The piano is shockingly out of tune. And though much of the playing is masterful, I find his little cat feet pianissimos in the Brahms Intermezzi precious beyond all endurance. He willfully distends the musical line of these pieces and falsifies them with hemming and hawing rubatos and faux gravity. Just my opinion, others no doubt will differ. I agree that the Liszt etudes are great. But personally I cannot abide these Brahms Intermezzi performances.
@eddieandmaxie3 күн бұрын
oh my, the climax of the scriabin sonata..
@shsu74266 күн бұрын
Grazie Mille, Maestro Ivo.
@MassimoMedici-zb5cf6 күн бұрын
Da quando ho conosciuto Ivo Pogorelélic ho iniziato a pensare che sia veramente il più grande interprete di tutti i tempi. Ogni nota è caratterizzata da un peso, da una precisione e da una sicurezza che lo contraddistinguono da tutte le altre, seppur grandi interpretazioni. Pur avendo un'interpretazione particolare, dovuta alla sua forte personalità, il contatto che le sue mani hanno con la tastiera è la testimonianza di uno studio approfondito dello spirito del compositore. Anche i suoi ritmi, rappresentano una comprensione profonda della partitura: Pur avendo grandi doti virtuosistiche, non ha mai fretta, ne tanto meno mostra tentennamenti su nessun passaggio. Dalle sue memorabili interpretazioni si evince una statura artistica enorme: non per egocentrismo, ma, proprio per questi motivi, egli riveste i panni della "prima donna". Credo che difficilmente conosceremo un altro artista di questo calibro.
@billkahl799916 күн бұрын
Pogorelich at his prime. Listen how he builds everything in prelude n.17 for the lasts cords which explain his thoughts. Someone can admire, hate or reject his musical angle. But, this is a recital of a genius. In the DG recordings is focusing to the most demanding technique that only him could pay the price of practicing. Maestro, thank you for your pianistic lessons.
@fernandomariacavaller557518 күн бұрын
incomparable. Impresionante. Everything from Scarlatti to Balakirev. Without words,
@Sahasrarasmi-Sancodite23 күн бұрын
These Messianic artists appear on the human plane, the 4th kingdom, every so often per every thousand years. Some every 150 years, other times every 200 years, whatever is the Divine Plan to keep our human evolution moving forward to its eventual destination to the 7th Round, 7th root-race, millions of years from now, when humans , humanity, would have evolved to be Dhyan Chohans, Dhyan Buddhas. Every step forward has a messiah, a saviour to show us, the unwashed, the ignorant, the defiled, the way of forgiveness, the way of brotherly love, the way of humility and loving-kindness always immanent in our sacred hearts, where the Jewel in The Lotus resides eternally. ❤❤❤
@Sahasrarasmi-Sancodite23 күн бұрын
A great !! Messianic Artist !! ❤❤❤
@DizzyBusyАй бұрын
Thing is, okay, if Yundi Li had played like this in his year's Chopin competition, no one would have given him the time of day. What pissed me off is this boy genius myth surrounding Pogorelich was rooted in his privileged cultural background. I'm sorry, I respect his interpretation, but I wish he had had the technique to have nailed it perfectly. This sounds like he had the idea, but the execution was lacking.
@LISZT-2 ай бұрын
Its an amazing performance for his age, ❤ but overall not that great
@zeljkovlahovic55822 ай бұрын
genius
@johnpolhamus90412 ай бұрын
A TOWERING performance!
@user-mb4rp1th2x2 ай бұрын
Why din't he recording the 12 transcendals
@user-yi8fr5tl2c2 ай бұрын
Браво, Маэстро!!! Незабываемая соната из того конкурса исполнена так обнаженно-пронзительно. ИВО ПОГОРЕЛИЧ НАВСЕГДА!
@user-yi8fr5tl2c2 ай бұрын
Браво, Маэстро!!!Какое пронзительно-трогательное исполнение сонаты, так напоминающее иные времена и тот конкурс... ИВО ПОГОРЕЛИЧ НАВСЕГДА!!!
@Sahasrarasmi-Sancodite2 ай бұрын
Our Buddhic plane of spirituality is so much finer and far above our lower mind of existence in which we live our everyday lives, including those irredeemable music critics who constantly disparage the Maestro Pogorelich. Hence when a great artist through his good karma and advanced evolution appears on the world scene as a classical artist and pianist, is given the karmic opportunities to bring down into his musical interpretations in performances where the public or listener can hear these magnificent sounds, harmonies, tempi, the artist is accepting the musical interpretations from his Buddhic Plane mind because they are truth and musical reality at that point in time.
@user-yi8fr5tl2c2 ай бұрын
Браво, Маэстро!!! Лист просто на разрыв аорты!! Скрябин и Балакирев волшебны!
@laurenth71872 ай бұрын
What ever, Mozart's duos for violin and alto are much better. K.424 is the most important piece ever composed.
@Sahasrarasmi-Sancodite3 ай бұрын
Ivo Pogorelich in his seniors years as a pianist reminds me of Beethoven when he was totally deaf in his later years, yet composing some of his greatest music, with the inner musical ears so open to hear the mystical overtones and expressions and the meaning of sounds that totally escape those who are not deaf, or have any auditory impediments. The piano sounds coming from Pogorelichs playing hands seem to be building architectural structures out of sound, silence and tempi. How marvelous to find a great virtuoso who has evolved so dramatically from an artist of sheer virtuosity displayed in his earlier years to a great spiritual artist displaying his artistic insights through sonorities. Sound structures and skillful interpretations far beyond the commercial rituals of performance.
@naturelove-ds5zb3 ай бұрын
Thank you so much !
@petergolding57333 ай бұрын
I knew M. Pogorelich well when he lived in London in the late 80's and 90's. I went to many of his concerts with him and witnessed possibly the most brilliant pianism I've ever seen (the Carnegie Hall 1990 and 1992 examples stand out as utter perfection where one was pushed back into the seat by the sheer power). These videos do him no justice at all. In this one he can certainly still play all the notes well, but the musicality and thread is nowhere to be seen. Compare this to the 1992 Carnegie Hall video and it is quite appalling. People are going to see him for the spectacle of a pianist who is a shadow of his former self rather than a complete artist now
@Maisiewuppp11 сағат бұрын
Still running rings around many a renowned artist, though. Always worth listening to. Don’t be so negative. Look at the comments. The communication with the listener is absolutely front and centre. That’s the point of performance.
@adrianmelendez31943 ай бұрын
He sustained the mood of atomized desolation over 24 different miniatures and almost an hour of playing. In stark contrast to the demonic Belgrade performance and the 'abstract' DG recording, but I agree with the commenters below, this one's (subtly) the best.
@guillaumedupont75653 ай бұрын
Yes, gentlemen, the imbecile judges and jury members of the competitions where this singular genius was rejected, yes, gentlemen, the hateful and jealous critics, yes, gentlemen, the narrow-minded purists who say that music is like that and not like that.. All those who have much maligned M Pogorelitch this artist who suffered so much in his personal life know that the ovations and the love of the public certainly erase a lot your stupidity and can a little the blows of fate suffered by this man with such a generous heart
@richardcox43543 ай бұрын
Ghastly
@musikus6863 ай бұрын
To nije sviranje nego udaranje po klaviru. Pogorelic nije u stanju normalno svirat.
Дорогой Иво, ты такой большой художник фортепиано, так выразительно играешь и так проникаешь в душу своим неповторимым видением музыкального образа! Спасибо, что ты есть, ты даришь такую огромную радость своим исполнением! Браво, Маэстро!❤🎉🙏
@davidgoulden59564 ай бұрын
Lord, he was an ASTOUNDING pianist in his 1980s peak years. Has anyone ever played Chopin's 16th prelude with this fire and accuracy?
@fernandezdelrio50535 ай бұрын
please: complete cast??????
@ugo9575 ай бұрын
Он играет сердцем и душой, а не волосами. Его интерпретации завораживают воображение. Они глубки и прекрасны! 🎉👌🙏
@aglefpueschel18285 ай бұрын
Pretentious and eccentric, more Pogorelich than Balakirew, more Pogorelich than annythin else. But still phenomenal...
@aglefpueschel18285 ай бұрын
Its quite impressing, how fast and loud he can play...
@strangenoise-mt2zf5 ай бұрын
Люблю просто ❤❤ Настоящий Музыкант, Человек , Мужчина .❤❤
@Contracrostics5 ай бұрын
Very happy to have heard this recording, thank you.
@milosercegovac5 ай бұрын
HVALA, Ivo za Vas intervju i interpretacije kompozicija iz Vaseg bogatog repertoara; secamo se kad ste davnih godina gostovali u Ambassador Auditorium, Pasadena, Calif. Bravo, Milos & Zorana Ercegovac.
@shooshieroberts39135 ай бұрын
The audio quality is disturbingly bad for a piano recording. The automatic level control is constantly pumping the volume up when he plays quietly and down when he plays loud. The result makes it sound like Ivo doesn’t know how to play a line, when in fact it’s probably the recorder doing all that. When you record a concert, never use automatic level controls!
@user-pj2mn7go6o6 ай бұрын
1/ Rachmaninoff, Sonata No. 2, III. mouvmnt. (exc.)
@HermanIngram6 ай бұрын
12:27 Over-pedaled banging. Pure noise. Atrocious.
@HermanIngram6 ай бұрын
10:55 the only thing audible is the pedal tone. The tune is completely absent. Sounds like white noise.
@HermanIngram6 ай бұрын
10:28 Noise
@ronl71316 ай бұрын
Love Pogorelich Artistry
@HermanIngram6 ай бұрын
🤔
@437composer6 ай бұрын
seems very. very. tired. he is not the pogorelich now. disappointment.
@HermanIngram6 ай бұрын
Yep
@cherryblossom91106 ай бұрын
Good program of NHK. The performance including the interview and the setting are all very interesting and impressing.
@KingUnic6 ай бұрын
🎉😅
@drew65246 ай бұрын
After all that brimstone and 64th note runs I didn’t expect him to also master the fragile glassy singing notes of Scriabin. But that is one of the best Scriabin performances I’ve heard. The treble notes sail like clouds above the uncertain earth. Incredible. And to think I was a concert pianist at the same time, I wish I had met him.
@declup7 ай бұрын
Why do all of these comments sound so much alike? I don't mean, why are they all unanimous in their praise of the performance? No, I mean, why is the writing style so uniform? Is each of these commenters the clone of the same college freshman poet who's just taken a four-day flash course in sommelier studies? "A miracle", "whit and ingenuity and wisom", "aching beauty", "nutty with a bouquet of hibiscus and sourdough". This recital earns a tip of the cap, sure, but does the cap have to be so self-unaware and purple?
@ViliamBittas-bs9ip7 ай бұрын
Postoji roman o Grebostreku. Ovencani slavom , pisac Dalibor Vukic
@deanedge59887 ай бұрын
He is a truly great and very serious musician whose performances are intellectually and spiritually engaging in a perfect location for his gentle but powerful artistry. At the Nara Hotel in Nara (one of the worlds most beautiful places) there is a photograph of Einstein who travelled on his Nobel Prize money in the 1920's to visit the Japanese physicists at the University who had been early champions of his ideas. He is energetically playing Mozart (we are told) on an upright piano in the bar. I do hope the Maestro saw it.
@alvarojosetasconospina35838 ай бұрын
BRAVÍSSSIMO..MAESTRO DE LAS ESTRELLAS MAS LEJANAS...GRAXIEEE MONSEÑOR !!!!!!¡¡
@user-cq7wl4eh2i9 ай бұрын
kako who kazav da ne se povtoryvam.maestro је феноменалан
Пікірлер
The piano is shockingly out of tune. And though much of the playing is masterful, I find his little cat feet pianissimos in the Brahms Intermezzi precious beyond all endurance. He willfully distends the musical line of these pieces and falsifies them with hemming and hawing rubatos and faux gravity. Just my opinion, others no doubt will differ. I agree that the Liszt etudes are great. But personally I cannot abide these Brahms Intermezzi performances.
oh my, the climax of the scriabin sonata..
Grazie Mille, Maestro Ivo.
Da quando ho conosciuto Ivo Pogorelélic ho iniziato a pensare che sia veramente il più grande interprete di tutti i tempi. Ogni nota è caratterizzata da un peso, da una precisione e da una sicurezza che lo contraddistinguono da tutte le altre, seppur grandi interpretazioni. Pur avendo un'interpretazione particolare, dovuta alla sua forte personalità, il contatto che le sue mani hanno con la tastiera è la testimonianza di uno studio approfondito dello spirito del compositore. Anche i suoi ritmi, rappresentano una comprensione profonda della partitura: Pur avendo grandi doti virtuosistiche, non ha mai fretta, ne tanto meno mostra tentennamenti su nessun passaggio. Dalle sue memorabili interpretazioni si evince una statura artistica enorme: non per egocentrismo, ma, proprio per questi motivi, egli riveste i panni della "prima donna". Credo che difficilmente conosceremo un altro artista di questo calibro.
Pogorelich at his prime. Listen how he builds everything in prelude n.17 for the lasts cords which explain his thoughts. Someone can admire, hate or reject his musical angle. But, this is a recital of a genius. In the DG recordings is focusing to the most demanding technique that only him could pay the price of practicing. Maestro, thank you for your pianistic lessons.
incomparable. Impresionante. Everything from Scarlatti to Balakirev. Without words,
These Messianic artists appear on the human plane, the 4th kingdom, every so often per every thousand years. Some every 150 years, other times every 200 years, whatever is the Divine Plan to keep our human evolution moving forward to its eventual destination to the 7th Round, 7th root-race, millions of years from now, when humans , humanity, would have evolved to be Dhyan Chohans, Dhyan Buddhas. Every step forward has a messiah, a saviour to show us, the unwashed, the ignorant, the defiled, the way of forgiveness, the way of brotherly love, the way of humility and loving-kindness always immanent in our sacred hearts, where the Jewel in The Lotus resides eternally. ❤❤❤
A great !! Messianic Artist !! ❤❤❤
Thing is, okay, if Yundi Li had played like this in his year's Chopin competition, no one would have given him the time of day. What pissed me off is this boy genius myth surrounding Pogorelich was rooted in his privileged cultural background. I'm sorry, I respect his interpretation, but I wish he had had the technique to have nailed it perfectly. This sounds like he had the idea, but the execution was lacking.
Its an amazing performance for his age, ❤ but overall not that great
genius
A TOWERING performance!
Why din't he recording the 12 transcendals
Браво, Маэстро!!! Незабываемая соната из того конкурса исполнена так обнаженно-пронзительно. ИВО ПОГОРЕЛИЧ НАВСЕГДА!
Браво, Маэстро!!!Какое пронзительно-трогательное исполнение сонаты, так напоминающее иные времена и тот конкурс... ИВО ПОГОРЕЛИЧ НАВСЕГДА!!!
Our Buddhic plane of spirituality is so much finer and far above our lower mind of existence in which we live our everyday lives, including those irredeemable music critics who constantly disparage the Maestro Pogorelich. Hence when a great artist through his good karma and advanced evolution appears on the world scene as a classical artist and pianist, is given the karmic opportunities to bring down into his musical interpretations in performances where the public or listener can hear these magnificent sounds, harmonies, tempi, the artist is accepting the musical interpretations from his Buddhic Plane mind because they are truth and musical reality at that point in time.
Браво, Маэстро!!! Лист просто на разрыв аорты!! Скрябин и Балакирев волшебны!
What ever, Mozart's duos for violin and alto are much better. K.424 is the most important piece ever composed.
Ivo Pogorelich in his seniors years as a pianist reminds me of Beethoven when he was totally deaf in his later years, yet composing some of his greatest music, with the inner musical ears so open to hear the mystical overtones and expressions and the meaning of sounds that totally escape those who are not deaf, or have any auditory impediments. The piano sounds coming from Pogorelichs playing hands seem to be building architectural structures out of sound, silence and tempi. How marvelous to find a great virtuoso who has evolved so dramatically from an artist of sheer virtuosity displayed in his earlier years to a great spiritual artist displaying his artistic insights through sonorities. Sound structures and skillful interpretations far beyond the commercial rituals of performance.
Thank you so much !
I knew M. Pogorelich well when he lived in London in the late 80's and 90's. I went to many of his concerts with him and witnessed possibly the most brilliant pianism I've ever seen (the Carnegie Hall 1990 and 1992 examples stand out as utter perfection where one was pushed back into the seat by the sheer power). These videos do him no justice at all. In this one he can certainly still play all the notes well, but the musicality and thread is nowhere to be seen. Compare this to the 1992 Carnegie Hall video and it is quite appalling. People are going to see him for the spectacle of a pianist who is a shadow of his former self rather than a complete artist now
Still running rings around many a renowned artist, though. Always worth listening to. Don’t be so negative. Look at the comments. The communication with the listener is absolutely front and centre. That’s the point of performance.
He sustained the mood of atomized desolation over 24 different miniatures and almost an hour of playing. In stark contrast to the demonic Belgrade performance and the 'abstract' DG recording, but I agree with the commenters below, this one's (subtly) the best.
Yes, gentlemen, the imbecile judges and jury members of the competitions where this singular genius was rejected, yes, gentlemen, the hateful and jealous critics, yes, gentlemen, the narrow-minded purists who say that music is like that and not like that.. All those who have much maligned M Pogorelitch this artist who suffered so much in his personal life know that the ovations and the love of the public certainly erase a lot your stupidity and can a little the blows of fate suffered by this man with such a generous heart
Ghastly
To nije sviranje nego udaranje po klaviru. Pogorelic nije u stanju normalno svirat.
奈良のお寺でのコンサート、畳の上にピアノを置いてステージにしたのは良いけれども、ピアニストが靴を脱がないので、敷物を敷いたのですね。とはいえペダルを裸足で踏むのも感が狂いそう。日本人にとってピアノは、宝物みたいな部分がありますから、私自身はペダルを素足で踏むことには抵抗がありませんけれども。畳の上にピアノを置くと、畳が擦り切れそうで心配になるのも日本人。出入りの際に敷物以外の所には足を踏み入れていないだろうか…などピアノのセッティングが気になって悲しいかな音楽に集中できません…。それにしても音楽評論家の方はピアノで音楽を作る過程について熟知されていて、アーティスト自身のこともとても良く理解していて、凄い。
Дорогой Иво, ты такой большой художник фортепиано, так выразительно играешь и так проникаешь в душу своим неповторимым видением музыкального образа! Спасибо, что ты есть, ты даришь такую огромную радость своим исполнением! Браво, Маэстро!❤🎉🙏
Lord, he was an ASTOUNDING pianist in his 1980s peak years. Has anyone ever played Chopin's 16th prelude with this fire and accuracy?
please: complete cast??????
Он играет сердцем и душой, а не волосами. Его интерпретации завораживают воображение. Они глубки и прекрасны! 🎉👌🙏
Pretentious and eccentric, more Pogorelich than Balakirew, more Pogorelich than annythin else. But still phenomenal...
Its quite impressing, how fast and loud he can play...
Люблю просто ❤❤ Настоящий Музыкант, Человек , Мужчина .❤❤
Very happy to have heard this recording, thank you.
HVALA, Ivo za Vas intervju i interpretacije kompozicija iz Vaseg bogatog repertoara; secamo se kad ste davnih godina gostovali u Ambassador Auditorium, Pasadena, Calif. Bravo, Milos & Zorana Ercegovac.
The audio quality is disturbingly bad for a piano recording. The automatic level control is constantly pumping the volume up when he plays quietly and down when he plays loud. The result makes it sound like Ivo doesn’t know how to play a line, when in fact it’s probably the recorder doing all that. When you record a concert, never use automatic level controls!
1/ Rachmaninoff, Sonata No. 2, III. mouvmnt. (exc.)
12:27 Over-pedaled banging. Pure noise. Atrocious.
10:55 the only thing audible is the pedal tone. The tune is completely absent. Sounds like white noise.
10:28 Noise
Love Pogorelich Artistry
🤔
seems very. very. tired. he is not the pogorelich now. disappointment.
Yep
Good program of NHK. The performance including the interview and the setting are all very interesting and impressing.
🎉😅
After all that brimstone and 64th note runs I didn’t expect him to also master the fragile glassy singing notes of Scriabin. But that is one of the best Scriabin performances I’ve heard. The treble notes sail like clouds above the uncertain earth. Incredible. And to think I was a concert pianist at the same time, I wish I had met him.
Why do all of these comments sound so much alike? I don't mean, why are they all unanimous in their praise of the performance? No, I mean, why is the writing style so uniform? Is each of these commenters the clone of the same college freshman poet who's just taken a four-day flash course in sommelier studies? "A miracle", "whit and ingenuity and wisom", "aching beauty", "nutty with a bouquet of hibiscus and sourdough". This recital earns a tip of the cap, sure, but does the cap have to be so self-unaware and purple?
Postoji roman o Grebostreku. Ovencani slavom , pisac Dalibor Vukic
He is a truly great and very serious musician whose performances are intellectually and spiritually engaging in a perfect location for his gentle but powerful artistry. At the Nara Hotel in Nara (one of the worlds most beautiful places) there is a photograph of Einstein who travelled on his Nobel Prize money in the 1920's to visit the Japanese physicists at the University who had been early champions of his ideas. He is energetically playing Mozart (we are told) on an upright piano in the bar. I do hope the Maestro saw it.
BRAVÍSSSIMO..MAESTRO DE LAS ESTRELLAS MAS LEJANAS...GRAXIEEE MONSEÑOR !!!!!!¡¡
kako who kazav da ne se povtoryvam.maestro је феноменалан