The finale of 'Die Frau...' at Salzburger Festspiele. Production by Christof Loy. Christian Thielemann conducts the impeccable Wiener Philharmoniker. Großes Festspielhaus, Salzburg, 2011.
Жүктеу.....
Пікірлер: 110
@javiermarting4 жыл бұрын
Some of the most irresistible musical phrases Strauss ever wrote are here, IMHO.
@philschlee51365 жыл бұрын
The music is, of course, awesome! Richard Strauss and Richard Wagner are my favorite composers!!
@stevepestoff5360
2 жыл бұрын
You and I think alike. Love both of these composers!
@chrisjames789
Жыл бұрын
Ditto
@jasonhurd43795 жыл бұрын
I saw the old Lehnhoff/Zimmermann production at San Francisco in 1976, 1980 and 1987. It followed the libretto in setting and staging, and was absolutely magical. I feel sorry for the younger generation who have never seen the traditional stagings, and who think Regie is the way it's supposed to be. At least I have my memories.
@coreylascaris5277
5 жыл бұрын
That was a wonderful production. The only time I had the chance to hear Nilsson live.
@jasonhurd4379
5 жыл бұрын
@@coreylascaris5277 Same here. Absolute magic.
@huwzosimos883910 жыл бұрын
This is Strauss's greatest opera. I was lucky enough to see it at Covent Garden in 2014 and have the Solti DVD from the Salzburg fest around 1991. I always cry at the end, it is so moving. Of course I like the other operas, but I think this manages to include the best qualities of his music (as found in the tone poems) with all of the wonderful vocal writing, off stage choirs etc. Also, the characters are wonderfully depicted by Strauss: The dyers wife, Barack, the nurse etc. The story is fantastical, but hey, this is opera! Ultimately, this is so life affirming and puts human love of a couple as the most important thing in life. In this opera he puts it all together into one glorious whole. And nobody gets killed!
@stanleybetts422
7 жыл бұрын
J
@StephenSmith-ge1qf
6 жыл бұрын
I too saw that production. A wonderful opera, excellent production and a thoroughly wonderful experience.
@plekkchand
6 жыл бұрын
Yes. It is, I think, his most urgent inspiration.
@ExxylcrothEagle
5 жыл бұрын
I really love that violin part before the "vater....." section in the 3rd act
@ExxylcrothEagle
3 жыл бұрын
ABSOLUTELY!!! feel the majesty !!
@suziewan74743 жыл бұрын
Meine Lieblingsoper.
@andreasn.1113
Жыл бұрын
Meine auch
@robertberger347510 жыл бұрын
Herod Antipaster, Die Frau Ohne Schatten is NOT a "long,loud, boring piece of crap", but one of the greatest ,most magnificent, and sublime operas of all time . How can you be so blind to such an operatic msterpiece ?
@ExxylcrothEagle
3 жыл бұрын
don't waste your time on idiots. why would anyone happen upon this to talk shit on it?? it is most glorious as most real humans understand !!!
@hrh2842
Жыл бұрын
Herod has my vote.
@LM1C14412 жыл бұрын
I saw this Opera in Antwerpen, the final scene was indescribable in the end there was a big table on which everyone was welcom (actors) and in the end there was also "their" child. I was agitated, emotional in the end. Beautifull
@scotttisdel1383 жыл бұрын
My antidote to this production? Get a score, and watch that instead. Strauss' music is sublime, the performance splendid, that's what is most important. I believe Thielemann is the greatest Strauss conductor of our time.
@chrisjames789
Жыл бұрын
Talking of the score, Puccini apparently was shown it on a visit to the Vienna State Opera - and declared it to be all logarithms! Perhaps that was a tacit acknowledgement of Strauss's superb achievement.
@MignonDunne11 жыл бұрын
Great fidelity. The best on the Tube. Thanks.
@1z1zz1z1zz7 жыл бұрын
Otherworldly sublime ................
@Musikfan29104 жыл бұрын
Fantastisch!!!
@papagen00 Жыл бұрын
Best 'Frau' production is by David Hockney for San Francisco, 6-2023
@LordMountararat12 жыл бұрын
Herlitzius on form is really a class act - I saw her Brunnhilde at Bayreuth about 10 years ago and she was simply stunning!
@MrMichaelvier3 жыл бұрын
Richard Strauss : This pure Genius is and will be always the greatest Composer of the 20 th Century.....no one gets even close to him when it comes to Opera .....Gustav Mahler in his symphonic work yes ......:-)
@arrassip
2 жыл бұрын
I totally agree
@leoh3616
Жыл бұрын
Apart from 20th century, Wagner overtakes him in Opera.
@raffamon194611 жыл бұрын
Ottima esecuzione . Grazie
@lucaberardi8689
5 жыл бұрын
Concordo!!!
@jordipanadesribera68905 жыл бұрын
Gran compositor, gran orquestra, grans veus !
@claudioestebanboccia13542 жыл бұрын
Sublime
@mongemark12 жыл бұрын
musica bellissima a morte i registi di oggi!!
@stevefrombroadway11 жыл бұрын
You are right! I was lucky enough to see the old "fairy tale" setting of this masterpiece at the Met Opera back in 1966. I know this opera like the back of my hand; I wrote a thesis on its symbolism in college. It's definitely my favorite Strauss opera. Mind you, once in awhile it's okay to restage certain operas, but this production IS CRAP. The new Met production isn't that bad, but at least I have my memories of 1966!
@florencionogalesmunoz20282 жыл бұрын
Una de las más maravillosas experiencias que he vivido fue asistir en la Ópera de Viena a una Die Frau Ohne Schatten dirigida por Thieleman en el 2018 con Evelyn Herlitzius como Nurse, Camila Nailun como Enperatriz y Niña Stemme como la mujer de Barack. Inolvidable
@ExxylcrothEagle3 жыл бұрын
Strauss is so good !!! He drops bombs !!! exquisite sublime bombs of awesome !!!
@ExxylcrothEagle7 жыл бұрын
sheerest ecstasy. ultimate pinnacle of music. that 8 minute build-up. yeah you know what I'm talkin' about
@peterdevita63082 жыл бұрын
The quartet finale between Die Kaiser, Die Kaiserin, Barak and and his Frau is unquestionably one of the most glorious pieces of music in all of opera. FRAU is the greatest opera of the 20th century, The pity is that it premiered in 1917 as WW I was ending so it never found the early success it deserved. But one now knows it's a beloved masterpiece so great in scope that it's almost incomprehensible to take in all of its sublime riches. - the quartet leads to the chorus of "unborn children" all ending with Strauss's magnificent orchestration and chorus which are, as is his usual, only sublime taking the listener to another dimension. SO LUCKY TO HAVE SEEN FRAU ON STAGE TWICE - at the MET ( D.VOIGT) and at MUNCHEN'S NATIOPNALTHEATER with Cheryl Studer, Hildegard Behrens as the Empress and the Frau. LONG LIVE "DIE FRAU OHNE SCHATTEN".
@DanielZavagna10 жыл бұрын
I really HATE these modern settings in opera. The ego of producers makes them want to be greater than composers and libretists..
@DerekWilliamsMusic Жыл бұрын
Superb
@michaeljeran2 жыл бұрын
Love it!
@flemmingdalsgaard3231 Жыл бұрын
If You listen at home, it takes some stereo equipment to make it sound right, because it must be played loud. "The woman without a shadow" is a story about a marriage without love.
@SFKelvin2 жыл бұрын
My FAVORITE Opera ... and I know what that means ...
@geraldlindner120710 жыл бұрын
Wer die musikalischen Herrlichkeiten nicht erkennen kann, ist ja nicht gezwungen, sich diese Oper anzutun.... hat der Rest noch mehr Freude an dem Stück. Leider gilt hier wie heutzutage meistens,,,vergesst die "Regie", hört auf die tollen Sänger und Musiker!!
@clarice1001nights
Жыл бұрын
Die Frau ohne Schatten ist meine Lieblingsoper von Strauss. Zusammen mit dem Tannhäuser war sie eine große Herausforderung für mich. Wenn du dein Herz nicht in beiden findest, kannst du sie nicht singen und solltest es auch nicht. Leider werden beide selten gesungen. Frau ist voll von Ekstase und Sehnsucht. Manchmal setzen Regisseure die Geschichte "hoch", was immer traurig ist. Wenn es mit Respekt und Fantasie gemacht wird, ist es elektrisierend.
@tantris3912 жыл бұрын
JUST a fairy tale? You're missing the point!!!! _OIr maybe I was just spoiled when I heard it for the first (5) time(s) in Stehplatz in Vienna with Böhm, Rysanek, Nilsson, Hesse, King and Berry.......
@thierryniord6661
4 жыл бұрын
How lucky !
@ransomcoates546 Жыл бұрын
I think Thielemann was more inspired at the Met in 2002. One of the greatest performances of anything I have ever heard.
@richardlevin9907 Жыл бұрын
My favorite Strauss opera. I'm seeing it soon in Baden Baden. Not sure what the Empress is up to at this ending. She has her shadow after all.
@rubisco198112 жыл бұрын
Which movement is this exactly? Is it some of the final movements of the 3rd act together? Is there a commercial recording of this performance available?
@hanslangendorf8105 Жыл бұрын
Frau ohne Schatten ist nur geil !
@scazzasofija11 жыл бұрын
There used to be the entire thing on YT. Can't find it anymore. Any ideas?
@vincentlombardo97973 жыл бұрын
bellissime idee per la regia ... complimenti ... (Wonderful ideas of the stage director.. my compliments). v.l. assistente alla regia, Die Frau, Metropolitan Opera, N.Y. 1968, Karl Boeme directing; Nat Merril stage director!!!
@acacia-bloom12 жыл бұрын
Where did you get that from? It is an interesting concept but this production was set in the Vienese Sofiensäle during the period when the first Böhm recording was made: i.e. in 1955. (The whole production depicts a recording session.) The Nazi state was not impending but history by then....
@acacia-bloom11 жыл бұрын
Da war ich auch immer!
@hrh2842 Жыл бұрын
Interesting final scene. Still, Strauss by-the-yard.
@wotan109503 ай бұрын
I’ve seen Frau twice: with Nilsson and Marton, and many years later with Goerke, Megan Miller, Kerl, Rutter. It is quite a spectacle! Perhaps not as great as Elektra or Rosenkavalier, but stunning nonetheless.
@papagen00 Жыл бұрын
wow amazing, when did they allow women in the wiener philharmoniker?
@Macrodermagigas12 жыл бұрын
What a pity! Such an orchestra, such a conductor - abused for some European Regietheater bullsh*t! Couldn't they refuse? The Regietheater's dead end was already reached two decades ago. I won't spend any more cent for Salzburg!!!
@PUCCINIMUSICK12 жыл бұрын
THIS PRODUCTION IS TOTALLY UNRESPECTFUL FOR ALL THOSE PEOPLE WHO COME ACROSS THIS INCREDIBLE MMASTERPIECE FOR THE FIRST TIME and have all the bloody right to see and watch and admire it as it has been scenically conceived. Today's directors are just charlatans.
@aeischwa113 жыл бұрын
Appena vista a Salzburg
@rrgallo9677 жыл бұрын
Who are the main singers?
@gslanfranchi
7 жыл бұрын
Raul Gallo Stephen Gould (The Emperor) Anne Schwanewilms (The Empress) Michaela Schuster (The Nurse) Wolfgang Koch (Barak, the Dyer) Evelyn Herlitzius (Barak's Wife)
@rrgallo967
7 жыл бұрын
Thanks!!!!!!!
@timopragod11 жыл бұрын
There are certainly some operas that can work in a modern or concept staging. Elektra is one (if done respectably), but this is just insane. A director was actually paid to produce this nonsense. I am not a purest by any means, but come on.
@martinatherton3018
Жыл бұрын
You shouldn't assume that everything you don't understand is nonsense.
@Bacchusmbt
Жыл бұрын
@@martinatherton3018this is NONSENSE. PERIOD.
@martinatherton3018
Жыл бұрын
@@Bacchusmbt - there's no need to SHOUT. And my original comment stands. I was intrigued by the production, which was imbued with intelligence and interest, as is only to be expected from Christof Loy. You might want to reflect on what it is/was that you, on the other hand, could not fathom. Full stop.
@occhiopennuto2394 жыл бұрын
Opera straordinaria, su questo non si discute. Però, la regia più innovativa sarebbe solo quella in grado di far comprendere appieno il libretto..
@MignonDunne11 жыл бұрын
Great music and singing; silly production.
@mariasofiavalcheva455011 жыл бұрын
yes. It is strange but in our time with very good singers and conductor and perfect orchestra the stage production is really crap !! disgustingly directors spoiling the text and music!
@ezequielfautario4335 жыл бұрын
A glorious opera, in an really ugly scene version.
@advokata8 жыл бұрын
Quite honestly, this production is harmless, almost conservatively stagnant. I don't know what all you know-it-all's problem is.
@josecarmona91685 жыл бұрын
No estoy en contra de ningún tipo de producción a priori. Pero hago alguna consideración sobre esta. Parece ser que la producción se basaba en que la ópera (y se asociaba con el nazismo) relega a la mujer a su papel de madre, y se intentaba hacer una especie de crítica a dicha idea (es un resumen muy escueto de la producción, cuidado). El problema es que la ópera de Strauss NO trata sobre eso: es un canto tremendo a la maternidad como característica inseparable del ser humano, y Strauss/Hoffmanstahl querían que provocara un sentimiento tan positivo que esperaron al final de la Primera Guerra Mundial para estrenarla. Por lo tanto la producción está yendo absolutamente en contra de la propia obra, y por lo tanto es desde el principio una producción fallida, más cuando lo que se escucha (en contra de lo que se ve) sí que sigue la idea inicial de Strauss/Hoffmanstahl. No entiendo montar una producción escénica para oponerse a la propia obra que se representa. Me parece una idea incluso "enfermiza" por cuanto si se quiere defender un concepto determinado, mejor es elegir una obra que lo conlleve, y si no gusta la idea principal de una obra, ¿para qué representarla? En estas contradicciones es donde se nota la tiranía actual del escenógrafo sobre el concepto musical en el mundo operístico.
@thricegreatart9 жыл бұрын
lovely singing and music.......terrible everything else. it's not Regie I object to. It's Regie that senselessly deflates an original masterpiece that offends me.
@dondonadio44410 жыл бұрын
Such a nonsensical production. If you're going to do a concert presentation just do it and don't pretend it's a real staging
@dgbx611 жыл бұрын
Strauss' greatest opera, to me. Filled with fantstic music, though difficult to perform. The opera is filled with all sorts of symbolism, and the director had to ignore it ALL in order to cram his stupid completely extraneous 'personal vision' on the work, - and kill all the magic. Completely disrespectful and contemptuous. What a waste as well as what a shame.
@ExxylcrothEagle
3 жыл бұрын
PURE AWESOME!! this gives me life. I would never call a suicide crisis hotline....cuz...duh this is THE SHIT
@YDVDNVRR12 жыл бұрын
It is a fairy tale! Just that!
@jgesselberty12 жыл бұрын
Music = divine Performance = amazing Production = crap
@bronxbearbud12 жыл бұрын
Resplendent with banners, well-behaved children, and other sinister elements not hidden by the holiday tree, the scene suggests a nazi concert in support of marriage and motherhood, making the Empress' concluding, tormented gestures terrifyingly appropriate: now fertile, she knows her struggle for the grace and sanctity of motherhood has been in vain, as she realizes she will give birth to a generation whose atrocities are already mirrored in her horrified gaze. Knocked my socks off.
@BalletBabyBoy12 жыл бұрын
Why do they fell compelled to do these horrible productions? Damn it, stick to the wishes of the composer and writer. Sick of EuroTrash.
@Altonahh107 жыл бұрын
Funny. People see 8 minutes out of 4 1/2 hours and collectively decide that the production is trash. I assume they don´t even know what the story is about, why it was written and what the intentions and influences on the storyline were. Instead of taking into consideration that the director here is a creative person - unlike somebody staging a Webber musical - and his creativity and intense dealing with a piece of work and SUBJECTIVE understanding of it results in what we see. And since there is no common way of thinking, interpreting and understanding of a piece of art, there can be a conflict in a presentation and the way we see it. But that can always be discussed instead of booing it which is another expression for stupidity.
@tanguydanielou934
7 жыл бұрын
J ai eu la très grande chance d assister à Berlin à la représentation de la Femme sans ombre le 9 avril dernier . Direction Z. Mehta . C ' était très émouvant . C'est vraiment une oeuvre d'une grande beauté . Je suis encore ému quand j y pense .
@pinintra
7 жыл бұрын
I was there; so I can tell you that it was an horrible staging. The "creativity" is NEVER a good resaon for a such bad staging !!! Great orchestra and great conductor. All the rest is a true shame !!!
@tanguydanielou934
7 жыл бұрын
Parsifal Kna les mises en scène sont rarement satisfaisantes. mais dans ces cas là , je ne suis que musique .
@jrosings1
5 жыл бұрын
First of all, staging a Webber musical requires incredible creativity. Some of the most esteemed directors in theatrical history have staged Webber musicals. As I see it, the problem with opera direction these days is that the director’s concept has become infinitely more important than the music. Read any opera review, particularly from Salzburg, and you’ll find five paragraphs about the director’s concept, and one small paragraph at the end about the singing. The directors themselves tend to have little interest in the music or the actual story of the opera. Instead, we get Trovatore set in a library (or whatever that was supposed to be), as well as this disaster. I’ve seen Ariadne auf Naxos set in an airplane hangar, and an Attila where the singers were directed never to look at each other. I’m sure there were “brilliant” concepts behind these productions, but I always say that if one needs to be told WHY a concept is valid, or what it brings to a piece, the director has failed. For me, opera is not intellectual. I want to have a visceral response to the music, not a cerebral response to the production.
@Altonahh10
5 жыл бұрын
@@jrosings1 You just said it - "opera is not intellectual". Say that to a composer such as Verdi, Wagner oder Strauss and they would laugh at your ignorance. At the same time you defend musical productions which have one purpose only and that is to make money. There is absolutely NOTHING intellectual about them and that´s okay. But please don´t compare an opera like FroSch to Cats or Traviata to Evita. Musicals have to appeal to the masses because they need fiscal success.
@YDVDNVRR12 жыл бұрын
How can U explain a fairy tale? How can U explain a dream? It's obviously in the Strauss' unconscious... You know I don't care about Philo-Psico-Socio explanations about motherhood in this Opera as I care less about how many times you saw it...
@fabptitpom8 ай бұрын
I've seen bad stagings, but this one is so terrible it makes me laugh
@mrmhaaf6 ай бұрын
Viel zu langsames Tempo, zum einschlafen 🥱 und der Schluss mit Hohem C ..... Schlecht gesungen. RYSANEK/NILSSON HÄTTEN ALLE AN DIE WAND GESUNGEN.
@tantris3912 жыл бұрын
This opera is about motherhood being woman's sole purpose in lfe??? Don't make me laugh!!! I bet Strauss and Hofmannsthal would get a kick out of that!!
@ExxylcrothEagle3 жыл бұрын
Of course people want to despise Strauss, and have shitty productions. But think about recalibrating..... strategizing to build the ultimate conception
@telephilia12 жыл бұрын
Isn't this supposed to be a fairy tale opera? It doesn't look like it.
@pega17pl8 жыл бұрын
Simply terrible eurotrash. Was Thielemann informed he has to conduct Frau ohne Schatten, too?
@robertssje Жыл бұрын
This is so pathetic. No one can sing any longer. Straining and pushing, Proof positive that opera is dead. And the fuss about the Berlin Philharmonic? Thieleman sounds like every other modern day conductor. There is no rehearsal time any longer and it shows in this mess. Female singers have vibrato that you could drive a truck through. Not squillo but vibrato in those weak voices.
@aksdjfhalskdjfhadfhj10 жыл бұрын
They are singing their hearts out, but this really is a loud, long, boring piece of crap. Maybe if it were one hour long, but not at this length.
@geraldlindner120710 жыл бұрын
Wer die musikalischen Herrlichkeiten nicht erkennen kann, ist ja nicht gezwungen, sich diese Oper anzutun.... hat der Rest noch mehr Freude an dem Stück. Leider gilt hier wie heutzutage meistens,,,vergesst die "Regie", hört auf die tollen Sänger und Musiker!!
Пікірлер: 110
Some of the most irresistible musical phrases Strauss ever wrote are here, IMHO.
The music is, of course, awesome! Richard Strauss and Richard Wagner are my favorite composers!!
@stevepestoff5360
2 жыл бұрын
You and I think alike. Love both of these composers!
@chrisjames789
Жыл бұрын
Ditto
I saw the old Lehnhoff/Zimmermann production at San Francisco in 1976, 1980 and 1987. It followed the libretto in setting and staging, and was absolutely magical. I feel sorry for the younger generation who have never seen the traditional stagings, and who think Regie is the way it's supposed to be. At least I have my memories.
@coreylascaris5277
5 жыл бұрын
That was a wonderful production. The only time I had the chance to hear Nilsson live.
@jasonhurd4379
5 жыл бұрын
@@coreylascaris5277 Same here. Absolute magic.
This is Strauss's greatest opera. I was lucky enough to see it at Covent Garden in 2014 and have the Solti DVD from the Salzburg fest around 1991. I always cry at the end, it is so moving. Of course I like the other operas, but I think this manages to include the best qualities of his music (as found in the tone poems) with all of the wonderful vocal writing, off stage choirs etc. Also, the characters are wonderfully depicted by Strauss: The dyers wife, Barack, the nurse etc. The story is fantastical, but hey, this is opera! Ultimately, this is so life affirming and puts human love of a couple as the most important thing in life. In this opera he puts it all together into one glorious whole. And nobody gets killed!
@stanleybetts422
7 жыл бұрын
J
@StephenSmith-ge1qf
6 жыл бұрын
I too saw that production. A wonderful opera, excellent production and a thoroughly wonderful experience.
@plekkchand
6 жыл бұрын
Yes. It is, I think, his most urgent inspiration.
@ExxylcrothEagle
5 жыл бұрын
I really love that violin part before the "vater....." section in the 3rd act
@ExxylcrothEagle
3 жыл бұрын
ABSOLUTELY!!! feel the majesty !!
Meine Lieblingsoper.
@andreasn.1113
Жыл бұрын
Meine auch
Herod Antipaster, Die Frau Ohne Schatten is NOT a "long,loud, boring piece of crap", but one of the greatest ,most magnificent, and sublime operas of all time . How can you be so blind to such an operatic msterpiece ?
@ExxylcrothEagle
3 жыл бұрын
don't waste your time on idiots. why would anyone happen upon this to talk shit on it?? it is most glorious as most real humans understand !!!
@hrh2842
Жыл бұрын
Herod has my vote.
I saw this Opera in Antwerpen, the final scene was indescribable in the end there was a big table on which everyone was welcom (actors) and in the end there was also "their" child. I was agitated, emotional in the end. Beautifull
My antidote to this production? Get a score, and watch that instead. Strauss' music is sublime, the performance splendid, that's what is most important. I believe Thielemann is the greatest Strauss conductor of our time.
@chrisjames789
Жыл бұрын
Talking of the score, Puccini apparently was shown it on a visit to the Vienna State Opera - and declared it to be all logarithms! Perhaps that was a tacit acknowledgement of Strauss's superb achievement.
Great fidelity. The best on the Tube. Thanks.
Otherworldly sublime ................
Fantastisch!!!
Best 'Frau' production is by David Hockney for San Francisco, 6-2023
Herlitzius on form is really a class act - I saw her Brunnhilde at Bayreuth about 10 years ago and she was simply stunning!
Richard Strauss : This pure Genius is and will be always the greatest Composer of the 20 th Century.....no one gets even close to him when it comes to Opera .....Gustav Mahler in his symphonic work yes ......:-)
@arrassip
2 жыл бұрын
I totally agree
@leoh3616
Жыл бұрын
Apart from 20th century, Wagner overtakes him in Opera.
Ottima esecuzione . Grazie
@lucaberardi8689
5 жыл бұрын
Concordo!!!
Gran compositor, gran orquestra, grans veus !
Sublime
musica bellissima a morte i registi di oggi!!
You are right! I was lucky enough to see the old "fairy tale" setting of this masterpiece at the Met Opera back in 1966. I know this opera like the back of my hand; I wrote a thesis on its symbolism in college. It's definitely my favorite Strauss opera. Mind you, once in awhile it's okay to restage certain operas, but this production IS CRAP. The new Met production isn't that bad, but at least I have my memories of 1966!
Una de las más maravillosas experiencias que he vivido fue asistir en la Ópera de Viena a una Die Frau Ohne Schatten dirigida por Thieleman en el 2018 con Evelyn Herlitzius como Nurse, Camila Nailun como Enperatriz y Niña Stemme como la mujer de Barack. Inolvidable
Strauss is so good !!! He drops bombs !!! exquisite sublime bombs of awesome !!!
sheerest ecstasy. ultimate pinnacle of music. that 8 minute build-up. yeah you know what I'm talkin' about
The quartet finale between Die Kaiser, Die Kaiserin, Barak and and his Frau is unquestionably one of the most glorious pieces of music in all of opera. FRAU is the greatest opera of the 20th century, The pity is that it premiered in 1917 as WW I was ending so it never found the early success it deserved. But one now knows it's a beloved masterpiece so great in scope that it's almost incomprehensible to take in all of its sublime riches. - the quartet leads to the chorus of "unborn children" all ending with Strauss's magnificent orchestration and chorus which are, as is his usual, only sublime taking the listener to another dimension. SO LUCKY TO HAVE SEEN FRAU ON STAGE TWICE - at the MET ( D.VOIGT) and at MUNCHEN'S NATIOPNALTHEATER with Cheryl Studer, Hildegard Behrens as the Empress and the Frau. LONG LIVE "DIE FRAU OHNE SCHATTEN".
I really HATE these modern settings in opera. The ego of producers makes them want to be greater than composers and libretists..
Superb
Love it!
If You listen at home, it takes some stereo equipment to make it sound right, because it must be played loud. "The woman without a shadow" is a story about a marriage without love.
My FAVORITE Opera ... and I know what that means ...
Wer die musikalischen Herrlichkeiten nicht erkennen kann, ist ja nicht gezwungen, sich diese Oper anzutun.... hat der Rest noch mehr Freude an dem Stück. Leider gilt hier wie heutzutage meistens,,,vergesst die "Regie", hört auf die tollen Sänger und Musiker!!
@clarice1001nights
Жыл бұрын
Die Frau ohne Schatten ist meine Lieblingsoper von Strauss. Zusammen mit dem Tannhäuser war sie eine große Herausforderung für mich. Wenn du dein Herz nicht in beiden findest, kannst du sie nicht singen und solltest es auch nicht. Leider werden beide selten gesungen. Frau ist voll von Ekstase und Sehnsucht. Manchmal setzen Regisseure die Geschichte "hoch", was immer traurig ist. Wenn es mit Respekt und Fantasie gemacht wird, ist es elektrisierend.
JUST a fairy tale? You're missing the point!!!! _OIr maybe I was just spoiled when I heard it for the first (5) time(s) in Stehplatz in Vienna with Böhm, Rysanek, Nilsson, Hesse, King and Berry.......
@thierryniord6661
4 жыл бұрын
How lucky !
I think Thielemann was more inspired at the Met in 2002. One of the greatest performances of anything I have ever heard.
My favorite Strauss opera. I'm seeing it soon in Baden Baden. Not sure what the Empress is up to at this ending. She has her shadow after all.
Which movement is this exactly? Is it some of the final movements of the 3rd act together? Is there a commercial recording of this performance available?
Frau ohne Schatten ist nur geil !
There used to be the entire thing on YT. Can't find it anymore. Any ideas?
bellissime idee per la regia ... complimenti ... (Wonderful ideas of the stage director.. my compliments). v.l. assistente alla regia, Die Frau, Metropolitan Opera, N.Y. 1968, Karl Boeme directing; Nat Merril stage director!!!
Where did you get that from? It is an interesting concept but this production was set in the Vienese Sofiensäle during the period when the first Böhm recording was made: i.e. in 1955. (The whole production depicts a recording session.) The Nazi state was not impending but history by then....
Da war ich auch immer!
Interesting final scene. Still, Strauss by-the-yard.
I’ve seen Frau twice: with Nilsson and Marton, and many years later with Goerke, Megan Miller, Kerl, Rutter. It is quite a spectacle! Perhaps not as great as Elektra or Rosenkavalier, but stunning nonetheless.
wow amazing, when did they allow women in the wiener philharmoniker?
What a pity! Such an orchestra, such a conductor - abused for some European Regietheater bullsh*t! Couldn't they refuse? The Regietheater's dead end was already reached two decades ago. I won't spend any more cent for Salzburg!!!
THIS PRODUCTION IS TOTALLY UNRESPECTFUL FOR ALL THOSE PEOPLE WHO COME ACROSS THIS INCREDIBLE MMASTERPIECE FOR THE FIRST TIME and have all the bloody right to see and watch and admire it as it has been scenically conceived. Today's directors are just charlatans.
Appena vista a Salzburg
Who are the main singers?
@gslanfranchi
7 жыл бұрын
Raul Gallo Stephen Gould (The Emperor) Anne Schwanewilms (The Empress) Michaela Schuster (The Nurse) Wolfgang Koch (Barak, the Dyer) Evelyn Herlitzius (Barak's Wife)
@rrgallo967
7 жыл бұрын
Thanks!!!!!!!
There are certainly some operas that can work in a modern or concept staging. Elektra is one (if done respectably), but this is just insane. A director was actually paid to produce this nonsense. I am not a purest by any means, but come on.
@martinatherton3018
Жыл бұрын
You shouldn't assume that everything you don't understand is nonsense.
@Bacchusmbt
Жыл бұрын
@@martinatherton3018this is NONSENSE. PERIOD.
@martinatherton3018
Жыл бұрын
@@Bacchusmbt - there's no need to SHOUT. And my original comment stands. I was intrigued by the production, which was imbued with intelligence and interest, as is only to be expected from Christof Loy. You might want to reflect on what it is/was that you, on the other hand, could not fathom. Full stop.
Opera straordinaria, su questo non si discute. Però, la regia più innovativa sarebbe solo quella in grado di far comprendere appieno il libretto..
Great music and singing; silly production.
yes. It is strange but in our time with very good singers and conductor and perfect orchestra the stage production is really crap !! disgustingly directors spoiling the text and music!
A glorious opera, in an really ugly scene version.
Quite honestly, this production is harmless, almost conservatively stagnant. I don't know what all you know-it-all's problem is.
No estoy en contra de ningún tipo de producción a priori. Pero hago alguna consideración sobre esta. Parece ser que la producción se basaba en que la ópera (y se asociaba con el nazismo) relega a la mujer a su papel de madre, y se intentaba hacer una especie de crítica a dicha idea (es un resumen muy escueto de la producción, cuidado). El problema es que la ópera de Strauss NO trata sobre eso: es un canto tremendo a la maternidad como característica inseparable del ser humano, y Strauss/Hoffmanstahl querían que provocara un sentimiento tan positivo que esperaron al final de la Primera Guerra Mundial para estrenarla. Por lo tanto la producción está yendo absolutamente en contra de la propia obra, y por lo tanto es desde el principio una producción fallida, más cuando lo que se escucha (en contra de lo que se ve) sí que sigue la idea inicial de Strauss/Hoffmanstahl. No entiendo montar una producción escénica para oponerse a la propia obra que se representa. Me parece una idea incluso "enfermiza" por cuanto si se quiere defender un concepto determinado, mejor es elegir una obra que lo conlleve, y si no gusta la idea principal de una obra, ¿para qué representarla? En estas contradicciones es donde se nota la tiranía actual del escenógrafo sobre el concepto musical en el mundo operístico.
lovely singing and music.......terrible everything else. it's not Regie I object to. It's Regie that senselessly deflates an original masterpiece that offends me.
Such a nonsensical production. If you're going to do a concert presentation just do it and don't pretend it's a real staging
Strauss' greatest opera, to me. Filled with fantstic music, though difficult to perform. The opera is filled with all sorts of symbolism, and the director had to ignore it ALL in order to cram his stupid completely extraneous 'personal vision' on the work, - and kill all the magic. Completely disrespectful and contemptuous. What a waste as well as what a shame.
@ExxylcrothEagle
3 жыл бұрын
PURE AWESOME!! this gives me life. I would never call a suicide crisis hotline....cuz...duh this is THE SHIT
It is a fairy tale! Just that!
Music = divine Performance = amazing Production = crap
Resplendent with banners, well-behaved children, and other sinister elements not hidden by the holiday tree, the scene suggests a nazi concert in support of marriage and motherhood, making the Empress' concluding, tormented gestures terrifyingly appropriate: now fertile, she knows her struggle for the grace and sanctity of motherhood has been in vain, as she realizes she will give birth to a generation whose atrocities are already mirrored in her horrified gaze. Knocked my socks off.
Why do they fell compelled to do these horrible productions? Damn it, stick to the wishes of the composer and writer. Sick of EuroTrash.
Funny. People see 8 minutes out of 4 1/2 hours and collectively decide that the production is trash. I assume they don´t even know what the story is about, why it was written and what the intentions and influences on the storyline were. Instead of taking into consideration that the director here is a creative person - unlike somebody staging a Webber musical - and his creativity and intense dealing with a piece of work and SUBJECTIVE understanding of it results in what we see. And since there is no common way of thinking, interpreting and understanding of a piece of art, there can be a conflict in a presentation and the way we see it. But that can always be discussed instead of booing it which is another expression for stupidity.
@tanguydanielou934
7 жыл бұрын
J ai eu la très grande chance d assister à Berlin à la représentation de la Femme sans ombre le 9 avril dernier . Direction Z. Mehta . C ' était très émouvant . C'est vraiment une oeuvre d'une grande beauté . Je suis encore ému quand j y pense .
@pinintra
7 жыл бұрын
I was there; so I can tell you that it was an horrible staging. The "creativity" is NEVER a good resaon for a such bad staging !!! Great orchestra and great conductor. All the rest is a true shame !!!
@tanguydanielou934
7 жыл бұрын
Parsifal Kna les mises en scène sont rarement satisfaisantes. mais dans ces cas là , je ne suis que musique .
@jrosings1
5 жыл бұрын
First of all, staging a Webber musical requires incredible creativity. Some of the most esteemed directors in theatrical history have staged Webber musicals. As I see it, the problem with opera direction these days is that the director’s concept has become infinitely more important than the music. Read any opera review, particularly from Salzburg, and you’ll find five paragraphs about the director’s concept, and one small paragraph at the end about the singing. The directors themselves tend to have little interest in the music or the actual story of the opera. Instead, we get Trovatore set in a library (or whatever that was supposed to be), as well as this disaster. I’ve seen Ariadne auf Naxos set in an airplane hangar, and an Attila where the singers were directed never to look at each other. I’m sure there were “brilliant” concepts behind these productions, but I always say that if one needs to be told WHY a concept is valid, or what it brings to a piece, the director has failed. For me, opera is not intellectual. I want to have a visceral response to the music, not a cerebral response to the production.
@Altonahh10
5 жыл бұрын
@@jrosings1 You just said it - "opera is not intellectual". Say that to a composer such as Verdi, Wagner oder Strauss and they would laugh at your ignorance. At the same time you defend musical productions which have one purpose only and that is to make money. There is absolutely NOTHING intellectual about them and that´s okay. But please don´t compare an opera like FroSch to Cats or Traviata to Evita. Musicals have to appeal to the masses because they need fiscal success.
How can U explain a fairy tale? How can U explain a dream? It's obviously in the Strauss' unconscious... You know I don't care about Philo-Psico-Socio explanations about motherhood in this Opera as I care less about how many times you saw it...
I've seen bad stagings, but this one is so terrible it makes me laugh
Viel zu langsames Tempo, zum einschlafen 🥱 und der Schluss mit Hohem C ..... Schlecht gesungen. RYSANEK/NILSSON HÄTTEN ALLE AN DIE WAND GESUNGEN.
This opera is about motherhood being woman's sole purpose in lfe??? Don't make me laugh!!! I bet Strauss and Hofmannsthal would get a kick out of that!!
Of course people want to despise Strauss, and have shitty productions. But think about recalibrating..... strategizing to build the ultimate conception
Isn't this supposed to be a fairy tale opera? It doesn't look like it.
Simply terrible eurotrash. Was Thielemann informed he has to conduct Frau ohne Schatten, too?
This is so pathetic. No one can sing any longer. Straining and pushing, Proof positive that opera is dead. And the fuss about the Berlin Philharmonic? Thieleman sounds like every other modern day conductor. There is no rehearsal time any longer and it shows in this mess. Female singers have vibrato that you could drive a truck through. Not squillo but vibrato in those weak voices.
They are singing their hearts out, but this really is a loud, long, boring piece of crap. Maybe if it were one hour long, but not at this length.
Wer die musikalischen Herrlichkeiten nicht erkennen kann, ist ja nicht gezwungen, sich diese Oper anzutun.... hat der Rest noch mehr Freude an dem Stück. Leider gilt hier wie heutzutage meistens,,,vergesst die "Regie", hört auf die tollen Sänger und Musiker!!