Hexachordal Origin of the FONTE

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Why is the Fonte so complete?
Why does it sound so restful since it is made up of only two sections?
Why the first section is minor and the second one in major?
Solmisation can help us in finding the right answer!
📷 Video on the Fonte: • FONTE, discover descen...
🧙‍♂️ Learn Solmisation and Make your Eyes see Incredible Things!: www.bit.ly/solmisation
#partimenti #composition #harmony #counterpoint #harpsichord #bassocontinuo #fugue #throughbass #figuredbass #sonata #bach #organ #orgue #clavecin #clavicembalo #furno #improvisation #prelude #praeludium #handel #vivaldi #mozart #musictheory #baroque #galantschemata #theartofpartimento #major #keys #intervals #octave #ruleoftheoctave #modulations

Пікірлер: 11

  • @RichardusCochlearius
    @RichardusCochlearius8 ай бұрын

    Learn Solmisation and Make your Eyes see Incredible Things!: www.bit.ly/solmisation

  • @kailee4056
    @kailee40566 ай бұрын

    Fantastic insight and explanation, thanks so much, Richardus!

  • @lukehentschel5477
    @lukehentschel54778 ай бұрын

    Very interesting!

  • @davidalejandropina9120
    @davidalejandropina91208 ай бұрын

    Thanks!!! I love your videos!

  • @NichtWunderkind
    @NichtWunderkind8 ай бұрын

    Would love to see a video on how to use these schemata in short pieces like minuets, etc

  • @RichardusCochlearius

    @RichardusCochlearius

    8 ай бұрын

    Like this one? kzread.info/dash/bejne/nHmZr5NwYpuzo7g.html

  • @sislaneydillanomore2803

    @sislaneydillanomore2803

    8 ай бұрын

    yes,a slow minor piece would be good

  • @miriamcarpinetti5140
    @miriamcarpinetti51408 ай бұрын

    ❤👏👏👏

  • @lorenzomorgoni524
    @lorenzomorgoni5248 ай бұрын

    In your opinion, can this mirrored tetrachord be a possible explanation of the sporadic but not uncommon use, especially in classical period, of the flattened upper nota di volta/nota di sfuggita without modulation? First example that comes in mind is the famous F natural of the piano in the Scherzo of Beethoven's Trio op. 1 n. 2, which some interpreters (mainly in the past) used to correct in F sharp because, you know, the upper limit of fortepiano's extension at the time blah blah but in the end the F natural is intended as perfectly plausible by the composer.

  • @RichardusCochlearius

    @RichardusCochlearius

    7 ай бұрын

    Here's the answer kzread.info/dash/bejne/ZqZ5mrufn6_Qlco.html

  • @kornsuwin
    @kornsuwin8 ай бұрын

    this entire video looks like a painting

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