I believe the new briefing was going out anyway and the clones were getting ready to receive the order about General GRIEVOUS being destroyed before order 66 happened … so Rex was probably about to get another message when Palps shows up. One thing I also didn’t notice was how specific Palp’s transmissions were to specific clones on specific missions with specific Jedi before the order went wide spread! Like certain council members had to die first before the initial attack.
@Onio_3623 ай бұрын
4:44 they also drew out sieges in other clone wars arcs such as umbara, because we see clones sleeping in the barracks during the umbara arc. It's just blatant that this is a drawn out siege here because we're trying to watch this with revenge of the sith.
@ShashiYaps3 ай бұрын
Off topic but what’s the song at 8:12
@vdubsvideos46193 ай бұрын
It is an original by the artist in the video.
@kaioyoca3 ай бұрын
But how do you control the X32's outputs with the Emotion LV1 software? I see that it only reads the 32 inputs but where do you control the outputs and auxiliaries from? from the X32 directly?
@EqDior4 ай бұрын
So how much total io is available to you with the 2 x32 tracks running into the waves lv1 system? Do you have to have a digigrid interface for the lv1 system to work properly or is that just an addition?
@vdubsvideos46194 ай бұрын
Each channel can be stereo so technically you could have 64 inputs in a 32-channel mixer. My rig has 20 mic/line inputs and a stereo digital input. For me that's plenty. I sometimes also take some stereo backing tracks straight from a computer on the network, so sometimes I get up to 24 or so,. but for my purposes, I've never maxed out my 32-channel mixer.
@EqDior4 ай бұрын
@@vdubsvideos4619 awesome thank you for the response.
@patrickmorency5 ай бұрын
Am I the only considering that each planet has its own day/night cycle…
@totoroutes53897 ай бұрын
Is that app compatible with a track that is recorded using four different microphones?
@vdubsvideos46197 ай бұрын
You can put it on any 4 channel track, but who knows what the results will be...
@snoolee795010 ай бұрын
Not interested in a mic going through a Rode plug-in. No thanks.
@onlineensembles653310 ай бұрын
It doesn't have to. You can use any ambisonics decoder.
@LosFicosMusic Жыл бұрын
That figure 8 polar
@LosFicosMusic Жыл бұрын
You sound like Joe Rogan a little 🎉😅
@triedge6200 Жыл бұрын
hmm.... this seems unnecessarily complicated. u invested into 2 mixers and a seperate lv1 system apart from the software licenses themselves. why not just go full lv1 with the soundgrid monitor boxes for each musician?
@vdubsvideos4619 Жыл бұрын
A few reasons: First off, the band already owned the X32Rs, which they also used for rehearsals and gigs with other sound guys when I wasn’t available. Meanwhile, I wanted to stay in the LV1, and there are a lot of bands with X32s, so I just carried a WSG card. The majority of the bands I worked with regularly trusted me enough to let me swap the card.
@susurrossonido6933 Жыл бұрын
como cosectas la xtouch a lv1. gracias , saludos
@braydensobecki340 Жыл бұрын
That would be quite a week😳
@kimberlyterasaki4843 Жыл бұрын
Personally I figured that Ahsoka felt Anakin’s turn at the same time as Yoda, and they just used the dialogue to make clear when we are in the timeline. But this is a great breakdown and I might try this on May the 4th!
@calvintraviserickson Жыл бұрын
comments are fire. i don't see further vids from you and i think you should further this channel. also, i have been using subs on a matrix for 6 years... and i'm about to change to subs fed by LR... something to the congruence of a simple mixdown, despite the knowledge dave rat has given us... experiment, try, experiment, try.
@vdubsvideos4619 Жыл бұрын
Thanks! I'm glad to hear you're trying different things. I've mixed both ways, and there are pros and cons to each. The only time I take issue with anything is when someone argues that there is only one right way to do something. I now serve as tech director for a small theater and I have presets for both aux fed subs and full LR mixing. In the end if t sounds good, it is good.
@davidespinosa1910 Жыл бұрын
I imagine the plug-in will run in many different DAWs.
@photronic Жыл бұрын
Nice video. I love my NT-SF1!
@zaharkapustin1681 Жыл бұрын
omgawd, this mono compatibility though :'o
@0raibi Жыл бұрын
Very informative video with really nice details. To me I still feel that the LV1 is a complete puzzle which you have to solve piece by piece. In another video you went with another setup that's completely lv1 with no x32. Which setup is your go to? What is the complete hardware setup for the setup in this video when it comes to lv1 related hardware? I'm currently working on a project to setup a system at low budget which requires 2 or 3 mics max with the most pristine sound quality. This is why I don't feel like spending 6k or higher is the right option. Also I wonder do you believe going with mixer card and lv1 is reliable enough for live setups?
@vdubsvideos4619 Жыл бұрын
Thank you! The other video is my main rig, but I work with hybrid rigs like this occasionally. As long as the artist is comfortable with you dropping a card into their X32 this is a great option because 1) They know that I can't accidentally mess up their ear mixes, and 2) I still get to use the console that I'm more comfortable with. Reliability has never been an issue. The only thing to remember about that card is that it HAS to be the Master Clock for the system. If it's not you'll get clicks. For your setup there are a few options. Waves just released the Proton Duo, which is computer, server, and switch all in one. They also have the Digigrid D cube (2 pres/2 headphones) and M (1pre 1 headphone). You may want to look at using the Soundgrid Studio app for your application. It's FREE, and is very similar to the LV1. There are some workarounds of course, but with only 3 inputs it could work well. (I have used it myself for small gigs). The downside is that prices on Soundgrid stuff have almost doubled since Covid, and they can still be hard to get. If you're patient get in the habit of checking eBay and Reverb regularly. Stuff shows up there sometimes. Also join the Waves Classified group on Facebook - there's always stuff there! I hope this helps!
@CaptainMcTubeSnoot Жыл бұрын
The emperor ordered order 66 multiple times to multiple troops.
@barkasz6066 Жыл бұрын
I always assumed that RotS takes place over the course of like a month at the very least and the final scene of Vader and Sidious looking at the Death Star much, much later, even as much as a year later. I think one of the novels mentions how the superstructure of the Death Star began construction at the very end of the war but refitting the Venators and V-Wings must have taken at least a month.
@dimashalchinbayev8067 Жыл бұрын
Welp, that was one helluva week for everyone...
@shalominlasu Жыл бұрын
Can the sound grid access the Aux In/Out on the X32? I noticed most DAW & controlling software don't have access to X32 Aux In/Out
@vdubsvideos4619 Жыл бұрын
Yes, but only at the expense of other channels. The issue is that the card slot can only access 32 channels in or out, and the X32 actually has 38 total inputs. In the routing page you can send the AUX inputs and outputs instead of mic channels.
@thereaper.428 Жыл бұрын
It’s because they’re in hyper space🤔
@daniels.149 Жыл бұрын
With the new information you’d have to start over
@daniels.149 Жыл бұрын
Well two years later if you look at the map grid coordinates online and trace where it should be, it’s not in that area where you said but it’s possible to meet half way on the Corellian run
@ryanm1586 Жыл бұрын
Someone should cut all the scenes together from episode 9. I’d watch it for sure. Can probably make a whole movie out of it.
@darthbenji73712 жыл бұрын
The ending scene in the final episode of the clone wars was years after revenge of the sith, my guest is during the time of the inquisitors hunting Jedi... And mostly it was also shown prove in the bad batch season 1
@ChaiKitty77792 жыл бұрын
Can you add the Bad Batch time lapse?
@josefinagomez95252 жыл бұрын
👏👏👏
@tortugacastro2 жыл бұрын
6U RACK...
@vdubsvideos46192 жыл бұрын
Yes. I accidentally said 8 because that’s more common, and my own rig has 8 spaces.
@edgardobarbosa78402 жыл бұрын
Stormtrooper uniforms came years later not in clone wars
@MrMercho44162 жыл бұрын
Thanks for your videos. A lot of hard work goes into this I am sure. thanks for taking time and putting this together.
@vdubsvideos46192 жыл бұрын
I appreciate that!
@OftheSeven2 жыл бұрын
Thanks for the video! I see gain is done on the X32 (or ipad). Is everything else done through LV1 (groups, dca, mute groups, matrix, etc.)?
@vdubsvideos46192 жыл бұрын
Yup! Once it hits the LV1 it doesn’t go back until it hits the outputs.
@jakeproven2562 жыл бұрын
Intresting sidenote: The guy who voices General Grevious in the 2003 clone wars also voiced Four Arms in Ben 10. This to me is brilliant because guess who else has four arms...General Grevious!
@jakeproven2562 жыл бұрын
This video adds to my theory that the clone wars 2003 cartoon is still cannon and DIsney is just dennying it. If they are going so far as to acknoledge events from it that to me serves as evidence of its cannonicty.
@thescruffinator88302 жыл бұрын
She didn't hear the attack as it happened, she essentially had a vision of anakin becoming vader after he already had.
@idomycrosswordinpen02 жыл бұрын
Great video, I have set up a similar system although I’ve run into and issue I can’t get my head around. My set up for live shows has always been DL32 and m32c onstage and m32r at foh. I’ve always run the dl32 port a into the m32c as that is the monitor console and needs use of the dl32 outputs and the foh console into port b on the dl32 acting as the slave. I have been using multirack out front along with a sever one but the limitations were getting to me so I purchased the lv1 system. My system now being: DL32 port a to m32c (sync set to internal) Dl32 port b to m32r (sync set to port a) M32r DN32-WSG card into sound grid network LV1 outputs send to channels on my FOH console which I essentially use as just an I/O for sends to the PA. However when I connected it all up and had a band playing I got lots of pops and clicks when running audio through LV1. My assumption is that because my FOH console is using the clock from the M32c onstage as it’s master the LV1 is getting confused??? Have you got any solutions for this? Thanks in advance
@vdubsvideos46192 жыл бұрын
Very similar to my experience! As you probably know, the LV1 is really picky about its clock. Do you have a switch between the waves card and FOH? That has made a difference for me. That card doesn’t like homeruns. I carry an extra GS108 just in case my setup misbehaves.
@idomycrosswordinpen02 жыл бұрын
@@vdubsvideos4619 thanks for the speedy response. Yes I’m currently using a netgear switch to network my server, DN32-WSG card and Mac mini together. Currently out on tour as a support act so don’t have loads of soundcheck time but I think I’m going to try connecting my FOH console out of the back of the monitor console instead of the stagebox so I can set it as the master clock tomorrow. Hopefully that fixes it.
@idomycrosswordinpen02 жыл бұрын
@@vdubsvideos4619 can I ask, what do you have set as your master clock? Is it the monitor x32 or is it the x32 with the waves card that you use as a fail safe console?
@audiobeginners8472 жыл бұрын
@@idomycrosswordinpen0 For me it’s only happy when the Waves card is the clock master of everything. (Different account, it’s still VDubs)
@idomycrosswordinpen02 жыл бұрын
@@audiobeginners847 I shall give that a try! Thanks!
@cloudnimble2 жыл бұрын
Ahsoka isn't as powerful as Yoda, who also didn't sense it until it already happened. I think it makes sense that the sacking of the Jedi temple pushed an echo through the voice, but because Ahsoka was so close to Anakin (maybe even closer than Obi Wan since he didn't sense it) she got a bit of the echo of Windu and Sidious. I don't think it's difficult to assume that the force would have warned before it all went down, seeing all the force still has in store for her.
@jiabo47372 жыл бұрын
04:32 I initially thought that the speech between Ahsoka and Obi Wan takes places during Obi Wan’s way to Utapau and after Anakin and Obi Wan’s last peaceful meeting
@HoracioValdiviesoGuitar2 жыл бұрын
Nuendo & Cubase can do Ambi too.
@krissatyaap2 жыл бұрын
with the I/O on the x32 console, and running all mix with LV1 by X-WSG card, do you having any trouble so far? (lost conection, jitter, etc) thanks for your respons, i will build the same system but need to know what issue that i need to handle it.
@ihatesigningupforsht2 жыл бұрын
I am so confused, What do I need to achieve this same setup in addition to the WUSG card in one of the x32's?
@vdubsvideos46192 жыл бұрын
The LV1 system is modular, so you can get what you want. Here's y video about my choices: kzread.info/dash/bejne/g6h72dmEhbSuk7g.html
@FroddeB2 жыл бұрын
I think assuming that the final scene in the final Clone Wars episode, takes place a few weeks or months after the crash is a bit underestimating. All the stormtroopers are wearing armor that resembles the well integrated and finalized armor we see in Rebels, the orignal movies and the Solo movie. Adding to that, they even have established the exact same snowtrooper outfit that we see in Empire Strikes Back. In the Bad Batch series we see the new "stormtrooper armor" that they are integrating which is different from the originals stormtroopers. I know this was made before The Bad Batch series, but we can only assume that these outfits took probably on the good side at least a year before integration, possibly a few years. I think the last scene in Clone Wars also wants to represent that Vader has spent years hunting down the remaining Jedis, while doing so he stumbles upon an old memory. At that moment he remebers exactly how his last ineraction with Ahsoka was and that the lightsabers he gave her was a gift she never would've left behind. He assumed her dead in the crash or atleast exiled. And then he leaves the area in the constant pain he resides in. (Most likely he assumes her dead, as he can be heard in Rebels saying "The apprentice lives", when he feels Ahsoka is alive.)
@aaronsollman2 жыл бұрын
This video is annoying for two reasons. 1) you mix your subs on aux. subs shouldn't require mixing, just a matrix and voila, the same mix hits both subs and mains. I don't get whats hard to understand about that. When you mix subs on an aux, you create two separate mixes that have nothing to do with one another and are not coherent. There's really no debate there. Have you ever heard a 5.1 system with a discrete subwoofer channel? Yeah, I haven't either because the '.1' in 5.1 is a matrix, not a separate channel thats been 'mixed'. 2) a copper snake completely undermines the key advantages of audio over ethernet. Transport, Data Density, Scalability, all of those things go out the window. You might as well use an Allen and Heath ZED. You'll love it because you can 'mix' your subs like they're a completely separate system, you know, on an aux.
@vdubsvideos46192 жыл бұрын
In case you opt to ignore everything else I wrote, my reply is simply this: you are at best arguing semantics, and at worst simply wrong. Somewhere in the middle is a hint of arrogance because you think there is only one way things can be done. That couldn't be farther from the truth - especially in this industry. (I've had 20+ years in this industry.) 1)The term "aux-fed subs" refers to the practice of only sending bass instruments to the subs (kick, floor tom, bass, etc) to prevent extraneous low end from making the low end less defined. The process can actually be done with a matrix, aux, or group out, but the concept is the same. In practice many engineers use the term "aux fed subs" even when not actually using an aux because the phrase refers to the concept, not the mechanics of it. 2) You seem to imply that the same mix goes to both the subs and the mains, but that is not the case at all. Subs don't ever see any signal from higher register instruments. In many situations my subs only get bass and kick drum. 3) Actually in TRUE 5.1 the .1 channel is a completely separate channel, called the LFE. LFE stands for "low frequencie effects", and is used in movies for things like volcanos, earthquakes, and other low end content. Only home systems send a combination of lows from the other 5 speakers to the subs to mix with the LFE through a matrix. The mix that comes out of the studio is 6 discreet channels - the matrixing only happens in your home receiver. An actual THX certified 5.1 system requires that the 5 speakers can all handle 20Hz-20k, and none of that content gets sent to the sub. I work in a multi-million dollar studio that has a THX certified monitoring system. 4) As I very clearly point out in the video there are other reasons that I chose this system. No one buys gear just because it is audio over Ethernet - that's the LEAST impressive part of this rig to me. I purchased it because the DiGiCo mic pres sound amazing, the modular nature fits the way I work, and - as I said at the beginning - I wanted to stay in the Waves environment. IDGAF that it all connects with ethernet. 5) I use a copper snake because it keeps my rig in one case, not two or more. It also keeps headphone outs at FOH.
@aaronsollman2 жыл бұрын
@@vdubsvideos4619 A hint of arrogance? That's confidence dude. The confidence comes from doing things both ways and finding the better way-the best way. But did you read YOUR response? It's soaked in arrogance (i have 20 years, i work in a multi-million dollar blahblahblah) Don't break your arm jerking yourself off bud. I don't need to swing my bona fides around and recite my resume to be right. Those who can't do teach and those who can't teach do, so listen up... <---That's arrogance. 1) When you start your paragraph with "the term [...] refers to..." you are literally doing what you accused me of which is arguing semantics. And if your low-end is 'less defined' then your mix sucks. Feeding one mix to your entire system keeps your mix very honest. 2) I don't imply. That is exactly what I meant. One LR mix is fed to all PA elements. The sum of your entire LR mix LPF'd for your subs will have an entirely different phase response than that of a separate LPF'd (aux) mix containing only low-end elements. The sub may not be the intended target of your hi-hat. But that hi-hat signal, HPF'd as it may be, still has a very slight effect on the sub's phase response and therefore the phase coherency between mains and subs-and so do the other elements of your mix when they summed together, filtered as they may be. In order to get subs and mains to work together as one system, they need to be reproducing the same source. Just on a separate thought experiment, could you imagine sending your mid-range and compression drivers or 'tweeters' only hi-hat? or sending them only the OH from the drums? Absurd right? its the same reasoning applied the same way-spectral discrimination. No one would ever do that. 3) LFE stands for "low frequency emitter" Mr. certified THX. And also....the 'what' only happens in my home receiver? what was that? the MATRIXING? is that right? ya don't say. don't you mean the AUXing only happens in my home receiver? or the AUX MIXing or the GROUPing? -- why do you gift me these things? 4 and 5) You took a system that was designed to a *more* portable DSP powerhouse and managed to make large and unwieldy-especially for such a low channel count. You've added pounds and pounds of copper to system that doesn't need it and never needed it and then posted a video about how neat and tiddy your design is. I don't think you're loading that in the back of your gluten-free Pious..i mean Prius any time soon. But 'yay' you and your portability.
@vdubsvideos46192 жыл бұрын
@@aaronsollman REPLY TO #1: I'm an active instructor in addition to being a working freelancer. (I have 6 shows to mix in the next 4 days. You?) I educate because I'm sick of mis-information like what you are professing. (Dave Rat does educational videos too, do you think he's an idiot?) While running a 3-way system is totally reasonable, an aux-fed system like I've described is the more common approach. It's also a preference thing - there's no such thing as your one best way. REPLY TO #2: An explanation of aux-fed subs by another pro: totalproaudio.stevebunting.com/206/system-design/aux-fed-subs/ And another: www.prosoundweb.com/a-detailed-explanation-of-the-aux-fed-subwoofer-technique/ Disagree? Write to them and see what kind of reply you get. REPLY TO #3: No, it doesn't stand for "low frequency emitter", but you don't have to take my word for it. Straight from Dolby labs (it's even in the first paragraph): What is the LFE channel? - www.dolby.com/uploadedFiles/Assets/US/Doc/Professional/38_LFE.pdf REPLY TO #4/5: Why do you care? It's my rig, my investment, my mix. Clients love my results, and they don't care about the gear. I promise no one but you cares whether or not I've maxxed out the DSP on my server. And I never claimed my rig was perfect - I shared what works for me, and in case you weren't paying attention I invited others to share their rigs as well, so we can all get ideas. WRAP UP: For the sake of your career I'd suggest you drop your arroga- my bad, "confidence", and realize that you are not the all-knowing engineer you think you are. The best engineers in the business got there by always being curious, open to trying new tings, and humble enough to keep learning. I don't see you doing any of that. I guarantee you have lost gigs because of your attitude, whether you know it or not. That's how this business works. Sorry to drop more credentials on you, but over 90% of my students are employed in the industry. I must be doing something right... Speaking of, mocking someone's credentials is a sure sign of insecurity. I'm sure you'll fume at this and work yourself up into a frenzy but you know what? I. Don't. Care. You're just an internet troll that hasn't had the guts to put out any content on his own channel. If you are SO SURE that you know the "best way", then post a video about it. Educate us. Put out or shut up - and make sure the comment section is enabled. This post will be up for a short while, then I'll be blocking you.
@vdubsvideos46192 жыл бұрын
@@tigeraudio Of course you wouldn't send a lav to sub, but as I mentioned in an earlier reply the term "aux-fed subs" can refer to the practice of only sending certain inputs to the subs. The process can actually be done with a matrix, aux, or group out, but the concept is the same. In practice many engineers use the term "aux fed subs" even when not actually using an aux because the phrase refers to the concept, not the mechanics of it. Your experience may be different, but I have heard many pro engineers use the term regardless of the method. (Personally I use the CENTER output and keep my MONO output for my press feed for the sake of labelling. But that's just semantics.). Yes, I know 5.1 is a playback format, but Mr. Sollman insisted on bringing it up (even though I don't mention surround at all in my video). I simply corrected his misinformation on the topic. Yes, people do the sizzle speaker thing, but I think we can agree that it is not common practice. His comments implied that the way he does it is the only correct way, and I was countering that - which I think we can both agree on. Copper snakes might not be ideal, but for a smaller show the difference is negligible IMO. You also admitted that you didn't do a true AB test since the transformers were another variable - and even different transformers can have a noticeable impact... so I'd be hesitant to stand by that opinion until you can do a true A/B. Have you run SMAART tests on it to see what the actual difference is? I'm not being snide, I'm truly curious. Congrats on the SMAART certification. That's next on my list, and maybe you will see me in that class. :)
@audiobeginners8472 жыл бұрын
@@tigeraudio I apologize for misinterpreting your reply, but you did not specify who you were replying to, and your reply was after mine, not his.
@degozako2 жыл бұрын
I'm actually glad someone took the time to map out the timeline of events between Revenge of the Sith and the Seige of Mandalore! From the comments below I see there are still some debates, but this video helps me get a sense of when things are happening.
@jeronimosenestrari37532 жыл бұрын
Battle of coruscant = 1 day. Anakin Skywalker is granted a place in the jedi High Council/ Yoda is send to Kashyyyk/ Palpatine during that night tells the tragedy of Darth Plagueis The wise to Anakin = 2 day. Obi-Wan is send to Utapau to kill Grievous/ Anakin discovers Sidious true identity in the afternoon/ During night, Mace Windu confronten Palpatine/ Anakin falls to the dark side and becomes Darth Vader/ As Vader, with the 501, attack the Jedi temple, Palpatine issued order 66 to all clone commanders = day 3. In the morning, Palpatine declares the new order while Anakin is killing the separatist leaders on Mustafar/ Later, Padme discovers the atrocities that Anakin did in the jedi temple by the words of Obi-Wan / During the night, Padme travels to Mustafar/ Anakin issued the battle droids to desactivate ending the Clone wars = day 4
@phenixnunlee3722 жыл бұрын
Ardour too
@mihaiandrei33882 жыл бұрын
hi i have a question. 1 the gains you make them from the X32 ... you put the mixer remotely you make the gain. 2 does the mixer sound better with Waves in your opinion?
@vdubsvideos46192 жыл бұрын
Sorry for missing this for so long... but to answer your questions: 1-Yes, gain still has to be controlled via the X32, either in an app or physically. I tend to set gain conservatively and then use a digital trim to fine tune. The bonus of this process is that when I have a separate monitor engineer I'm not chaining levels on him/her as I mix. 2-Yes, the LV1 improves the sound, even without any plugins. That's a pretty common opinion in the LV1 community as well. Of course the plugins themselves contribute too. Even the stock EMO plugins are better then the X32 compressors and EQs in my opinion. I have another video about my rig here: kzread.info/dash/bejne/g6h72dmEhbSuk7g.html
Пікірлер
I believe the new briefing was going out anyway and the clones were getting ready to receive the order about General GRIEVOUS being destroyed before order 66 happened … so Rex was probably about to get another message when Palps shows up. One thing I also didn’t notice was how specific Palp’s transmissions were to specific clones on specific missions with specific Jedi before the order went wide spread! Like certain council members had to die first before the initial attack.
4:44 they also drew out sieges in other clone wars arcs such as umbara, because we see clones sleeping in the barracks during the umbara arc. It's just blatant that this is a drawn out siege here because we're trying to watch this with revenge of the sith.
Off topic but what’s the song at 8:12
It is an original by the artist in the video.
But how do you control the X32's outputs with the Emotion LV1 software? I see that it only reads the 32 inputs but where do you control the outputs and auxiliaries from? from the X32 directly?
So how much total io is available to you with the 2 x32 tracks running into the waves lv1 system? Do you have to have a digigrid interface for the lv1 system to work properly or is that just an addition?
Each channel can be stereo so technically you could have 64 inputs in a 32-channel mixer. My rig has 20 mic/line inputs and a stereo digital input. For me that's plenty. I sometimes also take some stereo backing tracks straight from a computer on the network, so sometimes I get up to 24 or so,. but for my purposes, I've never maxed out my 32-channel mixer.
@@vdubsvideos4619 awesome thank you for the response.
Am I the only considering that each planet has its own day/night cycle…
Is that app compatible with a track that is recorded using four different microphones?
You can put it on any 4 channel track, but who knows what the results will be...
Not interested in a mic going through a Rode plug-in. No thanks.
It doesn't have to. You can use any ambisonics decoder.
That figure 8 polar
You sound like Joe Rogan a little 🎉😅
hmm.... this seems unnecessarily complicated. u invested into 2 mixers and a seperate lv1 system apart from the software licenses themselves. why not just go full lv1 with the soundgrid monitor boxes for each musician?
A few reasons: First off, the band already owned the X32Rs, which they also used for rehearsals and gigs with other sound guys when I wasn’t available. Meanwhile, I wanted to stay in the LV1, and there are a lot of bands with X32s, so I just carried a WSG card. The majority of the bands I worked with regularly trusted me enough to let me swap the card.
como cosectas la xtouch a lv1. gracias , saludos
That would be quite a week😳
Personally I figured that Ahsoka felt Anakin’s turn at the same time as Yoda, and they just used the dialogue to make clear when we are in the timeline. But this is a great breakdown and I might try this on May the 4th!
comments are fire. i don't see further vids from you and i think you should further this channel. also, i have been using subs on a matrix for 6 years... and i'm about to change to subs fed by LR... something to the congruence of a simple mixdown, despite the knowledge dave rat has given us... experiment, try, experiment, try.
Thanks! I'm glad to hear you're trying different things. I've mixed both ways, and there are pros and cons to each. The only time I take issue with anything is when someone argues that there is only one right way to do something. I now serve as tech director for a small theater and I have presets for both aux fed subs and full LR mixing. In the end if t sounds good, it is good.
I imagine the plug-in will run in many different DAWs.
Nice video. I love my NT-SF1!
omgawd, this mono compatibility though :'o
Very informative video with really nice details. To me I still feel that the LV1 is a complete puzzle which you have to solve piece by piece. In another video you went with another setup that's completely lv1 with no x32. Which setup is your go to? What is the complete hardware setup for the setup in this video when it comes to lv1 related hardware? I'm currently working on a project to setup a system at low budget which requires 2 or 3 mics max with the most pristine sound quality. This is why I don't feel like spending 6k or higher is the right option. Also I wonder do you believe going with mixer card and lv1 is reliable enough for live setups?
Thank you! The other video is my main rig, but I work with hybrid rigs like this occasionally. As long as the artist is comfortable with you dropping a card into their X32 this is a great option because 1) They know that I can't accidentally mess up their ear mixes, and 2) I still get to use the console that I'm more comfortable with. Reliability has never been an issue. The only thing to remember about that card is that it HAS to be the Master Clock for the system. If it's not you'll get clicks. For your setup there are a few options. Waves just released the Proton Duo, which is computer, server, and switch all in one. They also have the Digigrid D cube (2 pres/2 headphones) and M (1pre 1 headphone). You may want to look at using the Soundgrid Studio app for your application. It's FREE, and is very similar to the LV1. There are some workarounds of course, but with only 3 inputs it could work well. (I have used it myself for small gigs). The downside is that prices on Soundgrid stuff have almost doubled since Covid, and they can still be hard to get. If you're patient get in the habit of checking eBay and Reverb regularly. Stuff shows up there sometimes. Also join the Waves Classified group on Facebook - there's always stuff there! I hope this helps!
The emperor ordered order 66 multiple times to multiple troops.
I always assumed that RotS takes place over the course of like a month at the very least and the final scene of Vader and Sidious looking at the Death Star much, much later, even as much as a year later. I think one of the novels mentions how the superstructure of the Death Star began construction at the very end of the war but refitting the Venators and V-Wings must have taken at least a month.
Welp, that was one helluva week for everyone...
Can the sound grid access the Aux In/Out on the X32? I noticed most DAW & controlling software don't have access to X32 Aux In/Out
Yes, but only at the expense of other channels. The issue is that the card slot can only access 32 channels in or out, and the X32 actually has 38 total inputs. In the routing page you can send the AUX inputs and outputs instead of mic channels.
It’s because they’re in hyper space🤔
With the new information you’d have to start over
Well two years later if you look at the map grid coordinates online and trace where it should be, it’s not in that area where you said but it’s possible to meet half way on the Corellian run
Someone should cut all the scenes together from episode 9. I’d watch it for sure. Can probably make a whole movie out of it.
The ending scene in the final episode of the clone wars was years after revenge of the sith, my guest is during the time of the inquisitors hunting Jedi... And mostly it was also shown prove in the bad batch season 1
Can you add the Bad Batch time lapse?
👏👏👏
6U RACK...
Yes. I accidentally said 8 because that’s more common, and my own rig has 8 spaces.
Stormtrooper uniforms came years later not in clone wars
Thanks for your videos. A lot of hard work goes into this I am sure. thanks for taking time and putting this together.
I appreciate that!
Thanks for the video! I see gain is done on the X32 (or ipad). Is everything else done through LV1 (groups, dca, mute groups, matrix, etc.)?
Yup! Once it hits the LV1 it doesn’t go back until it hits the outputs.
Intresting sidenote: The guy who voices General Grevious in the 2003 clone wars also voiced Four Arms in Ben 10. This to me is brilliant because guess who else has four arms...General Grevious!
This video adds to my theory that the clone wars 2003 cartoon is still cannon and DIsney is just dennying it. If they are going so far as to acknoledge events from it that to me serves as evidence of its cannonicty.
She didn't hear the attack as it happened, she essentially had a vision of anakin becoming vader after he already had.
Great video, I have set up a similar system although I’ve run into and issue I can’t get my head around. My set up for live shows has always been DL32 and m32c onstage and m32r at foh. I’ve always run the dl32 port a into the m32c as that is the monitor console and needs use of the dl32 outputs and the foh console into port b on the dl32 acting as the slave. I have been using multirack out front along with a sever one but the limitations were getting to me so I purchased the lv1 system. My system now being: DL32 port a to m32c (sync set to internal) Dl32 port b to m32r (sync set to port a) M32r DN32-WSG card into sound grid network LV1 outputs send to channels on my FOH console which I essentially use as just an I/O for sends to the PA. However when I connected it all up and had a band playing I got lots of pops and clicks when running audio through LV1. My assumption is that because my FOH console is using the clock from the M32c onstage as it’s master the LV1 is getting confused??? Have you got any solutions for this? Thanks in advance
Very similar to my experience! As you probably know, the LV1 is really picky about its clock. Do you have a switch between the waves card and FOH? That has made a difference for me. That card doesn’t like homeruns. I carry an extra GS108 just in case my setup misbehaves.
@@vdubsvideos4619 thanks for the speedy response. Yes I’m currently using a netgear switch to network my server, DN32-WSG card and Mac mini together. Currently out on tour as a support act so don’t have loads of soundcheck time but I think I’m going to try connecting my FOH console out of the back of the monitor console instead of the stagebox so I can set it as the master clock tomorrow. Hopefully that fixes it.
@@vdubsvideos4619 can I ask, what do you have set as your master clock? Is it the monitor x32 or is it the x32 with the waves card that you use as a fail safe console?
@@idomycrosswordinpen0 For me it’s only happy when the Waves card is the clock master of everything. (Different account, it’s still VDubs)
@@audiobeginners847 I shall give that a try! Thanks!
Ahsoka isn't as powerful as Yoda, who also didn't sense it until it already happened. I think it makes sense that the sacking of the Jedi temple pushed an echo through the voice, but because Ahsoka was so close to Anakin (maybe even closer than Obi Wan since he didn't sense it) she got a bit of the echo of Windu and Sidious. I don't think it's difficult to assume that the force would have warned before it all went down, seeing all the force still has in store for her.
04:32 I initially thought that the speech between Ahsoka and Obi Wan takes places during Obi Wan’s way to Utapau and after Anakin and Obi Wan’s last peaceful meeting
Nuendo & Cubase can do Ambi too.
with the I/O on the x32 console, and running all mix with LV1 by X-WSG card, do you having any trouble so far? (lost conection, jitter, etc) thanks for your respons, i will build the same system but need to know what issue that i need to handle it.
I am so confused, What do I need to achieve this same setup in addition to the WUSG card in one of the x32's?
The LV1 system is modular, so you can get what you want. Here's y video about my choices: kzread.info/dash/bejne/g6h72dmEhbSuk7g.html
I think assuming that the final scene in the final Clone Wars episode, takes place a few weeks or months after the crash is a bit underestimating. All the stormtroopers are wearing armor that resembles the well integrated and finalized armor we see in Rebels, the orignal movies and the Solo movie. Adding to that, they even have established the exact same snowtrooper outfit that we see in Empire Strikes Back. In the Bad Batch series we see the new "stormtrooper armor" that they are integrating which is different from the originals stormtroopers. I know this was made before The Bad Batch series, but we can only assume that these outfits took probably on the good side at least a year before integration, possibly a few years. I think the last scene in Clone Wars also wants to represent that Vader has spent years hunting down the remaining Jedis, while doing so he stumbles upon an old memory. At that moment he remebers exactly how his last ineraction with Ahsoka was and that the lightsabers he gave her was a gift she never would've left behind. He assumed her dead in the crash or atleast exiled. And then he leaves the area in the constant pain he resides in. (Most likely he assumes her dead, as he can be heard in Rebels saying "The apprentice lives", when he feels Ahsoka is alive.)
This video is annoying for two reasons. 1) you mix your subs on aux. subs shouldn't require mixing, just a matrix and voila, the same mix hits both subs and mains. I don't get whats hard to understand about that. When you mix subs on an aux, you create two separate mixes that have nothing to do with one another and are not coherent. There's really no debate there. Have you ever heard a 5.1 system with a discrete subwoofer channel? Yeah, I haven't either because the '.1' in 5.1 is a matrix, not a separate channel thats been 'mixed'. 2) a copper snake completely undermines the key advantages of audio over ethernet. Transport, Data Density, Scalability, all of those things go out the window. You might as well use an Allen and Heath ZED. You'll love it because you can 'mix' your subs like they're a completely separate system, you know, on an aux.
In case you opt to ignore everything else I wrote, my reply is simply this: you are at best arguing semantics, and at worst simply wrong. Somewhere in the middle is a hint of arrogance because you think there is only one way things can be done. That couldn't be farther from the truth - especially in this industry. (I've had 20+ years in this industry.) 1)The term "aux-fed subs" refers to the practice of only sending bass instruments to the subs (kick, floor tom, bass, etc) to prevent extraneous low end from making the low end less defined. The process can actually be done with a matrix, aux, or group out, but the concept is the same. In practice many engineers use the term "aux fed subs" even when not actually using an aux because the phrase refers to the concept, not the mechanics of it. 2) You seem to imply that the same mix goes to both the subs and the mains, but that is not the case at all. Subs don't ever see any signal from higher register instruments. In many situations my subs only get bass and kick drum. 3) Actually in TRUE 5.1 the .1 channel is a completely separate channel, called the LFE. LFE stands for "low frequencie effects", and is used in movies for things like volcanos, earthquakes, and other low end content. Only home systems send a combination of lows from the other 5 speakers to the subs to mix with the LFE through a matrix. The mix that comes out of the studio is 6 discreet channels - the matrixing only happens in your home receiver. An actual THX certified 5.1 system requires that the 5 speakers can all handle 20Hz-20k, and none of that content gets sent to the sub. I work in a multi-million dollar studio that has a THX certified monitoring system. 4) As I very clearly point out in the video there are other reasons that I chose this system. No one buys gear just because it is audio over Ethernet - that's the LEAST impressive part of this rig to me. I purchased it because the DiGiCo mic pres sound amazing, the modular nature fits the way I work, and - as I said at the beginning - I wanted to stay in the Waves environment. IDGAF that it all connects with ethernet. 5) I use a copper snake because it keeps my rig in one case, not two or more. It also keeps headphone outs at FOH.
@@vdubsvideos4619 A hint of arrogance? That's confidence dude. The confidence comes from doing things both ways and finding the better way-the best way. But did you read YOUR response? It's soaked in arrogance (i have 20 years, i work in a multi-million dollar blahblahblah) Don't break your arm jerking yourself off bud. I don't need to swing my bona fides around and recite my resume to be right. Those who can't do teach and those who can't teach do, so listen up... <---That's arrogance. 1) When you start your paragraph with "the term [...] refers to..." you are literally doing what you accused me of which is arguing semantics. And if your low-end is 'less defined' then your mix sucks. Feeding one mix to your entire system keeps your mix very honest. 2) I don't imply. That is exactly what I meant. One LR mix is fed to all PA elements. The sum of your entire LR mix LPF'd for your subs will have an entirely different phase response than that of a separate LPF'd (aux) mix containing only low-end elements. The sub may not be the intended target of your hi-hat. But that hi-hat signal, HPF'd as it may be, still has a very slight effect on the sub's phase response and therefore the phase coherency between mains and subs-and so do the other elements of your mix when they summed together, filtered as they may be. In order to get subs and mains to work together as one system, they need to be reproducing the same source. Just on a separate thought experiment, could you imagine sending your mid-range and compression drivers or 'tweeters' only hi-hat? or sending them only the OH from the drums? Absurd right? its the same reasoning applied the same way-spectral discrimination. No one would ever do that. 3) LFE stands for "low frequency emitter" Mr. certified THX. And also....the 'what' only happens in my home receiver? what was that? the MATRIXING? is that right? ya don't say. don't you mean the AUXing only happens in my home receiver? or the AUX MIXing or the GROUPing? -- why do you gift me these things? 4 and 5) You took a system that was designed to a *more* portable DSP powerhouse and managed to make large and unwieldy-especially for such a low channel count. You've added pounds and pounds of copper to system that doesn't need it and never needed it and then posted a video about how neat and tiddy your design is. I don't think you're loading that in the back of your gluten-free Pious..i mean Prius any time soon. But 'yay' you and your portability.
@@aaronsollman REPLY TO #1: I'm an active instructor in addition to being a working freelancer. (I have 6 shows to mix in the next 4 days. You?) I educate because I'm sick of mis-information like what you are professing. (Dave Rat does educational videos too, do you think he's an idiot?) While running a 3-way system is totally reasonable, an aux-fed system like I've described is the more common approach. It's also a preference thing - there's no such thing as your one best way. REPLY TO #2: An explanation of aux-fed subs by another pro: totalproaudio.stevebunting.com/206/system-design/aux-fed-subs/ And another: www.prosoundweb.com/a-detailed-explanation-of-the-aux-fed-subwoofer-technique/ Disagree? Write to them and see what kind of reply you get. REPLY TO #3: No, it doesn't stand for "low frequency emitter", but you don't have to take my word for it. Straight from Dolby labs (it's even in the first paragraph): What is the LFE channel? - www.dolby.com/uploadedFiles/Assets/US/Doc/Professional/38_LFE.pdf REPLY TO #4/5: Why do you care? It's my rig, my investment, my mix. Clients love my results, and they don't care about the gear. I promise no one but you cares whether or not I've maxxed out the DSP on my server. And I never claimed my rig was perfect - I shared what works for me, and in case you weren't paying attention I invited others to share their rigs as well, so we can all get ideas. WRAP UP: For the sake of your career I'd suggest you drop your arroga- my bad, "confidence", and realize that you are not the all-knowing engineer you think you are. The best engineers in the business got there by always being curious, open to trying new tings, and humble enough to keep learning. I don't see you doing any of that. I guarantee you have lost gigs because of your attitude, whether you know it or not. That's how this business works. Sorry to drop more credentials on you, but over 90% of my students are employed in the industry. I must be doing something right... Speaking of, mocking someone's credentials is a sure sign of insecurity. I'm sure you'll fume at this and work yourself up into a frenzy but you know what? I. Don't. Care. You're just an internet troll that hasn't had the guts to put out any content on his own channel. If you are SO SURE that you know the "best way", then post a video about it. Educate us. Put out or shut up - and make sure the comment section is enabled. This post will be up for a short while, then I'll be blocking you.
@@tigeraudio Of course you wouldn't send a lav to sub, but as I mentioned in an earlier reply the term "aux-fed subs" can refer to the practice of only sending certain inputs to the subs. The process can actually be done with a matrix, aux, or group out, but the concept is the same. In practice many engineers use the term "aux fed subs" even when not actually using an aux because the phrase refers to the concept, not the mechanics of it. Your experience may be different, but I have heard many pro engineers use the term regardless of the method. (Personally I use the CENTER output and keep my MONO output for my press feed for the sake of labelling. But that's just semantics.). Yes, I know 5.1 is a playback format, but Mr. Sollman insisted on bringing it up (even though I don't mention surround at all in my video). I simply corrected his misinformation on the topic. Yes, people do the sizzle speaker thing, but I think we can agree that it is not common practice. His comments implied that the way he does it is the only correct way, and I was countering that - which I think we can both agree on. Copper snakes might not be ideal, but for a smaller show the difference is negligible IMO. You also admitted that you didn't do a true AB test since the transformers were another variable - and even different transformers can have a noticeable impact... so I'd be hesitant to stand by that opinion until you can do a true A/B. Have you run SMAART tests on it to see what the actual difference is? I'm not being snide, I'm truly curious. Congrats on the SMAART certification. That's next on my list, and maybe you will see me in that class. :)
@@tigeraudio I apologize for misinterpreting your reply, but you did not specify who you were replying to, and your reply was after mine, not his.
I'm actually glad someone took the time to map out the timeline of events between Revenge of the Sith and the Seige of Mandalore! From the comments below I see there are still some debates, but this video helps me get a sense of when things are happening.
Battle of coruscant = 1 day. Anakin Skywalker is granted a place in the jedi High Council/ Yoda is send to Kashyyyk/ Palpatine during that night tells the tragedy of Darth Plagueis The wise to Anakin = 2 day. Obi-Wan is send to Utapau to kill Grievous/ Anakin discovers Sidious true identity in the afternoon/ During night, Mace Windu confronten Palpatine/ Anakin falls to the dark side and becomes Darth Vader/ As Vader, with the 501, attack the Jedi temple, Palpatine issued order 66 to all clone commanders = day 3. In the morning, Palpatine declares the new order while Anakin is killing the separatist leaders on Mustafar/ Later, Padme discovers the atrocities that Anakin did in the jedi temple by the words of Obi-Wan / During the night, Padme travels to Mustafar/ Anakin issued the battle droids to desactivate ending the Clone wars = day 4
Ardour too
hi i have a question. 1 the gains you make them from the X32 ... you put the mixer remotely you make the gain. 2 does the mixer sound better with Waves in your opinion?
Sorry for missing this for so long... but to answer your questions: 1-Yes, gain still has to be controlled via the X32, either in an app or physically. I tend to set gain conservatively and then use a digital trim to fine tune. The bonus of this process is that when I have a separate monitor engineer I'm not chaining levels on him/her as I mix. 2-Yes, the LV1 improves the sound, even without any plugins. That's a pretty common opinion in the LV1 community as well. Of course the plugins themselves contribute too. Even the stock EMO plugins are better then the X32 compressors and EQs in my opinion. I have another video about my rig here: kzread.info/dash/bejne/g6h72dmEhbSuk7g.html
It all made sense until the last minute :/