Пікірлер

• 
  @padraigb580Күн бұрын

  Ockeghem is the GOAT before Bach (or at least before Victoria)

• 
  @RichardusCochleariusКүн бұрын

  Reserve your slot! www.bit.ly/mus-app

• 
  @patriciarodriguezmartinez32332 күн бұрын

  Muy bonito la variación del motivo. Buena idea!!

• 
  @Neo137152 күн бұрын

  excellent execution, love the sound quality of the harpsichord too. Question, are you wearing some kind of kufi/taqiyah/Turkish takke hat?

• 
  @jimmywhyte71813 күн бұрын

  Good on you, its not easy trying to get the message across that modern jazz harmony is not the only way to make music on keyboard instruments. Infact it can be meet with some real hostility. whats the point in towering chord names when music can be simple and direct like it was in the past.

• 
  @RichardusCochlearius3 күн бұрын

  Join The Course: www.bit.ly/join-tpm

• 
  3 күн бұрын

  It's a temporary descent into madness, modulating each time into a key with one more flat. However, what is more interesting to me is the enharmonic return to "sanity" that follows: this was quite unusual in Bach's time.

• 
  @SimoneBattaglia943 күн бұрын

  Another question... can we leap FROM dissonant notes? :)

• 
  @RichardusCochlearius3 күн бұрын

  Yes you, can. They are called Escape Tone, and after leaping from a dissonant note you have to land on a consonant note. There's an entire stage in The Partimento Mehod, the 1.6, entirely dedicated to Umprepared dissonances: passing tone, appoggiatura, neighbor tone, anticipation, escape tone. Watch it here: www.bit.ly/join-tpm

• 
  @RichardusCochlearius3 күн бұрын

  🧙‍♂Musical APPRENTICESHIP: Without guidance, you risk getting lost in the desert. Let Yourself be guided step by step on a journey to become a Musicus Practicus! www.bit.ly/mus-app

• 
  @johngrigsby80214 күн бұрын

  I chose to do this as my final project for Renaissance Notation class. I made a modern edition for 2 violas and 2 cellos. This is one of my favorite pieces. Ockeghem is a master of counterpoint.

• 
  @michaelsolomon65944 күн бұрын

  Can you post a video on his Fugue exercises at the end of the book?

• 
  @RichardusCochlearius4 күн бұрын

  They are here :-) www.bit.ly/handel-fugue

• 
  @victormushtin5 күн бұрын

  Hello, great video just as usual. BTW if you don’t have a possibility to install an air conditioner, you can consider a portable one, which is absolutely cool 😃

• 
  @RichardusCochlearius5 күн бұрын

  @@victormushtin I already have it... But a lot of noise! I have to switch it off before I start recording

• 
  @RichardusCochlearius5 күн бұрын

  The Freedom to Compose Music with the Method of the Great Masters: Register your FREE Account of The Partimento Method: www.bit.ly/join-tpm

• 
  @millennial84416 күн бұрын

  I only do this in contrary motion as I can't prepare the dissonance.

• 
  @classictastic6 күн бұрын

  Amazing. Thank you!

• 
  6 күн бұрын

  Diminutions tolerate much more freedom than contrapunctus simplex. You can find all sorts of crazy dissonances, like two voices moving in parallel seconds, even in old music like Monteverdi, as long as this is all hidden inside diminutions and the undecorated skeleton is written in strict contrapunctus simplex.

• 
  @millennial84416 күн бұрын

  The faster the rhythm lesser the listener capture these digressions, mainly if he or she doesn't know anything about counterpoint and if you know how to disguise skillfully not putting these digressions in the outter parts (as on three- or four-part because the ear tends to pay more attention on the top and bottom voices).

• 
  @ajames2836 күн бұрын

  Example of parallel seconds?

• 
  @RichardusCochlearius6 күн бұрын

  Get the Freedom to Compose Music! Learn to compose Music with The Partimento Method! www.bit.ly/join-tpm

• 
  @user-dv6vb8nt3w7 күн бұрын

  I know this fugue in A minor. My sister has played it. And I heard it on your nice video lifestream. It was nice if you could allow me to share tis organ study videos with my sister, who is an organist and choir conductor. Thank you very much.

• 
  @RichardusCochlearius7 күн бұрын

  Hi! The video Livestream is public... So Yes you can

• 
  @RichardusCochlearius7 күн бұрын

  Reserve your place! Limited Slots available! www.bit.ly/mus-app

• 
  @peev28 күн бұрын

  Wonderful playing. However I'd recomend to follow the whole score while playing. It'd be the top of the top of baroque.

• 
  @RichardusCochlearius8 күн бұрын

  Learn to Compose Music with the Method of the Great Masters: Register your FREE Account of The Partimento Method: www.bit.ly/join-tpm

• 
  @jimmywhyte71819 күн бұрын

  Where can i buy a controller keybaord like that one ?, i had to get rid of my harpsichord and playing on modern key sizes is bad, feels wrong. I tried to find one of these in the past but no luck on the detials. thanks.

• 
  @RichardusCochlearius8 күн бұрын

  that controllers are piano size actually ....

• 
  @jimmywhyte71818 күн бұрын

  @@RichardusCochlearius ahh ok, looking for one the size of an Italian style harpsichord thanks.Like to them being shorter and feeling the line pass under the finger tips. anyway.

• 
  @athinaios-19599 күн бұрын

  Thank you very much for this tutorial !! This is awesome teaching. My only question is how to create the cadence at the end!! Thank you very much!!😊

• 
  @PartimentoFR10 күн бұрын

  In short, no b on the key, no soft hexacord so no Fut, and the rest, practice and practice !😅thank you for the complete answer !

• 
  @OfficialDanieleGottardo10 күн бұрын

  🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥🔥

• 
  @PartimentoFR10 күн бұрын

  Sorry for the 2 c 😂

• 
  @RichardusCochlearius10 күн бұрын

  @@PartimentoFR 🤣🤣🤣🤣

• 
  @vivailpatriarcato207611 күн бұрын

  Alla fiera dell'Est, un topolino mio padre comprò...

• 
  @RichardusCochlearius11 күн бұрын

  @@vivailpatriarcato2076 Nicola.....

• 
  @RichardusCochlearius11 күн бұрын

  Learn Baroque and Renaissance Music: www.bit.ly/mus-app

• 
  @ottomaier712711 күн бұрын

  Buxtehude is great.

• 
  @thesoundsmith11 күн бұрын

  There is a REASON to leave dissonance unresolved. It's JUST like REAL LIFE...

• 
  @RichardusCochlearius11 күн бұрын

  😂😂😂😂😂😂

• 
  12 күн бұрын

  It is beautiful! Thank you, Richardus! <3

• 
  @julianodinelli52112 күн бұрын

  Excelent video, Maestro... just explain me about that exemple of hermaphrodite fonte on 5:30.... the second part just changes A for Ab, while the E remains the same; i.e. only the second tetrachord of the scale is minor (alteration in the 6th degree), but the most important part (the 3rd degree) remains unchanged... could i turn the E into Eb in order to close in a real minor mode?

• 
  @RichardusCochlearius3 күн бұрын

  Usually the 3rd degree remains major. But look at Bach's Sinfonia n. 7. There is a B Minor-A Minor fonte

• 
  @RichardusCochlearius3 күн бұрын

  @@julianodinelli521 Here: kzread.info/dash/bejne/epWOuMWdm6uroNI.html I warmly invite you to join our community on Patreon, there are a lot of things you can learn, and a lot of music secrets you can discover!

• 
  13 күн бұрын

  Heinichen calls this "Verwechselung der Auflösung" (such a nice, easy to remember name :D ). The dissonance is not unresolved, it is resolved, but the note of resolution is in another voice, here in the soprano. It would have been a mistake if there was no A anywhere following this dissonance, but since it is such a prominent note in the soprano, it is satisfactory as a dissonance resolution. So now, the voice with the dissonance (tenor here) is liberated to jump to some other consonance (the third, here). Outer voices are stronger than inner voices, so this "Verwechselung der Auflösung" more often happens when the dissonance is in an inner voice, and the note of resolution in an outer voice, but all combinations are okay.

• 
  @SusanneStechow-oo7zi13 күн бұрын

  Respect. I had not tried this.

• 
  @RichardusCochlearius14 күн бұрын

  Lear to compose Music with the Magical Method of Partimenti! www.bit.ly/join-tpm

• 
  @ajames28317 күн бұрын

  Is Lament Bass a type of stepwise Romanesca?

• 
  @RichardusCochlearius17 күн бұрын

  @@ajames283 the lament bass is a type of Descending Tetrachord. The stepwise Romanesca Is a Little different

• 
  @PartimentoFR17 күн бұрын

  What course do you recommend in order to work on fugues and suites ? The partimento method or the courses on Bach and Haendel ?

• 
  @axeman263817 күн бұрын

  Read Fuchs, do lots of exercises, develop a repertoire of ways to deal with the common problems in writing counterpoint, repeat till mastery. simple as.

• 
  @RichardusCochlearius17 күн бұрын

  So, if you want a simple answer, you can listen to our friend @axeman2638 who says the truth but without considering many aspects. 1) Questions about the past: - What is your starting point? - Have you ever studied harmony? If so, what? - Have you ever done counterpoint? If so, what? 2) Questions about the future: - What do you want to achieve? - Do you want to understand the Baroque compositional style that you can then apply to compose various forms and pieces? - Or do you want to focus only on the fugue for a period? - Or are you interested in learning how to write a Suite? P.S.: If you want to learn how to compose a suite or a fugue, it's clear that you must already know the Baroque language (therefore partimento, harmony, and counterpoint). 3) Questions about the present: - How much time do you have to study each day? - Do you want to achieve a result in a few months by studying 5 hours a day? - Do you want to achieve a result in a few years by studying only 1 hour a day? Only when you have done an analysis of this type is it possible to map out a sensible path. Otherwise, you risk embarking on a path (even TPM) that is not the one you need based on your past, present, and what you want to achieve!

• 
  @IrizarryBrandon17 күн бұрын

  Bravo, this felt like a somber chorale prelude.

• 
  @RichardusCochlearius17 күн бұрын

  Learn to Compose Music www.bit.ly/mus-app

• 
  @DodiSena17 күн бұрын

  Piano piano, Julien will be able to surf and fly like Gabriel Medina.

• 
  @simonecivita39818 күн бұрын

  Ciao Richardus!

• 
  @RichardusCochlearius17 күн бұрын

  @@simonecivita398 ciao!

• 
  @tavinmj18 күн бұрын

  Maybe you could reverse engineer fugue subjects this way!

• 
  @pratticamusica19 күн бұрын

  You are a good exemple to how classical musician also can use marketing, to produce good content and to sell your work honestly in the internet! Congrats! Its a shame that the most classical musicians live in the caves yet, compared to the others musical niches.

• 
  @RichardusCochlearius19 күн бұрын

  "Marketing is the generous act of helping others become who they seek to become. It involves creating honest stories-stories that resonate and spread.” ― Seth Godin

• 
  @noahjaffe813919 күн бұрын

  Thanks for providing this. Can you please put the composer's name and opus number of the piece in the description?

• 
  @RichardusCochlearius19 күн бұрын

  Hi! It's already there! There is the IMSLP link to download the Score

• 
  @RichardusCochlearius20 күн бұрын

  Discover the paths here: www.bit.ly/mus-app

• 
  @sislaneydillanomore280320 күн бұрын

  happy to see partimento again❤

• 
  @RichardusCochlearius20 күн бұрын

  Discover your Journey: www.bit.ly/mus-app

• 
  @ajames28321 күн бұрын

  Nice. Sounds a bit like Vivaldi RV 134 and Bassani Op. 5. No 1.

• 
  @mattcavoto21 күн бұрын

  That chart for writing canons is something else!

• 
  @RichardusCochlearius22 күн бұрын

  www.bit.ly/mus-app