This channel is dedicated to my idol, Dmitri Shostakovich
I'm a to-be electronics engineer, space explorer, physics lover (especially on areas of quantum mechanics, string theory, general relativity, particle physics and thermodynamics), a cinephile (who loves to watch obscure, disturbing, avant-garde films), pianist and composer (last two are too bad to handle)
And also a bad engraver, as certified by Hinton
I've started this, to impose my taste of music to people visiting my channel
My prime work isn't this so I post whenever I could
I believe that no one waits for it
Пікірлер
💞💞🍀
Infumable.
Why do people hate violas so much???
based Rautavaara
based Rautavaara
What a jewel
based Rautavaara
man, after so many days in my cmnt section lol
based Luto
I like this work a lot. Do you think Allgen's other string quartets will ever be recorded?
As far as I concern, I don't think so, only 1st and 2nd are recorded, but 1st is a private recording, which I have, but I cannot share it, consecutive quartets are so much complex, long and tiresome to record And, a hyper obscure composer like Allgen are always left for the crowd of composers, so in short, not today
It's unique and intriguing. Breathes lots of aesthetic nuance of agony here: powerful.
Very beautifully played by both artists.
oh my gosh this is AMAZING and now i want to play this
2:10
ohh that's the way to attack C string. bravo. here's V's wiki link....sounds like a primer of my violin/viola studies, with Rode, De Beriot etc DG SD CA en.wikipedia.org/wiki/Henri_Vieuxtemps
thanks, we're hearing this tonight in SD CA with faculty from SDSU along with a bunch of other little heard rep. somehow missed this in my collection of viola rep. There's an altnerate version with Zimmerman. TOO MANY MISPLACED COMMERCIALS!!!!????
always find myself coming back to all 7 of these, lifelong favorites. such a fascinating piece of late alkan's music
I loved what I heard and I hope you decide to continue. It has the makings of a really beautiful piece. btw I am a huge fan of Shostakovich. Take care and stay well.
22:48 Awesome!
And the performances are outstanding: bringing the music to life while remaining faithful to the score. I've never come across Ms McCallum before, but I shall now be seeking her out. Thanks for posting.
A magnificent work, (Messiaen's piano masterpiece?), poorly played.
Ending not Bland but shows Admirable Restraint......BRAVO from Mexico City!
Loved what I heard, I hope you'll get in a better place and give it a full development some day.
3:27
No. 4 is particularly lovely.
one year before the composer pass away....he composed his feeling.....
Full movement information is as follows: I. Moderato - Allegro non troppo - Poco animato - Più mosso - [...] - Animato - Tempo I - Vivo II. Lento con grande espressione - Poco largamente - Tempo I - Poco più largamente - Tempo I e sempre tranquillo III. Allegro vivo - Meno mosso, ma sempre con movimento - [...] - Più mosso - Vivo e marcato - Marcatissimo
Far best when sung by a children's choir (preferably a boys' choir) rather than adult sopranos.
My high school varsity treble choir does an awesome job singing the prelude for our Madrigal concert every year
Girls make a pretty much equal timbre, and also because their voices don't break can make a more mature sound while still having childlike wonder in their teens
İkimizin şarkısıydı 2 hafta oldu ben hala dinliyorum sen yüksek sesle dinleme çocukların uyanır...
Our chorale has “This Little Babe” as part of our concert next Sunday. I’m a bass and every time the ladies sing this we guys just sit back in awe. What a fabulous piece! This evening our local high school chorus is singing all of the work. Just a few hours away. Can’t wait!
My university choir performed several sections of the SATB version, but I was thrilled to hear that there was a treble version as well. Thank you for posting this score animation video. What edition is the score, though? I found the treble version score, and it listed all the parts as Treble I, Treble II, and Treble III. EDIT: I’m asking what edition the uploader used because the score in the video lists the parts as Soprano, Mezzo-soprano, and Alto instead of Treble I, Treble II, and Treble III.
The original is for trebles.
@@hickle204 Right.
Yes, in the all treble version you had the original, though the SATB version was published just a year later. Originally he was writing with children in mind.
Do you happen to have his Tripartita? That one has the same vibes as this and is just as good, if not better!
Speechless Have maestoso e spiritoso moments I love Lutoslawski music
9:19 10:21
да боже мой, послушайте! это очень хорошо сделано и я бы на вашем месте хоть сколько-нибудь позаботился бы о реальном исполнении! если вы говорите что у вас проблемы с самооценкой, то они напрасны. не знаю как это описать, но звучит достаточно свежо. у этого есть какой-то определенный дух, когда слушаешь это не просто пролетает мимо ушей. конечно Шостакович чувствуется но это только влияние конечно. продолжайте! умоляю
a many thanks, but regarding my mental health, I may or may not continue, let me hope to see the silver lining one day
Kudos to Lutosławski's wife, Danuta, who was the copyist for the String Quartet and subsequent works, and who helped solve the notational challenges involved in Lutosławski's "controlled aleatoric" compositions.
Such underrated a piece of music!
Just enough notes. Beautiful composition!
shit slaps. banger
BASED! RAUTAVAARA IS THE GOAT🐐
Thanks for uploading this video ! Your channel is great !
👍👍🌹🌹
What a load of 💩
Very beautiful piano pieces by Alkan!! Thank you for posting them!!
I'm sorry, I had to pick up the wreckage of one of his choirs a decade later. Alleyn's School had loaned one of it's trebles to play the role of Miles in the premier run of The Turn of the Screw in the summer of 1955 at La Fenice in Venice. He'd written Let's Make an Opera for the school. What happened? The lad, who would later become a famous film actor, returned to school the next term, and it was soon revealed they'd shared a bed throughout the run. I'm being cautious in my phraseology there, both swore to they're dying day that was as far as it went, but safeguarding kicked in, the lad left, and all ties to Britten were severed. A decade later, I arrived, with connections to Sir Geraint Evans, to find a wreck. The girl's school in the foundation was fifty yards away, but the School was a descendant of Shakespeare's company so the boy trebles were in drag playing the female roles in Gilbert and Sullivan - erm. We sorted that, reaching into the community, and that started the Peckham theatre vocation which gave us John Boyega (although it cost his chum Damilola Taylor his life).
Hi! :) I sent U an email regarding the score, but maybe would ask here as well: would it be possible to get the score for the etudes? :)
진은숙 선생님 만나뵙고 싶다...
Thanks for posting this unbelievable piece...could have been written yesterday. The passing of the short rhythmic motif around to each player in octaves tied with wavy lines, is SO Beethoven!!! Especially its strategic placement, reoccurring, throughout the structure of the entire work giving it unity
Beautiful.
This is a marvellous piece. Almost triadic, yet delightfully elusive in sound. I do wonder about the bass stave?