A good twenty years after his first recording of Bach's Partitas, Gidon Kremer has rethought these unique works and now offers a new interpretation of them. In a perceptive documentary, the master violonist talks about his view of this music and of the way in which over the years Bach has repeatedly permeated his life as both man and artist. This is a film about a great musician, about otherwordly works and about the secret of music making.
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His violin bow swooshes through the air like a saber. Again and again, the final bar of the famous E Major Partita for Solo Violin fills the empty baroque church in Lockenhaus. Gidon Kremer has holed up for several days here in the Austrian state of Burgenland to record Bach’s three solo partitas. It will be his last encounter
with these milestone compositions in violin literature.
The film accompanies the famous violin virtuoso for one week, showing rehearsals, recording sessions and discussions with a few trusted confidants. For Kremer, born in Latvia, this is an important time in his life: “Bach accompanies a musician his whole life,” he says, recalling his first performances of the composer’s works. Kremer is, and has always been, one of the most headstrong and original artists in the music business.
The film goes on to show his other encounters with J.S. Bach’s works. In the early 1980s, after being declared a persona non grata in the Soviet Union, Kremer moved to the West and made a recording of the solo partitas. The Phillips record went down in music history and for decades was the benchmark in the music guild. The young virtuoso was catapulted to fame virtually
overnight in the Western world. Archival footage shows the gawky, long-haired Kremer at his first concerts - he hasn’t played the partitas in public for over twenty years. “But there are important works to which a person always returns, and my desire has grown to return to Bach,”
he says in a discussion with both filmmakers, Daniel Finkernagel and Alexander Lück, who followed the musician’s career for five years. The film shows Gidon Kremer’s most important encounters with Bach. It is a deliberately subjective and non-chronological biography. In a very personal way, the film Gidon Kremer - Back to Bach portrays an artist’s attempt to answer this question. Showing Gidon Kremer’s engagement with Bach, it reveals the most
important artistic and personal developments of his life.
TV Directors: Daniel Finkernagel, Alexander Lück
Produced by: finkernagel&lück, EuroArts, RBB/ARTE