Julius Klengel - Cello Concerto No. 3, Op. 31 (1895)

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Julius Klengel (24 September 1859 - 27 October 1933) was a German cellist who is most famous for his études and solo pieces written for the instrument. He was the brother of Paul Klengel. A member of the Gewandhaus Orchestra at fifteen, he toured extensively throughout Europe as cellist and soloist of the Gewandhaus Quartet. His pupils include Guilhermina Suggia, Emanuel Feuermann, Gregor Piatigorsky and Alexandre Barjansky.
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Cello Concerto No. 3 in A minor, Op. 31 (1895)
1. Allegro non troppo (0:00)
2. Intermezzo - Allegretto (7:57)
Kadenz (12:14)
3. Finale - Vivace (15:56)
Raphaela Gromes. cello, and Rundfunk-Sinfonieorchester Berlin conducted by Nicholas Carter
Klengel was born in Leipzig, and studied with Emil Hegar in his youth. His father was a lawyer and an amateur musician, and was friend of Mendelssohn. After his 15th birthday, Klengel joined the Leipzig Gewandhaus Orchestra where Klengel played first cello, and began touring in Europe and Russia. Klengel also became a soloist at that point, frequently giving solo performances.
Klengel rose to become principal cellist of the orchestra, aged 22, in 1881. There he remained for over four decades: to celebrate his fifty years of service, Wilhelm Furtwängler conducted a jubilee concert, in which Klengel played the cello part in a double concerto he composed for the occasion. During that time period, Klengel became professor at the Leipzig Conservatory, where he was briefly a member of Adolph Brodsky's string quartet, and began composing. He ultimately composed hundreds of pieces for the cello, including four violoncello concertos, two double cello concertos, cello quartets, a cello sonata, as well as numerous caprices, etudes and other technical pieces. Of his music, the two volumes of etudes ("Technical Studies") for cello remain in the repertory.
His students included Guilhermina Suggia, Hideo Saito, Emanuel Feuermann, Paul Grümmer, William Pleeth, and Gregor Piatigorsky. He died in October 1933 in his hometown of Leipzig.

Пікірлер: 11

  • @cvlen
    @cvlen3 жыл бұрын

    This is beautiful and insanely difficult!!!

  • @fryderykchopin1381
    @fryderykchopin13813 жыл бұрын

    Yes thank you I love the Klengel concertos!!

  • @Dhha
    @Dhha3 жыл бұрын

    Beautiful and unknown work/composer for me, too. THANKS!

  • @notaire2
    @notaire23 жыл бұрын

    Wunderschöne und lebhafte Interpretation dieses spätromantischen und fein komponierten Konzerts mit mildem doch gut phrasiertem Ton der genialen Solocellos sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Die Kadenz klingt besonders schön und echt lyrisch mit perfekter Technik und angeborener Lyrik. Der erfahrene Dirigent leitet das perfekt trainierte Orchester im gut phrasierten Tempo und mit möglichst effektiver Dynamik. Wunderbar und atemberaubend zugleich!

  • @diegobuitragocamargo.7525
    @diegobuitragocamargo.75253 жыл бұрын

    Amazing piece, never heard of this composer before, but no doubt it was great listening to him. Thank you for posting this, these are such underrated gems that should be re-discovered, and your channel is a great place to do it! Again thanks, and greetings from Colombia. This music makes life more lovely ❤️

  • @Woodcut60
    @Woodcut603 жыл бұрын

    Written the same year as Dvořák's Cello Concerto. Klengel's Hymnus in G major, op. 57, for 12 cellos is a beautiful piece.

  • @tarikeld11
    @tarikeld113 жыл бұрын

    Beautiful, it sounds pretty early romantic for 1895

  • @dinahbrooks8097

    @dinahbrooks8097

    3 жыл бұрын

    Ppppll

  • @dinahbrooks8097

    @dinahbrooks8097

    3 жыл бұрын

    Im L

  • @tarikeld11

    @tarikeld11

    3 жыл бұрын

    @@dinahbrooks8097 What

  • @CarlosMendoza-zn5fu
    @CarlosMendoza-zn5fu3 жыл бұрын

    Subirías Las Estaciones de Haydn?

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