Verdi: Un Ballo in Maschera, Part I
From the Leipzig Opera House, 2006
Chiara Taigi - soprano, Amelia
Massimiliano Pisapia - tenor, Riccardo
Riccardo Chailly - conductor
Eun Yee You Leipzig Ballet,
Choir of the Leipzig Opera
Giuseppe Verdi - Un Ballo in Maschera
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Celebrate a double premier at the Leipzig Opera on November 14, 2005. Riccardo Chailly directs Verdi’s “Un Ballo in Maschera” for the first time in his function as General Music Director of the Leipzig Opera. “Un Ballo in Maschera” is as exciting as a thriller, but with a passion that can only be experienced in a Verdi opera. It stands to reason that only a man of equal passion would have the ability of bringing this spectacle to the stage adequately.
The Italian film director Ermanno Olmi born in Bergamo in 1931 is an exception in Italiancinema. His Films (The Legend of the Holy Drinker, The Tree of Wooden Clogs) have the effect of a cinematic revelation in that they contain a profound beauty rarely seen in contemporary film. The stage design is being created by the sculptor Arnaldo Pomodore. One can only wait for the first collaboration of these three Italian artists in Leipzig!
Пікірлер: 31
Spaventosa Ulrica, tutte belle le voci, anche questo tenorone molto squillante!!
Me gusta. Y me encantó la sibila.
Bravi cantanti tutti, ma soprattutto Vassalli e Oscar
Urica's Aria "Re dell'abisso affrettati" begins at 22:45. Thank You for access to this incredible performance.
I need the full performance please give me invite any where in Italy
I agree!
@luisfernandosuarezcarreno7927
4 жыл бұрын
es un de los mejores elencos interpretando EL baile de mascaras, excelentes voces.
@josemiguelrodriguezsanchez1546
3 жыл бұрын
Lianna. Haroutounian
I agree that costumes ugly , sets too. But acting, singing and orchestra very good and the whole performance has great energy. Overall I found it a very satisfying performance.
@josefernando2334
5 ай бұрын
Completly ugly, bad taste.
Siamo a LEIPZIG (Lipsia), Germania, verso il Nord. I tedeschi non hanno la sensibilita' italiana, per le opere, i costumi sono molto brutti, ma loro fanno spesso cosi' per cambiare, i tedeschi amano di piu' la musica,,,
17:50 volta la terrea
Lianna. Harutounian
24:48
Can't compare with the recording by Maria Caniglia, Gigli, Fedora Barbieri and Bechi, conducted by Tullio Serafini.
Ma il trucco, l'acconciatura e le unghie?
As usual today, the overture is accompanied by the presence on stage of people whom you wonder why they are here and have nothing to do with the action. As for the horrible costumes it corresponds to the actual worldwide bad taste prevailing in arts. One wonders who is the new fool which has staged such a theatrical nonsense. Verdi's libretto is based on a real event which happened in the Sweden court when king Gustave III was murdered in 1772 ( sorry for the previous typing mistake!lol!) in Stockholm's opera house. No use to try to make eccentric costumes without any consistency with the period of the action just to pretend to be original.
@f.javiersalvagarcia1831
3 жыл бұрын
I agree. There is general fear to respect the overture "A sipario calato".
@vittoriomaurinotosi718
3 жыл бұрын
Zźxaààap0
@fabiovaldevit9146
8 ай бұрын
D accordo con Lei .una vero scandalo regia e costumi ..ormai questi strani personaggi che fanno regia di opera li troviamo sempre più spesso .voci diciamo appena sufficienti. .voto di stima
@josepacifico-mc9pr
4 ай бұрын
❤EXELENTE RESPUESTA!!!
Opera tra le più difficili di Verdi, sia vocalmente che per esecuzione orchestrale,a parte i costumi e la regia che non sono il massimo, il tenore è stentoreo,manca di quella leggerezza beffarda che è parte di Riccardo, di Di Stefano e Bergonzi non ha nulla, il resto è quasi silenzio,questo è il mio parere personale
Should be ‘EuroTrash’.
@mistersmith1883
Жыл бұрын
I never understood this insult bc it means the opposite of poor unrefined european ppl
@marcellepesek3038
Жыл бұрын
Ransom Coates, there is a use for that expression, and it doesn't really apply here, except as a "double entendre." This trend of "modernizing" operas and putting the poor singers into ghastly costumes and onto ugly stages has taken over worldwide, unfortunately. I don't know why these directors think they are doing the arts any favors, quite the contrary: the plot is set in a specific time and place, and it often has a great bearing on the plot. What has gotten into even the best theaters of the world that they accept and put on such unviewable productions? Please bring back the operas as they were meant to be presented!
Poveri cantanti, poco diretti e costretti ad indossare dei costumi che non hanno alcun senso. Scene e costumi, così importanti nell'allestimento scenico sono controproducenti e rendono difficile seguire l'opera.
Zero a Pomodoro soprattutto x abiti ma anche scene, secondo me
I'm going to puke at the ugly Costumes. What on earth were they thinking
horrible costumes
Don't watch. Run Save Yourselves! The whole opera was gross. They ruined un ballo in Maschera.
Terrible !!!!!