C'est juste grandiose, magique, plus qu'émouvant la voix de cette chanteuse...saisissant...j'écoute en boucle...c'est beau !!
@MichealBurnett53 ай бұрын
The west is not dying That is ridiculous! They said the same about the Dark and Middle ages!! Here we are... Rejoice. Remember Me, is the lament. Beauty is with us, as is modern civilisation! 😂🇮🇪🎉🎊❤️🎁🎂🙏😂 To this version of Dido's Lament... I say, Sublime!! Thank You to the up loader!! Much work I know.
@MichealBurnett53 ай бұрын
Why does yuktub cut into the performance, with innanity? I would have thought, more advertising at start... But, To cut midway.... I expect puketub is run by accountants! 🇮🇪🎉🎊🎉🤣🤔😳
@Poetwander3 ай бұрын
Ah, finally . This is the most relaxing and beautiful version I ever heard
@Sagan_Starborn5 ай бұрын
That breath control is insane!
@julikanagtzaam16675 ай бұрын
Meer dan mooi!
@user-lt4hi1hm9q5 ай бұрын
Обычно под такое музыкальное сопровождение, в фильмах разделываются с противниками (например, можно было юыло бы снять, как Гитлер избавляется от бывших соратников в "ночь длинных ножей")
@collagearte16 ай бұрын
Just a perfect rendition
@maridomez7 ай бұрын
The best version
@0204LAURENT7 ай бұрын
La meilleure version !
@elenalavrishcheva9 ай бұрын
Самое проникновенное и трепетное исполнение!!!
@pe.ka.56849 ай бұрын
So wonderfully interpreted. This calmness and tenderness really touches me. And the choir fits in so well. The best interpretation I know. I can't get enough of that sound and triggering feeling
@pedroa.cantero94499 ай бұрын
«Je ne souffrirais point qu’il repose en l’un, ni en l’autre, afin qu’étant sans assiette et sans repos…» Pascal, Pensées 328.
@N-O-V-U-S11 ай бұрын
This was played in Guardians of the Galaxy Volume 3 when the first Beastmen are created in the scene with Rocket Raccoon and the High Evolutionary.
@ChelimYrneh Жыл бұрын
♥ ⭐ ♥
@judithrodriguezmallofret5016 Жыл бұрын
Que belleza tiene este lamento
@bauchmann9971 Жыл бұрын
Sont like it, no emotion. Its boring!
@michelescarcella9307 Жыл бұрын
Actually, I didn't remember Mrs. Kermes being sooo good, so delicate. But I have to admit, this is absolutely mesmerising!!!! Unbelievable!!
@jean-louisyoung5086 Жыл бұрын
Simone, c'est du velours, merci.😋
@supawels3627 Жыл бұрын
Die vox humana ist für diese Klage noch viel erfreifender als das wunderbare Flötenspiel von Luzie Horsch.
@user-qg5lz2yb2p Жыл бұрын
Прекрасное исполнение!
@aladarmiklosdr.szentkiraly7548 Жыл бұрын
PERFECTION....................no words......
@wiesrijks9542 Жыл бұрын
Na vele jaren nog steeds de meest aangrijpende uitvoering.
@irwansusidarto Жыл бұрын
Beautiful piece with beautiful voice.. Bravo 👏
@user-ek2rc9bb7p Жыл бұрын
Treffer dypt
@astroalex19 Жыл бұрын
the proximity of death has perhaps taught her some secrets..
@maddalenagadolla2897 Жыл бұрын
In the fog of the countryside today. I could not listen to something else❤
@GuntherDebymusique Жыл бұрын
Sophie Watillon est une gambiste belge spécialisée dans le répertoire baroque, née le 7 décembre 1965 à Namur (Belgique) et décédée dans sa ville natale le 31 août 2005, à l'âge de 39 ans. Biographie Dès l'âge de 16 ans, Sophie Watillon étudie avec Philippe Pierlot à Maastricht, puis avec Wieland Kuijken à Bruxelles et avec Paolo Pandolfo à la Schola Cantorum de Bâle. Au début de sa carrière, elle collabore régulièrement avec l'ensemble wallon Ricercar Consort, sous la direction artistique du musicologue liégeois Jérôme Lejeune. Plus tard, elle collaborera aux enregistrements de l'ensemble Le Poème Harmonique de Vincent Dumestre et de l'ensemble Stylus Phantasticus fondé par la gambiste allemande Friederike Heumann. Elle meurt le 31 août 2005, après avoir lutté contre un cancer pendant de longs mois
@ohmy5650 Жыл бұрын
Exquisite conducting, voice 💎 & ensemble. Thoughtful generous slow tempo. Very very rare all at once.
@chipwalter4490 Жыл бұрын
What are the words the choir are singing? We sure don’t have a lot of Baroque music written in English. I’m here to be the naysayer on this version. The choral arrangement is muddy at the end I can’t tell what the hell is going on with the libretto. I don’t think this would be at the top of Purcell’s favorite reinterpretations. People are saying they like the more “calm” stylings but let’s be fair to the artist’s original intent. The character was killing herself very dramatically to have her body burned on a beach as a signal fire to a lover who was abandoning her.
@yaelpalombo4093 Жыл бұрын
Splendida!!!
@Bibliotecanatalie Жыл бұрын
Dido was from Lebanon 🇱🇧
@MegaCirse Жыл бұрын
Подобно первым лучам зари, эта музыка открывает вам глаза на новые обещания и на все чудеса природы. Вызывая невероятные силы, эти произведения трогают струны сердца, вызывают ностальгию и пробуждают любовь, ободранные жизни и оцепенение измученных стражников
@carolparker7782 Жыл бұрын
Sublime.
@a520simba Жыл бұрын
using P or even PP to sing high G just bring the sadness and desperation to the max level! This is definitely the best version. Not a common tiresome show off vibrato on high notes version, this one bring you a true Dido, you can feel everything with her. Absolutely stunning!
@user-yp5eu8ur1j Жыл бұрын
Это чудо! Волшебный голос! Душой поёт Simone!
@mfredcourtney5876 Жыл бұрын
Perfection! Many thanks.
@randyklinger7649 Жыл бұрын
no need for the extra ornamentation.
@zlateandonoski9356 Жыл бұрын
Verrry nice f9r this i listen often clasic music my job is street misician
@valkolakk Жыл бұрын
I used to love the more bombastic versions of this and Tristes Aprets, but now that I'm old enough to have felt real sorrow, these subdued versions speak to me. They're more real, because when you're utterly broken, you can't muster bombast. You can hear the resignation in her voice.
@treesny Жыл бұрын
Terrific performance, from a great recording of the entire "Swiss year" (first book) of the Years of Pilgrimage.
@user-lo7ul8mf9x Жыл бұрын
Божественно
@pierrejeanjean6142 Жыл бұрын
Simone Kermes a une voix magnifique! L'œuvre de Henry Purcell est d'une beauté intemporelle!
@wilfriedfriedrich37302 жыл бұрын
the purest naturalness 🌷🙏❤️
@manueladegregorio63662 жыл бұрын
Che meraviglia, that's a wonderful performance!
@deniserenaud56772 жыл бұрын
Superbe version
@user-bs3tz9fw3b2 жыл бұрын
Κύριε Κουρεντζή ,ευχαριστούμε που μας κάνετε να μετέχουμε στην σφαίρα των αγγέλων όπου ψάλλουν κάθε λύπη και ευτυχία σχεδόν χωρίς μουσική και στίχους .
Пікірлер
💖💖💖💐
C'est juste grandiose, magique, plus qu'émouvant la voix de cette chanteuse...saisissant...j'écoute en boucle...c'est beau !!
The west is not dying That is ridiculous! They said the same about the Dark and Middle ages!! Here we are... Rejoice. Remember Me, is the lament. Beauty is with us, as is modern civilisation! 😂🇮🇪🎉🎊❤️🎁🎂🙏😂 To this version of Dido's Lament... I say, Sublime!! Thank You to the up loader!! Much work I know.
Why does yuktub cut into the performance, with innanity? I would have thought, more advertising at start... But, To cut midway.... I expect puketub is run by accountants! 🇮🇪🎉🎊🎉🤣🤔😳
Ah, finally . This is the most relaxing and beautiful version I ever heard
That breath control is insane!
Meer dan mooi!
Обычно под такое музыкальное сопровождение, в фильмах разделываются с противниками (например, можно было юыло бы снять, как Гитлер избавляется от бывших соратников в "ночь длинных ножей")
Just a perfect rendition
The best version
La meilleure version !
Самое проникновенное и трепетное исполнение!!!
So wonderfully interpreted. This calmness and tenderness really touches me. And the choir fits in so well. The best interpretation I know. I can't get enough of that sound and triggering feeling
«Je ne souffrirais point qu’il repose en l’un, ni en l’autre, afin qu’étant sans assiette et sans repos…» Pascal, Pensées 328.
This was played in Guardians of the Galaxy Volume 3 when the first Beastmen are created in the scene with Rocket Raccoon and the High Evolutionary.
♥ ⭐ ♥
Que belleza tiene este lamento
Sont like it, no emotion. Its boring!
Actually, I didn't remember Mrs. Kermes being sooo good, so delicate. But I have to admit, this is absolutely mesmerising!!!! Unbelievable!!
Simone, c'est du velours, merci.😋
Die vox humana ist für diese Klage noch viel erfreifender als das wunderbare Flötenspiel von Luzie Horsch.
Прекрасное исполнение!
PERFECTION....................no words......
Na vele jaren nog steeds de meest aangrijpende uitvoering.
Beautiful piece with beautiful voice.. Bravo 👏
Treffer dypt
the proximity of death has perhaps taught her some secrets..
In the fog of the countryside today. I could not listen to something else❤
Sophie Watillon est une gambiste belge spécialisée dans le répertoire baroque, née le 7 décembre 1965 à Namur (Belgique) et décédée dans sa ville natale le 31 août 2005, à l'âge de 39 ans. Biographie Dès l'âge de 16 ans, Sophie Watillon étudie avec Philippe Pierlot à Maastricht, puis avec Wieland Kuijken à Bruxelles et avec Paolo Pandolfo à la Schola Cantorum de Bâle. Au début de sa carrière, elle collabore régulièrement avec l'ensemble wallon Ricercar Consort, sous la direction artistique du musicologue liégeois Jérôme Lejeune. Plus tard, elle collaborera aux enregistrements de l'ensemble Le Poème Harmonique de Vincent Dumestre et de l'ensemble Stylus Phantasticus fondé par la gambiste allemande Friederike Heumann. Elle meurt le 31 août 2005, après avoir lutté contre un cancer pendant de longs mois
Exquisite conducting, voice 💎 & ensemble. Thoughtful generous slow tempo. Very very rare all at once.
What are the words the choir are singing? We sure don’t have a lot of Baroque music written in English. I’m here to be the naysayer on this version. The choral arrangement is muddy at the end I can’t tell what the hell is going on with the libretto. I don’t think this would be at the top of Purcell’s favorite reinterpretations. People are saying they like the more “calm” stylings but let’s be fair to the artist’s original intent. The character was killing herself very dramatically to have her body burned on a beach as a signal fire to a lover who was abandoning her.
Splendida!!!
Dido was from Lebanon 🇱🇧
Подобно первым лучам зари, эта музыка открывает вам глаза на новые обещания и на все чудеса природы. Вызывая невероятные силы, эти произведения трогают струны сердца, вызывают ностальгию и пробуждают любовь, ободранные жизни и оцепенение измученных стражников
Sublime.
using P or even PP to sing high G just bring the sadness and desperation to the max level! This is definitely the best version. Not a common tiresome show off vibrato on high notes version, this one bring you a true Dido, you can feel everything with her. Absolutely stunning!
Это чудо! Волшебный голос! Душой поёт Simone!
Perfection! Many thanks.
no need for the extra ornamentation.
Verrry nice f9r this i listen often clasic music my job is street misician
I used to love the more bombastic versions of this and Tristes Aprets, but now that I'm old enough to have felt real sorrow, these subdued versions speak to me. They're more real, because when you're utterly broken, you can't muster bombast. You can hear the resignation in her voice.
Terrific performance, from a great recording of the entire "Swiss year" (first book) of the Years of Pilgrimage.
Божественно
Simone Kermes a une voix magnifique! L'œuvre de Henry Purcell est d'une beauté intemporelle!
the purest naturalness 🌷🙏❤️
Che meraviglia, that's a wonderful performance!
Superbe version
Κύριε Κουρεντζή ,ευχαριστούμε που μας κάνετε να μετέχουμε στην σφαίρα των αγγέλων όπου ψάλλουν κάθε λύπη και ευτυχία σχεδόν χωρίς μουσική και στίχους .
Magnificent!
ugh uogh french