A wealth of information!!!

I used to wonder what mode or scale to use over a chord all the time. Now I have the answer .

I bookmarked this video. Fantastic eye-opener for a rock guitar guy trying to learn jazz.

I like that the reference graphic to math showed the most beautiful equation in mathematics. Whether intentional or not, it was well played.

The information about Slominski was very interesting

WOW, I was not familiar with this particular approach. Great background information and breakdown, lots to consider here. Thank You...!

Love your style of teaching! Subscribed :)

Great video - very clear explanation

man such an awesome playlist here to learn from😍

Very helpful video thanks! Can you explain the shift from F# to F as a diatonic approach tone when playing the Eb7 in the key of G? I get that it is less than a whole tone from the chord tones of Eb and G, but why does it not "clash" with the key of the song given that F# is the major 7th of G? I understand how F# is a chromatic approach tone, but not why it cannot be a diatonic approach tone (or maybe how F can be given its just the 7th and not in the G major scale).

This is a great channel. Thanks

Thank you for this great lesson and all the serie, greetings from Belgium

@RichieZellon

5 жыл бұрын

Thanks for watching!

Thanks so much Richie! Really a great channel! Keep the positive vibes Flowin...

@RichieZellon

4 жыл бұрын

Thanks Beck, much appreciated!

Ritchie when I teach a beginning Jazz guitar student, I start them off with the parent scale of each section of a tune. Then I move on to arpeggios. if that makes senses. :)

I'm glad i found your channel!

Thank you Richie!!! you are always the best!!!

@RichieZellon

5 жыл бұрын

Thanks for your support and encouragement!!

yesss this is what ive been looking for, i knew there had to be algorithms for the guitar

Thank you for the lessons. Definitely improving my vocabulary .

@RichieZellon

5 жыл бұрын

My pleasure...thanks for watching!

😭😭... this is going to take forever..😭😭😭

Thanks!

Love This Channel Thanks Richie

@RichieZellon

5 жыл бұрын

Thanks for your kind support!

amazing thanks :)

Very valuable information

@RichieZellon

2 жыл бұрын

Glad it was helpful!

Thanks Richie! A little over my head, but how will I learn if I don't get challenged?

Great stuff but way above my pay grade. I will come back to this in a year.

Finally a great Channel with the real deal thank you. How can i buy the lesson im in peru

@RichieZellon

4 жыл бұрын

Gracias Luis....yo tambien soy Peruano..bebopguitar.richiezellon.com

Richie, did slonimsky consider putting a note or two above, below and between the principal tones?

@RichieZellon

3 жыл бұрын

Why do you ask me this???

Would you agree that minor keys are best suited for Sharp accidentals while Majors for flats?

Great channel! Talking about chord tones, some author considers that the 7th is not really a stable tone (specially in the I function chord). What do you think?

@RichieZellon

5 жыл бұрын

Thanks Rodolfo! I have to agree that the maj 7th can be unstable, specially in 1st inversion where a minor second is formed between the 2 top voices the 7th and the root.

Thanks for all your great videos! quick question though why is the F natural considered diatonic in the key of G? Are you thinking of it as diatonic to the key of Eb?

@5-String

3 жыл бұрын

I think he's applying his rule that the inserted note, F in this case, should not create an interval greater than a major 2nd in the scale comprising the Eb7 arpeggio. Therefore, between Eb and G, there is only one choice, which is the F. The E natural and the F# (or Gb) would create minor 3rd intervals. So, the F is not diatonic to G major, but it is the only choice, and it sounds ok when playing over an Eb7 chord that is followed by a Gmaj7 chord.

Thanks for the lesson! Plenty to think about. Can I ask a question to better my understanding? Wouldn't an e flat dominant 7 chord in the key of G be a non-diatonic chord?

@RichieZellon

5 жыл бұрын

Yes...

@toplaybass

3 жыл бұрын

Good Question but not much of an answer was given. if yes, please explain how Eb7 connects with key of G. could a modulation have happened?

@karlderdelinckx

Жыл бұрын

@@toplaybass he answers it in a previous post. It’s a tritone substitution that resolves down. The Lydian dominant scale is the fourth mode of the melodic minor scale. So the Eb7 comes from the Bb melodic minor i think.

is the key G or Eb?

What guitar are you using? The tone sounds so warm!

@RichieZellon

2 жыл бұрын

That's a Heritage 535

Eflat7 in a G major key? I'm thinking 'Out of Nowhere'.

@RichieZellon

Жыл бұрын

Sure! It's the tritone sub of A7

Why is there an Eb7 arpeggio in the key of G?

@RichieZellon

2 жыл бұрын

Can you please tell me where that is in the video? That way I can give you an answer in context. :)

@hugoc.5082

2 жыл бұрын

@@RichieZellon around 5:40

@RichieZellon

2 жыл бұрын

@@hugoc.5082 Eb7 is the substitute V7/V7 (tritone substitute of A7) in the key of G. It resolves half step down to D7.

@hugoc.5082

2 жыл бұрын

@@RichieZellon Ah, I would probably need some background on that before tackling this 😅

So basically your playing the mode but not in sequence.

its great stuff, just the diareara greens and colors dont work my friend, the video film making elements follow laws of color and visual texture in the same fashion as sound. sorry i have to be honest but your content and personality is great id be honored if you were my family.

tabs tabs tabs for noobs like me

Math is key; music is all math.