty style of the Neapolitan opera buffa, but Nina's pathetic, elegiac and elegant parts in particular reveal a new taste. It can therefore be said that this opera inaugurates what in France will be called comédie larmoyante, and that the enamored and delirious Nina is the artistic precedent for many other similar creatures, such as Amina from La sonnambula or Elvira de I puritani. La Nina can also be considered a precedent for the romantic heroines who go mad in the paroxysm of the drama, whose model would be Donizetti's Lucia the romantic madness is a consequence of the drama developed in scene, while in our case, Nina appears ill from the first moment and the expected happy ending is that of her recovery.
Ruined by the ridiculously hyped performance of Bartoli, as usually
bravi
🎶🎤🎤🎤🎹🎶🎙🎙🎙✨
🎶🎤🎤🎤🎹🎶🎙🎙🎙✨
So eine schöne Stimme J.Kaufmann in jungen Jahren..
Великолепное звучание, просто прелесть. Получаю настоящее наслаждение.
Not a big Bartolli fan, but i love her in this. Kaufmann grates on my in the worst possible way.
Che meraviglia
Splendida esecuzione. Grandi!
so beautiful!
Lindoro, her lover/A shepherd (tenor) Jonas Kaufmann The Count, her father (bass) László Polgár Susanna, her companion (mezzo-soprano) Juliette Galstian Giorgio, the Count’s valet (bass) Angelo Veccia ACT I Nina, the Count’s daughter, has gone mad. She’s asleep for the moment, but what will happen when she wakes up? Nina and Lindoro were going to marry, with her father’s approval. Unfortunately, on the day of the marriage, a richer and more powerful rival turned up, and the Count broke his word. Lindoro died in a duel with the rival, and Nina went mad. Having left her father’s home, she wanders around the village doing good deeds for the people, who all adore her. Tortured by remorse, the Count arrives in the village, lamenting his sad fate. Nina appears, and the Count, Susanna, and Giorgio withdraw discreetly. It’s the hour when she goes to the crossroads to wait for her lover. The villagers come to comfort her, and sing her favourite song. Shaken, the Count approaches, but his daughter doesn’t recognise him. At sunset, a young Shepherd brings back his flock. His sweet voice reminds Nina of Lindoro’s who, once more, hasn’t come. Having left, like every day, flowers at the place where she waits, Nina returns to the village. ACT II Joy follows sorrow. Giorgio brings the Count good news: Lindoro isn’t dead, and he’s at the castle gates hoping to see his darling. The Count’s servants bring him before their master. At first afraid, he is reassured by the tears of joy with which the Count greets him. Lindoro tells him that, seriously wounded, he was cared for by a friend, but, believing Nina married to his enemy, he delayed making his appearance. The news of Nina’s sad state knocks him sideways. Nina is brought to him. Seeing him stand before her, she cannot believe her good luck. Lindoro reminds her of the happy days they spent together. Learning that it really is Lindoro who stands before her, and that nothing stands in the way of their happiness, Nina recovers her wits.
Ch'è un vano don la vita, a chi ragion smarrì! A chi, a chi, ragion smarrì!! A chi ragion, ragion smarrì!!
I like.😀
Le nom Jonas Kaufmann n’est jamais mentionné ?? Seulement Bartoli et le chef ?? 👎👎
Si, si. Il a son nom au générique et ce pour ses 2 rôles. Cette prestation à Zurich date d'avril 2002. :-)
Fantastic performance! Thanks a lot!!!!
Сесиль - цяця!
26:27, Il mio bene quando verrà
Actually, the cue is at 25:27.
Young Kaufmann is a gem!
Como é irritante o som da gaita-de-foles, nao sei como o Kaufmann conseguiu cantar com um barulho atordoador desses no ouvido
Wunderbare Aufführung, alles wunderschöne Stimmen und excellente Schauspieler. Würdig dem großen Paisiello.
wouldn't it be better to have real flowers at 23:38?
Delicious! (Young Kaufmann had not discovered yet the nuclear power of his smile, but singing he already sang!)
The
;
I can hardly think that Jonas Kaufmann will go on to sing Otello from this video
N.1 04:57 N.3 12:10 N.5 25:30 N.6 32:34 N.8 44:53 N.9 1:01:48 N.10 1:11:21 N.11 1:14:20 N.12 1:17:37 N.14 1:32:45 N.15 1:37:53 N.16 1:44:21
very good performance. But Bertoli is not a favourite of mine and another singer would made this recording the best there is. But i know that "the taste is like your butt, diveded":)
Not being a bread and butter opera, tickets may not have sold had they cast unknown singers as Nina, Lindoro, and the Count. The way Kaufman and Bartoli sing works for them, and two decades later, they still sing well whether you like their voice or technique
Kaufman quando cantava questo repertorio era davvero bravo, peccato che poi ha iniziato a cantare cose che non poteva .
Cioè?
No no no! Not her, not Cecilia Bathtub.... aaaagggghhh!
Charming. Beautiful singing of Bartoli and Kaufmann.
😂Bartoli is such a ridiculous singer. She manages to ruin every composition in which she performs. You may listen to her but seeing her is torture....
I agree with the "seeing" @@netmendo
Polgár László! láttátok?
He is damn good. One of my favvos
This must be a competition to decide who sounds more throaty. I think Jonas wins... wait, maybe Cecilia does. It is difficult to say.
Nina is a jewel, Jonas and Cecilia wonderful ♥
¡Deliciosa Obertura de Nina! Paisiello es un gran compositor de ópera, a la altura de Mozart.
Paisiello >> amadeus
This is one of my favorite operas for the reason Barbara stated: it is so charming. Lindoro--what a cutie and the Conte--Polgar at his best!
you meant to say Kaufmann is a cutie but you made a typo.
persino Kaufmann canta meglio in quest'opera...
grande Cecilia! e grande Paisiello! Grazie a tutti!
Bravissimo!
ingrid wild p
eliette faure 7ay