Haydn: Symphony No. 104 in D major "London" (with Score)
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Franz Joseph Haydn:
Symphony No. 104 in D major, Hob. I/104 "London" (with Score)
Composed: 1795
Conductor: Jeffrey Tate
Orchestra: English Chamber Orchestra
00:00 1. Adagio - Allegro (D major)
09:40 2. Andante (G major)
19:20 3. Minuet: Allegro (D major) - Trio (B-flat major)
24:33 4. Finale: Allegro spiritoso (D major)
The Symphony No. 104 in D major (H. 1/104) is Joseph Haydn's final symphony. It is the last of the twelve London symphonies, and is known (somewhat arbitrarily, given the existence of eleven others) as the London Symphony. In Germany it is commonly known as the Salomon Symphony after Johann Peter Salomon, who arranged Haydn's two tours of London, even though it is one of three of the last twelve symphonies written for Viotti's Opera Concerts, rather than for Salomon.
The work was composed in 1795 while Haydn was living in London, and premiered there at the King's Theatre on 4 May 1795, in a concert featuring exclusively Haydn's own compositions and directed by the composer. The premiere was a success; Haydn wrote in his diary "The whole company was thoroughly pleased and so was I. I made 4000 gulden on this evening: such a thing is possible only in England."
![Beethoven: Symphony No. 7 in A major, Op. 92 [Kleiber & VPO] (with Score)](/img/d.gif)
Пікірлер: 80
i played this at a concert yesterday, it's the most fun i've ever had playing a concert in my life
@Nico27901
3 ай бұрын
What instrument
@m4l4ch1_
21 күн бұрын
@@Nico27901we’ll never know 😔
At the beginning sounds like beethoven's 9th symphony, amazing. Definitely a huge source of a great ideas
Викторина Мурова I ч. 0:03 - Вступление 2:27 - Главная партия 2:52 - Связующая партия 3:20 - Побочная партия №1 (на материале ГП) 4:03 - Побочная партия №2 4:13 - Заключительная партия II ч. 9:40 - Основная тема 13:35 - Эпизод (g-moll - B-dur) III ч. 19:20 - Основная тема («крестьянская») 21:14 - Трио (B-dur) IV ч. 24:35 - Главная партия (чешская) 24:59 - Связующая партия 25:19 - Побочная партия №1 25:45 - Побочная партия №2 26:02 - Заключительная партия
1 часть: 2:27 - ГП 3:20 - 1ПП 3:59 - 2ПП 6:25 - Разработка 2 часть: 9:40 - Начало 13:35 - Эпизод в d moll 3 часть: 19:20 - Начало 21:14 - Трио 4 часть: 24:33 - ГП 25:19 - ПП 25:45 - Сдвиг 28:01 - Разработка
1. daļa: 0:00 - Ievads 2:27 - GP 3:19 - BP 6:25 - Izstrādajums 7:42 - Reprīze 2. daļa: 9:40 - A 13:35 - B 3. daļa: 19:20 - Pamattēma 4. daļa: 24:33 - GP 25:45 - BP
Marvelous symphony ❤️
1 часть 00:00 - Вступление 02:27 - ГП 2 часть 09:40 - осн. тема 3 часть 19:20 - Менуэт 21:13 - Трио 4 часть 24:33 - ГП
@user-qd8ek1dt5j
Жыл бұрын
Всем удачи на викторине)
the consert was great.
21:16 the trio begins here yes
thank you for this!
This is one of my A level set works!!!
@PretzelPunch
Жыл бұрын
cry about it
@thomashall4683
Жыл бұрын
@@PretzelPunch Why?
@sphoenix7156
Жыл бұрын
@@PretzelPunch its a good piece lol
@PretzelPunch
Жыл бұрын
@@sphoenix7156 shut it nerdoid
@PresenceToriyama
Жыл бұрын
Yes, the Great London!
Ich mag so sehr die Klassiker von Wien. Haydn, Mozart und Beethoven waren der Anfang neuer Ära in der Musik.
@armandssurins3364
Жыл бұрын
1.Satz 0:03 (0:04) - Einleitung 2:27 (4:25) - Hauptsatz 3:20 (5:19) - Nebensatz 6:25 - Durchfuehrung 6:33 - "unendliches Kanon" 6:40 - forte, No.4 6:48 - cis moll 7:00 - forte, No.5 7:41 - Reprise (Hauptsatz) 7:51 - Holzblaeser (!) 8:38 -> 8:45 - Nebensatz 2.Satz 9:40 (10:05) - Hauptthena 13:35 - mittlere Strukture (g moll) 13:47 - subito fortissimo 14:28 - Falschreprise (B dur) 15:14 - Reprise 3.Satz 19:20 - Меnuett 20:03 -> 20:17 - Pause (!) 21:13 - Тrio 23:21 - Reprise (da Capo) 4.Satz 24:32 (26:18) - Hauptsatz 25:45 (27:30) - Nebensatz 28:00 - Durchfuehrung 29:08 -> 29:10 - Reprise
@yobene
5 ай бұрын
Спасибо
Whenever I listen to this marvelous symphony, I imagine if Haydn could have written more symphonies, what they would sound. His last symphony is full of genius motives, unexpected progress of harmony and balanced length of each parts. I really miss theml
@leoperarm
3 ай бұрын
If I remember correctly it was Robbins Landon who proposed to regard his latter Piano Trios and Masses as natural continuations of Haydn’s symphonic work; as if he just “moved on” to those media towards the end of his life.
@elaineblackhurst1509
7 күн бұрын
@@leoperarm The idea of the masses as choral symphonies originated I think with HCRL, and has been picked up by others since; the piano trios having been heavily promoted by Charles Rosen in The Classical Style (1971) are an entirely separate and unrelated matter.
excerpt timestamps 0:00 (1) 14:28 (2) 29:06 (3)
2:28 9:40 13:46 violin lvl 9 orchestral excerpt
6:26 - Development of 1st mvt
INTRO 0:04 homo 1:44 dissonance retard 1:57 homo EXPO 2:27 TA 2:44 pont p f 3:20 TB 3:59 GTB2 DEV 6:26 motif TA 6:50 dev GTB2 7:30 montée chroma vl épique REXP 7:43 TA 7:59 pont 8:32 rapel motif TA developpé puis silence 8:42 TB à la tonique sans conséquent 9:04 GTB2 I) ANALYSE a) forme 2:27 TA 3:20 TB Suspension de carrure : 3:20 à partir de TB Formule cadentiel 3x1mesure 2:44 Pont 2x2mesures et 1x2 mesures b) HARMONIE 3:29 TB V/V 3:47 V/V puis pédale dominante 1:44 fin intro dissonance retard
The second movement 🔥🔥🔥
Potential publishing error at 12:22. In the last measure of the system, off-beat of beat one, the score shows the second violins playing “mi” when in fact in the audio the violins are playing “re.”
0:00 F.J.Haydn Symphony No.104 in d major 1nd
for me: 2:43 allegro 15:15 andante
0:05 вступление
6:26 13:35
Wonderful, although for me, trying to follow score was 20 steps too far. My quill pen better left on the goose.
FUCK MUSIC A LEVEL
@elaineblackhurst1509
Жыл бұрын
Someone capable of writing a comment such as yours should not be studying music at A level.
@jamie65078
Жыл бұрын
@@elaineblackhurst1509 I agree
@prof.sirjeffreydarling-mil3463
Жыл бұрын
What an interesting viewpoint
@christianwouters6764
6 ай бұрын
I find this the absolutely best Haydn symphony. The splitting of the first 4 bars of the theme in two and using the 2 parts as elements for the whole development section is sheer Genius . I agree with another comment that the 2d movement is taken to slowly.@@elaineblackhurst1509
2:27
Les symphonies de Haydn sont magnifiques, cependant pour cette version le second mouvement est trop lent. Il est marqué Andante, ce mot vient de l'italien "andiamo", que l'on pourrait traduire par "allons", les Andante sont sont plutôt relativement rapides.
@60bui
2 жыл бұрын
Sinceramente, ho eseguito questa Sinfonia qualche anno fa, conosco decine di esecuzioni, questa è tra le più equilibrate, so chi tiene tempi più stretti nell'andante, il movimento ci croma è abbastanza giusto così, altrimenti si perde la cantabilità, io stesso ho tenuto un tempo simile
6:59
4:27
I,IV
Isn't this piece actually in F Major?, I know that the title says D Major, but, I don't see any 2 sharps(which is either D Major or B minor) at the beginning of the piece, I only see 1 flat(which is either F Major or D minor)
@themobiusfunction
6 ай бұрын
D Major with an introduction in the minor key
@aldiewboo6299
4 ай бұрын
It’s in d major, the intro is in d minor until the end of the intro, it uses a neopolitan 6th chord (in this case Eb major) and then a 6/4 cadence to modulate to the tonic major! Fascinating stuff
17:39
8:30
Why is 30:50 a D minor chord?
At the beginning I thought it was Beethoven's 9th...
@prof.sirjeffreydarling-mil3463
Жыл бұрын
oh!
14:26
8:16
29:19
I think this piece sounds like a porto-beethoven symphony.
@paulwl3159
Жыл бұрын
Or Beethoven sounds like late Haydn
@prof.sirjeffreydarling-mil3463
Жыл бұрын
oh!
C'è già molto Beethoven in Haydn?
@hazhoner5727
Жыл бұрын
C'è Haydn in Beethoven
@elaineblackhurst1509
Жыл бұрын
@@hazhoner5727 Concordo in pieno con quello che ha detto.
@proarte4081
Ай бұрын
Naturalmente c'è molto Haydn in Beethoven dato che J. Haydn è stato il maestro di Beethoven nei primi anni 90 del 700. Esiste una differenza nettissima tra le prime composizioni di Beethoven del periodo di Bonn e le successive composizioni viennesi scritte dopo aver studiato con Haydn... le prime composizioni del periodo di Bonn pur essendo gradevoli, non avevano quella solida architettura e quell'equilibrio nella forma tipici delle composizioni di Beethoven successive. Queste caratteristiche sono l'insegnamento più importante, fondamentale, che l'anziano grande maestro Haydn fece al giovane Beethoven, da allora il genio creativo di Beethoven esplose senza limiti, proprio perché solidamente inquadrato nella struttura formale haydniana, che è quella che noi conosciamo anche sotto il nome di classicismo viennese.
last symphony of haydn
@jkim-08
Жыл бұрын
didn’t he write 108? i could be wrong though
@tringhiacomposemusic6075
Жыл бұрын
@@jkim-08 yeah, he just write 104 symphonies!
@klop4228
Жыл бұрын
@@jkim-08 4 of those are arguable. I forget what they all are, but I think one's a "symphonia concertante", and the others are similarly "almost-but-not-quite symphonies"
@elaineblackhurst1509
4 ай бұрын
@@klop4228 For your benefit, and others sharing random thoughts here, I offer the following guidance. Haydn wrote 107 symphonies. Hob. I:1-104 are the familiar numbered symphonies. Hob. I:106 is the three movement sinfonia to Le pescatrici. Hob. I:107 is Symphony ‘A’. Hob. I:108 is Symphony ‘B’. The missing Hob. I:105 is the Sinfonia concertante.
13:48
2:28
2:27
2:27
2:27