Imagining shintaro at the ballet advanced class is probably one of the funniest images that was ever planted into my mind

I see the guitar behind Shintaro and remember one of my senseis was also a gigging guitarist. Could you guys talk about practicing judo when you have other "conflicting interests" like playing an instrument and other stuff where you tend to see delicate hands and might want to preserve the health or performance of some of your body parts? What kind of adjustments and measures can you take to still practice judo in a rather normal way, but limit injuries or long-time effects (judo hands for example) or short time performance issues? I assume less randori and grip battle in terms of finger performance. I'm thinking there's sort of a check to filter on very general level what the instructor can answer productively. If the question starts "what do I do about this when" rather than "what if". The when usually continues with something that you've experienced when you tried the technique and you were puzzled about how to handle that. Or "should I A/B or does it matter" etc if it's about executing the technique, for example should I grab the lapel, the collar, higher, lower, does my grip make a difference. If I was a professor and a student came to me saying "I read every single paper of your 47, they were amazing", I'd probably tell them to eff off trying to lick my ass, or if that's not the case they should find much better stuff to do with their free time or seek help. Unless it was very relevant to what they were doing at the moment, which sounds very odd that you'd need to read specific person's all papers. I've never heard something as beautiful as Shintaro going to ballet school to find a girlfriend and ending up with one of the top guys in the class.

'being a good asian boy' KEK

Great video I'll use em as soon as possible

so I gotta ask: did he land a babe at ballet class or not?

Hu