Hi! Like the products from you, how does the copyprotection/authorisation of them work?
@MrMick560Күн бұрын
I think we will rebel and go back to basics, everything artificial will be out !
@streitrhoadesКүн бұрын
Great video CH. But I can't concentrate completely because of the Colossus panel behind you. It's from 'The Forbin Project', right? Brilliant.
@PVprodКүн бұрын
bravo !
@7camo_Күн бұрын
What happened to the lower price?
@TheCrowHillCoКүн бұрын
Promo ended.
@adamslawsonКүн бұрын
Wonderful setup! Love the recorder and RME's latest interface everyone raves about!! That keyboard controller is cool, I added it to my wishlist!
@omegast4r9382 күн бұрын
Tonight I drive a silent and electric car James uses a toilet And hammond commits arson
@TheCueTube2 күн бұрын
Thanks for organising - it was lovely to meet everyone and we got lucky with the weather and midge-factor. Winning!
@edjefferson91752 күн бұрын
My daughter, a linguist, can see and taste words and sounds. And she remembers everything.
@eraritjaritjaka12 күн бұрын
Basically I use track automation in Logic,- not "Region Midi" for your spitfire and crow hill products. The other thing with non motorised faders: you have no feedback, so often the values jump in post-processing.... in this case I love to use my faderfox EC4 with just endless encoders but perfect feedback from the DAW in the display...
@treforward69992 күн бұрын
Nice that you were able to share a dram at the top. What whisky were you drinking?
@IceLocus2 күн бұрын
This makes me want to visit Edinburgh again. ⛰️🎶✨️😊
@ElBeeEss2 күн бұрын
You shlepped all the way to the top of the hill and didn't take picnic blankets or any instruments to have an al fresco Solstice jam? Surely that's gotta be a thing for next year?! And a new Vaults instrument: Solstice Sounds of Crow Hill. If there aren't any midges up there, I might even come up from sunny Yorkshire to improve your female ratio in 2025, LOL!
@TheLeon10322 күн бұрын
these walks really warm my heart, great to see
@jensunray12 күн бұрын
I lived in Newington from 79-82.. Arthurs Seat was my playground.. Dunsapie, St Margaret’s, Duddingston Lochs were all my fishing grounds! Hampstead Heath is were I am now but nothing comes close to Arthurs Seat 🙏🥰
@phil-wallace-braveheartz2 күн бұрын
From a distance it looks like you were wearing a kilt
@cosmicguy81072 күн бұрын
Why was everyone so awkward when you first arrived to see them? 😅😅
@desoconnor74452 күн бұрын
It’s great to see people connecting 👏👏👏👏
@ReubenCornell2 күн бұрын
Because we're composers who work alone in darkened rooms for all of our lives. Social interaction is not our forte.
@eliblackman-ce7kf3 күн бұрын
I wished there was a longer version of this version of this theme
@chriswoods5623 күн бұрын
Fascinating video. Thanks!
@R3TR0J4N3 күн бұрын
This theme sir, became the benchmark aspiring every music used in racing in media 👏
@Dispoboy13 күн бұрын
I guess i don’t wanna know how the Subway tastes. To smell it is usually enough
@DR_013 күн бұрын
I hope that this covers Audio Tactile Synesthesia, something that I’ve been cognizant of for about 30 years. It’s not something that happens every moment of the day and it’s not always pleasant. There are certain kinds of sounds that encourage it and I can probably thank Plastikman, RDJ for first bringing it to my attention
@danieltx70663 күн бұрын
I’ve had my Terra for months and only after your questioning the three “bracelets” did I figure out what they were for. Only a few seconds before the light bulb went off for you. I had put them away and forgotten about them. The percussive sounds you used in your track, though, sound like they could have been accomplished with their Pulsar-23. I enjoyed the video! It’s fun (and inspiring) to see how others use the Terra.
@garystringa63 күн бұрын
Being someone with Aphantasia and audio-aphantasia I experience some things in the opposite direction. I see no images, have no visual memory nor hear music when not being played, nor do I have any voices in my head. However I feel music very strongly and as a composer-producer I don't feel at all that this is a disability. I draw, paint and make music and write stories. Words and music are very important in my life. So there were many parts of this video that resonated with me. Thank you for such a non-judgmental, curiosity driven set of interviews. I have friends with Synaesthsesia, and often trade descriptions of our different experiences to music. I love the underground map - visiting London is going to be a totally different experience from now on. I want to find and visit Spangles.
@grizcuz3 күн бұрын
I don't understand how the stuff that isn't live, that's coming out of Studio One, remains synced. Is the drummer taking the click from the DAW and making sure he's rock solid with his tempo? Or, is Studio One somehow adjusting its tempo live from the drummer and fluctuating so it remains in time with the live musicians? How are songs started, does the drummer count them in and the person on Studio One duty has to ensure they hit play on exactly the right beat for it all to unfold as they planned?
@alexandriafinn81143 күн бұрын
Very cool video. Minor typo. It’s “Sienna” brown, not sierra
@guido_cicholas4 күн бұрын
In fact, I'm pretty sure that every station of the LU has its own unique flavor 🙂
@richardm123uk4 күн бұрын
Great intro, and (ignoring the Colossus) that Psychomania poster!!!
@nickruddle15284 күн бұрын
Wow Fantastic.
@Penfriendrocks4 күн бұрын
Mike Stevens!! I was lucky to work with him many moons ago when I was a session bassist. Brilliant musician, lovely man xo
@Reeceline4 күн бұрын
Great video. I first heard about Synaesthesia from a 2004 documentary called 'Derek Tastes of Earwax' which features James. Great to see him leading the way with further reserch.
@CMSpida4 күн бұрын
The dangers of people illegally sampling Drums with stem splitter is ridiculous
@JezNashMusic4 күн бұрын
Wonderful behind-the-scenes tech details. A must-see!
@rhicksmusic4 күн бұрын
Like quite a lot of composers, I'm autistic but I'd always put the colour and taste connection down to autism alone. How wrong was I. Age 51 and still in my infancy at learning. Interestingly, If I'm feeling happy, I write bleak music which to me 'looks' like vibrant flowers colours. Brilliant film, thank you. Going to deep dive into research on this
@wimeik4 күн бұрын
Amazing, thank you!
@andresluque87024 күн бұрын
This is fantastic. Thank you! You should write a book on this. So well explained.
@StratsRUs4 күн бұрын
It's all fine to me.Writing songs, singing songs , it's all good. The stem splitter is ok but nothing new.
@OdoSendaidokai4 күн бұрын
Absolutey great topic. Thank you presenting it 🌻
@riffism4 күн бұрын
I’ve been a gigging musician and Music Director for 35 years. It’s amazing what we currently use to run a show compared to 30 years ago. I’ve embraced the tech and use a digital console, time code, stems on a Mac, virtual instruments/guitar cabs, in-ear monitoring, etc. The stage is way cleaner and the sound is better for the musicians AND the guests.
@kmdrfarsight4 күн бұрын
This was really interesting! Just goes to show how doing something seemingly innocuous can have such a massive impact and be remembered and loved for years to come!
@soronoc4 күн бұрын
it's interesting how many people with clear personality disorders also claim to have Synaesthesia... this was a great watch, top video
@reggiep754 күн бұрын
I've endlessly been interested in people with this condition, to compare the different tastes/colours/shapes they assign to things.
@backroomsuperstar4 күн бұрын
I had music notes come out of the Beatles Revolver album whilst it was spinning, other than this, and it doesn't happen all the time (great when it does), is playing keyboard and going into an almost meditative, singular state.
@GizzyDillespee4 күн бұрын
I used to wish we had smellivision and tastevision... but not on KZread or titkok... yikes! We'd cut off our noses. Wait... could that be why the grey aliens don't have noses? Or is it because noses are hard to sketch, but either way, it's probably good that we never developed smellivision. I knew a guy at Oberlin who would see shapes and colors together in relation to music - like bright yellow triangles or violet stars, and so on. It seemed to be timbre and dynamics and harmonic relationships and melodic trajectories, whatever you want to call that aspect of the music (its "vibe"?🤣 IDK) that informed which shapes and colors would appear. At least, that's what seemed to make sense to me, at the time, from how he described it. But it could have been the absolute pitches, I guess, and I misinterpreted the situation. He called it synesthesia, and I'd heard that term before... so, that was a pretty normal and established phenomenon, under that label, at least for a while before that point. I think you can match your music's color, or try to add to or change the meaning via color, or even subvert it. I think most people who don't have some form of synesthesia still have musical color associations thanks to Hollywood tropes, and even musical genre tropes, such as associating synthwave colors with analog polysynth chords. If synesthesia is some sort of spectrum, then in order to identify it, you'd have to be able to tease apart the mild cases from those culturally induced associations. Or maybe it IS some combination of an active imagination with learned associations, and some other factors, that come together for that sort of perception to emerge? Have fun with it!
@bemused82164 күн бұрын
My first experience of this was back in the 60s at school. When at the music lesson the teacher played the Planets Suite by Holst. Every piece became a colour and texture. And after a Lifetime of writing and playing music. They all invoke colours for me. I even set out with a colour first to describe an aural tone.
@MrIantodd4 күн бұрын
I have synaesthesia, feel free if you would like to have a chat about it
@govcorpwatch4 күн бұрын
We may be interested in synesthete Mary Bichner [and her website].
@govcorpwatch4 күн бұрын
Check out the research that Vilayanur Ramachandran [MBBS, FRCP (London), PhD, director of the Center for Brain and Cognition at the University of California, San Diego] has been doing on synesthesia. eg. "Survival of the synesthesia gene: why do people hear colors and taste words? "
@Riktenstein4 күн бұрын
All sounds have shapes for me. Certain music can trigger colours.
@govcorpwatch4 күн бұрын
That is a form of synesthesia, 100%. The research on synesthesia by Vilayanur Ramachandran is stunning!
@mdoerkse4 күн бұрын
If the notes have colors, what happens with a chord? Does it work logically, like the colors combine like mixing paint? Or does each chord have an arbitrary color, or do they experience each color simultaneously?
@govcorpwatch4 күн бұрын
There are two types, one is sensing the color, the other is actually seeing the color. And yes, they are each seen simultaneously. So a chord does actually produce multiple colors, and don't mix. Each color is not mixed. Though it may be different for others. I'm saying this based on Mary Bichner's experience.
Пікірлер
Hi! Like the products from you, how does the copyprotection/authorisation of them work?
I think we will rebel and go back to basics, everything artificial will be out !
Great video CH. But I can't concentrate completely because of the Colossus panel behind you. It's from 'The Forbin Project', right? Brilliant.
bravo !
What happened to the lower price?
Promo ended.
Wonderful setup! Love the recorder and RME's latest interface everyone raves about!! That keyboard controller is cool, I added it to my wishlist!
Tonight I drive a silent and electric car James uses a toilet And hammond commits arson
Thanks for organising - it was lovely to meet everyone and we got lucky with the weather and midge-factor. Winning!
My daughter, a linguist, can see and taste words and sounds. And she remembers everything.
Basically I use track automation in Logic,- not "Region Midi" for your spitfire and crow hill products. The other thing with non motorised faders: you have no feedback, so often the values jump in post-processing.... in this case I love to use my faderfox EC4 with just endless encoders but perfect feedback from the DAW in the display...
Nice that you were able to share a dram at the top. What whisky were you drinking?
This makes me want to visit Edinburgh again. ⛰️🎶✨️😊
You shlepped all the way to the top of the hill and didn't take picnic blankets or any instruments to have an al fresco Solstice jam? Surely that's gotta be a thing for next year?! And a new Vaults instrument: Solstice Sounds of Crow Hill. If there aren't any midges up there, I might even come up from sunny Yorkshire to improve your female ratio in 2025, LOL!
these walks really warm my heart, great to see
I lived in Newington from 79-82.. Arthurs Seat was my playground.. Dunsapie, St Margaret’s, Duddingston Lochs were all my fishing grounds! Hampstead Heath is were I am now but nothing comes close to Arthurs Seat 🙏🥰
From a distance it looks like you were wearing a kilt
Why was everyone so awkward when you first arrived to see them? 😅😅
It’s great to see people connecting 👏👏👏👏
Because we're composers who work alone in darkened rooms for all of our lives. Social interaction is not our forte.
I wished there was a longer version of this version of this theme
Fascinating video. Thanks!
This theme sir, became the benchmark aspiring every music used in racing in media 👏
I guess i don’t wanna know how the Subway tastes. To smell it is usually enough
I hope that this covers Audio Tactile Synesthesia, something that I’ve been cognizant of for about 30 years. It’s not something that happens every moment of the day and it’s not always pleasant. There are certain kinds of sounds that encourage it and I can probably thank Plastikman, RDJ for first bringing it to my attention
I’ve had my Terra for months and only after your questioning the three “bracelets” did I figure out what they were for. Only a few seconds before the light bulb went off for you. I had put them away and forgotten about them. The percussive sounds you used in your track, though, sound like they could have been accomplished with their Pulsar-23. I enjoyed the video! It’s fun (and inspiring) to see how others use the Terra.
Being someone with Aphantasia and audio-aphantasia I experience some things in the opposite direction. I see no images, have no visual memory nor hear music when not being played, nor do I have any voices in my head. However I feel music very strongly and as a composer-producer I don't feel at all that this is a disability. I draw, paint and make music and write stories. Words and music are very important in my life. So there were many parts of this video that resonated with me. Thank you for such a non-judgmental, curiosity driven set of interviews. I have friends with Synaesthsesia, and often trade descriptions of our different experiences to music. I love the underground map - visiting London is going to be a totally different experience from now on. I want to find and visit Spangles.
I don't understand how the stuff that isn't live, that's coming out of Studio One, remains synced. Is the drummer taking the click from the DAW and making sure he's rock solid with his tempo? Or, is Studio One somehow adjusting its tempo live from the drummer and fluctuating so it remains in time with the live musicians? How are songs started, does the drummer count them in and the person on Studio One duty has to ensure they hit play on exactly the right beat for it all to unfold as they planned?
Very cool video. Minor typo. It’s “Sienna” brown, not sierra
In fact, I'm pretty sure that every station of the LU has its own unique flavor 🙂
Great intro, and (ignoring the Colossus) that Psychomania poster!!!
Wow Fantastic.
Mike Stevens!! I was lucky to work with him many moons ago when I was a session bassist. Brilliant musician, lovely man xo
Great video. I first heard about Synaesthesia from a 2004 documentary called 'Derek Tastes of Earwax' which features James. Great to see him leading the way with further reserch.
The dangers of people illegally sampling Drums with stem splitter is ridiculous
Wonderful behind-the-scenes tech details. A must-see!
Like quite a lot of composers, I'm autistic but I'd always put the colour and taste connection down to autism alone. How wrong was I. Age 51 and still in my infancy at learning. Interestingly, If I'm feeling happy, I write bleak music which to me 'looks' like vibrant flowers colours. Brilliant film, thank you. Going to deep dive into research on this
Amazing, thank you!
This is fantastic. Thank you! You should write a book on this. So well explained.
It's all fine to me.Writing songs, singing songs , it's all good. The stem splitter is ok but nothing new.
Absolutey great topic. Thank you presenting it 🌻
I’ve been a gigging musician and Music Director for 35 years. It’s amazing what we currently use to run a show compared to 30 years ago. I’ve embraced the tech and use a digital console, time code, stems on a Mac, virtual instruments/guitar cabs, in-ear monitoring, etc. The stage is way cleaner and the sound is better for the musicians AND the guests.
This was really interesting! Just goes to show how doing something seemingly innocuous can have such a massive impact and be remembered and loved for years to come!
it's interesting how many people with clear personality disorders also claim to have Synaesthesia... this was a great watch, top video
I've endlessly been interested in people with this condition, to compare the different tastes/colours/shapes they assign to things.
I had music notes come out of the Beatles Revolver album whilst it was spinning, other than this, and it doesn't happen all the time (great when it does), is playing keyboard and going into an almost meditative, singular state.
I used to wish we had smellivision and tastevision... but not on KZread or titkok... yikes! We'd cut off our noses. Wait... could that be why the grey aliens don't have noses? Or is it because noses are hard to sketch, but either way, it's probably good that we never developed smellivision. I knew a guy at Oberlin who would see shapes and colors together in relation to music - like bright yellow triangles or violet stars, and so on. It seemed to be timbre and dynamics and harmonic relationships and melodic trajectories, whatever you want to call that aspect of the music (its "vibe"?🤣 IDK) that informed which shapes and colors would appear. At least, that's what seemed to make sense to me, at the time, from how he described it. But it could have been the absolute pitches, I guess, and I misinterpreted the situation. He called it synesthesia, and I'd heard that term before... so, that was a pretty normal and established phenomenon, under that label, at least for a while before that point. I think you can match your music's color, or try to add to or change the meaning via color, or even subvert it. I think most people who don't have some form of synesthesia still have musical color associations thanks to Hollywood tropes, and even musical genre tropes, such as associating synthwave colors with analog polysynth chords. If synesthesia is some sort of spectrum, then in order to identify it, you'd have to be able to tease apart the mild cases from those culturally induced associations. Or maybe it IS some combination of an active imagination with learned associations, and some other factors, that come together for that sort of perception to emerge? Have fun with it!
My first experience of this was back in the 60s at school. When at the music lesson the teacher played the Planets Suite by Holst. Every piece became a colour and texture. And after a Lifetime of writing and playing music. They all invoke colours for me. I even set out with a colour first to describe an aural tone.
I have synaesthesia, feel free if you would like to have a chat about it
We may be interested in synesthete Mary Bichner [and her website].
Check out the research that Vilayanur Ramachandran [MBBS, FRCP (London), PhD, director of the Center for Brain and Cognition at the University of California, San Diego] has been doing on synesthesia. eg. "Survival of the synesthesia gene: why do people hear colors and taste words? "
All sounds have shapes for me. Certain music can trigger colours.
That is a form of synesthesia, 100%. The research on synesthesia by Vilayanur Ramachandran is stunning!
If the notes have colors, what happens with a chord? Does it work logically, like the colors combine like mixing paint? Or does each chord have an arbitrary color, or do they experience each color simultaneously?
There are two types, one is sensing the color, the other is actually seeing the color. And yes, they are each seen simultaneously. So a chord does actually produce multiple colors, and don't mix. Each color is not mixed. Though it may be different for others. I'm saying this based on Mary Bichner's experience.