Canon EOS M - Cinema DNG MLV Workflow

In this episode of Reel Filmmaking, Corey Tindall shares about his cinema DNG workflow working with Magic Lantern MLV files.
*I missed this point in the video// In project settings, make sure your color management tab to is set to the following settings : Color Science -- Davinci YRGB, timeline color space -- Davinci WG/intermediate, output color space -- rec 709. This will allow you to have to correct working color space when performing the CST(color space transforms).
Sergio Russo's Video about color space:
• RAW CinemaDNG Color Sp...
My KZread Setup:
Camera:
amzn.to/43XwgrG
My Other Favorite Camera
amzn.to/45fDMj9
Lens:
amzn.to/3Qr2ngf
Tripod:
amzn.to/3DKzL9Y
Keylight:
amzn.to/3YqccwQ
Softbox:
amzn.to/3Opol0r
Backlight:
amzn.to/3Kxogqx
Find out more about Reel Filmmaking: reel-filmmaking.webnode.com/

Пікірлер: 11

  • @TomSidProductions
    @TomSidProductions14 күн бұрын

    For those who want to de-squeeze at the clip level outside the timeline can do it via the clip attributes.

  • @sidneybakergreen
    @sidneybakergreen21 күн бұрын

    You'll get better results if you set the Camera raw settings to Linear & P3 and change the color space and gamma in the first CST. Also set Tone mapping to none in the first cst, oh and dont forget highlight recovery :)

  • @russo-filmmaking
    @russo-filmmaking21 күн бұрын

    Great video, and thank you for your mention. Let's let people know the magic of Magic Lantern. 👏👏👏

  • @monkeyofspice
    @monkeyofspice21 күн бұрын

    Great and helpful video, thank you!

  • @arnauldbordes
    @arnauldbordes21 күн бұрын

    That's great! Unfortunately for me my old Nvidia cards aren't powerful enough for Cinema DNG :-( so I will stick with the Sony S log workflow :-)

  • @billybobthorton2026
    @billybobthorton202621 күн бұрын

    this is great and very helpful, subbed

  • @pxperimenter
    @pxperimenter21 күн бұрын

    There is one suboptimal and one real flawed suggestion in the workflow proposed here: