Where to use Non-Chord Tones - Music Composition
This music composition lesson takes a simple passage and explains how you can spot obvious places in which to add non-chord tones. The video explains neighbour tones (auxiliary notes) and passing tones (passing notes) then goes on to demonstrate the obvious places to embrace them in a plain piece of harmony in order to produce a more engaging outcome. Multiple simultaneous non-chord tones are demonstrated and the use of rhythm to add character is also covered. This is a useful video for composers and for all wanting to raise their ability with writing harmony.
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🕘 Timestamps
0:00 - Introduction to where to use non-chord tones
0:30 - Playing the undecorated piece
0:58 - Labelling the chords
1:42 - Embellishment using passing tones
15:21 - Embellishment using neighbour tones
20:56 - Playing the original piece
21:09 - Playing the decorate piece
21:21 - Conclusion
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Пікірлер: 76
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"Inessential notes" is an apt description of my life. 😁 I marvel at your skill in setting up these demonstrations so that they so clearly illustrate your points.
@MusicMattersGB
Жыл бұрын
😀Most kind.
I'd forgotten about using two passing tones, one accented and one unaccented, this is a helpful reminder. Thanks, Gareth.
@MusicMattersGB
2 жыл бұрын
A pleasure
I learn(ed already) so much with all your YT videos for free... You have always a very precisely goal and a calm approach and a very nice voice in a way that expresses every thought about how to do things with arguments that always make sense. All your lessons gives us all a very deep insight in the head of a composing music composer. And this as something that composerrs often not allowed us because by being afraid to break their music composing code. You are very generous and a top componist and a master music educator to lift us up to another level. Thank you very much, Sir. I think I speak for many of the watchers/listeners of all your videos.
@MusicMattersGB
20 күн бұрын
That is most generous of you. Thank you. Much more to help you at www.mmcourses.co.uk
@wernervannuffel2608
20 күн бұрын
@@MusicMattersGB One day I'll be a member of your pupils.
@MusicMattersGB
20 күн бұрын
@wernervannuffel2608 You will be very welcome.
Excellent and very helpful. Very clear and concise. Great job!
@MusicMattersGB
6 ай бұрын
A pleasure. Much more at www.mmcoursea.co.uk
I always look forward for your videos. There is always a lot to learn from them.
@MusicMattersGB
Жыл бұрын
Thank you. Much more at www.mmcourses.co.uk
Another great subject explored. Thank you 😊
@MusicMattersGB
Жыл бұрын
Glad you enjoyed it
Very helpfull Gareth - thank you hope all well .
@MusicMattersGB
2 жыл бұрын
A pleasure. All good thanks. Hope you are too.
Not sure if by chance or not but the first few bars are those of Bavarian anthem "Bayernhymne". A truly lovely piece. Thank you for your video.
@MusicMattersGB
Жыл бұрын
That’s pure chance! Thank you. Much more at www.mmcourses.co.uk
I really enjoy your lessons
@MusicMattersGB
Жыл бұрын
That’s great. Much more at www.mmcourses.co.uk
I finally caught Gareth in an error. There is no such thing as too much chocolate cake.
@MusicMattersGB
Жыл бұрын
😀😀😀
@chillipepperoni
Жыл бұрын
Too much chocolate cake is a blessing or a curse depending on the context.
@MusicMattersGB
Жыл бұрын
Indeed!
@ningxiabird
Жыл бұрын
@@chillipepperoni exactly !! Context is everything haha
@MusicMattersGB
Жыл бұрын
😀
Always the best tutorial! Thanks.
@MusicMattersGB
Жыл бұрын
Thank you. Much more at www.mmcourses.co.uk
I'd be very interested to see a video from you on minimalist techniques or just examining the work of a few composers from that broad genre.
@MusicMattersGB
Жыл бұрын
Okay
I'm glad I found your channel. Thank you so much for uploading these videos.
@MusicMattersGB
Жыл бұрын
A pleasure. Take a look at www.mmcourses.co.uk for much more
Thank you kindly🤍
@MusicMattersGB
Жыл бұрын
A pleasure. Much more at www.mmcourses.co.uk
Thank you.. 🙏 Warm cheers😘
@MusicMattersGB
Жыл бұрын
A pleasure. Glad it’s helpful
Just learning how to transpose and this will really help me understand the process
@MusicMattersGB
Жыл бұрын
That’s great. Much more at www.mmcourses.co.uk
I enjoyed it a lot, like Your other lessons. I've profitted immense. Thank You very much. I would like to pass an idea. I've learned that harmonsations of the Baroque and Galant period were based mostly on the Rule of the Octave. I would like to learn how chorals or other period pieces are build, applying the Rule of the Ocatave on a bass melody.
delightful exercise. Instead of leaving the sopranos on a minim "A" in the penultimate bar, I substituted 2 quavers and a crochet A-G-A. Sopranos had an interesting line going. It seemed a shame to stop them dead in their tracks just before the final semi-breve. Looking forward to next Saturday's Maestro's live-streams!
@MusicMattersGB
Жыл бұрын
Good idea! Yes, looking forward to catching up with you at the livestream.
I know it was just a "passing joke" but equating passing notes to chocolate cake made me really laugh AND learn the lesson fully!
@MusicMattersGB
Жыл бұрын
Excellent!
Very helpful. Actually I stopped this once I saw the example, then copied it and worked out a couple of "solutions" myself. I actually thought it was two separate lines at first - all one example - but eventually realised it was only a 4 bar example, not an 8 bar one. However it can work as several phrases put together. Another option is to use triplets to get more rhythmic variety. Finallly I changed the last chord slightly by raising the soprano G to a B. Might be an idea to suggest for others to "have a go" before carrying on with your suggestions. It was good to see what you did with the material after I'd tried.
@MusicMattersGB
Жыл бұрын
That’s great.
I find much of the decision whether and where to use passing tones depends on the text. Creating a melody that bests fits the text often automatically suggests (if not demands) passing tones.
@MusicMattersGB
Жыл бұрын
That’s true
Hi Gareth - once again a very helpful video - I was pleased to be reminded on the rules of 7th falling, 3rd rising. Could the repeated D in sop line bar 2 be enhanced with a neighbour tone? You didn't mention escape / echapee notes - please what "rules" apply to use of these embellishments? Thanks
@MusicMattersGB
Жыл бұрын
Thanks. See our video on Escape notes. Neighbour tones are always a good way to embellish.
Gareth, and yet again except this time you were a week early. Guess what I'm working on this week in Music Theory and Composition 3, that's right, non-chord tones.
@MusicMattersGB
Жыл бұрын
Excellent
Maestro; suffice to say thank you very much, please will you do more videos on passing notes. R
@MusicMattersGB
Жыл бұрын
😀
Very good. Are you playing a real piano or a digital one?
@MusicMattersGB
Жыл бұрын
This is a digital piano.
My problem with the passing tone quavers in the tenor is that there is already a passing tone in the bass, and the accented tenor B clashes with it, which really is a recipe for sounding congested. Cutting the A short so that the B is unaccented and the C is then a crotchet would probably sound smoother. Also, you probably shouldn't make the last beat of the alto line in bar 2 a lower passing note, because you'd then have parallel 5ths with the bass going into bar 3.
@MusicMattersGB
Жыл бұрын
Composers like Bach frequently create that kind of dissonance with double passing notes. It’s amazing how well they can work.
Can we use Non chord tones in the first and third beat of a bar?
@MusicMattersGB
5 ай бұрын
Sure
Is this part of a larger course?
@MusicMattersGB
Жыл бұрын
It’s a taster of our theory courses at www.mmcourses.co.uk
We have to care if those Non Chord tones makes direct or parallels fifths and octaves?
@MusicMattersGB
Жыл бұрын
Absolutely
Some notes are clearly part of the melody but they are labelled as appogiatura why is that so and how do I understand it better ? Thank you 🙏it is a fundamental note and not a melodic decoration
@MusicMattersGB
4 ай бұрын
It’s how the melodic note functions in relation to the chord ie if it resolves by step on to a harmony note.
@sayonara6301
4 ай бұрын
@@MusicMattersGB sorry to further clarify previously , what I can’t understand is , when you look at a piece and the note in question is clearly part of the essential melody but it’s labelled as a non chord tone like the appogiatura. Pls provide me your valuable opinion. Thank you so much
@MusicMattersGB
4 ай бұрын
See if it resolves on to a chord tone by step.
@sayonara6301
4 ай бұрын
@@MusicMattersGB yes it does . It leaps and steps to a chord tone. But why should it be a app when it is part of the essential melody ? :)
@MusicMattersGB
4 ай бұрын
@sayonara6301 It’s simply a melodic decoration