Пікірлер

• 
  @noteoriouskeyz2 күн бұрын

  What piece?

• 
  @cloudstrife61382 күн бұрын

  Is anyone learning this piece? I can stop hearing the tartini tones and it´s driving me crazy.

• 
  @NickMirro8 күн бұрын

  The problem is it's offensive to say that the sonata sounds like jazz. It's the opposite. One genre of jazz sounds a little like a part of this masterwork. It's not elitist to acknowledge that Beethoven is the greatest human musical genius. He just is and this is one of his cornerstone works. That one genre of jazz sounds somewhat like a passage in the sonata isn't saying much. It isn't even convergent evolution, since there is no similarity of environment or niche.

• 
  @JZ_Strings16 күн бұрын

  1.31 that playing is genuinely jaw dropping

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  @99zxk17 күн бұрын

  I've never heard this as boogie woogie because it's so clearly Beethoven.

• 
  @MathieuPrevot19 күн бұрын

  I do not see any problem with playing Regard de l'esprit de joie alone or as first piece.

• 
  @AndreyRubtsovRU21 күн бұрын

  Can this teacher connect with life though? Not sure :-)

• 
  @OmarTravelAdventures26 күн бұрын

  I wish I could fully understand phrasing. I can't fully keep the two phrases in working memory to compare them.

• 
  @dlove283028 күн бұрын

  I LOVE...ADORE Bach

• 
  @fleurafricaine5740Ай бұрын

  An attitude of ownership incomparably improves tone and phrasing.

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  @KndnsssrlgnАй бұрын

  I would say put your headjoint wherever you play best with your tuner. However I have heard that while there is a tendency to roll it in, rolling the head joint to far in limits you when the going gets tough...

• 
  @ttrons2Ай бұрын

  Sravinsky was responsible for the boogie woogie term

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  @markjacksonturner6462Ай бұрын

  His phraseology is priceless!

• 
  @CornetBluesАй бұрын

  Making every single note count 🎺🎵🎺👍🎵Stay on top of the note!👏👏👏

• 
  @commontater8630Ай бұрын

  In the first part of the session V. uses the basketball metaphor to impart some basic phrasing. It takes her a few tries, but eventually she gets it. (BTW the metaphor is not at all 'out there': a conductor I played under for a number of years used a similar one, though he preferred tennis ball and racket to basketball and hoop!) In the second part V tries to open her up to the singing possibilities in the music but it is a hard lesson for her, because she has done too much rote playing up till now.

• 
  @juleeez628Ай бұрын

  0:08 0:55

• 
  @rainermeyer-arend5879Ай бұрын

  so great, Hakan makes his C-trumpet sound much more soft and mellow than Elizabeths Bb trumpet.....fantastic !

• 
  @Will67267Ай бұрын

  Joshua Bell, listen to this great teacher!

• 
  @PaoloLucciАй бұрын

  Cosa c'entra tutto questo con il brano "Beware!" di Benjamin Britten?'!!

• 
  @Tadeo-ud7ty2 ай бұрын

  Thanks!

• 
  @lavenderspectre1032 ай бұрын

  Great voices. I would love to hear a gender switched magic flute.

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  @ralphoperaphile2 ай бұрын

  I love Quasthoff but this is embarrassing because he spends so long on getting her to repeat a mispronunciation of the Italian text, which is "Che" not "Chel".

• 
  @ly28672 ай бұрын

  Maxim Vengerov is my absolutely favourite violinist! His imagination is so great and he puts it so well into action is his masterclass and playing

• 
  @efdalte222 ай бұрын

  Berbat

• 
  @topsvox2 ай бұрын

  Jesse Norman? Really? I wouldn't point to her for great technique.

• 
  @rosshalper67082 ай бұрын

  The Meister could have coaxed it out of the young man instead of mocking him and having him imitate. This is a little abusive.

• 
  @themeat8624Ай бұрын

  It's not abusive. The singer is fine. You're a baby.

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  @rosshalper6708Ай бұрын

  @@themeat8624 Thanks for the spiritual guidance The Meat!

• 
  @themeat8624Ай бұрын

  @@rosshalper6708 you're welcome.

• 
  @andacomfeeuvou3 ай бұрын

  After I die, the first thing I will say when I get there is: thank you God for putting the violin on my path in the world. Forgive me for not being a very good violinist, I did what I could do, whatever the case, the violin made my existence much happier. Thank you very much.

• 
  @neonneooneeon39603 ай бұрын

  this is magic

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  @michaelsolomon65944 ай бұрын

  She’s not listening to him

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  @kirksmith15345 ай бұрын

  Totally outraged😩

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  @maxkat17495 ай бұрын

  but you have to decide which it is ( the accompaniment) - horses or the viola upbow - horses will clip along on a constant tempo , but the upbows will be on (what we call) the back end of the beat. so it sounds like the performer has a choice to make in the interpretation - no?

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  @BangkokVoiceCoach5 ай бұрын

  “I’m unemployed!” 😂😂

• 
  @henrykaspar36345 ай бұрын

  Master teacher. Master student who will be a master teacher himself one day.

• 
  @cheeseandonions95585 ай бұрын

  Playing because you honestly think that God is listening.

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  @jospenner95035 ай бұрын

  "Longing for something." Come on, just say it was longing for Clara.

• 
  @alejandro96196 ай бұрын

  The noah's face at the end: This is so beautiful 😍

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  @Robert…Schrey6 ай бұрын

  Toscanini painted dark stains on both his temples so that the musicians were always under surveillance, no matter where he looked.

• 
  @AA-xo4br6 ай бұрын

  Beautiful videography appreciate the sound recording as well

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  @RoboticsBay6 ай бұрын

  Smashing the keyboard doesn't make music sadly

• 
  @AA-xo4br6 ай бұрын

  Wow :))) need I say more

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  @angelobonacci4616 ай бұрын

  Sto qua ci ha troppe balle dove non occorre,poi glielo farò sentire io come si suona

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  @jchomedog28876 ай бұрын

  Finally someone that agrees with me!!! I can’t tell you how annoying it is to hear this in singing and ruining vowels. Cecelia Bertoli and Rockwell Blake are famous for this and people encourage them when they sound terrible doing it. How can you take a singer seriously if they take shortcuts for technique discrepancies?

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  @user-lk7ry8cf1f6 ай бұрын

  I hear the difference. Really nice explained! Thank you! I wish I had this nice teacher!!

• 
  @MRFThorne7 ай бұрын

  I think the third variation there needed to have been played with a bit more "boogie-woogie"! (I am joking - I instantly thought of rag-time/boogie-woogie the first time I heard this variation in piano sonata no. 32, but it is mistaken to impose a later musical category onto Beethoven, out of its own time.)

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  @user-zq9dk6xy1m7 ай бұрын

  Some fearless technique with great intelligence and imagination. Interesting thoughts on programming, showing that there are closer parallels between those two composers than might be expected.

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  @lemonsummer84847 ай бұрын

  Das wichtigste beim Lied ist die Geschichte und den Text beim singen selbst zu durchleben. Jede Stimmpräsentation und jede unnatürliche Technik ist fehl am Platz. Wer natürlich singt, frei von jeder Erwartung oder Vorstellung wie was klingen soll singt immer richtig. Die eigene Empfindung lügt nie, ist immer richtig und glaubhaft. Mit dem Blick als Betrachter auf das Ende der Geschichte, als Betrachter der der Sänger in diesem Lied ja ist, könnte der letzte Text "In seinen Armen, das Kind war tot" ebenso im Piano gesungen werden. Es wäre ebenso richtig. Je nachdem wie man das Ende der Geschichte selber fühlt. Soll es ein hartes lautes Ende sein? ein etwas distanziertes mit dem man schockieren will oder ist man näher dran und kann es selber kaum fassen dass das Kind tatsächlich gestorben ist. Dann fehlt jede Kraft für ein forte am Ende und es kann nur ein fassungsloses Piano sein. Jedes Lied lässt Spielraum und jeder Sänger muss seine eigene Interpretation finden. Alles andere wäre nur nachgemacht. Vom eigenen Gefühl heraus zu singen ist der richtige Weg.

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  @christinemoccia4777 ай бұрын

  What a brilliant teacher and coach!!!! His whole body personifies the music!!!! BRAVO!!!!!

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  @lemonsummer84847 ай бұрын

  The secret to singing songs lies in naturalness and simplicity. Never try to create sounds artificially. Feel what you are singing. Experience what you sing. Don't let anything distract you. Singing is not mathematics. Be yourself. When you sing, don't think about any lessons or anything you've ever heard. Then you will find your own style. Everyone has to find their own style. Feel about what you want to sing about beforehand. Sink into it. See the pictures in front of you. Look at them. Then sing naturally and free from everything else that doesn't belong. Therein lies the art of the song.

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  @99Grigor7 ай бұрын

  When she played the big G7 chords, she tended to become stagnant. The chords never seemed to LEAD somewhere-they all sounded alike rather than having an intense momentum all the up to the diminished A flat chord, which is what I think Kovacevich was speaking about.

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  @user-oh2ch4tx8w7 ай бұрын

  As I understand affetuoso means dolce, loving in italian. And not passionate