Nothing is so hateful as revenge, To be humane and kind and selflessly to forgive is the mark of a noble soul “
@MikeyMikeHq3 ай бұрын
My favorite part starts at 3:50
@ico2773 ай бұрын
ratio + ohio rizz + you're so skibidi + you're so fanum tax
@Mariosergio614 ай бұрын
More than 40 years after hearing this opera for the first time, it continues to sound just as fresh.
@edmcclintock28264 ай бұрын
Had lunch with Roger yesterday in Franklin. He is still writing and producing.. Going to be at Pucketts in Nashvegas on the 24th of this month..
@CharlesFischerB-Town4 ай бұрын
Nice! More videos please!
@edmcclintock28264 ай бұрын
@@CharlesFischerB-Town More videos? I don't have/make them. Sorry. Just a friend of his.
@Konttis4 ай бұрын
❤❤❤
@danilobriz84995 ай бұрын
Rendemption Total rendemption
@Konttis5 ай бұрын
❤❤❤
@mrshovelbottom74756 ай бұрын
2:30 3:25 4:06
@rousseauchristine46056 ай бұрын
Le couple Lynton Aikinson et Péter Rose est extraordinaire, jubilatoire ...J'ai du écouter ce duo près d'une centaine de fois et je ne m'en lasse pas !
@rodneyrichardson78457 ай бұрын
Beautiful piece
@KW-ey7fb8 ай бұрын
Alcohol plus women, pretty much about men!
@larrychan6228 ай бұрын
Susan Graham is definitely in far superior voice in this 2003 Gardiner production than in her later performances at the Met, or Eva-Maria Westbroek at the ROH. Overall, the Théâtre du Châtelet staging and direction provides an appreciable degree of latitude that allows for a more fulfilling range of sensitivity and expression, taking into account of course, that the differences between the McVicar and Kókkos stagings are worlds apart and each have their own strengths and weaknesses. Anna Antonacci provides a majestic interpretation of Cassandra that is equally compelling as Jessye Norman's more traditional old-school approach; I pound the table for both ladies. Douglas Ahlstedt was/is sublime in his soul-satisfying rendition of "Ô blonde Cérès" in the 1983 Met Opera production (Norman/Troyanos/Domingo), which was only adequate in the Gardiner production.
@BenBrossMusic10 ай бұрын
Lmao! It's an organ concerto and the organist isn't even visible! Fantastic performance by all, great sound quality in the video, but dude, get a better camera angle! 😂
@CharlesFischerB-Town10 ай бұрын
The organist was hidden in the loft and not visible from the audience. Glad you enjoyed the perormance!
@heinmadsen-leipoldt23417 ай бұрын
I just heard a flute, and it wasn't the distinctive flute sounds from a pipe organ
@EuphoniaPooch10 ай бұрын
fun piece, fun group
@AGMundy10 ай бұрын
Figaro for moving is a masterpiece, there is just so much to praise and enjoy. I particularly think Act 2 is breath taking - the finale is unparalleled in its perfection.
@gyorgyivanyi390510 ай бұрын
The uploader seems to have forgotten to add where, when, who... the quality would deserve the details.
@CharlesFischerB-Town10 ай бұрын
Mozart - Le Nozze di Figaro (The Marriage of Figaro) / Jean-Louis Thamin · John Eliot Gardiner · Bryn Terfel · Rodney Gilfry · Théâtre du Chatelet Rodney Gilfry (Actor), Hillevi Martinpelto (Actor), Olivier Mille (Director) 2001 Production on Deutsche Grammaphone
@elghachiai10 ай бұрын
If only the guy who added the subtitles new how to synchronise it with notes
@rousseauchristine460511 ай бұрын
Quel admirable duo !
@Konttis5 ай бұрын
❤❤❤
@RichardHughes1511 ай бұрын
This is unbelievably cool. I studied songwriting with Jack Segal and l heard him play this so many times and he was so joyful when he played it . Every single time. Thank you.
@vt8105 Жыл бұрын
Where did this particular concert take place?
@vt8105 Жыл бұрын
Where was this performed at?
@CharlesFischerB-Town10 ай бұрын
Chatelet, Paris
@Hex2a Жыл бұрын
14th century jazz. Magical, mesmerizing performance by the incomparable Paul Leenhouts.
@ericwhitehouse5061 Жыл бұрын
One of my all time favourites
@plattonxyz...2755 Жыл бұрын
Was für ein Erlebnis, im Zimmer, wo Mozart geboren wurde zu sein...❤
@CharlesFischerB-Town Жыл бұрын
Osimin's Aria is: O, wie will ich triumphieren
@elghachiai Жыл бұрын
Whoever added the subs is an archloch
@Gregorius24 Жыл бұрын
Without that moment of absolution, the final Trio from Strauß’ Der Rosenkavalier would not have been possible.
@philiplewis7252 Жыл бұрын
Undoubtedly my favourite production of this masterpiece! Bravo!!
@philiplewis7252 Жыл бұрын
Undoubtedly my favourite production of this wonderful opera. BRAVISSIMO!
@so_511 Жыл бұрын
Are you saying this beautiful music is real ? This kind of music is heard in Heaven . これほどまでに美しい音楽が現実のものだと言うのか？ これは、天国で聴く種の音楽だ。
@phakesnooze7427 Жыл бұрын
I agree, Ted Danson does opera
@ilviozoppo9375 Жыл бұрын
Stupendo!!!
@leelaural Жыл бұрын
back in the day when we danced twice a week.....
@Wilantonjakov Жыл бұрын
I hate that film Amadeus, such a goofy interpretation of Mozart himself and a miscarriage of history on many accounts. These hack productions will be lost to time, but the broader majority of Mozart's work will remain masterpieces in their own right, with no need of any silly film production to try and thrust him into the limelight again.
@Nimgimmer1492 Жыл бұрын
It's just a movie. Sheesh.
@jasonhuegan7007 Жыл бұрын
All together now- Stockholm Syndrome.
@cleversonaraujo1798 Жыл бұрын
Gostaria de ver essa versão dessa peça completa, deve ser maravilhosa.
@gustavogrande6537 Жыл бұрын
can pls somebody tell me, why it means 'contessa perdono' and not 'contessa perdona'? its imperative.
@andehuang5479 Жыл бұрын
Because here perdono is a noun and not a verb, it sounds like “forgiveness” not “forgive”
@beethovenlovedmozart Жыл бұрын
This is great, but obviously Beethoven is the greatest ever. Where is his masterwork Opera? Surely with talent like that, Beethoven easily has 2 or 3!!
@henryhammond7393 Жыл бұрын
I heard an interesting argument on how the finale here was the origin of rock n’ roll… I believe it.
@cgtscomunicacali1027 Жыл бұрын
ponedle de espaldas... tocad al reves
@janet7385 Жыл бұрын
this is fablulous... what company did it, and where? Some information, please?
@CharlesFischerB-Town Жыл бұрын
janet, try clicking on the Amazon link above for more info!
@jessicavaliente9342 Жыл бұрын
Nice!
@alssupersadgarden Жыл бұрын
Браво!!
@CharlesFischerB-Town Жыл бұрын
Thanks!
@CharlesFischerB-Town Жыл бұрын
Thanks!
@valleeg2450 Жыл бұрын
Made me want to grab my top hat, spats and a cane ... and dance!
@CharlesFischerB-Town Жыл бұрын
If you actually have a top hat, spats, and a cane - you are already ahead of the game!
@vitrusvius Жыл бұрын
Anyone knows this place?
@CharlesFischerB-Town Жыл бұрын
Yes, it's the actual Topkapi Palace where Mozart set the opera.
@vitrusvius Жыл бұрын
@@CharlesFischerB-Town I thought the opera was set in a palace around the mediterranean sea.
@@CharlesFischerB-Town thank you but I mean the palace of Selim Pasha is supposed to be in somewhere around Mediterranean Sea according to the libretto, where Topkapı Palace is not.
@CharlesFischerB-Town Жыл бұрын
@@vitrusvius You asked originally where the location of the film was set, and it is, in fact, the Topkapi Palace, whether or not the libretto states it. The Topkapi Palace was built by Sultan Mehmed II from 1460 to 1478. And what makes it popular is its architecture. The complex has five main parts: First Court, Second Court, Harem, Third Court, Imperial Treasury, and Fourth Court. It also includes other smaller buildings and facilities such as mosques, baths, caravanserais, and bazaars. The palace was built in the shape of a crescent, with the palace at the center and two outlying buildings at each end. It is located on Seraglio Point, overlooking both the Bosphorus Strait and the Marmara Sea. There are also three main gates that enter the complex.
Пікірлер
後宮はこの歌から好きになりました。しかしヨーゼフ二世ではないですが音符が多いですねぇ
I play very well famous violinist💯
mozart in istanbul ❤❤
Gorgeous!!
Nothing is so hateful as revenge, To be humane and kind and selflessly to forgive is the mark of a noble soul “
My favorite part starts at 3:50
ratio + ohio rizz + you're so skibidi + you're so fanum tax
More than 40 years after hearing this opera for the first time, it continues to sound just as fresh.
Had lunch with Roger yesterday in Franklin. He is still writing and producing.. Going to be at Pucketts in Nashvegas on the 24th of this month..
Nice! More videos please!
@@CharlesFischerB-Town More videos? I don't have/make them. Sorry. Just a friend of his.
❤❤❤
Rendemption Total rendemption
❤❤❤
2:30 3:25 4:06
Le couple Lynton Aikinson et Péter Rose est extraordinaire, jubilatoire ...J'ai du écouter ce duo près d'une centaine de fois et je ne m'en lasse pas !
Beautiful piece
Alcohol plus women, pretty much about men!
Susan Graham is definitely in far superior voice in this 2003 Gardiner production than in her later performances at the Met, or Eva-Maria Westbroek at the ROH. Overall, the Théâtre du Châtelet staging and direction provides an appreciable degree of latitude that allows for a more fulfilling range of sensitivity and expression, taking into account of course, that the differences between the McVicar and Kókkos stagings are worlds apart and each have their own strengths and weaknesses. Anna Antonacci provides a majestic interpretation of Cassandra that is equally compelling as Jessye Norman's more traditional old-school approach; I pound the table for both ladies. Douglas Ahlstedt was/is sublime in his soul-satisfying rendition of "Ô blonde Cérès" in the 1983 Met Opera production (Norman/Troyanos/Domingo), which was only adequate in the Gardiner production.
Lmao! It's an organ concerto and the organist isn't even visible! Fantastic performance by all, great sound quality in the video, but dude, get a better camera angle! 😂
The organist was hidden in the loft and not visible from the audience. Glad you enjoyed the perormance!
I just heard a flute, and it wasn't the distinctive flute sounds from a pipe organ
fun piece, fun group
Figaro for moving is a masterpiece, there is just so much to praise and enjoy. I particularly think Act 2 is breath taking - the finale is unparalleled in its perfection.
The uploader seems to have forgotten to add where, when, who... the quality would deserve the details.
Mozart - Le Nozze di Figaro (The Marriage of Figaro) / Jean-Louis Thamin · John Eliot Gardiner · Bryn Terfel · Rodney Gilfry · Théâtre du Chatelet Rodney Gilfry (Actor), Hillevi Martinpelto (Actor), Olivier Mille (Director) 2001 Production on Deutsche Grammaphone
If only the guy who added the subtitles new how to synchronise it with notes
Quel admirable duo !
❤❤❤
This is unbelievably cool. I studied songwriting with Jack Segal and l heard him play this so many times and he was so joyful when he played it . Every single time. Thank you.
Where did this particular concert take place?
Where was this performed at?
Chatelet, Paris
14th century jazz. Magical, mesmerizing performance by the incomparable Paul Leenhouts.
One of my all time favourites
Was für ein Erlebnis, im Zimmer, wo Mozart geboren wurde zu sein...❤
Osimin's Aria is: O, wie will ich triumphieren
Whoever added the subs is an archloch
Without that moment of absolution, the final Trio from Strauß’ Der Rosenkavalier would not have been possible.
Undoubtedly my favourite production of this masterpiece! Bravo!!
Undoubtedly my favourite production of this wonderful opera. BRAVISSIMO!
Are you saying this beautiful music is real ? This kind of music is heard in Heaven . これほどまでに美しい音楽が現実のものだと言うのか？ これは、天国で聴く種の音楽だ。
I agree, Ted Danson does opera
Stupendo!!!
back in the day when we danced twice a week.....
I hate that film Amadeus, such a goofy interpretation of Mozart himself and a miscarriage of history on many accounts. These hack productions will be lost to time, but the broader majority of Mozart's work will remain masterpieces in their own right, with no need of any silly film production to try and thrust him into the limelight again.
It's just a movie. Sheesh.
All together now- Stockholm Syndrome.
Gostaria de ver essa versão dessa peça completa, deve ser maravilhosa.
can pls somebody tell me, why it means 'contessa perdono' and not 'contessa perdona'? its imperative.
Because here perdono is a noun and not a verb, it sounds like “forgiveness” not “forgive”
This is great, but obviously Beethoven is the greatest ever. Where is his masterwork Opera? Surely with talent like that, Beethoven easily has 2 or 3!!
I heard an interesting argument on how the finale here was the origin of rock n’ roll… I believe it.
ponedle de espaldas... tocad al reves
this is fablulous... what company did it, and where? Some information, please?
janet, try clicking on the Amazon link above for more info!
Nice!
Браво!!
Thanks!
Thanks!
Made me want to grab my top hat, spats and a cane ... and dance!
If you actually have a top hat, spats, and a cane - you are already ahead of the game!
Anyone knows this place?
Yes, it's the actual Topkapi Palace where Mozart set the opera.
@@CharlesFischerB-Town I thought the opera was set in a palace around the mediterranean sea.
@@vitrusvius en.wikipedia.org/wiki/Topkap%C4%B1_Palace
@@CharlesFischerB-Town thank you but I mean the palace of Selim Pasha is supposed to be in somewhere around Mediterranean Sea according to the libretto, where Topkapı Palace is not.
@@vitrusvius You asked originally where the location of the film was set, and it is, in fact, the Topkapi Palace, whether or not the libretto states it. The Topkapi Palace was built by Sultan Mehmed II from 1460 to 1478. And what makes it popular is its architecture. The complex has five main parts: First Court, Second Court, Harem, Third Court, Imperial Treasury, and Fourth Court. It also includes other smaller buildings and facilities such as mosques, baths, caravanserais, and bazaars. The palace was built in the shape of a crescent, with the palace at the center and two outlying buildings at each end. It is located on Seraglio Point, overlooking both the Bosphorus Strait and the Marmara Sea. There are also three main gates that enter the complex.