This exercise helps quite alot with staying in the right place for sure, but I break like crazy when I hit a certain note, roughly around an F4 to which I break into falsetto You have any tips to break past this?
@s0me0nelse12 сағат бұрын
Great tips
@s0me0nelse12 сағат бұрын
This thing is very natural to me, maybe because in the middle east it is very common to sing like that in more ethnic songs, I hate how it sounds and the buzzing sensations it creates on me, but I like it on others... :/ it doesn't sound like a mix like me, just a nasally chest, like someone with a cold, or an old lady. When I'm doing it I feel shouty even when I try to sing quiet, on spectrogram al three harmonics go crazy, is there a way to use it with lower intensity?
@themusketeer945814 сағат бұрын
Wow, whispering made me realise, i raise the tongue to change the pitch, making me feel stuck alot of times
@ambientskaiКүн бұрын
Holy shit. I think this is it I think this is the piece I was missing. All others were saying its something to do with the soft pallet, but going from E to A and then rising on the A into the soft pallet, I almost did it. This video is being saved, and this is being added to my daily practice. Thank you
@s0me0nelseКүн бұрын
That's why putting your palms on the sternum and pulling down on it helps? Because it put pressure on the ribcage?
@s0me0nelseКүн бұрын
Good one, thank you
@agabrookКүн бұрын
Wait. Is that cry technique?
@s0me0nelseКүн бұрын
about the nose exercise, it lowers my volume, there for first harmony and second get lower, and the third become the dominante, but if ill try to push for higher volume im in belting again
@s0me0nelseКүн бұрын
yes man! this R exercise got me in a mix configuration for the whole second halp 4th octave, we got it!
@s0me0nelse2 күн бұрын
interestingly, my natural tendency was to keep my mouth static and not so open, i guess because of low confidence. but many of the vocal coaches instruct people to open their mouth vertically or smile, so i followed it, and it tend to work in allowing me to go higher with less strain.... now you advice me to go back to neutral :x this hold the sternum trick is amazing! i got from G2 to C2 only by holding the sternum down! where can i see more about how it works?
@s0me0nelse2 күн бұрын
i dont understand man, when you direct your voice to your uppercheeks your larynx stops moving? at all? something very strange happens to me when i try this thing. I'm a baritone, and i can use head voice near to C6 in good days, but definitely above C5 in any day. when i do what you suggested the larynx moves but more slowly, and i just cant go into head voice at all, i got near c5 and my voice get choked. i need to release the configuration, reset it to what i know, and then i can get into head again, and by that my larynx hits the sky. maybe its not a true head voice what i got? maybe its what people calls "flageolet". is this tip will work also for flageolet?
@s0me0nelse2 күн бұрын
omg this lesson made my throat hurt so bad, i was told you shouldnt be so loud with your head voice, how can you sing so loud?!
@s0me0nelse2 күн бұрын
a very good exercise, it immidietly increase breath support and closure to all register, i hope someday ill have those without priming myself with this method. one think i would like to add, this built pressure can be dangerous in head voice, it need to be modified before you switch to voice produce because head voice not build to deal with so much pressure and it can get hurt.
@s0me0nelse2 күн бұрын
if a creating vibrations in different places of the head called placementing, then that comes naturally to me (at least one skill that comes easy, so I'm not a total failure).. the problem there is, although that according to the spectrogram i get amazing number of over tones, which should be a good sign, in practice i seem to perceive my voice as nasal, arrogont, unnartural, made of, and it feels embarrassing to sing like that.. althought i noticed that most known singers use it all the time. so maybe my work here is more psychological? or maybe in my case it comes less pretty to "sing from the mask"? i dont know.
@s0me0nelse2 күн бұрын
great, if i focus on chords closure i get spectrogram configurations that fit to mix between to a very small range before C5, in C5 it turns to head. the question is how to make this closure a easy habit that works on its on whenever you want it to without thinking, and most importantly, how to overcome the difficulty and strain happens when you use closure fitted to mix in your head voice. you need to immidietly tune down when you enter to head, otherwise i get air and pain instead of steady sound
@s0me0nelse3 күн бұрын
It does make me produce different kind of vocal quality, it is a high easy produced voice, sounds like a voice coming from somewhere in the back, and all chest resonance is gone. In spectro it looks like soft belting
@mv97873 күн бұрын
Words of wisdom in the end 🙏🏻 God bless you
@mv97874 күн бұрын
I think I’ve been practising with quiet mixed voice almost for a year now, because it is always connected. This video made me realise it. It has been a game changer.
@s0me0nelse4 күн бұрын
That's not what everybody does in high notes? I can't at all project high head notes to my forehead, it makes the hard to a point they crack with too much volume
@s0me0nelse4 күн бұрын
i really like imagery instructions, it works for me wonderfully so keep bringing instructional vids like that <3. what i noticed that if i imagine I'm directing it only upwards, the first harmonic takes control and the overall voice has less force\becomes more quieter. if I'm directing it downwards and upwards i get the "open throat" sensation just like when I'm trying to imitate opera singers. it keeps the voice around the same volume but spreading the force across all overtones, but the voice color changes to a more deep, like it comes more from the back of the head, and in most music genres it doesn't really fits. another thing, because this is not about mix voice but only for strain less, if someone can only belt, this tip will give him a bit more of high less strainfull notes, until he will hit the line when it need to flip to head, near this area the strain will come back, even if you try to stick with this intruction.
@s0me0nelse4 күн бұрын
U creats a "mix configuration", i guess thats because the vowel mutes the second harmonic. but because the third stays around where he would in a different vowel, when i switch to open vowel the second harmonic takes control once more... i didn't really understand what was the goal of this exercise :\
@s0me0nelse4 күн бұрын
i like the semi occlusion for training more force insertion to the voice by pressure, thats nice. interestingly, when i do the exercise you suggested with "MUM" + semi, i get stronger force in second to fourth harmonics, where the fourth overcome the third, while the fourth getting close to the second but still cant pass it. interesting... the third seems to be hard to manipulate, it seems like its getting stronger with all the others linearly, while the more upper overtones are easier to manipulate by vocal placements. that's ok, if someone had a golden trick for mix voice he would win a youtube award, its not that mix voice got a name of being a difficult skill for nothing, no one up to now managed to provide a straight forward foolproof tool that gets most people to be able to produce it. is it possible that some people just cant really produce it?
@s0me0nelse4 күн бұрын
wow great idea, unfurtonatly you still sound loud even with it. it could help me a ton if ill manage to find something better for me. does such device have a proffesional name i could search at online shops?
@s0me0nelse4 күн бұрын
about tongue position, i feel it promotes extra buzz sensation on the top of my "mask" and i can observe in the spectrogram it adds more overtones, no effects on the first harmonics though
@s0me0nelse4 күн бұрын
wow im so impressed. i manipulated the mouth sensation and i saw immidate change in the strength of the second harmonic strength in head, and the third in chest + one more overtone :o i tried to use the same engagement in both cases and repeated it and the effect was consistent
@s0me0nelse4 күн бұрын
i dont think im tend to imitate someone, maybe a feel or effects, especially when it comes to rock where they doing the sharp power notes. but ill tell you what, naturally i speak with very loose closure, but in singing I'm demanded to increase it, and when i engage my chords my voice turns to more "stressed sounding" emotional wise, dramatic, operaic, and of course it doesnt sound like anything similar to my speaking voice, nor convincing anyone emotionally. its like a psychological perception takes control and dictates my singing by how i "suppose" to sound like given this kind of engagement at the vocal chords and emotions i feel when hearing that song.
@s0me0nelse4 күн бұрын
i didnt know about the semi occluded exercise, it worked like magic, i did it once and the vibrato came out steady out of a sudden. about muscle tensions, as i replied in previous video, this thumbs thing is only a diagnostic method, it isnt a treatment\fixing tool. i watched many vocal coaching videos i youtube, and i can say no one really solve this problem in any video, maybe it doesnt have a methodical fixing approach... if you will come with one i think you will be the first.
@s0me0nelse4 күн бұрын
"if you can do it, you are on the way", if i could do it i wouldnt watch a how to video :') i get this muscle work when i go to head, near to c5, no matter if in legato or stecato (male baritone here). about opening the mounth, i noticed it makes the finger move further from the tongue muscles, falsly giving the impression the muscle work less, but thats an illusion.
@s0me0nelse4 күн бұрын
another thing about this "trick", i see that when i use this puffy cheeks method, I'm much in my throat, and when i extract vocals from there i can get only 2 harmonics, in order to get all resonance i need to get it up to my nose and forehead, and this pressure in the throat doesn't promote that. if i do it with the spectrogram, i see that I'm in two harmonics and then shifting it up to get the others, but I'm not in the same configuration as i was anymore
@s0me0nelse4 күн бұрын
im hot on this spectrogram thing right now, im doing the puffy cheeks, up to G4 where my mix should be (male baritone), singing roxanne, and it falls into belting by the spectrogram, higher not have third harmony stronger (ROX) and then the lower note (ANNE) automatically bring the energy back and only second harmony left as the formant. is it a must to shout everytime you practice mix? is it a shouty kind of voice? everyone i see teaching it always shout all the time
@Bubble_Gum_Z5 күн бұрын
you sing like a crap
@zaccelinder33445 күн бұрын
But what if my voice cracks on that high g??
@zaccelinder33445 күн бұрын
Been trying for 5 years now! Do you do zoom sessions?
@tylerwysong5 күн бұрын
@@zaccelinder3344 Yes absolutely I teach online lessons. My schedule is pretty slammed at the moment but please reach out to [email protected] to either join my waiting list or possibly we can make something work if you happen to have availability at the same time as my very limited available spots.
@s0me0nelse5 күн бұрын
Another question since you are so kind, knowledgeable and responsive. I see that when I use full closure of my voice I can observe steady over tones all across and up to 8000hz in chest and up to 10000hz when trying with the starting notes of my head voice. Is it what expected from male bariton? Does it have any meanings/applications? I feel i was avoiding this kind of voice all my life because it vibrates unpleasantly in my forehead/sinuses and ring/buzz harshly in my ears, although in records it sounds nice and somewhat impressive/operatic.
@tylerwysong5 күн бұрын
@@s0me0nelse Pavarotti said when he sang it sounded like razor blades inside of his head. You’re in good company.
@s0me0nelse5 күн бұрын
@@tylerwysong 🙀🤯
@s0me0nelse5 күн бұрын
16:38 I feel this sensation on my head when i sing with vocal chords closure, even in chest, it is very unpleasant feeling, it hurts my ears, all my head buzzing, and i think this is why naturally i never used it, i know it sounds better, but what can i do about the physical bad sensation?
@s0me0nelse5 күн бұрын
Question, what happens when you go to the top of you mix range? I guess we expecting some transition stated before we get to head configuration whete the first harmony is the the formant...
@tylerwysong5 күн бұрын
Eventually you will switch into what Ken Bozeman calls whoop timbre which is basically head voice.
@s0me0nelse5 күн бұрын
@@tylerwysong No small transition phase towards the switch?
@tylerwysong5 күн бұрын
@@s0me0nelse yes it’s allows gradually shifting
@s0me0nelse6 күн бұрын
6:43 But at the start of the video you said that if there are two picks before the first highest it is open timbre, which means chest..? I feel like I cant get what you saying, do you have some more basic video to watch in order to understand this video?
@tylerwysong6 күн бұрын
If you are interested in formants and harmonics you should look into Ken Bozemans work. He has several interviews here in YT and has written two great books on this topic. I was a student of his for a while. He is amazing.
@s0me0nelse5 күн бұрын
@@tylerwysong Ok now I understand, the chest voice start with 4-5 harmony as the formant, slowly moving to be the second. On the way there the formant passes through being on the third harmony, but it is not mix, because it is still in low notes, and the third harmonic in that case isn't a head note. It is considered a mix when it comes to the passagio and then the third harmonic is a head component, and if you successfully cooperate it by putting more force in it, you have a low and high combination that you can call "mix", a low note that sounds super high at the same time. I'll tell you what, if I close my vocal folds and push a bit, I get to a point where the second and third is almost the same strength, but the second always a litttttle bit higher. I saw that in your mix vibrato it switched between those two states of two and three switching in strength, I wonder if it still count as mix in my case 🤔
@tylerwysong5 күн бұрын
@@s0me0nelse Sounds like nyou are getting very close for sure. it's possible to get the 3rd significantly higher though. I would keep working for that. And then of course you can choose what to do, it's just that most people don't have all options available so they do only what comes instinctive to them which in my opinion is very limiting.
@davidbagoudjare21417 күн бұрын
Merci❤ enseignemoi la deuxieme voi stp
@takanti7 күн бұрын
Thanks for posting this! Been very helpful with addressing chronic tension in the tongue and throat
@elijahtyrrell11 күн бұрын
Im still really struggling with it but I don’t know what I’m doing wrong
@undead.rising11 күн бұрын
Talent is not overrated - it just takes hard work.
@tylerwysong11 күн бұрын
In my opinion it is. “There are men of talent and there are men of preparation. The latter are mistaken for the former. But the former, never for the latter.” -Alex Hormozi I guess his too.
@user-dw8qu6gx6l12 күн бұрын
I found my mix voice thank you tyler
@pugthug201618 күн бұрын
My vocal coach I naturally had amazing control of my mix voice; i’m 14 and he told me he’s never seen somebody my age hit it this well with everything going on 😂 thanks for this! now I have a better understanding of it:)
@melianalevinaprasetyo997619 күн бұрын
I can reach all range voices
@1000-flowers23 күн бұрын
Where is pharyngeal ? Is it at the back of our mouth Or above the hard palate behind the nose ?
@hiuwo25 күн бұрын
what does “singing in the passagio” even mean..? singing in the middle of your range has by definition nothing to do with passagio.. so confused
@tylerwysong25 күн бұрын
Passaggio is an italian word/term for passage way. They noticed there is a certain part of the range, in the middle, where things can get weird for most singers. So singing in the passaggio is singing in this passage way which is in the middle of your range.
@maxcook631927 күн бұрын
when you talk about the passagio are you refferring to the mixed range or the belty tenor opera sound. my voice coach explains passagio as like a way to belt really high notes easier but i feel like youre just teqching mixed range. sorry for the confusion
@spencermalianewcomb28 күн бұрын
How loud are you singing? These arent super resonant right? Should we rely a lot on the mic?
Пікірлер
This exercise helps quite alot with staying in the right place for sure, but I break like crazy when I hit a certain note, roughly around an F4 to which I break into falsetto You have any tips to break past this?
Great tips
This thing is very natural to me, maybe because in the middle east it is very common to sing like that in more ethnic songs, I hate how it sounds and the buzzing sensations it creates on me, but I like it on others... :/ it doesn't sound like a mix like me, just a nasally chest, like someone with a cold, or an old lady. When I'm doing it I feel shouty even when I try to sing quiet, on spectrogram al three harmonics go crazy, is there a way to use it with lower intensity?
Wow, whispering made me realise, i raise the tongue to change the pitch, making me feel stuck alot of times
Holy shit. I think this is it I think this is the piece I was missing. All others were saying its something to do with the soft pallet, but going from E to A and then rising on the A into the soft pallet, I almost did it. This video is being saved, and this is being added to my daily practice. Thank you
That's why putting your palms on the sternum and pulling down on it helps? Because it put pressure on the ribcage?
Good one, thank you
Wait. Is that cry technique?
about the nose exercise, it lowers my volume, there for first harmony and second get lower, and the third become the dominante, but if ill try to push for higher volume im in belting again
yes man! this R exercise got me in a mix configuration for the whole second halp 4th octave, we got it!
interestingly, my natural tendency was to keep my mouth static and not so open, i guess because of low confidence. but many of the vocal coaches instruct people to open their mouth vertically or smile, so i followed it, and it tend to work in allowing me to go higher with less strain.... now you advice me to go back to neutral :x this hold the sternum trick is amazing! i got from G2 to C2 only by holding the sternum down! where can i see more about how it works?
i dont understand man, when you direct your voice to your uppercheeks your larynx stops moving? at all? something very strange happens to me when i try this thing. I'm a baritone, and i can use head voice near to C6 in good days, but definitely above C5 in any day. when i do what you suggested the larynx moves but more slowly, and i just cant go into head voice at all, i got near c5 and my voice get choked. i need to release the configuration, reset it to what i know, and then i can get into head again, and by that my larynx hits the sky. maybe its not a true head voice what i got? maybe its what people calls "flageolet". is this tip will work also for flageolet?
omg this lesson made my throat hurt so bad, i was told you shouldnt be so loud with your head voice, how can you sing so loud?!
a very good exercise, it immidietly increase breath support and closure to all register, i hope someday ill have those without priming myself with this method. one think i would like to add, this built pressure can be dangerous in head voice, it need to be modified before you switch to voice produce because head voice not build to deal with so much pressure and it can get hurt.
if a creating vibrations in different places of the head called placementing, then that comes naturally to me (at least one skill that comes easy, so I'm not a total failure).. the problem there is, although that according to the spectrogram i get amazing number of over tones, which should be a good sign, in practice i seem to perceive my voice as nasal, arrogont, unnartural, made of, and it feels embarrassing to sing like that.. althought i noticed that most known singers use it all the time. so maybe my work here is more psychological? or maybe in my case it comes less pretty to "sing from the mask"? i dont know.
great, if i focus on chords closure i get spectrogram configurations that fit to mix between to a very small range before C5, in C5 it turns to head. the question is how to make this closure a easy habit that works on its on whenever you want it to without thinking, and most importantly, how to overcome the difficulty and strain happens when you use closure fitted to mix in your head voice. you need to immidietly tune down when you enter to head, otherwise i get air and pain instead of steady sound
It does make me produce different kind of vocal quality, it is a high easy produced voice, sounds like a voice coming from somewhere in the back, and all chest resonance is gone. In spectro it looks like soft belting
Words of wisdom in the end 🙏🏻 God bless you
I think I’ve been practising with quiet mixed voice almost for a year now, because it is always connected. This video made me realise it. It has been a game changer.
That's not what everybody does in high notes? I can't at all project high head notes to my forehead, it makes the hard to a point they crack with too much volume
i really like imagery instructions, it works for me wonderfully so keep bringing instructional vids like that <3. what i noticed that if i imagine I'm directing it only upwards, the first harmonic takes control and the overall voice has less force\becomes more quieter. if I'm directing it downwards and upwards i get the "open throat" sensation just like when I'm trying to imitate opera singers. it keeps the voice around the same volume but spreading the force across all overtones, but the voice color changes to a more deep, like it comes more from the back of the head, and in most music genres it doesn't really fits. another thing, because this is not about mix voice but only for strain less, if someone can only belt, this tip will give him a bit more of high less strainfull notes, until he will hit the line when it need to flip to head, near this area the strain will come back, even if you try to stick with this intruction.
U creats a "mix configuration", i guess thats because the vowel mutes the second harmonic. but because the third stays around where he would in a different vowel, when i switch to open vowel the second harmonic takes control once more... i didn't really understand what was the goal of this exercise :\
i like the semi occlusion for training more force insertion to the voice by pressure, thats nice. interestingly, when i do the exercise you suggested with "MUM" + semi, i get stronger force in second to fourth harmonics, where the fourth overcome the third, while the fourth getting close to the second but still cant pass it. interesting... the third seems to be hard to manipulate, it seems like its getting stronger with all the others linearly, while the more upper overtones are easier to manipulate by vocal placements. that's ok, if someone had a golden trick for mix voice he would win a youtube award, its not that mix voice got a name of being a difficult skill for nothing, no one up to now managed to provide a straight forward foolproof tool that gets most people to be able to produce it. is it possible that some people just cant really produce it?
wow great idea, unfurtonatly you still sound loud even with it. it could help me a ton if ill manage to find something better for me. does such device have a proffesional name i could search at online shops?
about tongue position, i feel it promotes extra buzz sensation on the top of my "mask" and i can observe in the spectrogram it adds more overtones, no effects on the first harmonics though
wow im so impressed. i manipulated the mouth sensation and i saw immidate change in the strength of the second harmonic strength in head, and the third in chest + one more overtone :o i tried to use the same engagement in both cases and repeated it and the effect was consistent
i dont think im tend to imitate someone, maybe a feel or effects, especially when it comes to rock where they doing the sharp power notes. but ill tell you what, naturally i speak with very loose closure, but in singing I'm demanded to increase it, and when i engage my chords my voice turns to more "stressed sounding" emotional wise, dramatic, operaic, and of course it doesnt sound like anything similar to my speaking voice, nor convincing anyone emotionally. its like a psychological perception takes control and dictates my singing by how i "suppose" to sound like given this kind of engagement at the vocal chords and emotions i feel when hearing that song.
i didnt know about the semi occluded exercise, it worked like magic, i did it once and the vibrato came out steady out of a sudden. about muscle tensions, as i replied in previous video, this thumbs thing is only a diagnostic method, it isnt a treatment\fixing tool. i watched many vocal coaching videos i youtube, and i can say no one really solve this problem in any video, maybe it doesnt have a methodical fixing approach... if you will come with one i think you will be the first.
"if you can do it, you are on the way", if i could do it i wouldnt watch a how to video :') i get this muscle work when i go to head, near to c5, no matter if in legato or stecato (male baritone here). about opening the mounth, i noticed it makes the finger move further from the tongue muscles, falsly giving the impression the muscle work less, but thats an illusion.
another thing about this "trick", i see that when i use this puffy cheeks method, I'm much in my throat, and when i extract vocals from there i can get only 2 harmonics, in order to get all resonance i need to get it up to my nose and forehead, and this pressure in the throat doesn't promote that. if i do it with the spectrogram, i see that I'm in two harmonics and then shifting it up to get the others, but I'm not in the same configuration as i was anymore
im hot on this spectrogram thing right now, im doing the puffy cheeks, up to G4 where my mix should be (male baritone), singing roxanne, and it falls into belting by the spectrogram, higher not have third harmony stronger (ROX) and then the lower note (ANNE) automatically bring the energy back and only second harmony left as the formant. is it a must to shout everytime you practice mix? is it a shouty kind of voice? everyone i see teaching it always shout all the time
you sing like a crap
But what if my voice cracks on that high g??
Been trying for 5 years now! Do you do zoom sessions?
@@zaccelinder3344 Yes absolutely I teach online lessons. My schedule is pretty slammed at the moment but please reach out to [email protected] to either join my waiting list or possibly we can make something work if you happen to have availability at the same time as my very limited available spots.
Another question since you are so kind, knowledgeable and responsive. I see that when I use full closure of my voice I can observe steady over tones all across and up to 8000hz in chest and up to 10000hz when trying with the starting notes of my head voice. Is it what expected from male bariton? Does it have any meanings/applications? I feel i was avoiding this kind of voice all my life because it vibrates unpleasantly in my forehead/sinuses and ring/buzz harshly in my ears, although in records it sounds nice and somewhat impressive/operatic.
@@s0me0nelse Pavarotti said when he sang it sounded like razor blades inside of his head. You’re in good company.
@@tylerwysong 🙀🤯
16:38 I feel this sensation on my head when i sing with vocal chords closure, even in chest, it is very unpleasant feeling, it hurts my ears, all my head buzzing, and i think this is why naturally i never used it, i know it sounds better, but what can i do about the physical bad sensation?
Question, what happens when you go to the top of you mix range? I guess we expecting some transition stated before we get to head configuration whete the first harmony is the the formant...
Eventually you will switch into what Ken Bozeman calls whoop timbre which is basically head voice.
@@tylerwysong No small transition phase towards the switch?
@@s0me0nelse yes it’s allows gradually shifting
6:43 But at the start of the video you said that if there are two picks before the first highest it is open timbre, which means chest..? I feel like I cant get what you saying, do you have some more basic video to watch in order to understand this video?
If you are interested in formants and harmonics you should look into Ken Bozemans work. He has several interviews here in YT and has written two great books on this topic. I was a student of his for a while. He is amazing.
@@tylerwysong Ok now I understand, the chest voice start with 4-5 harmony as the formant, slowly moving to be the second. On the way there the formant passes through being on the third harmony, but it is not mix, because it is still in low notes, and the third harmonic in that case isn't a head note. It is considered a mix when it comes to the passagio and then the third harmonic is a head component, and if you successfully cooperate it by putting more force in it, you have a low and high combination that you can call "mix", a low note that sounds super high at the same time. I'll tell you what, if I close my vocal folds and push a bit, I get to a point where the second and third is almost the same strength, but the second always a litttttle bit higher. I saw that in your mix vibrato it switched between those two states of two and three switching in strength, I wonder if it still count as mix in my case 🤔
@@s0me0nelse Sounds like nyou are getting very close for sure. it's possible to get the 3rd significantly higher though. I would keep working for that. And then of course you can choose what to do, it's just that most people don't have all options available so they do only what comes instinctive to them which in my opinion is very limiting.
Merci❤ enseignemoi la deuxieme voi stp
Thanks for posting this! Been very helpful with addressing chronic tension in the tongue and throat
Im still really struggling with it but I don’t know what I’m doing wrong
Talent is not overrated - it just takes hard work.
In my opinion it is. “There are men of talent and there are men of preparation. The latter are mistaken for the former. But the former, never for the latter.” -Alex Hormozi I guess his too.
I found my mix voice thank you tyler
My vocal coach I naturally had amazing control of my mix voice; i’m 14 and he told me he’s never seen somebody my age hit it this well with everything going on 😂 thanks for this! now I have a better understanding of it:)
I can reach all range voices
Where is pharyngeal ? Is it at the back of our mouth Or above the hard palate behind the nose ?
what does “singing in the passagio” even mean..? singing in the middle of your range has by definition nothing to do with passagio.. so confused
Passaggio is an italian word/term for passage way. They noticed there is a certain part of the range, in the middle, where things can get weird for most singers. So singing in the passaggio is singing in this passage way which is in the middle of your range.
when you talk about the passagio are you refferring to the mixed range or the belty tenor opera sound. my voice coach explains passagio as like a way to belt really high notes easier but i feel like youre just teqching mixed range. sorry for the confusion
How loud are you singing? These arent super resonant right? Should we rely a lot on the mic?