Telefilm Canada is a federal agency dedicated to the cultural, industrial and commercial success of the audiovisual industry. | Téléfilm Canada est un organisme fédéral voué à la réussite de l'industrie audiovisuelle canadienne sur les plans culturel, industriel et commercial.
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Salut salut
Jenne brings 2♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️♥️
Interesting! Should have called it Body Decay or something along those lines.
I am not objectifying her, and I am aware that women do not exist for the primary benefit of the male gaze, but from the very first moment of seeing this woman on Workin' Moms years ago, I have been uncontrollably riveted to the sight of her. The details of her comingle into a synergy of grace and sultry beauty. I feel ashamed that I noticed these things before I noticed that she is an excellent actor. It should have been the other way around, but I have six million years of evolution demanding that I not take my eyes off her, even for an instant, and she is quite distracting.
Love Roy! Would like to see more of him in the States.
Let’s go smokes.
release this already i need it
Crazy… He was the worst part of Letterkenny…
je suis intéressé si mon profil recoupe vos ambitions professeur d'art, retraité, webdesign, éditeur de vidéos,
Thanks for not answering the question.
Land, language and our natural world 🌎🎉
Intéressant
Anglophone when 👀
A sustainable and future-facing film industry, i love it 🎉🙌 thanks @telefilmcanada
I could listen to this man talk for hours. 1991, president of the jury would be amazing! He's been to Cannes 6 times! Wow. He said it can be lonely, and only 2014 is when he's now had two other Canadian filmmaker to be there, and it makes it special. I hope to be another on that list one day!
Wow! So amazing. Je tu ma mere was my firs Dolan film and Mommy was really impressive. Great work all around!
I get way too emotional watching this. Especially the end. Amazing information, great music, and great narration. I love hearing that Canadian creators are the greatest asset. Thank you. I look forward to more Telefilm projects and programs.
Hahaha I love the Audrey Heburn wife part! great work all around!
What a legend! Hobo with a Shotgun inspired Chrome Steel! And Kids vs Aliens is so great on Shudder!
Woooo Rollers of the Realm! Go Ericka Evans at Phantom Compass! Really proud of everyone else too. I hope @BytesizedGameStudio attend GDC soon!
From Atanarjurat, to a history of Violence, to Turbo Kid, WOW! I love our country and I love Telefilm for supporting us filmmakers!
Yes they do! We are amazing. Can't wait to be supported by telefilm one day!
Derek!! Let's go!!! I love this movie, and I love Mr. Franson!
*Question d’Anik Salas - Réalisatrices Équitables* : Le déclin des chiffres de parité, la dernière année rappellent l’importance des mesures. Allez-vous inscrire dans les règlements des incitatifs clairs aux producteurs.ices pour éviter les déclins? Des incitatifs dans les programmes émergents ne permettent pas une égalité des chances auprès de TÉLÉFILM des réalisatrices chevronnées. Des mesures écrites doivent exister pour tous les programmes. *Réponse* : Bonjour! Nous avons lancé notre Questionnaire d’auto-identification en janvier 2022. Les données seront utiles aux processus d’évaluation, d’admissibilité et de prise de décision pour les demandes de financement des projets, tout en permettant d’améliorer les programmes de Téléfilm et les initiatives de l’industrie. Vous pouvez en savoir plus ici : telefilm.ca/fr/qui-nous-sommes/nos-engagements/diversite-et-inclusion/collecte-de-donnees
*Question from S.A* : How are board members elected at Telefilm? *Answer* : Hi! Board members are appointed by the Governor in Council. You can learn more here: federal-organizations.canada.ca/profil.php?OrgID=FDC&lang=en
*Question from MP* : What were the rules that allowed In Flames to be made? *Answer* : In Flames was part of our 2020 Talent to Watch cohort. You can find past and current guidelines for the Talent to Watch program here: telefilm.ca/en/programmes/talent-to-watch-program
*Question from Global Noir* : In Flames is a great TTW successful story. However the rules that allowed a film like it to be made have now changed, making it almost impossible for something to be made at that budget level. Curious to find out why the rules were further complicated ie CAVCO inclusion etc? Is there a problem with immigrant stories being made in their home countries? Are these not 'Canadian' enough? *Answer* : Hi there! It’s possible to submit a Talent to Watch project as a coproduction. The project must either be certified by CAVCO *or* recognized as a treaty coproduction. You can find past and current guidelines for the Talent to Watch program here: telefilm.ca/en/programmes/talent-to-watch-program You can find more about the coproduction recognition necessary for the Talent to Watch program here: telefilm.ca/en/programmes/coproduction-submission-recommendations In addition, here is more information on our coproduction treaties and memorandums of understanding: telefilm.ca/en/we-finance-and-support/coproductions/international-treaties-and-memorandums-of-understanding
*Question from Natalia Escobar* : What feedback have you gotten from producers and other stakeholders regarding changes to the development program as a result of the Pan-Canadian Consultation? How are you evaluating the changes made? *Answer* : Hi! You can learn more about the results from the Pan-Canadian Consultation here: telefilm.ca/en/who-we-are/our-engagement/pan-canadian-consultation
*Question from MP* : Instead of setting a number of marginalized creators you want to support, why isn't the approach to cap the amount of white creators to say 10% until equity is reached? *Answer* : Telefilm bases its benchmarks on the results from our Self-Identification Questionnaires. Telefilm has also created an internal data collection committee, whose priority objective is to optimize the use of the new data collected, helping to better structure the decision-making process and achieve a more equitable portfolio. You can find out more about data collection here: telefilm.ca/en/who-we-are/our-engagement/equity-diversity-and-inclusion/data-collection
I am from Pata chalgea song
Where's the vid
i am from pata chalgea
‼️👍❤️
Truth telling 🧡🧡🧡💜
Great interview Ashley,I loved being a part of that movie.
HI IAN HARNARINE
What the fuck is “multicultural”??? I only hear this term in white countries by people that aren’t white. It’s almost as if they hate white countries…
Agging like f9 wine😊
Best role was the nurse guy in crank 😂
Aaaaand he’s right
Duh duh duh we’re dead
Léa bonjour , Nous nous sommes rencontrées à GRIMENTZ , lors du tournage de "LA DEMOISELLE SAUVAGE". avec le katering " le TOUT EN CAMION " en 2000 . Nous nous sommes recroisées à ZÜRICH avec Anjanette de L.A. Bien à toi 🙋♀️🫶
👍🌺👍🌺👍🌺👍Très brillant dialogue de la part de notre comédien récemment décédé. Merci pour tous les rôles merveilleux que vous nous avez donnés. Après des souffrances physiques et psychologiques, reposez monsieur Côté maintenant en paix. Condoléances à la famille, amis, et admirateurs. Viviane (13-06-2023)
Reposez en paix ! Mr Côté😪😪
Snoop called this chick, "thick" and she turned it into a Me2 thing.