Hannah Wan Ching Tam performs Dvořák's Violin Concerto in A minor, Op. 53, Allegro ma non troppo
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Hannah Wan Ching Tam, 14, HKSAR, performs Dvořák's Violin Concerto in A minor, Op. 53, Allegro ma non troppo at the Menuhin Competition #Richmond2021 Junior Finals.
Pianist: Maria Jee
Admitted to the Curtis Institute of Music aged 12, Hannah Wan Ching Tam currently studies with Ida Kavafian. She previously studied with Michael Ma, Maria Jee and Chan Kwok Wai at the Hong Kong Academy of Performing Arts. She has won top prizes at international competitions including Kloster Schöntal in Germany and Andrea Postacchini in Italy. Hannah has performed as a soloist with the Hong Kong Philharmonic, Virtuosi Italiani and Mantua Chamber orchestras amongst others. Recently, she received the Audience Prize at the “Mini Violini” showcase of the Concours Musical International de Montréal 2019. Hannah plays on the G.B. Guadagnini Torino 1778 ex Blavet, kindly supported by Alfredo Primavera.
Founded by Yehudi Menuhin in 1983, the Menuhin Competition is the world's leading international competition for young violinists. The Competition attracts hundreds of entries from countries across the globe, choosing only 44 of the world’s very best young violinists to participate. Held every two years in a different world city the Competition discovers, encourages and nurtures exceptionally talented young musicians from all corners of the world under the age of 22 years to develop into the next generation of great artists.
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Пікірлер: 8
Finally someone who thinks about the end of notes. Entrances and exits are utmost. Beautiful phrasing and vibrato.
this piano accompaniment goes so hard for no reason
One of my favorite concertos. What a good choice for the finals
Wow such a talented violinist. Beautiful virbrato!!!!
@ec_depths
Жыл бұрын
The vibrato is literally AMAZING. Almost sounds fake tbh cuz it’s too good
İt really seems like hadelich recording with young emotions. Bravo🎉
As much as I love this concerto, I think it's a bad idea to choose to play it for a competition if you can't play the whole piece. Since the first movement is connected attacca to the second movement via a bridge between the two, ending with the first movement makes the performance feel unfinished and cut too short. Although Wieniawski's second violin concerto also has its first movement connected attacca to the second movement, the first movement has a stronger, more convincing ending than the Dvorak, which gives the first movement a better sense of completeness as the transition is made to the second movement. So I think it's okay to play the first movement of the Wieniawski as a stand-alone piece. The same can be said of the Mendelssohn violin concerto.
@mediocre-violinist-
Жыл бұрын
solution, play the third movement