Joe Barresi

Renowned music producer Joe Barresi sits down with Wes Dooley of AEA Microphones and Big Ribbon Stories for a fascinating deep-dive into the world of music recording, engineering, and the evolution of audio gear. From his humble beginnings in Staten Island to his experiences in studios across New Jersey and California, Barresi shares intriguing anecdotes about the people he's worked with and the places he's worked at.
The discussion covers everything from the unique character of live blues recordings, to the colorful history of specific studios, as well as Barresi's early exposure to ribbon microphones. They touch on the importance of skilled craftsmanship in audio equipment manufacturing, referencing the likes of the legendary Bob Swedien, and take a fascinating journey through the history and impact of various gear, including AEA's own ribbon microphones and preamps.
This interview is a must-watch for those with a passion for the intricacies of music production, an interest in the evolution of audio equipment, or simply those who appreciate a good story woven through the fabric of music history. Join Wes Dooley and Joe Barresi as they explore the big stories behind the big ribbon sound.

Пікірлер: 11

  • @danepaulstewart8464
    @danepaulstewart846411 ай бұрын

    Ahhh, just like stories from my youth. Back in 1984, learning about all these amazing ribbon mics. Most of them were already “old” back then. But NOW? It’s simply amazing that any of them still even exist! Great talk, this is GOLD! Thanks for doing this Joe. 😎👍👍

  • @klauth_Yksyn
    @klauth_Yksyn Жыл бұрын

    This was great... Thanks for THIS!👍

  • @thejawshop-AdventureRecording
    @thejawshop-AdventureRecording Жыл бұрын

    I have only done one substantial mic investment, the R88 and the TRP1. The bass is insane, and it keeps the drum tuning honest. No going back.

  • @ryangunwitch-black

    @ryangunwitch-black

    Жыл бұрын

    I love how much mics cost. 😢

  • @personalfreedom2700
    @personalfreedom2700 Жыл бұрын

    The Beyerdynamic m130 is a great double ribbon mic for m/s recording with another cardioid

  • @MoreMeRecording
    @MoreMeRecording Жыл бұрын

    didn't Forssell design the AEA ribbon pre? I unfortunately only have one but his SMP500 is probably the finest mic amp I've ever used - and I shot it out against a Gordon Model 5 that the guy I bought it from had, running a pristine KMi84 recording a Lester DeVoe acoustic.

  • @joeykrieger6157

    @joeykrieger6157

    11 ай бұрын

    Fred did indeed design it!

  • @NikoFrederiko.
    @NikoFrederiko.11 ай бұрын

    Skill is a big deal.