Пікірлер

• 
  @tomdsouza78737 сағат бұрын

  Great lesson on how to read music. I used to play alto sax in high school which was more than 30 years. Nice to realize I haven't forgotten everything and some of the info are coming back to me slowly.

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  @ericlore359711 сағат бұрын

  Thank you! It’s been a wonderful journey learning piano so far thanks to teachers on KZread like you!

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  @YezzyOG14 сағат бұрын

  Thanks bro

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  @robertmiotk3619Күн бұрын

  Wow I've learn way much more than from other vidoes ! Thank you so much ! ❤

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  @user-fn7lf8bw9dКүн бұрын

  What is the name of this jazz

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  @homeoftunes-3477Күн бұрын

  kzread.info/dash/bejne/YnaJusyppZu4eag.htmlsi=tzfarvFiM_uqGs8l

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  @hamzabounouala19082 күн бұрын

  🫡🫡🔟

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  @sofloatingmany5 күн бұрын

  So helpful thank you. 🙏🏽

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  @1Cent835 күн бұрын

  Is it not the dissonant 9 that brings you out of key rather than the voicing? I don’t see how the voicing itself does much for the modulation (besides just giving the gm9 chord some space).

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  @ShadowStrideGamer5 күн бұрын

  I think I love this

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  @ShadowStrideGamer5 күн бұрын

  every good boy deserve fanta :fat animal can eat

• 
  @Terrenceworld-yd8vz6 күн бұрын

  So relaxing 😌😮‍💨

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  @jared23937 күн бұрын

  This tutorial is for real!

• 
  @jejuislandtrekker81137 күн бұрын

  I am told, Play “Autumn leaves” in all 12 keys. Very daunting task! Like learning twelve languages. Good to focus on one key. Love this idea!

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  @andymccaffrey7 күн бұрын

  Even George Bush Drives Fast

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  @Hexspa9 күн бұрын

  Mr. Bradley, do you ever make use of melody reductions like Ed Byrne? I never read his books but I’ve heard him talking about this. It might have roots in Schenkerian analysis. The way I do it is find the notes that fall on or near the strong beats then making a kind of melody guide tone line out of them. It seems helpful for distilling the essence of the melody yet giving room for embellishments.

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  @onmanghaokip493310 күн бұрын

  O . M . 😅😊😊😊😅😊😅😊😅😅😊😊😊😅😅 😅😅😊😅 😅😅 18:23 😅😅

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  @benjamindave482112 күн бұрын

  Wow. Very fun and easy to understand. Thank you very much. I always thought it was magic

• 
  @Frankstakus-lu6oy13 күн бұрын

  Nice ❤

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  @naana-scelyne637015 күн бұрын

  Your illustrations for this educational piece is top notch ❤

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  @justintexeira609515 күн бұрын

  Hey Julian, is there a certain chord identifier software you use in your chord progression tutorial videos? I would love to know how i can use that.

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  @gattimarie157215 күн бұрын

  Hey thanks for your great video ! If you plan 2 5 1 in C major isn't is going to sound out of tune to add accidentals if you play with other musicians ? Also A7 is not in the C scale harmonisation so again won't it sound out of tune? Thank you very much !

• 
  @RandomMusicProduction18 күн бұрын

  Good stuff

• 
  @JohnFemijkeyz18 күн бұрын

  Nice one.

• 
  @indralubis620719 күн бұрын

  Saya mau belajar piano jazz🙏

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  @naveedasgharpour913219 күн бұрын

  It’s so crazy how a lot of jazz is just chromatic movement with fifths that top it off with unique voicings that harmonize very nicely. Thank you for sharing!

• 
  @johnklimeck19 күн бұрын

  Where did you come up with these, working them out on guitar now…

• 
  @emmam240619 күн бұрын

  All Cars Eat Gas- All Cows Eat Grass Every Good Boy Does Fine

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  @dogslife483119 күн бұрын

  Yes!!, listened this a few times

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  @Playpianokey19 күн бұрын

  Jazz is mostly HOW one reinterprets music. The tools are simply learning the language. Rhythm is the most impacting element.

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  @debralynnpaxton523819 күн бұрын

  Love it, Julian !

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  @field.of.dimensions_music120 күн бұрын

  I don’t know what determines when to write a chord such as Gmaj7/A or A13sus4, same notes. Would it be the key?

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  @kozmobluemusic20 күн бұрын

  Use the name that makes the most sense to you. Music is descriptive, not prescriptive. You can’t define a single label for everything because it all depends on context. With that said, your two chords are not the same set of notes. GMaj7/A - A G B D F# A13sus4 - A D E G B D F# Your A contains an E, and would in fact be a different chord from your G/A. Assuming we do remove that E, however, because there is no fifth, it’s ambiguous whether it is an A chord. The more it deviates from a standard triad, the more it might have morphed into another chord. You could just say it is an A without its fifth, or a G/A. It depends on the surrounding context, if it feels like you’re moving to an A or a G/A, and what makes sense to you. Again, use whichever name most efficiently describes the chord you are making.

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  @jazztutorial19 күн бұрын

  There's usually multiple ways that you can write any chord. Different arrangers have their own preference. Personally I only touse slash chords as a last resort - usually when the chord I'm using doesn't resemble a regular chord (e.g. 7th, 9th, etc). For example, 'C maj / Db' I will write as a slash chord - because it's not a regular chord. Your Gmaj7/A chord would sometimes be written as 'A7sus4' - you hear that chord in 'Song for my Father' by Horace Silver. If you look at different sheet music online for that song - you'll probably see different arrangers using different chord symbols to describe the same chord.

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  @field.of.dimensions_music119 күн бұрын

  Thank you Julian!

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  @field.of.dimensions_music119 күн бұрын

  Thank you @kozmobluemusic!

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  @Somethirdthing20 күн бұрын

  Tasty brother!

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  @Diispaceyone20 күн бұрын

  Julian! glad to see you're still making KZread videos!

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  @jazztutorial20 күн бұрын

  I've been in a season of lots of parenting - but I'm definitely still here.

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  @TheSkyWhale20 күн бұрын

  Starts off with reference to the lick.. yes, a fellow person of culture

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  @jazztutorial20 күн бұрын

  🔴 jazztutorial.com/licks - Click here to download my '29 Jazz Licks' sheet music.

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  @queretanorubio20 күн бұрын

  Is that a Genos Keyboard?

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  @spookybooscarystorytime22 күн бұрын

  I learned with a teacher many years ago but didn't finish. I know the notes, the treble and bass clef (bass was always harder to remember for some reason) but playing by ear is a lot easier for me. The problem with playing by ear is that it's harder to know the chords and bass clef as opposed to just the right hand notes (at least for me.) The bass clef has just always been weird to memorize and hear and I don't know why.

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  @Astron_Baits23 күн бұрын

  sounds like a variation of smb3 overworld theme world 3 or 7 or so

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  @eekamak23 күн бұрын

  This is so good!

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  @giancarlochessa281625 күн бұрын

  Quando il maestro esegue il Db7 mi sembra ci sia un Bb come quinta al posto del Gb .

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  @PPVDBPM25 күн бұрын

  boa aula

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  @pierrehauger103425 күн бұрын

  Hi thanks for the very clear video. But 'Unexprected error' when I tried to download the 'Chord Symbol Guide'

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  @juanmanuellatorre677926 күн бұрын

  A profesor said to my class once "all of jazz theory fits into one side of an A4 paper". We were all dumbfounded, even some other profesors who were present, yet no one could counter his point.

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  @catcojo993226 күн бұрын

  5

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  @ThaoLe-sn6zu27 күн бұрын

  thank you so much for all the work you put in this lesson

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  @legit538127 күн бұрын

  At the start of the key signature section, how do you read which one is f sharp or c sharp?

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  @legit538127 күн бұрын

  At there other flats?

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  @legit538127 күн бұрын

  are there other sharps? Or just f sharp and c sharp?

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  @legit538127 күн бұрын

  why c sharp?