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For Further Reading📚
Artemisia (exhibition catalog), edited by Letizia Treves (National Gallery Company, 2018)
Mary Garrard, Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020)
Mary Garrard, "Artemisia Gentileschi's Self-Portrait as the Allegory of Painting," The Art Bulletin, vol. 62, no. 1, (March 1980), pp. 97-112
Mary Garrard, Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art (Princeton University Press, 1989)
Elizabeth S. Cohen, "The Trials of Artemisia Gentileschi: A Rape as History," The Sixteenth Century Journal, vol. 31, no. 1 (spring 2000). pp. 47-75
Image Credits 🖼
J. Paul Getty Museum
Flickr (Noel Treacy, Laura Blanchard, Trump White House Archived, Suzanne Forbes)
Wikimedia (Pixel8tor, Ruislip Gardens, Jim Kovic, Stefan Bauer, Kaho Mitsuki, Architas, Sailko, United States Senate Committee on the Judiciary)
ArtResource
Metropolitan Museum of Art
Detroit Institute of Art
Saint Louis Art Museum
Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021
J. Paul Getty Museum
National Gallery of Art
Rijksmuseum
Tweet from Anne Louise Avery (@AnneLouiseAvery)
0:00 Intro
3:32 Artemisia’s development as an artist
5:32 Sexual assault in 1611
6:21 Artemisia in Florence
7:16 Feminism in 17th-century Italy
7:52 Judith Slaying Holofernes
9:47 Judith’s paradox
10:50 Judith in the lineage of powerful women
12:21 Legacy of Artemisia’s art in today’s world
#ArtStoryLab #Artemisia #Judith #SLAY #WomenArtists #SmashthePatriarchy