Пікірлер

• 
  @jazzrat20002 сағат бұрын

  Very nice! reminds me of some of the work we had to do in orchestration when I was in college. Did you get it read? that's always a problem. Or at least it was for me. All the orchestras are always busy on something else. And someone bringing in their little snippets is just annoying it appears. And, money doesn't grow on trees! at least it doesn't for this retired music theory prof.

• 
  @YukiEhmsКүн бұрын

  Thats so sad, you may had put so much effort on that and yet, it is 2:40 min into it and i cant recite the main theme: simply forgot it, it is not memorable😢 But what others have said is true, you do have a good hability on writting touching sad piano passages, knows some romantic partimento ideas. Cant really judge the orchestra due to its horrible virtual Instrument sound Why dont you try to repeat the same theme like a motif? (maybe shorter) more in diferent keys, sometimes using the same passage but changing from major to minor, sometimes using it as a melody and sometimes as an accompaniment? This creates a "rhyme" and consistency to music while also brainwashing the listener to remmember the theme. Personal note: 5:36

• 
  @Dinis_BritoКүн бұрын

  really appreciate the feedback that def helps. ive gotten better at composing and developing ideas (which i wasn't doing and still have a tough time doing) since making this movement. After hearing what a lot of people have said about it i have decided to stop working on it (i already have done a second movement that is beautiful so might use those ideas in a different piece) and instead im gonna focus on first working on being more confortable with composing ,especially for an orchestra since i dont know much about orchestration, and learning how to develop themes and yh, then im gonna try to compose a concerto. obviously my dream is to one day play it with an orchestra

• 
  @YukiEhmsКүн бұрын

  No

• 
  @tarikeld11Күн бұрын

  "Yeah I pretend not to be a composer"

• 
  @MelitonSoupelin2 күн бұрын

  This unironically sounds pretty good

• 
  @somchaisaelee3287 күн бұрын

  Remind me of Shostakovich op 12 and op 13

• 
  @Kofi_Rapture13 күн бұрын

  My quartet wants to perform this of your string quartet music How would I get the sheet music

• 
  @Dinis_Brito12 күн бұрын

  I dont have the sheet with me i lost it because I changed computers but if you want i could compose something new for you to play

• 
  @Kofi_Rapture11 күн бұрын

  I would be glad if you compose for my quartet 🙏🏿

• 
  @Dinis_Brito11 күн бұрын

  @@Kofi_Rapture do you like something like my other compositions (kind of romantic)?

• 
  @Kofi_Rapture11 күн бұрын

  Off course yes But classical or baroque to be precise

• 
  @someguy301219 күн бұрын

  🙂‍↕️🥂

• 
  @amj.composer19 күн бұрын

  Pretty good honestly!

• 
  @cheese135...921 күн бұрын

  So calming

• 
  @iosifmirea320322 күн бұрын

  This goes hard

• 
  @late864123 күн бұрын

  I love the chord progressions! 🤩 Just remember to add slurs so the musicians will know which notes should be tied. 😉

• 
  @Dinis_Brito22 күн бұрын

  Tysm im gonna take care of all the slurs this summer since my school orchestra might play this next year

• 
  @onegreenghost335123 күн бұрын

  this sounds fantastic. good luck with this! my personal recommendation is to make the score readability very easy. in the case of this passage, very little double accidental use or perhaps none at all. string players don't usually see Cb's and Fb's and beyond, and im sure violin II, viola, and maybe even cello would be frighted haha. if you can, show this to any string players at your school. that way, youll get a better sense at what they think (or maybe youre a string player too, ive never met you lol)

• 
  @Dinis_Brito23 күн бұрын

  You're spot on on I've never tought of that im gonna show my friends this and see what they think Ty Im a pianist btw

• 
  @gardensoundrecords359829 күн бұрын

  your chords are great but melodically feels quite rigid and unnatural

• 
  @hahhey1372Ай бұрын

  BARTOK PIANO CONCERTO 2 MOV 2??????

• 
  @Dinis_BritoАй бұрын

  Never heard it let me check

• 
  @hahhey1372Ай бұрын

  @@Dinis_Britoit’s funny, first 4 measures are nearly identical (not a bad thing, it’s my favorite piece)

• 
  @Dinis_BritoАй бұрын

  @@hahhey1372 yh when i heard it i laughed yhe first chord is the same and sounds the same

• 
  @SonoriskАй бұрын

  Porqué tu Musescore está en Español?

• 
  @Dinis_BritoАй бұрын

  és portugués, el musescore es muy parecido en portugues y espanol

• 
  @SonoriskАй бұрын

  @@Dinis_Brito Ah, que curioso :v Cierto que si se parecen mucho, yo hablo ambos idiomas. :)

• 
  @AndreyRubtsovRUАй бұрын

  What did this achieve?

• 
  @Dinis_BritoАй бұрын

  Mostly experience and getting used to writing for strings and how it sounds

• 
  @AndreyRubtsovRUАй бұрын

  @@Dinis_Brito fair enough. I guess my understanding of string writing comes from differences for each instrument of the strings and bowing - how it relates to phrasing etc... this seemed to go in opposite direction :-)

• 
  @LuiDecaАй бұрын

  sounds pretty good. dynamics never go on rests though. you place them where your instruments come in.

• 
  @Dinis_BritoАй бұрын

  Yh that was stupid of me ty ill keep that in mind

• 
  @dschknАй бұрын

  sounds nice, a little like slow movements of shostakovichs symphonies mixed with jazz harms…

• 
  @MateussCelioBRАй бұрын

  Very nice!

• 
  @maxmussi2497Ай бұрын

  Crazy good!

• 
  @Dinis_BritoАй бұрын

  tysm!

• 
  @hydroblaaaadeАй бұрын

  5th bar pure perfection 👍

• 
  @Dinis_BritoАй бұрын

  its so satifying

• 
  @Dinis_BritoАй бұрын

  ☝🤓

• 
  @ethangeyer5170Ай бұрын

  very goofy ahh

• 
  @getdirtyonthedancefloorАй бұрын

  this sounds really cool, it would be pretty easy to play if you added slurs on some 16th notes

• 
  @getdirtyonthedancefloorАй бұрын

  yo this is sounds really cool, nice harmony too

• 
  @Dinis_BritoАй бұрын

  tysm!

• 
  @radderthanuАй бұрын

  I love this goofy aah song

• 
  @northfoxoneАй бұрын

  Cartoonish activities being partaken

• 
  @thinkOfMeAsAClassicalMusicianАй бұрын

  Some louis cole type string vibes here. Nice.

• 
  @grammatikerfanatikerАй бұрын

  Sounds great! I hope it turns into a whole piece, I'd love to hear what it becomes.

• 
  @douwemusicАй бұрын

  This would sound amazing with a choir! Lowering the top part of course😅

• 
  @Dinis_BritoАй бұрын

  good idea might try that

• 
  @EverythingOrchestraАй бұрын

  00:20 to 00:29 what even

• 
  @pinkapple3619Ай бұрын

  fire

• 
  @randompianist5425Ай бұрын

  Krusty Krab ahh music😎good job though

• 
  @Dinis_BritoАй бұрын

  Ty

• 
  @Dinis_BritoАй бұрын

  N tocas nada

• 
  @jesusestellesmico2457Ай бұрын

  Great job, mate! I want to study Composition degree at the conservatory, and I would like to ask you several things, if there's no inconvenience: First of all, I think you answered this in other comment, but how do you figure out these chord sequences? I find it quite interesting. Also, how do you orchestrate a melody? I mean, I'm a pianist, but I have never transcribed a piano tune to an orchestral score. Do you know if there are any rules to follow when doing that? I hope not to disturb you, thanks for your attention. Have a great day!

• 
  @Dinis_BritoАй бұрын

  I came up with this sequence by ear There are rules for orchestration but i dont know them, i kinda just go by ear and write what i think sounds good. Though ik thinking of buying books about orchestration

• 
  @BustyCaesarАй бұрын

  Am - (weak) tonic function (aka feels like home. As no tonal key center is established yet its home effect can be stronger or weaker, but when relative to C major key it is the VI chord - weak home. So depends where this passage appears in a piece) Ab - modal interchange from parallel minor (referencing C major key). Flat VI of C minor - subdominant function. Adds movement and some tension Fm- modal interchange from parallel minor again. II chord of C minor - subdominant function. Prolongs movement and some tension E7 - dominant function adding a lot of tension, with strong tendency to point towards a resolutions to a new target A. Can see as secondary dominant pointing to VI chord of C major (aka Am) OR the V dominant of the relative minor of the C major (aka A minor key) pointing towards the I chord (Am). I would trend to the 2nd view as up to this point C major key tonality has not been established . Not addressing tensions for this analysis a bit lazy lol. Eb7 - dominant function, adding more tension and subverting expectations, now pointing to resolution in a different direction. Can be see as a secondary dominant pointing back to the Flat VI of parallel minor A minor (aka pointing to Ab again), BUT importantly it also functions more like a tritone substitution for secondary dominant pointing towards the II chord in C major (D) - which we will see is important in resolving back to C major (think of the classic 2-5-1 resolutions in jazz) A7 - dominant function, prolonging tension and this time maintains expectations of a resolution to D (previously Eb7 also pointed here, in fact Eb7 is a tritone sub of A7. It’s a secondary dominant pointing towards the II chord D (again helpful for resolving to C see 251s) Ab7 -dominant function, prolongs tension and points again to a new direction, subverting expectations. Acts as a tritone substitution of the secondary dominant of V in C major, pointing towards G (V in C major). Aka tritone sub of the 2 in the 251 classic progression. Also remember the Eb7 2 measures back points here to Ab so this kind of fulfills that resolution Db7 - dominant function - prolongs tension and points again to a new direction, subverting expectations. Acts as a tritone sub of the V chord in C major (G dominant), which now points to C. Again you can think it like a tritone subbing 5 in a 251 progression. C - finally, resolution! Resolves beautifully to C major. Key center is strongly established as the previous 4 measures have been pointing towards C as the I, the home chord ( think a prolonged subbed 6251 progression - strong tendency as this progression resolves wholly in 5ths). Hope this helps. I’m studying music on my own, particularly focusing in jazz. I highly recommend the Berkeley book to Jazz harmony.

• 
  @douwemusicАй бұрын

  ​​@@BustyCaesarAb is not the flat 6th of Cm, but the regular VI! Either that, or you meant to say that it's the flat 6th from the relative (not parallel) of Am, which is C major. But referencing C here makes little sense. The only indication of C being the key here is the last chord, and with all the stuff happening in between, there is nothing that indicates a "feeling" that these chords work towards a resolution of C. So, for theoretical analysis, I think it makes most sense to see the first two chords in isolation, and in that case, Am is a Neopolitan, but in minor (bii of Ab). The Fm to E after can be seen as a parallel of this, a major 3rd down, perhaps in a mediant relationship. Also, Fm is the iv of Cm, not the II!

• 
  @jesusestellesmico2457Ай бұрын

  @@douwemusic Thanks to all of you for your help! I don't know how you manage to justify all the chords that easily, honestly LMAO. I mean, I have knowledge of this, but it would be too hard for me to justify all those modulations 😂

• 
  @BustyCaesarАй бұрын

  @@douwemusic​​⁠ My bad, yes Fm is the IV of C minor. And Ab is the VI of C minor. Was typing too quickly. I was responding to different comment (I just copied my response to respond to OP) asking how it fits in C so I was using that as a lens. Thanks for the perspective and yes does dependent on the context. I do agree on looking at the first part in isolation. But I do the hear the measures from Eb in a progression to C. Yes it is ambiguous but the tendencies are there

• 
  @jesusestellesmico2457Ай бұрын

  A mí el día q mejor me viene es el miércoles 15

• 
  @jeanpierrecarpentierАй бұрын

  Yeahhhh 😇

• 
  @Pleurotus777Ай бұрын

  Lol so cute

• 
  @piedra4165Ай бұрын

  ¿No es algo dramática la respuesta interna del primer motivo? No digo que esté mal, pregunto si fué decidio a posta y si hay un motivo tangible sería interesante saberlo. La estructura y la instrumentación es lo más acertado a algo goofy, muy bueno!

• 
  @Krzychu3005Ай бұрын

  Could you tell more, what were your emotions while writing? :D Any specific images?

• 
  @Dinis_BritoАй бұрын

  I normally cant describe my emotions with images ita kinda weird my piano teatcher always asks me what emotion a piece evokes and i cant really answer. I guess i tend to write music and also play it with what i "hear"not really what i see. Im not sure what emotions this piece represents yet it still feels very personal to me. Theres a weird beauty to that. Its complicated. Ex: i played brahms intermezzo in A major and my teatcher, when i played it for her, said it was really beautiful and that i understand the piece and its emotions deeply well, though when she asked me to say an emotion it represents i could only come up with "sadness" which i obviously knew wasnt a good description for it To try to summarise i find it difficult to explain a a piece to someone. Doesnt matter however you describe even if its the best description of it it will never be close to what you feel when you actually get to experience that music. I feel like im going around in circles but i really cant explain better.

• 
  @Dinis_BritoАй бұрын

  Short answer: i cant really tell you what my emotions were and are but i know very well that everytime i hear this piece i feel very connected to it since its very personal to me. Any other of my compositions dont feel as personal as this one.

• 
  @Dinis_BritoАй бұрын

  And i think thats the point of music. Music is there so people dont have to use words to explain themselves.

• 
  @Krzychu3005Ай бұрын

  ​@@Dinis_Brito Well, I asked, because I'm curious about emotions, but can't describe them well. :D So... I get easily lost while composing. When I ask composers about inspiration, I fish rather for logical advice and point of reference for myself. Thx

• 
  @Dinis_BritoАй бұрын

  @@Krzychu3005 well then im sorry i cant really help you on that. i think that describing emotions through music is something that can only be done with experience in composing and also time. dont give up bc you cant do it now youll eventually be able to do it. i was also in the same position as you then with time kinda grew out of it

• 
  @DragosDomnaraАй бұрын

  beautiful

• 
  @journey3451Ай бұрын

  I'm a Japanese person passing by who has a similar hobby. It's a nice song that's easy to listen to, with a sentimental and solemn feel. Sorry to bother you again.

• 
  @Dinis_BritoАй бұрын

  you are not bothering anyone dont worry. thank you for th kind words

• 
  @chichichogonzales8556Ай бұрын

  Esta entre las armonías más hermosas que he escuchado!!!

• 
  @uncertainity188Ай бұрын

  You should listen to more music

• 
  @Dinis_BritoАй бұрын

  @@uncertainity188 wtf

• 
  @uncertainity188Ай бұрын

  @@Dinis_Brito This is hardly good harmony. Therefore, it's not among the best I have ever heard. Do you think your 'harmony' is the best? You, a random online composer?, better than the greats?

• 
  @Dinis_BritoАй бұрын

  @@uncertainity188 did i every say it was the greatest? No. give me reasons to believe my harmony is bad *whos your favorite composer?

• 
  @Dinis_BritoАй бұрын

  also i said wtf bc there really was no need for you to comment that under someone just trying to be nice to me

• 
  @adamsmith7058Ай бұрын

  Excellent piece of work. Very evocative. Any plans on uploading this piece?

• 
  @Dinis_BritoАй бұрын

  Yes but where could i upload it to? (protected by copyright of course)

• 
  @Krzychu3005Ай бұрын

  @@Dinis_Brito Well... Musescore platform should be fine. I often go there to study a bit from more talented people. That's your call, just sayin :D

• 
  @NanaKwame962 ай бұрын

  Simply beautiful!

• 
  @Dinis_Brito2 ай бұрын

  tysm really appreciate that!

• 
  @ICircosta2 ай бұрын

  satisfying affffffff

• 
  @enzoaabreu2 ай бұрын

  fire

• 
  @Dinis_Brito2 ай бұрын

  Fuego

• 
  @jeanpierrecarpentier2 ай бұрын

  Very nice work. :)

• 
  @Dinis_Brito2 ай бұрын

  tysm!

• 
  @karaducreations37602 ай бұрын

  How do you add all these chords to a c major ?

• 
  @Dinis_Brito2 ай бұрын

  what exactly do you mean by that? do you mean how did i resolve to C major? its kinda complex i dont think ill be able to explain it here but if you want i can try to explain it

• 
  @NanaKwame962 ай бұрын

  Alot has to do with chord structure and chord functions. Study up some classical Chord functions and work your way up to late romantic harmony. Then have some fun with a bit of Jazz standards (e.g Misty) then look up Jazz harmony/functions and techniques (e.g Tritone substitution and chromatic mediant relationships) It is a bit much but trust me, it is well worth it.

• 
  @Dinis_Brito2 ай бұрын

  @@NanaKwame96 yh that will help a lot

• 
  @BustyCaesarАй бұрын

  Am - (weak) tonic function (aka feels like home. As no tonal key center is established yet its home effect can be stronger or weaker, but when relative to C major key it is the VI chord - weak home. So depends where this passage appears in a piece) Ab - modal interchange from parallel minor (referencing C major key). Flat VI of C minor - subdominant function. Adds movement and some tension Fm- modal interchange from parallel minor again. IV chord of C minor - subdominant function. Prolongs movement and some tension E7 - dominant function adding a lot of tension, with strong tendency to point towards a resolutions to a new target A. Can see as secondary dominant pointing to VI chord of C major (aka Am) OR the V dominant of the relative minor of the C major (aka A minor key) pointing towards the I chord (Am). I would trend to the 2nd view as up to this point C major key tonality has not been established . Not addressing tensions for this analysis a bit lazy lol. Eb7 - dominant function, adding more tension and subverting expectations, now pointing to resolution in a different direction. Can be see as a secondary dominant pointing back to the Flat VI of parallel minor A minor (aka pointing to Ab again), BUT importantly it also functions more like a tritone substitution for secondary dominant pointing towards the II chord in C major (D) - which we will see is important in resolving back to C major (think of the classic 2-5-1 resolutions in jazz) A7 - dominant function, prolonging tension and this time maintains expectations of a resolution to D (previously Eb7 also pointed here, in fact Eb7 is a tritone sub of A7. It’s a secondary dominant pointing towards the II chord D (again helpful for resolving to C see 251s) Ab7 -dominant function, prolongs tension and points again to a new direction, subverting expectations. Acts as a tritone substitution of the secondary dominant of V in C major, pointing towards G (V in C major). Aka tritone sub of the 2 in the 251 classic progression. Also remember the Eb7 2 measures back points here to Ab so this kind of fulfills that resolution Db7 - dominant function - prolongs tension and points again to a new direction, subverting expectations. Acts as a tritone sub of the V chord in C major (G dominant), which now points to C. Again you can think it like a tritone subbing 5 in a 251 progression. C - finally, resolution! Resolves beautifully to C major. Key center is strongly established as the previous 4 measures have been pointing towards C as the I, the home chord ( think a prolonged subbed 6251 progression - strong tendency as this progression resolves wholly in 5ths). Hope this helps. I’m studying music on my own, particularly focusing in jazz. I highly recommend the Berkeley book to Jazz harmony.

• 
  @Dinis_BritoАй бұрын

  ​@@BustyCaesarholy shit you actually did it