Verdi’s Aida with Jonas Kaufmann keeps its magnificence whilst avoiding stereotypes

Ойын-сауық

Dutch director Lotte de Beer creates a new take on Verdi’s famous opera by using puppets and by taking a critical look at Europe’s 19th-century history during colonization.
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Пікірлер: 26

  • @nicolehourcade
    @nicolehourcade3 жыл бұрын

    The voice of Radvanowsky still a miracle and Kaufmann stunning, breathtaking performance and il ben zeer blij met de productie van L de Beer🥰

  • @ninastaiger1953
    @ninastaiger19532 жыл бұрын

    I am not ready for this type of production of Aida. The voices are fabulous and the music of course but really, the use of puppets? Why?

  • @chocolatesouljah

    @chocolatesouljah

    2 жыл бұрын

    It feels like a distracting gimmick rather than true innovation. There's an insightfulness to the way someone such as Julie Taymor can bring to the theatre. This seems ill conceived and ultimately mundane.

  • @rivkalevy9431
    @rivkalevy94313 жыл бұрын

    Wonderful production(watched the full opera yesterday). Sublime voices and powerful and very moving ending. Loved it!❤️🌷

  • @utefranke9241
    @utefranke9241 Жыл бұрын

    Was für ein Glück, dass ich die ganze Oper am 21.2.21 aufgenommen habe, auch wenn die Festplatte fast voll mit Kaufmann Opernszenen und Interviews. 👍

  • @RealRyanWorkman
    @RealRyanWorkman3 жыл бұрын

    If alive today, would Maestro Verdi recognize this as a production of Aïda???

  • @bobneu9943

    @bobneu9943

    3 жыл бұрын

    One would assume his imagination remained intact and that he would want his work to remain relevant.

  • @wotan10950
    @wotan109502 жыл бұрын

    Sondra has said publicly that she didn’t understand or like this production. But I think it’s intriguing. I’ve seen countless productions with pyramids and headdresses and all the usual “ancient Egyptian” nonsense. I’m open to something new, although I think this is a bit misguided.

  • @googlefan8990
    @googlefan8990 Жыл бұрын

    This is a little too extreme even for the future generation - and a pretty stupid way to confer this powerful masterpiece - may be the best opera ever written. Not a good idea in my book. The voices are powerful though - that I can say. Seeing Jonas Kaufmann singing to a puppet in his grave in the final act - ridiculous, ludicrous!

  • @Samuel6969ify
    @Samuel6969ify2 жыл бұрын

    un'altra produzione idiota di qualche teatro tedesco. Ma un artista come Kaufmann non potrebbe rifiutarsi di partecipare ad un simile scempio?

  • @unclealand
    @unclealand2 жыл бұрын

    The puppet gimmick was terrible when they tried it in "Madame Butterfly." Here it's obscene and seems to be there in case some of the audience is bored by Verdi.

  • @chocolatesouljah

    @chocolatesouljah

    2 жыл бұрын

    It feels like a distracting gimmick rather than true innovation. There's an insightfulness to the way someone such as Julie Taymor can bring to the theatre. This seems ill conceived and ultimately mundane.

  • @walterharper79
    @walterharper793 жыл бұрын

    THE PUPPET IS UGLY AND TRIBAL ART IS NOT THEY COULD HAVE DONE SOME HOMEWORK

  • @crazyorganist1609
    @crazyorganist16093 жыл бұрын

    Radvanovsky is beautiful in this and is obviously an intelligent singer. Kaufann is just unemotional as usual

  • @jeanottoto2518
    @jeanottoto25183 жыл бұрын

    Beau cast mais hélas mise en scène ignoble , a chier sur la gueule tout simplement a vomir

  • @Morechopinplease
    @Morechopinplease3 жыл бұрын

    That is unspeakably awful.

  • @bobneu9943

    @bobneu9943

    3 жыл бұрын

    I know - Isn't it awful that this Aida doesn't look exactly like every other production that's ever existed? Yawn.

  • @alleviation91

    @alleviation91

    Жыл бұрын

    @@bobneu9943 As we all know the only two choices are between grey/blue puppets, or Egyptian headdresses into perpetuity. Nothing else allowed!

  • @reduxmisc
    @reduxmisc3 жыл бұрын

    Incredibly AWFUL... People like this will be the ruination of Opera!

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