Nothing can be more blissful than pandit Nikhil Banerjee plucking the sitar and reverberating your soul
@mukherjeesamit735 жыл бұрын
Sound can't be more devine than this.. A devine soul only can produce such sound.
@neelmohan20139 жыл бұрын
Grateful thanks for this upload. Anyone who has ever picked up this instrument to play a single note will straightaway recognise the degree of difficulty in Panditji's playing. The word legend is often overstated, and should be reserved for people like Panditji. Sadly, I never heard him live, only realised his greatness posthumously. What a humble person, but what towering notes!
the work of chikari during alaap should b learned from him.. the overuse of chikari by some players during alap these days is many a times irritating....
@maheshandkrishna
8 жыл бұрын
Absolutely. One only hears the chikari and not the Sur. The purity of Sur that Nikhil Banerjee used to produce was unmatched. Plus his vision of a raag, which enabled him to create such a superb landscape. Here lies Nikhil Banerjee (a Caeser among sitar players); whence comes another ?
@romitgupta2832
6 жыл бұрын
Why do sitar players use chikari in alaap at all?
@DebeshDey322
6 жыл бұрын
Look we can't eke out a a piece of music so to fill the gap between the two notes which is also a music, a musician gives a chikari. It sounds good if done properly. Now reflect.
@ilovemahler8348
4 жыл бұрын
@@DebeshDey322 Brilliantly put!
@ilovemahler8348
4 жыл бұрын
@@DebeshDey322 In Nikhil Banerjee's music: between the two notes is silence and because of the way the note before and after is conceived and played that silence-between-two-notes becomes invested with musicality. Some of Beethoven's late compositions had this quality. Chikari in alap is for lesser mortals.
Пікірлер: 29
What a genius!! Brings me to tears.❤❤❤
Nothing can be more blissful than pandit Nikhil Banerjee plucking the sitar and reverberating your soul
Sound can't be more devine than this.. A devine soul only can produce such sound.
Grateful thanks for this upload. Anyone who has ever picked up this instrument to play a single note will straightaway recognise the degree of difficulty in Panditji's playing. The word legend is often overstated, and should be reserved for people like Panditji. Sadly, I never heard him live, only realised his greatness posthumously. What a humble person, but what towering notes!
@sitarnut
8 жыл бұрын
+Neel Mohan Love your words…perfect.
An expression of God through the man
Dhanye huye sunke, shukriya.
Bliss to watch him play.
Pooja and offering for almighty .. namaan
Beautiful, thank you.
incredible
Simply divine.
Touching... Thank you for the upload
Perfection
ty so much
Mone hoi jn emon kichu loker jonno beche thake ta sarthok...
📀📀📀📀
the work of chikari during alaap should b learned from him.. the overuse of chikari by some players during alap these days is many a times irritating....
@maheshandkrishna
8 жыл бұрын
Absolutely. One only hears the chikari and not the Sur. The purity of Sur that Nikhil Banerjee used to produce was unmatched. Plus his vision of a raag, which enabled him to create such a superb landscape. Here lies Nikhil Banerjee (a Caeser among sitar players); whence comes another ?
@romitgupta2832
6 жыл бұрын
Why do sitar players use chikari in alaap at all?
@DebeshDey322
6 жыл бұрын
Look we can't eke out a a piece of music so to fill the gap between the two notes which is also a music, a musician gives a chikari. It sounds good if done properly. Now reflect.
@ilovemahler8348
4 жыл бұрын
@@DebeshDey322 Brilliantly put!
@ilovemahler8348
4 жыл бұрын
@@DebeshDey322 In Nikhil Banerjee's music: between the two notes is silence and because of the way the note before and after is conceived and played that silence-between-two-notes becomes invested with musicality. Some of Beethoven's late compositions had this quality. Chikari in alap is for lesser mortals.
Not from this world Swar coming from heaven.
19:05♡
@saikatdas8472
2 жыл бұрын
21:50
@saikatdas8472
2 жыл бұрын
27:50♡♡