This is AWESOME. Thanks.

I enjoyed seeing the painting process in this format. You could slow down the timelapse, so we could see you paint one painting in more detail.

This "no user interface" format was appropriate for the subject matter of the video. Your goal was to both show us what the brushes can do and teach about the strategy of using them to make a painting. This was not a video about how to adjust the settings for the brushes. That would definitely require showing the user interface.

This channel is a gift.

Very inspiring! Thank you for sharing your time and energy.

Hi, Sergio! Excellent video. I would also love to see you paint wihout the timelapse though. Not necessarily seeing the Krita interface (I like the two screens, with black background and voiceover format you developed) but getting to know which brush you are using at each moment somehow and perhaps more info like opacity and size. I think it would be very instructive. Thank you for the great work.

absolutely beautiful.

A great video - your painting is superb.💐

What a cool video 😍 Very helpful and informative 👏

hello! beautiful paintings. i like to see the Krita interface because I can see what you are doing. bdw can you please do full Kirta tutorials for paintings like this?

Thanks for making videos.

Excellent!!! It's possible to learn a lot! Thank you!!! I liked the format, although it would be great to know more about the process, like the brushes you are using, the layers structure (in this one you said used only one! Wow)! Maybe show the brushes some times and something more of the process. Anyways! Great work!!! Keep it up!

I enjoyed much your videos. I like the interface sometimes because I can see what brushes you are using and the opacities you are using.. I really appreciate that you have CC spanish, I enjoy much reading along as you speak. I purchased your children's book!

@sergio_tellez

Жыл бұрын

Thanks a lot John! really appreciated, cheers.

Sergio , sin palabras

Excelente video, realmente muy entretenido de ver.

Impresionante

Super!

Muchas Gracias.-.

Question! How do you focus on temperature Without considering hue? is it about saturation?

@sergio_tellez

5 ай бұрын

If you don't want to have hue in mind (blues cold, reds warm) then yes, both saturation and value can play a role on temperature. For example a saturated blue can be warmer than the unsaturated one. But in the end, the most important thing for me is context sensitivity. Color temperature, color itself, value, even shapes can be perceived differently depending of what's around them and that's the idea behind the ilusion of a painting. I'm still learning about colour too. I recommend you to check Marco Bucci and Nathan Fawkes' videos on colour here on youtube, they are great. Cheers.

@Lugiaskr

5 ай бұрын

@@sergio_tellez Thanks so much! :)

Maravilloso, me encantaría saber qué pinceles de los RGBA usas para los retratos, saludos!

@sergio_tellez

2 жыл бұрын

Claro. Cuando se importan los pinceles, todos tendrán un nombre que empieza con n) RGBA y terminan con un numero. Voy a usar el numero para no escribir tanto: Para el primer retrato use el 01 para casi todo, al final use el 04 para partes del cabello, y use el 09 para el fondo. Para la ciudad use las espátulas: 02, 03, y 04. Para el segundo retrato use 01 para la mayor parte del rostro, el 09 para rellenar partes del fondo, y el 04 para las zonas mas brillantes al final para darle mas relieve. En el ultimo use casi todos los pinceles: 09 para todo el fondo y para rellenar la mayoría de colores, 01 para la Llama, 06 y 07 para el pasto, y las espátulas 02 a 04 para las nubes o neblina. Saludos.

@ElenaArboledaSalas6204

2 жыл бұрын

@@sergio_tellez Muchísimas gracias por tu atenta respuesta, la verdad que me encanta como te quedan las pinturas. Sobre la pregunta que haces de cómo nos gustaría ver los vídeos, a mi personalmente me gustaría ver la interfaz completa, porque de ese modo se puede ver qué es lo que estás haciendo, qué herramientas usas, etc. En el timelapse es lindo ver como se transforma la idea, pero yo me quedo con la curiosidad de saber por ejemplo qué pinceles has utilizado. También me gustaría que cuando tengas tiempo, pudieses hacer un vídeo explicando cómo crear pinceles personalizados. Yo antes usaba krita en versiones anteriores obviamente para pintar paisajes, pero en esta nueva versión los pinceles antiguos personalizados no los reconoce. Bueno, muchas gracias nuevamente, y espero ver más vídeos, que están muy interesantes. Saludos cordiales.

You are right about the impasto way too strong for a lot of things. There’s no point showing the interface in Timelapse all the clicks go by too quickly to see what you’re doing anyway.

@GohOnLeeds

Жыл бұрын

Not true. You can learn many things from the interface display, including which brush is currently being employed.

@richardhaas1989

Жыл бұрын

@@GohOnLeeds Which goes by too quickly to see anyway at this time lapse speed.

Buenos trabajos Sergio. Manejas muy bien el color y el sombreado. Me gustaría hablar contigo acerca de los pinceles sobre qué podríamos mejorar. Un saludo :)

@sergio_tellez

2 жыл бұрын

Gracias, con gusto. En realidad creo que el único punto que me gustaría mejorar es el de ese patrón de puntos que se ve al hacer zoom. ¿Hay alguna discusión en krita-artists en la que pudiera mostrar algunas capturas para explicar mejor? En todo caso son increíbles, como siempre.

2 жыл бұрын

@@sergio_tellez pues genial. Podemos tratarlo en un hilo de KA. Puedes abrirlo tu mismo. Si no has abierto nunca uno me dices y lo hago yo. Para estos casos he hecho hasta minivideoconferencias con otros artistas para que me enseñen como usan los pinceles comentando en un sketch simple lo que les gusta y lo que no. Te podría enseñar algo que estoy preparando ¿eso sería posible?

How do you trace the initial lines from photo without the photo showing in the timelapse. I want to do that. Thanks.

@desotopete

Жыл бұрын

After some research I think you might have started with Procreate private layer?

Hi can anyone tell me how to add a watercolour paper bg on krita? Thanks!

@sergio_tellez

2 жыл бұрын

For that you can add a fill layer. Click on the small dropdown menu near the plus button in the layer docker, then select fill layer. There, you can choose to fill the layer with a colour, or a texture, etc. Once you choose a texture, you can leave it at the bottom of the layer stack, or at the top. But if it's at the top, try to use a blending mode like overlay and lower the oppacity to about 25%.

which wet rgba brush u use sir?

@sergio_tellez

Жыл бұрын

I used the RGBA-WET bundle created by Ramon Miranda. I used all the brushes in the set in all the four paintings but in the portraits I mainly used two: RGBA-wet-01 soft dulling (for the faces) and RGBA-wet 04 flat dirty tilt (for background and impasto details)

@virgojo

Жыл бұрын

@@sergio_tellez ic, u use soft dulling to blend right? I still struggle in blending part for this brush set, but i really like the effect, so tradigital

this seems really hard... :(

Its painful to see you are so good at it and ur channel has so less subs. Hope ur subs explode soon .. All the best.

Nice video and God bless and here are some bible verses if interested!

Luke 15 The Parable of the Lost Sheep 15 Now the tax collectors and sinners were all gathering around to hear Jesus. 2 But the Pharisees and the teachers of the law muttered, “This man welcomes sinners and eats with them.” 3 Then Jesus told them this parable: 4 “Suppose one of you has a hundred sheep and loses one of them. Doesn’t he leave the ninety-nine in the open country and go after the lost sheep until he finds it? 5 And when he finds it, he joyfully puts it on his shoulders 6 and goes home. Then he calls his friends and neighbors together and says, ‘Rejoice with me; I have found my lost sheep.’ 7 I tell you that in the same way there will be more rejoicing in heaven over one sinner who repents than over ninety-nine righteous persons who do not need to repent. Luke 15:11-32 New International Version The Parable of the Lost Son 11 Jesus continued: “There was a man who had two sons. 12 The younger one said to his father, ‘Father, give me my share of the estate.’ So he divided his property between them. 13 “Not long after that, the younger son got together all he had, set off for a distant country and there squandered his wealth in wild living. 14 After he had spent everything, there was a severe famine in that whole country, and he began to be in need. 15 So he went and hired himself out to a citizen of that country, who sent him to his fields to feed pigs. 16 He longed to fill his stomach with the pods that the pigs were eating, but no one gave him anything. 17 “When he came to his senses, he said, ‘How many of my father’s hired servants have food to spare, and here I am starving to death! 18 I will set out and go back to my father and say to him: Father, I have sinned against heaven and against you. 19 I am no longer worthy to be called your son; make me like one of your hired servants.’ 20 So he got up and went to his father. “But while he was still a long way off, his father saw him and was filled with compassion for him; he ran to his son, threw his arms around him and kissed him. 21 “The son said to him, ‘Father, I have sinned against heaven and against you. I am no longer worthy to be called your son.’ 22 “But the father said to his servants, ‘Quick! Bring the best robe and put it on him. Put a ring on his finger and sandals on his feet. 23 Bring the fattened calf and kill it. Let’s have a feast and celebrate. 24 For this son of mine was dead and is alive again; he was lost and is found.’ So they began to celebrate. 25 “Meanwhile, the older son was in the field. When he came near the house, he heard music and dancing. 26 So he called one of the servants and asked him what was going on. 27 ‘Your brother has come,’ he replied, ‘and your father has killed the fattened calf because he has him back safe and sound.’ 28 “The older brother became angry and refused to go in. So his father went out and pleaded with him. 29 But he answered his father, ‘Look! All these years I’ve been slaving for you and never disobeyed your orders. Yet you never gave me even a young goat so I could celebrate with my friends. 30 But when this son of yours who has squandered your property with prostitutes comes home, you kill the fattened calf for him!’ 31 “‘My son,’ the father said, ‘you are always with me, and everything I have is yours. 32 But we had to celebrate and be glad, because this brother of yours was dead and is alive again; he was lost and is found.’”

"For God so loved the world that He sent His only begotten Son that whosoever shall believe in Him shall not perish but have everlasting life." John 3:16